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LALOMIE WASHBURN - TRY MY LOVE

Lalomie Washburn is an US soul vocalist (25th August 1941 - 18th September 2004) from the Soul/Funk 70's band „High Voltage“ who released her solo album, „My Music Is Hot“, in 1977 and collaborated with many artists including Stevie Wonder, Quincy Jones, Chaka Khan and Ray Charles over decades.

In 1992, she released several 12" singles including the independant hit „Try My Love“. This hit single leaded her 1997 second (self-titled) solo album and became a huge Acid Jazz classic to be found on various compilations in the mid to the late 90ts.

In 2005 she was inducted into the Omaha Black Music Hall of Fame.
Now, 20 years later this song still got all the energy and musicality to be back big in the clubs and with the 2024 Boogie Back Remix in the Boogie Funk style on the flipside, DJs will have even more reasons to spin it and prove their love for it…

out of Stock

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Last In: 11 months ago
16,39 €
KAZ HAWKINS - LIVE IN BREZOI (I) LP 2x12"

Originally from Ireland, but now settled in the peaceful countryside of rural France, Kaz Hawkins is the epitome of musical mastery and versatility. With a soul as rich as the music that inspired her growing up in Belfast, Northern Ireland, and a voice that crosses genres with ease, Kaz stands out as a singer, songwriter and performer extraordinaire. Her musical odyssey began decades ago, shaped by a deep love of blues, soul, jazz and folk, which have become her artistic pillars.

Renowned for her spellbinding performances and heartfelt compositions, Kaz has charmed audiences the world over, weaving stories of resilience, love and the human experience through her melodies. A seasoned musician, Kaz's magnetic stage presence has graced countless venues, captivating audiences and leaving them eager for more. Her melodies transcend borders, resonating with diverse audiences and earning her a loyal fan base across continents. Beyond his musical talent, Kaz embodies authenticity, courageously sharing his past marked by domestic violence, depression, drugs and self-harm, inspiring others to find hope through his music and their own uniqueness.

In 2024 and 2025, Kaz is ready to captivate her audience once again with the release of two live albums, "Live in Brezoi (I)" and "Live in Brezoi (II)". These albums capture the raw energy and emotion of her performances, showcasing her unrivalled talent and the undeniable bond she shares with her audience. Another album, different from the blues, is also in the pipeline and is being
produced in Berlin for release in 2025. In addition, Kaz is embarking on exciting collaborations with other artists, infusing her soul essence into collaborative projects. The first is with French soul artist Thomas Kahn in a duet entitled "A Place Like Home", released on January 10, 2024. Other collaborations will be announced shortly.

As she moves forward, Kaz aims to amplify her presence on social networks, creating deeper bonds with her fans and forging a community united by the magic of her music. In a world where melodies paint emotions and lyrics engrave memories, Kaz Hawkins stands as a testament to the power of music, inviting you to embark on an unforgettable sonic journey.

pre-order now20.09.2024

expected to be published on 20.09.2024

31,89 €
Jamie Bissmire - Analogue Ascension

No Signal records is proud to introduce for the 10th release of the label one of the most important producer of all time: Jamie Bissmire. His productions have been central part of the scene through the 90s and the last decades. The UK legend spread the proper techno and electronic vibe with his solo moniker and in collaborations projects like Bandulu and Space DJz satisfying any kind of enthusiastic. The EP starts with the ambient skit "Subteranium", subtle synths and textures combined with a smooth-alternate basslines keep the listener moody and tense for an unexpected start. In Temporal Mst open up the dances. Slightly distorted 4/4 beat track, jam-packed in No Signal style, plucked arps well arranged for an elegant swing. Lore & Order is the match up to lead the dancefoors and listeners into more gloomy and wicked mood. Different sequenced synths wrap the drum groove for an hypnotic, yet enchanting and dreamy moving session. The Tapestry of Fate is definitely a massive Jamie Bissmire's signature track. Total ensemble of Ground Recordings releases, wicked patterns, dark mood and relentless pressure. Dancefloors will go mad for it. Antediluvian Analogue closes the shakers with a more modern vision, high cut on bass synth and 2/4 bleepy synth for a step-forward march. Woven Whispers closes the EP as Subteranium opened. Gloomy and dark mood, effective and reverberated synths in full shaded ambient atmosphere to stun the listener and bring it into a different sound dimension.

out of Stock

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Last In: 6 months ago
12,56 €
Nightwish - Yesterwynde LP 2x12"

Nightwish

Yesterwynde LP 2x12"

2x12inch4065629725419
Nuclear Blast
20.09.2024
also available

White[36,93 €]


"They are the Finnish / Dutch / British troupe NIGHTWISH – one of the most fascinating rock bands of the last decades, whose enigmatic paths have proceeded from acoustic passages to symphonic heavy metal and from catchy folk to progressive majesty. If there is one trait the band has year after year, it might be this: expect something familiar but also expect the unexpected. NIGHTWISH has indeed broken all kinds of boundaries – never deliberately, but perfectly naturally.
Now guess what? NIGHTWISH's new studio album ""Yesterwynde"" – the band's tenth overall – is no exception to the rule. But it is more...

“""Yesterwynde"" took more time to make than any previous NIGHTWISH album”, nods keyboardist Tuomas Holopainen, who once again envisioned most of the material. ""The new album was intensively worked on for 3,5 years. My ambition and piety really skyrocketed, and I just couldn't let go of the creative process – and didn't want to. Along the way, ""Yesterwynde"" became both an exhilarating obsession and a comforting haven for me. All aspects of the making – compositions, lyrics, arrangements, cover art, videos, mixing and so on – were given more attention than ever before.""
The result? There's a fascinating, but inexplicable feeling that NIGHTWISH has once again been able to find unprecedented nuances, spices and perspectives in their new works – exactly: after a career of nine classic albums. """"Yesterwynde"" is an experience that takes time to digest. The gravid ingredients of the songs are easily recognizable, but beneath the surface lies a large number of intriguing details and features"", Holopainen describes.

""It's interesting – but not surprising – that ""Yesterwynde"" has attracted quite a variety of opinions. Some have stated that it is the most 'band' record to date. For some it appears to be the heaviest and most ominous NIGHTWISH release. It has also been called our most progressive album. And the list goes on.""
And what does Tuomas think of it himself?
""To me, ""Yesterwynde"" sounds, tastes and feels strongly like the true essence of NIGHTWISH – enriched with new moods and flavors.""

The lyrics of ""Yesterwynde"" deal with large-sized universal themes: memories, mortality, humanism, time and much more. ""The new album is the conclusion of the trilogy – textually it follows in the footsteps of its predecessors ""Endless Forms Most Beautiful"" and ""Human. :II: Nature."""", Holopainen says. ""At the same time, ""Yesterwynde"" is the band's most lyrically driven album: our music has never been so 'married' to the lyrics. So here's a tip: if something in the composition puzzles you, the words might clear it up.""
""For me, one of the key lines is 'we are because of a million loves' – taken from the song ""Perfume of the Timeless"". Each of us is part of an unbroken chain that stretches back billions of years. If even one of your ancestors had died too young – mauled by a cave bear, for example – during this incredibly long period of time, you would never have been born. In other words: our existence is such an unfathomable privilege!”

What does the term 'yesterwynde' mean?
""It describes a feeling that cannot be found in any human language. That's why we had to invent a whole new word. The album is supposed to open that feeling to the listener.""
Without taking anything away from the solid delivery of guitarist Emppu Vuorinen, drummer Kai Hahto, bassist Jukka Koskinen and multi-instrumentalist/singer Troy Donockley, it might be worth highlighting one fact: the performance of the eloquent storyteller Floor Jansen is once again unparalleled. It is simply breathtaking how the singer is able to make songs fly with her performance. ""Floor's second child was born just over a month ago, and we hadn't rehearsed together at all... So it was a little nerve-wracking to go to Floor's home studio for vocal recordings. Well, what happened? We had booked twelve working days and after six days everything was completed in style. Floor's preparedness for the sessions was something extreme!""

After the recordings and mixing process, there was one more working phase. Mastering. Could you possibly guess that no shortcuts were taken at this point either?
""The album was mastered seven times until we reached the finish line – one hundred percent satisfied!"", states Tuomas. ""When the record was eventually finished, a three-year, extremely inspiring adventure had come to an end. I felt very, very happy.""
NIGHTWISH's next steps are clear. And they are not the most common ones.
""NIGHTWISH will not go on a world tour this time. This was a decision made for personal reasons. But don't worry... Our contract with Nuclear Blast Records includes several albums, and there's plenty of motivation to create new music!""
May the dream continue...
"

pre-order now20.09.2024

expected to be published on 20.09.2024

27,86 €
Nightwish - Yesterwynde LP 2x12"

Nightwish

Yesterwynde LP 2x12"

2x12inch4065629725440
Nuclear Blast
20.09.2024
also available

Black[27,86 €]


"They are the Finnish / Dutch / British troupe NIGHTWISH – one of the most fascinating rock bands of the last decades, whose enigmatic paths have proceeded from acoustic passages to symphonic heavy metal and from catchy folk to progressive majesty. If there is one trait the band has year after year, it might be this: expect something familiar but also expect the unexpected. NIGHTWISH has indeed broken all kinds of boundaries – never deliberately, but perfectly naturally.
Now guess what? NIGHTWISH's new studio album ""Yesterwynde"" – the band's tenth overall – is no exception to the rule. But it is more...

“""Yesterwynde"" took more time to make than any previous NIGHTWISH album”, nods keyboardist Tuomas Holopainen, who once again envisioned most of the material. ""The new album was intensively worked on for 3,5 years. My ambition and piety really skyrocketed, and I just couldn't let go of the creative process – and didn't want to. Along the way, ""Yesterwynde"" became both an exhilarating obsession and a comforting haven for me. All aspects of the making – compositions, lyrics, arrangements, cover art, videos, mixing and so on – were given more attention than ever before.""
The result? There's a fascinating, but inexplicable feeling that NIGHTWISH has once again been able to find unprecedented nuances, spices and perspectives in their new works – exactly: after a career of nine classic albums. """"Yesterwynde"" is an experience that takes time to digest. The gravid ingredients of the songs are easily recognizable, but beneath the surface lies a large number of intriguing details and features"", Holopainen describes.

""It's interesting – but not surprising – that ""Yesterwynde"" has attracted quite a variety of opinions. Some have stated that it is the most 'band' record to date. For some it appears to be the heaviest and most ominous NIGHTWISH release. It has also been called our most progressive album. And the list goes on.""
And what does Tuomas think of it himself?
""To me, ""Yesterwynde"" sounds, tastes and feels strongly like the true essence of NIGHTWISH – enriched with new moods and flavors.""

The lyrics of ""Yesterwynde"" deal with large-sized universal themes: memories, mortality, humanism, time and much more. ""The new album is the conclusion of the trilogy – textually it follows in the footsteps of its predecessors ""Endless Forms Most Beautiful"" and ""Human. :II: Nature."""", Holopainen says. ""At the same time, ""Yesterwynde"" is the band's most lyrically driven album: our music has never been so 'married' to the lyrics. So here's a tip: if something in the composition puzzles you, the words might clear it up.""
""For me, one of the key lines is 'we are because of a million loves' – taken from the song ""Perfume of the Timeless"". Each of us is part of an unbroken chain that stretches back billions of years. If even one of your ancestors had died too young – mauled by a cave bear, for example – during this incredibly long period of time, you would never have been born. In other words: our existence is such an unfathomable privilege!”

What does the term 'yesterwynde' mean?
""It describes a feeling that cannot be found in any human language. That's why we had to invent a whole new word. The album is supposed to open that feeling to the listener.""
Without taking anything away from the solid delivery of guitarist Emppu Vuorinen, drummer Kai Hahto, bassist Jukka Koskinen and multi-instrumentalist/singer Troy Donockley, it might be worth highlighting one fact: the performance of the eloquent storyteller Floor Jansen is once again unparalleled. It is simply breathtaking how the singer is able to make songs fly with her performance. ""Floor's second child was born just over a month ago, and we hadn't rehearsed together at all... So it was a little nerve-wracking to go to Floor's home studio for vocal recordings. Well, what happened? We had booked twelve working days and after six days everything was completed in style. Floor's preparedness for the sessions was something extreme!""

After the recordings and mixing process, there was one more working phase. Mastering. Could you possibly guess that no shortcuts were taken at this point either?
""The album was mastered seven times until we reached the finish line – one hundred percent satisfied!"", states Tuomas. ""When the record was eventually finished, a three-year, extremely inspiring adventure had come to an end. I felt very, very happy.""
NIGHTWISH's next steps are clear. And they are not the most common ones.
""NIGHTWISH will not go on a world tour this time. This was a decision made for personal reasons. But don't worry... Our contract with Nuclear Blast Records includes several albums, and there's plenty of motivation to create new music!""
May the dream continue...
"

pre-order now20.09.2024

expected to be published on 20.09.2024

36,93 €
SCORN - THE ONLY PLACE LP 2x12"

Combining the signature soundscapes of Scorn with tartareous textures, the current album "The Only Place" reaches a psychedelic groove, based on what Harris calls "Pushing an original idea further" with his own shades of light and dark and celestial electricity of what SCORN is. These 10 tracks add elements unheard in Scorn since Evanescense and Gyral - ethereal ambiences and floating, near-melodic-but-not-quite moments, a signature of Harris' abilities to generate feelings in a lost world of his own creation. Mick Harris is one of the world's greatest compositional treasures. Starting his career as the energy dynamo behind the drum kit of the UK's Napalm Death, he made the term Blastbeat a household reference, wrote the band's music on his mother's one string guitar, and joined the Guinness Book of World Records for composing the world's shortest song. In the decades succeeding, he has re-inventedmusic several more times, from the wild abstract jazz of Painkiller with John Zorn and Bill Laswell, to the drowning ambience of his Lull project, all while continuing to build a world that he can truly call his own - the dark post-dub of SCORN. "Reaching 54 this year - this won't stop the challenge, driving me more so now than ever" - says Mick Harris, commenting on the recent phase in his creativity. The pandemic isolation and lockdown pushed the work of the maestro more than anything else could have. In 2021, his output is ever-increasing, releasing the newest collabs with Justin K. Broadrick and the single "Distortion", featuring one of the most outstanding voices of hip-hop - Kool Keith - his closest collaborator, Ohm Resistance founder - Submerged. Commenting on the release of "Distortion", Mick Harris said to mxdwn: "I enjoy collabs - they bring something different to the swim." Working on his own and collaborating with everyone from Sleaford Mods' James Williamson, on the previous SCORN release or with Kool Keith and Submerged on "Distortion", Mick Harris never had problems with putting energy into beats and sound landscapes, combining various surreal elements with three basic elements that always push Harris further, that are extremely crucial for both Mick Harris and SCORN as a project - frustration, anger and anxiety. 2024 vinyl version on orange coloured vinyl!

out of Stock

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Last In: 17 months ago
27,52 €
Aristidez - Uncultured Rhythms

DJ Support: DJ Sabo, Gordon Invisible Inc, Ground Chill Mountain, Roe Deers, Thomas Von Party, Vidis

Multi Culti serve up a full-length treat from Peruvian artist Aristidez. Cofounder of Lima-based party collective Casa Locasa and the non-profit label Behua Icara (translated as Healing Rhythms), in support of indigenous culture, Aristidez has recently relocated to Berlin. With releases on Calypso, Disque-Discos, and Kebrada, as well as remixes for Amplio Espectro, Ida Sound, Discos Aquelarre, Rotten City Files, and Playground Records, Aristidez has quietly made a name for himself with a growing catalog of low-key dance tracks that have been championed by the likes of Matias Aguayo, Andrew Weatherall (RIP), and Inigo Vontier, to name a few. With an emphasis on the hypnotic power of rhythm, Aristidez channels indigenous influences in subtle fashion, alluding to visionary experience without resorting to pastiche or obvious tropes. There are freaky tribal rhythms but no shaman samples, just expertly produced tracks than reveal an expansive set of electronic influences that range across tempos and decades, from breaky 90s rave, 80s proto-trance, cult dub, downtempo and more. It’s listenable, danceable, heady and kaleidoscopic stuff that should stand the test of time.

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Last In: 20 days ago
20,59 €
Michael Giacchino - Exotic Themes From The Silver Screen - Volume One

Mutant is proud to present Academy Award-winning composer Michael Giacchino's latest album, Exotic Themes for the Silver Screen – Volume 1, featuring iconic scores from Giacchino's extensive portfolio rendered in the retro lounge style of Exotica from the 1950s.



“It's no secret that we at Mutant are huge fans of Michael Giacchino,” says Spencer Hickman, Co-Founder of Mutant. “We're excited to release a retrospective of his astonishing three decades as a composer. Rather than just curating a simple compilation of his previous works, Michael went back into the studio, rearranged and re-recorded every major theme from his career. These tracks have been recorded in an Easy Listening style inspired by such greats as Martin Denny and Les Baxter, creating not just a unique and incredible look back at some of the most beloved movie and television themes of the modern age, but also bringing a fresh, exciting take to the beautiful journey he has taken us all on with him. It feels like you are discovering these songs for the very first time: timeless, beautiful, and a joy to listen to. These newly recorded themes transport you to a far-off sunset, looking out at the ocean, complete with a cocktail in hand, providing a much-needed escape from the stress of modern times, and we can all agree that is something we all crave right now.”



Exotic Themes for the Silver Screen – Volume 1 spans nearly two decades of Michael Giacchino’s music, from his early video game scores to his television hits and blockbuster films. The album transforms these works through the lens of Exotica, replacing epic strings and thundering drums with vibraphones and marimbas.



“This album was inspired by the work of Arthur Lyman and Martin Denny,” says Giacchino. “What would they do with the Star Trek theme? Or video games like Medal of Honor? It was a way for me to play in that world I loved so much growing up. I thought it would be fun to create a fantasy world, where this album was recorded back in 1967 and then lost, only to resurface today.”

The album showcases Giacchino’s unerring talent for melody, stripping down grand symphonies to their essential elements while retaining their aesthetic and emotional core.



“So much was rooted in the big orchestral sound, so it was really about scaling it back. The real trick is figuring out the little fun hooks and things you can add along the way. There were no rules; I was up for anything. It was a way to re-engage with the material and be creative in a new way.”



Exotic Themes for the Silver Screen – Volume 1 includes an array of reinterpreted pieces from Michael Giacchino’s career. Highlights include ‘Primordial Forest’ from the 1997 video game The Lost World: Jurassic Park, ‘Life and Death’ from Lost, the theme from Ratatouille, ‘Roar!’ from Cloverfield, ‘Enterprising Young Men’ from Star Trek (2009), ‘A Man, A Plan, A Code, Dubai’ from Mission: Impossible - Ghost Protocol, and a Super 8 suite.



Featuring package design by Luke Insect, and liner notes by Charlie Brigden.

pre-order now13.09.2024

expected to be published on 13.09.2024

49,54 €
Various - Twisted Dream Machine/Paisley Underground 1982-86 (LP 2x12")
 
22

Futurismo proudly present a celebration of the Paisley Underground scene with TWISTED DREAM MACHINE The Paisley Underground / California’s Psychedelic Renaissance: 1982-1986, the next volume in their Altered Vision compilation series.

This collection draws from the neo psychedelic movement that took hold in California during the early to mid 80’s, one that melded the psychedelia, country, garage rock, avant-garde and pop of the 60’s with the DIY ethos of the then burgeoning punk scene, a hypnotic amalgamation of sound that came in staunch contrast to the blown out sonic excesses of the time.

Twisted Dream Machine takes you on a trip from the city to the desert, as the kaleidoscope of noise drifts from the The Dream Syndicate’s Velvet Underground inspired take on Crazy Horse and The Three O’Clock’s chiming baroque powerpop, to Rain Parade’s dreamy Beatlesesque melodies and the Bangles hook-laden Love inspired pop. Also featured are the wondrous sounds of Green On Red, The Long Ryder’s, Game Theory, True West, Thin White Rope and others highly worth your attention. If you are not familiar with some of the bands here, you will surely question how that is possible. The Paisley Underground, if anything, encapsulated a certain musical mindset, an outlook where the past and the future would collide in the moment. This thread would bond the bands, yet each honed it’s own sound in a twisted incarnation of the seeds planted two decades earlier. Whilst the ‘scene’ did remain contained, its influence did in fact spread throughout mainstream culture as the Bangles stuck a chord into the heart of MTV, whilst Prince took inspiration from the movement in his own songwriting and the naming of Paisley Park, as well as signing The Three O’Clock to his label and writing one of the Bangles biggest hits.

As you listen to the tracks on Twisted Dream Machine you will be reminded that there is still music left to discover and inspire, this compilation is aimed to hopefully delight longtime fans, as well as ignite a passion for those new to the bands. The Paisley Underground was the sound of neo psychedelic rock, it was subterranean pop...in

the classic sense, it was alternative rock before the term existed, a distillation of the fundamentals present at the dawn of rock ‘n’ roll, with a twist. The bands of the Paisley Underground may have been writing out of their own time, but as you listen to them in today’s context these songs should be heard as landmarks, rather than throwbacks. After all, nothing this good should stay underground. This 2xLP comes on limited edition coloured vinyl, it is housed in a gloss laminated outer sleeve with colour inner sleeves and contains a large fold-out poster with unseen photos and liner notes by Lisa Fancher of Frontier. Also available on CD with Gloss laminated Sleeve and Fold Out Poster.

pre-order now13.09.2024

expected to be published on 13.09.2024

44,50 €
EDMUNDO ARIAS - GUEPA JE! CUMBIA, PORRO & THE SOUND OF COLOMBIA’S CARIBBEAN & PACIFIC COASTS LP 2x12"

This album takes you back to Colombia of the 50s and 60s. In those days, the tropical music of the Caribbean and Pacific coasts took over the country's mainland music scene by storm. One of the key figures during this period was Edmundo Arias. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music.

He was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries. With this album we hope to highlight the amazing legacy Edmundo Arias has left us. Think of big bands with sharp dressed musicians playing the finest cumbias, porros and other tropical sounds in fancy ballrooms on a hot evening in Medellin or Bogota.

Liner notes:

Edmundo Dante Arias Valencia was born in Tuluá, Valle del Cauca, on the 5th of November 1925. He came from a family of musicians. His father, Joaquín Arias Cardoza was a band leader and composer who taught his children to play music. Arias learned to play many instruments such as the guitar, bass, bandola (pear shaped string instrument related to the mandolin), tiple (12 string guitar), clarinet and saxophone. He proved to be a very talented musician and together with his father and his older brother Ricaurte he formed the ‘Trio Arias’. The family lived in different cities across Colombia depending on where they found work. When his father died unexpectedly in 1948, Edmundo and Ricaurte had to support their family working as musicians. In 1951, Arias decided to move to Medellín, in those days the heart of the Colombian music industry and the city where the most important record companies and the best musicians were based. It didn’t take long before Arias made a name for himself as a musician, composer, arranger and band leader for Colombia’s leading labels at the time; Zeida, Ondina, Silver and Sonolux. For the latter, he would eventually become the artistic director. Over the years, he wrote hundreds of songs, recorded many albums with his own orchestras or with the Orquesta Sonolux and collaborated with a countless number of musicians, often uncredited.

Together with Lucho Bermúdez and Pacho Galán, Edmundo Arias is seen as one of the ‘big three’ composers of the tropical music of Colombia. But despite the fact that Arias was renowned, very little is known about his personal life. He was a humble man who preferred to work in the background and avoided being in the spotlight at all cost. He declined interviews and kept away from public life. On some live performances of the orchestra that carried his name, Arias asked one of his musicians to pretend to be him, so that he wouldn’t have to come on stage. You might think that Arias was shy or anti-social, but this was not the case. Most people he worked with described him as a very jovial, good humoured person and enjoyed working with him.

His invisibility in public life belied how present he was behind the scenes. If he wasn’t working on his own productions, he was regularly collaborating with other musicians. Arias had his hand in the work of many of his colleagues and was a mentor for young artists. Some even say that in those days all the musicians in Medellín had worked with Arias in one way or the other. He had a strict working regime: composing, arranging and recording at night while sleeping during the day. He was also very productive. The story goes that on one occasion, he wrote arrangements for a 16 piece band in just a few minutes while the band was recording another song. His hard work and productiveness resulted in hundreds of compositions and many records that carry his name.

Edmundo Arias’ career ran over 6 decades until his death on the 29th of January 1993. Over the years, he left us a huge legacy. The songs on this record are a selection of his work during the 50s and 60s. Many see this period as the absolute highlight of his career. We picked out the songs we consider to be the most outstanding recordings from this period. The title of this compilation Guepa Je! is Colombian slang often used in cumbia to express joy or to celebrate. A free translation would result into something like ‘yeah’, ’let’s go’ or ‘groovy’. I guess this title says enough. Enjoy the music. Guepa Je!

out of Stock

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Last In: 16 months ago
28,78 €
Robyn Hitchcock - 1967 - Vacations In The Past LP

Robyn Hitchcock is a rock’n’roll surrealist. Born in London on March 3rd, 1953 he describes his songs as “pictures you can listen to”. As much a child of Dali, De Chirico, and JG Ballard as of his 1960s musical heroes, he is a master of the absurd, reveling in the beauty of the unexpected. His first publicly visible band The Soft Boys (1976 - 81) has remained an influential art-rock touchstone for generations of musicians. “I just want to be an obscure cult fringe,” he told the NME in 1978; the NME didn’t believe him, but he’s been true to his ambition. Without ever breaking the surface of pop culture Hitchcock has floated at a tangent to the mainstream for nearly 5 decades. His songs have been performed by REM, The Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead among others. A confirmed outsider, he nonetheless has devoted listeners around the world who attend his concerts, and also tune into the online streaming shows Robyn seasonally does with his wife, the singer Emma Swift. In 1996 he was the subject of Jonathan Demme’s in-concert film, ‘Storefront Hitchcock’. Robyn Hitchcock came of age in the 1960s when he attended Winchester College, an eccentric hothouse boarding school in the south of England. This is the subject of “1967”, which is both a memoir and an album, due for release in June this year. The memoir is a book “1967: How I Got There And Why I Never Left”, describing how the music of Bob Dylan, The Beatles, Jimi Hendrix and others drastically transformed the direction of his life when he left home for this strange new world. The companion record album “1967: Vacations In The Past” is a selection of the (mostly) hit songs of that year, re-recorded acoustically by Robyn with the help of some friends in Cambridge, San Francisco, and Sydney. He is currently preparing new material to release in 2025. “I like to keep busy”, he says: “We have all eternity to not exist”.

pre-order now13.09.2024

expected to be published on 13.09.2024

22,65 €
Lily Kershaw - Pain & More

LA-based singer-songwriter Lily Kershaw returns with Pain & More, her new concept album that is a collection of exquisitely heartbreaking, proof-of-life ruminations about existing behind a pall of melancholia. Collectively, they feel like a lifetime of repression, suddenly liberated. Central to Lily’s narratives is the idea that others will probably relate to, or benefit from, her pain. Humbled yet highly melodic, the facetiously named Pain & More is an emotionally tactile album that confronts the many incarnations of the prolonged, persistent depression that has shrouded Lily’s life for decades. It may be her third full-length, but it’s her defining moment -- a vivid, if sometimes uncomfortable, whirl of the angst and hope.Lily released her debut album Midnight In The Garden in 2013, featuring break-out single “As It Seems.” The album scored millions of streams and critical acclaim, and in the following years she landed multiple syncs on shows like Criminal Minds, Grey’s Anatomy, Finding Carter, Ted Lasso and more. She followed it up her 2018 EP Lost Angeles and her 2021 sophomore album Arcadia, which received acclaim from Nylon, American Songwriter, Vulture, Earmilk, Refinery29, CNN and more. Along the way, Lily cut her teeth on tours alongside Radical Face, Mason Jennings, The Weepies, and Joshua Radin, to name a few, and today has amassed more than 80 million streams.

pre-order now13.09.2024

expected to be published on 13.09.2024

23,74 €
ZENANA - WITCHES

Zenana

WITCHES

12inchRHRSS37
Rush Hour
12.09.2024

2024 repress

Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘MFR’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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WHITE HILLS - BEYOND THIS FICTION LP

"One of the best bands to come out of NYC since who gives a shit." -CVLT Nation. When you enter White Hills' lair in Brooklyn, the duo's insatiable desire for music and art is immediately palpable. Crates of vinyl from floor to ceiling line the long hallway. Guitars appear at every angle, one lying across a sofa in obvious mid-play with others in cases tucked beside amplifiers into every conceivable corner. Synthesizers and cables cover the purple satin bed while gouache paintings in various stages of progress strewn the floor. Album covers, movie posters, books, paintings, prints and souvenirs of subversive culture occupy the remaining wall space. A sanctuary of adoration, creation and imagination, it's also the nerve center of their record label Heads on Fire Industries and the site where the final mixes of their latest album Beyond This Fiction took shape. For nearly two decades, White Hills have been blowing minds with their sonic alchemy: a unique mix of neo-psychedelia, art rock, and post-punk- at once original and recognizable. Their cult reputation emblazoned in celluloid following their performance in Jim Jarmusch's sultry vampire romance Only Lovers Left Alive, the duo has toured vigorously since their inception. With a vast catalogue that astounds and a relentless punk ethos, time seems to energize the duo, making them increasingly daring and prolific. "Music creates a bliss beyond sex and drugs," professes one-woman rhythm section Ego Sensation. "We'll never stop making music. It's the highest high to be had in life." Founding member Dave W, whose signature other-worldly guitar sorcery defines the White Hills sound, grabs his Les Paul to record a melody lingering in his head from last night's dream before it escapes. Outside, the sound of passing sirens, honking horns and bits of conversation remind you that you're in the middle of New York, a city so flush with rock legacy and artistic innovation it would take lifetimes to drink it all in. A voice from outside shouts, "This shit is going for 3! These people got to be out of their fucking minds!" Dave shakes his head and laughs, "There's no place I'd rather be." Committed to a vocation marked by extremes, doubt, struggle and moments of ecstasy, Dave and Ego continue this torrid affair with music bearing their latest fruit Beyond This Fiction. Inspired by the ideas of Joseph Campbell, the writer/philosopher known for the book The Power of Myth, the album explores the idea of "riding between opposites"- forging one's own path unrestrained by the dualistic constraints of society. It's a cry to all the seers among us- call us outsiders or rebels- who feel smothered by convention and see nonconformity as the gateway into divine mystery. Recorded with Martin Bisi, known for his iconic NYC sound developed through his work with no-wave titans Sonic Youth, Swans and Lydia Lunch, Beyond This Fiction sees Dave W (guitar/vocals/synths) and Ego Sensation (drums/bass/vocals) orchestrating their distinct guitar heavy meditations into songs with a stronger focus on vocals than previous albums. Opener "Throw It Up In The Air" and closer "Beyond This Fiction" both have a lush quality that flirts with shoegaze. "Killing Crimson", a song that takes inspiration from Killing Joke and King Crimson, has a driving beat and a catchy hook that begs for a sing-a-long. "The Awakening" plunges into the meditative ambient abyss the band is well known for, featuring the unique voice of frequent collaborator poet Dan McGuire to deliver the meaning behind Beyond This Fiction. The album harnesses the seductive accessibility of 2015's Walks For Motorists while evoking the tempestuous soul of the band's seminal 2011 H-p1. Notorious shapeshifters, White Hills make Beyond This Fiction a familiar surprise. Back in the lair, Dave draws eyes on his hands in preparation for the day's video shoot. Ego reaches in the closet pulling out the red velvet jacket she wears on the cover of Beyond This Fiction where she stands in a NYC alley holding a glowing orb. "That's the portal- the gateway into the mystery. The music will take you there.".

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28,53 €
Razen - Rain Without Rain LP

Razen

Rain Without Rain LP

12inchTAL033LP
TAL
10.09.2024

Rain and experimental music have had an interesting connection for decades. Under the umbrella of American film music promotion, Hanns Eisler was already looking for "Vierzehn Arten, den Regen zu beschreiben” (fourteen ways to describe the rain) in 1941. A good 20 years later, The Cascades interpreted the periodicity of rain as a rhythm of mourning. For the Beatles ("If the rain falls, they run and hide their heads"), the precipitation inspired the band to use backward running tapes. However, it seems that there has always been a lot of rainfall in popular music. In the early seventies, David Toop and Paul Burwell even had a band project with the great name Rain In The Face...

That was a long time ago and today, rain, which in the age of climate catastrophe mainly occurs as heavy rain or an enervating endless loop, has lost a great deal of its inspiring quality. Perhaps as a reminder of the musical quality of rain, but knowing full well that it can only be enjoyed in theory, Razen call their new album "Rain Without Rain". In the music of the Brussels collective led by the two multi-instrumentalists Brecht Ameel and Kim Delcour, it certainly pours down on the roofs. In fact, the album opens with the sound of pouring rain before we hear the sequence of an oscillator played through a guitar amp on the first track „Lazy, Lazy Eye“.

The album is the captivating result of an one-night mobile studio field recording in an abandoned pedestrian tunnel in the centre of Düsseldorf, and it is finding beauty with brutal(ist) means: recorder, oscillator, guitar amp and reverberation, two musicians and four microphones, early electronics versus Early Music. “Suicide meet Hildegard von Bingen”, as Stefan Schneider, who recorded the session, admits. “Ghostly occurrences”, he adds.

Brecht Ameel states: “We do put a lot of weight and care on acoustics. On some of our recordings, the room acts as another band member, or as the main ‘mixing board’. Most of the albums we have recorded so far are not mixed in the traditional sense: they are simply „captured”, and we let the room decide what is left on the tapes. The studio recordings, then, give us the possibility of bringing other elements to the fore; precision of interplay, or tiny variations in breathing.”

The group Razen exists since 2010 and has since released numerous records on labels such as KRAAK, Marionette and Hands In The Dark. "Rain Without Rain" is their debut on the Düsseldorf label TAL. If there has been an increased international interest in experimental music from Belgium in recent years, this is not least due to musician collectives such as Razen. In terms of its electro-folkloristic intensity and instrumentation, Razen's music is quite unique worldwide. What does Razen actually mean? “We took the word from a poem by Paul Van Ostaijen, not specifically because of its meaning but because of the way it looked on paper”, Ameel explains. “But the meaning goes in the direction of ‘thundering / raging / speeding’ … although we prefer playing with a strong notion of restraint, building our world from (and with) silence.”

Olaf Karnik, Köln 2024

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23,99 €
Various - Place: Tunisia curated by Azu Tiwaline and Shinigami San

Place: - Air Texture’s regional nonprofit series focused on local environmental causes, features Tunisia for its next in the series curated by Azu Tiwaline and Shinigami San.

As old veterans of electronic deep explorations they are driven by the aim to provide a general view and an état des lieux of the electronic microcosm of this scene supporting its different directions and creative aspects. This compilation is an invitation to have a deep dig into electronic Tunisia.

The artists curated to participate represent different backgrounds and musical perspectives. From score composers to established producers, crossing the path of more experimental ones the curators offer a large view of the ensemble of the different electronic approaches in Tunisia. Different generations are also meeting through this compilation, regrouping almost four decades of producers and sonic creators.

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11,05 €
CALLAHAN & WITSCHER - THINK DIFFERENTLY LP

`Think Differently' is the debut LP by the duo of Callahan & Witscher. Jeff Witscher has been one of the most daring voices in underground American music for two decades, highlighted by releases on Pan and NNA Tapes. Jack Callahan's focused, uncompromising approach to sound caught the attention of both Demdike Stare's DDS label and Swiss composer Jürg Frey, who took Callahan on as his first composition student. Fans of their individual work might expect opacity, disruption, or rhythmic irregularity from their collaboration, but `Think Differently' sounds like a pitbull in a convertible, a sand-kicking beach party, the dopamine hit you get from 311 or Smash Mouth. It's a punchy, crunchy, highly infectious record. How did Callahan & Witscher cut the path from the ghostly margins of avant garde musics to the gutters of post-grunge American hard rock? In the words of Callahan, "at some point, you start to need a stronger drug." The most potent characteristic of this stronger drug is the guitar. And not just any guitar, but a sassy, contagious, blithe guitar. Its presence is a drastic shift for two guys who've combined to make dozens of records over the years, not a single one of which has a recognizable guitar sound on it. Alongside the cool breezes and hyperactive fretwork of Callahan's guitar playing, the songs are backboned by strutting, groove-happy vocals: all bark, all bite. Every song is a careful collage, light but dense, ornate with gang choruses, soulful femme vocals, autotune and whisper scratches. This accumulation almost manages to hide the record's potent undertow of dread. `Think Differently' unfolds carefully, a slow-motion demolition that reveals the anxiety of second guessing, the exhaustion of tour, creative bankruptcy, willful misunderstanding, the pain of caring. Setting this lyrical cynicism against such sonic glee isn't a spoonful of sugar, it isn't a bait-and-switch, it isn't a prank. After all, the dumb bliss of Sugar Ray's "Fly" shades a song about Mark McGrath's mom dying. "All Star" is about climate change. Most Sublime lyrics are a bummer. But there's still room for a raised beer, for a dumb grin. Like these ancestors, Callahan & Witscher aim at maximum uplift, at sounds that warm and dazzle like a sped-up sunrise. In spite of overdraft fees, in spite of bad art, in spite of self-doubt.

pre-order now06.09.2024

expected to be published on 06.09.2024

22,65 €
KATO HIDEKI & KRAMER - THE WALK

Kato Hideki&Kramer

THE WALK

12inchSHIMMY2025
SHIMMY DISC
06.09.2024

Kato Hideki's Statement: "The Walk is the first collaboration between me and my brother from another mother, Kramer. We started working together in the late summer in 2023, discussing the thematics and the sonic palette of the album. We shared strong connections with the writings by Robert Walser and Basho - both of them walked, dreamed, lived and died on the road. Ambient music was our natural plane for us to transduce the power of their literature into our music as signifiers. Neither of us imagined just to make 'another ambient record', nor a direct translation of their writings. My instinct was to use various modal colors with modulation - slow yet structured music that sounds deceivingly similar to ambient music. Kramer's genius was apparent to me: his ability to elaborate the music as a composer / musician with his keen ears; to frame the album conceptually, sonically and musically as a producer. What you hear in this album is a true collaboration between two artists who trusted each other to let the music transcend. Here you have it, enjoy YOUR walk - dream, live and die well!" Kato Hideki - Brooklyn, NY on April 3rd, 2024 Kramer's Statement: "Sometime in the latter 20th Century, I became aware of the art of The Brothers Quay, two American animators living in London and making the most beautiful works of art I'd ever experienced in cinema. I noted that some of their work was inspired by_ 'the writings of Robert Walser'. Fast forward to 2024 and I have now read every word there was to read (translated into English) by this unique Swiss-German writer. I'd waited decades to find the right 'environment' in which to create music in dedication to this great prose writer and poet, and in 2023, I found that it was not 'the right environment' that I'd been waiting for, but rather, the right collaborator. Kato Hideki and his extraordinary work as composer for film, dance and just about every other creative discipline you can imagine, was equally as inspiring to me for this project as the words and worlds of Walser and Basho. Our journey in collaborative composition began all over the global map, but arrived at the same physical endpoint, and at the very same point in time. I'm not sure that I would even be interested in music at all, unless there were other artists to partner with as I worked. Working alone means Nothing to me. This months-long act of co-creation i have shared with Kato for "THE WALK" has made me as happy to be alive as Walser and Basho were so happy to be alive while on their walks, as evidenced by their extraordinary descriptive powers, knowing that the world around them - so simple yet so very complex - made life so wondrous, and so well worth the sometimes seemingly insurmountable struggles of finding a way to survive Today, so that we might try again Tomorrow." - Kramer, April 9, 2024 (Asheville, NC)

pre-order now06.09.2024

expected to be published on 06.09.2024

23,49 €
Altone - Invincible Nature EP

Altone

Invincible Nature EP

12inchECHOCORD094
Echocord
06.09.2024

Copenhagen’s Echocord returns this September with the ‘Invincible Nature’ EP by Altone, backed by a remix from Thomas Fehlmann and Another Channel. Atone is the guise of Tokyo’s Yuki Takasaki, one of the leading figures of the genre out of Japan with releases on the likes of Greyscale, Lempuyang, Vuo, Æ Recordings, Primary colours and many more. His distinctive twist on Dub Techno has earned him accolades worldwide within the underground and here he joins the roster of the esteemed Echocord, the Kenneth Christiansen helmed label that’s been at the forefront of Dub Techno for more than two decades now. The original mix of ‘Naturally Unnatural’ opens, showcasing Altone’s unique style via subtly nuanced chord flutters, expansive reverberations, pulsating low end tones and ever unfolding, subtly unfurling feel. The ‘Naturally Flowing Thomas Fehlmann Remix’ follows, the Swiss sonic wizard and former member of the legendary The Orb among many other projects delivers deep, throbbing subs and glitched out synth modulations intertwined with fragments of the original composition. ‘Unnaturally Balanced’ then opens the B-Side with Altone diving deeper into dub realms courtesy of ever alternating, billowing dub echoes and a raw, reduced rhythm section. The ‘Another Channel Version’ of ‘Unnaturally Balanced’ then rounds out the EP, embracing a more classic dub techno aesthetic as crunchy drums, swirling atmospherics and spaced out echoes ebb and flow amongst one another across the six and half minute duration.

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ANT - COLLECTION OF SOUNDS VOL.1

Limited Opaque Green Vinyl. Anthony "Ant" Davis is a distinguished hip-hop producer, one-half of the renowned duo Atmosphere, and a founding member of independent record label Rhymesayers Entertainment. His decades-long career of beat-making has also included works for MF DOOM, Brother Ali, Murs, Rav, Sage Francis and a dozen others. Raised in a military family, his nomadic upbringing exposed him to many diverse influences and, coupled with his father's love for collecting records, laid the groundwork for his deep appreciation for all sorts of music. Ant's latest endeavor, Collection of Sounds, is a four-volume series of instrumental works showcasing the breadth and depth of his musical expertise. The Collection of Sounds series offers a window into Ant's creative journey, reflecting his evolution as an artist over the years. Drawing from a vast vault of unreleased material, he's exhumed cross sections of his catalog with surgical precision, organizing songs by sound rather than mere chronology. Volume 1 is at times so intimate as to border on claustrophobia, like the creeping "Bar One" or the haunted twinkling of "I Was Always A Collector" while other tracks are expansive enough to fill entire venues, like the forebodingly airy "4-Track Beyond Beat 1996." Many of the beats on Collection of Sounds: Volume 1 have pockets that are practically begging for rappers to explore. When he first pondered releasing an instrumental series, Ant figured he might want to make the songs more intricate than the ones gave to his rapper collaborators, filling up the space in the mix that would normally be given over to their vocals. "But then it would be jazz, right?" he says with a loud laugh. "And I'm not that." Fitting, as Collection of Sounds is not about forgetting who you are-it's about remembering, reconfiguring and reimagining, all at once; a testament to Ant's artistic integrity.

pre-order now06.09.2024

expected to be published on 06.09.2024

31,05 €
Laetitia Sonami / Éliane Radigue - A Song For Two Mothers / OCCAM IX

Black Truffle is thrilled to present a Song for two Mothers / Occam IX the first ever solo release from Laetitia Sonami. Born in France in 1957, Sonami studied with Éliane Radigue in Paris before moving to California in 1978 to study electronic music at Mills College, going on to make important innovations in the field of live electronics interfaces and multi-media performance. Sonami is perhaps most closely associated with one of her inventions, the Lady’s Glove, an arm-length tailored glove fitted with movement sensors allowing the performer fluidly to control digital sound parameters and processing, as well as motors, lights and video playback. Having performed with the Lady’s Glove for 25 years, Sonami retired it in 2016, turning her attention to the interface/instrument heard and pictured here, the Spring Sprye.

In Sonami’s own description, “The Spring Spyre is composed of three thin springs that are attached to reverb tank pickups, mounted on a metal ring. The audio generated when the springs are touched, rubbed or struck is analyzed in Max/MSP. The extracted features are then used to train machine learning models in Wekinator and Rapidmax and control the audio synthesis in real time. We never actually hear the springs.” After decades of aversion to documenting her work on recordings, a Song for two Mothers / Occam IX treats listeners to two side-long performances with the Spring Spyre: the very first piece developed for the instrument and the most recent, the two contrasting remarkably in sound palette, energy and form. A Song for two Mothers (2023) spins an intricate web of rippling synthetic burbles, rapid sweeps and fizzing textures. Performed in real time with the sensitive and partly uncontrollable Spring Sprye ("a bit tyrannical," Sonami calls it), the music is delicate yet chaotic. Abrupt gestures hover against a backdrop of silence, "devoid of spatial or temporal direction". After several minutes, the sound-world becomes metallic and percussive, tapping and ticking in pointillistic flurries before a wavering harmonic cloud emerges, sprinkled with resonant drips and pops.


Occam IX is a radically different proposition. At the outset of Sonami’s exploration of the Spring Sprye, she asked her former teacher Éliane Radigue to compose a piece for it—and her: like all of Radigue’s work since she ceased working with analogue electronics at the beginning of the 21st century, Occam IX is written not only for an instrument but also for a particular performer. These scores are developed verbally, through meetings and conversations between performer and composer; each is grounded in an image (usually kept from listeners, to avoid influencing their experience); all magnify the subtlest acoustic phenomena and require great commitment and patience from the performer. Sonami’s is one of the few Occam pieces to make use of electronics, bringing it closer to Radigue’s famous longform pieces for ARP 2500. Beginning from a rumbling low tone, the listener is gradually immersed in slowly lapping waves of synthetic tones, eventually thinning out into delicate bell-like pings against a background of white noise, reminiscent of one of the most beautiful sections of Kyema from the Trilogie de la Morte.


Accompanied by notes from Sonami, her longtime collaborator Paul DeMarinis, and Radigue, and illustrated with scores, photographs and images of the Spring Spyre, a Song for two Mothers / Occam IX is an essential document celebrating an under-recognised pioneer of electronic music and performance.

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23,95 €
Godley & Creme - Collected LP 2x12"

Godley&Creme

Collected LP 2x12"

2x12inchMOVLP3746
Music On Vinyl
06.09.2024

Kevin Godley and Lol Creme worked together for several decades, were part of many different bands and wrote hit after hit. Two highly successful multi-instrumentalists, singers and producers who became world renowned video producers as well. Godley & Creme's Collected album features inventive, eclectic music blending pop, rock, and art influences, showcasing their unique, avant-garde style. This 2LP features the duo's biggest hits, including ""An Englishman In New York"", ""Freeze Frame"", the top hit ""Cry"" (which showcased their amazing video), ""Wide Boy"", and ""A Little Peace Of Heaven"" among others. The 2LP Godley & Crème Collected is housed in a gatefold sleeve with liner notes.

pre-order now06.09.2024

expected to be published on 06.09.2024

38,24 €
Beth Anderson - I Can't Stand It
  • Ocean Motion Mildew Mind
  • Yes Sir Ree
  • I Can’t Stand It
  • Country Time
  • If I Were A Poet
  • Torero Piece
  • Peachy Keen-O

Carving an unlikely and elaborate niche in the stoney academic landscape
which she once shared with the likes of Phill Niblock, John Cage and Sorel
Hayes, the excitable proto-punk poèmes sonores of the linguistic loose
cannon known as Beth Anderson first rolled through New York in the mid-
1970s (from Kentucky via San Francisco) like a jumbled tumbleweed of lost
Letterism, face paint and threadbare drummy funk to astonish gallery floors,
lecture theatres and loft apartment stages.
One thousand leagues under the radar of the commercial music industry,
with a sense of humour that elevated way above her highbrow peer group,
the music of Beth Anderson has successfully evaded the pressing plant for
most of her creative career, and not unlike fellow New York gallery actionist
Suzanne Ciani, it has taken decades to successfully collect and contextualise
these early recordings - expanding her elusive discography beyond the rare
and mysterious solo single entry in the process.
When uttered amongst the type of vinyl vampires that haplessly gravitate
between both art school vintage vanity pressings and family funded plunder
funk, there’s an outside chance that the name Beth Anderson might muster
some vague recognition on account of her one and only solo wax sojourn
into the expansive DIY market. In 1980 the 45rpm single, ‘I Can’t Stand It’,
combusted into the consciousness of adventurous participants with its deep
rhythmic backbeat (courtesy of future Sonic Youth / Dinosaur Jr producer
Wharton Tiers, member of the new wave band Theoretical Girls), climaxing
with two colourful and commanding linguistic tantrums before disappearing in
a puff of smoke leaving would-be fans dumbstruck without so much as a
label name or distribution contact to explain what they had just heard.
For those who have spent the subsequent years on the edge of that same
seat, it might come as some comfort knowing that somewhere out there,
there is also a contrasting world of gallery patrons and experimental sound
poetry enthusiasts that similarly didn’t know that their regular performance
poet Beth Anderson even made the ambitious pop record. For the uninitiated,
the enigmatic Beth Anderson has straddled both sides of the art / rock fence
placed between two equally niche pastures.
Hopefully this first ever vinyl compendium will succeed in joining the dots,
loops, yelps, squeaks, beats and repeats. Let us follow Beth’s lineage, along
her magnetic tape highways crossing multiple boundaries in a hope to bridge
unlikely anti-genres like ‘yoga punk’, ‘ramble rap’, ‘combustion pop’ and
‘formroom funk’… all of which were officially neatly bracketed under the
curious Text-Sound movement where Beth garnered utmost respect as a key
practitioner.

pre-order now06.09.2024

expected to be published on 06.09.2024

14,75 €
Solitary - Embrace The Darkness LP

The legendary UK Thrash Band Solitary mark three decades of metal, with the release of a brand new album " Embrace The Darkness" which is the fifth of their thirty year career - and not only is it their heaviest, hardest, most confrontational release to date, it's undoubtedly their best yet, following on from the highly acclaimed "The Truth Behind The Lies" (Metalville Records 2020).

The UK's resolute and relentless kings of thrash, Solitary, have tapped into the thick, black blood that pulses sluggishly through the fat and filth congested veins of society. It is fact that we live in dark times; alongside war, pandemics, grief and horror. These are the days of division, where we turn against each other in politically driven hatred and against ourselves, choking on a social media diet of self-loathing and isolation.

Through our ever-glowing screens we watch the crumbling of virtue and the slow, agonised death of decency and honour. Solitary have stared into the alleyways, the cellars and the broken minds of our youth and forged their most unflinching album yet. This is their hymn to a dying world, their soundtrack to the end of days it's time to "Embrace The Darkness"

pre-order now06.09.2024

expected to be published on 06.09.2024

33,57 €
DANIEL INZANI - SELECTED WORLDS LP 3x12"

Hidden Notes Records (Spindle Ensemble, Fran & Flora, Josh Semans) and Tardigrade Records (Cosmo Sheldrake, Howl) are excited to announce a unique collaboration to release ‘Selected Worlds’, the monumental and ambitious debut triple album by composer and pianist Daniel Inzani. Over the past 2 decades you might have seen Inzani performing with dozens of bands from Bristol’s underground alternative and avant-garde scene, blending classical, jazz, contemporary, improvisation, unusual harmony and rhythms as a band leader and collaborator. He’s released an avant-garde collaborative album with Alabaster dePlume, is the musical director and arranger for Cosmo Sheldrake’s 19 piece live band, leads his own critically acclaimed modern chamber quartet Spindle Ensemble and (the now disbanded) 8 piece Ethiopian Jazz meets Frank Zappa group Tezeta, He has toured worldwide as a keys player, collaborated with Canadian ensembles Evergreen Club Contemporary Gamelan and London Symphonia and co-founded Bristol’s experimental collective Bloom, leading to tours and releases with UK rocksteady favourites Count Bobo, the psychedelic space doo-wop of Dubi Dolzcek and many more. After years of recording, touring and eclectic composing he has gathered a trusted set of musicians who are both skilled improvisers and virtuoso players to record an instrumental triple album for release under his own name. The 3 vinyl discs act as albums in their own right, each with different sets of musicians, instrumentations, genres and intentions. The 3 discs were recorded live over 3 day periods in quick succession, with Daniel’s regular collaborator Cosmo Sheldrake engineering the recording sessions. It’s quite possibly the only album you’ll ever hear that starts with a neo-impressionist string quartet, goes on to merge avant-garde symphonic arrangements with group improvisation and ends with an 8 piece cosmic jazz band wigging out, yet Inzani’s voice is clear throughout making for a cohesive 2 hour odyssey from the mind of a composer whose idiosyncratic style thrives through variety Listeners will hear influences from the aforementioned composers including Mingus, Tsegué-Maryam Guèbrou, Ravel and Moondog in Inzani’s music but might also find the soundtracks of Morricone and Jonny Greenwood nestled alongside the loose freeform leanings of Alabaster dePlume, the contemporary jazz of Kamasi Washington and the unique collaboration by Floating Points and Pharoah Sanders (minus the electronics perhaps.) Daniel will be performing a special preview of the album with an 11 piece band at WOMAD Festival (27.07) and a launch concert at this year’s Hidden Notes Festival in Stroud (21.09), with further tour dates to be announced

pre-order now06.09.2024

expected to be published on 06.09.2024

47,02 €
Galliano - Halfway Somewhere LP 2x12"

Almost three decades on from their last release, Acid Jazz forefathers Galliano are back with news of their new LP ‘Halfway Somewhere’ which is being released on Gilles Peterson’s Brownswood Recordings on 30 August.

Born out of London’s underground clubs and warehouse parties of the mid to late eighties, with the debut single on the Acid Jazz label in 1988, Galliano came out of a culture that spanned music, dance, fashion, art, design, and the written word.

When they arrived as the first act on Gilles Peterson’s Talkin’ Loud label in 1990 with ‘Welcome to the Story’ (produced by Chris Bangs who invented the term Acid Jazz) dressed in Gabicci sweaters, beads and skullcaps they captured a scene built on re-invention. “We were all playing around with what we could get our hands on whether that was a seventies book on Jamaican style or old Last Poets and Watts Prophets records,” says Gallagher. “We’d been recycling things for a few years but suddenly everything had coalesced and you’ve got an amalgam that seemed quite solid.”
For their first album since 1997, Rob Gallagher and his partner, vocalist Valerie Etienne, are joined by Galliano stalwarts Ernie McKone on bass, Crispin Taylor on drums, and Ski Oakenfull on keys (with guests including saxophonist Jason Yarde and percussionist Crispin ‘Spry’ Robinson).

Where the old Galliano recycled records they heard at clubs, today they are responding to the kaleidoscopic global jazz scene - from Total Refreshment Centre in London to International Anthem in Chicago. More than forty years since they came together, Galliano are still only ‘Halfway Somewhere’, but listening to the album they are obviously having fun getting there. “I think the stars have to be aligned when you redo things,” says Gallagher. “Coming at it from this door is very different to the door we came into back then. But once it's existing it is something. But I’m still not sure what that something is.”

out of Stock

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Last In: 4 months ago
34,87 €
Banco de Gaia - Trauma LP

For over three decades Toby Marks, aka Banco de Gaia, has been redefining world electronica, leaving an indelible footprint on the global music scene, rousing many a dancefloor, and inspiring countless musicians to follow. At the forefront of blending acoustic and electronic sounds, integrating themes and techniques from cultures and traditions the world over, Toby has worked with musicians and producers as ingenious and diverse as Pink Floyd's Dick Parry, Natacha Atlas, Tim Wheater and Hawkwind– to name just a few.

Ranging from cinematic ambience to pounding dancefloor-fillers, his music defies genres, and borrows from a wealth of musical sources and styles. Toby's background in jazz and rock combine with his love of dance and world music to produce a glorious, uplifting and, at times, mesmerizing sound.

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Last In: 23 months ago
20,80 €
ANTWERP GIPSY SKA ORKESTRA - REVOLUTION LP

Get ready for a musical revolution! The Antwerp Gipsy Ska Orkestra is back, and this time, they're turning the music world upside down with their electrifying new album, "Revolution (Never Has Been Simple)." This groundbreaking project, produced by the modern genius Lunaman, features an infusion of new energy and talent with the remarkable addition of 18-year-old sensation Ramadan Sali, who has been a fan of the band since the tender age of three. But before we dive into the future, let's take a moment to appreciate the rich history of the Antwerp Gipsy Ska Orkestra.

A Journey Through Time and Sound: The Antwerp Gipsy Ska Orkestra Story
The Antwerp Gipsy Ska Orkestra's journey is a testament to the transformative power of music. Rooted in the vibrant city of Antwerp, Belgium, this innovative collective began its musical voyage decades ago. Their story is one of passion, diversity, and an unshakable commitment to crafting unforgettable sounds.

The band's unique blend of Gypsy and Ska, along with an eclectic mix of world influences, has earned them a dedicated global following. With each album, they pushed the boundaries of musical fusion, forging a path where genres intertwined, creating something entirely unique. Their evolution has been an ongoing exploration of culture, rhythms, and the unifying language of music.

"Revolution (Never Has Been Simple)": A New Era of Sound
And now, they're back with "Revolution (Never Has Been Simple)" – a title that perfectly encapsulates their journey. Produced by Lunaman, known for his innovative approach to modern soundscapes, this album is a breath of fresh air for the music world. It's a bold step forward, a revolution of their own creation, and a testament to their constant willingness to reinvent themselves.

Meet the Prodigy: Ramadan Sali
But that's not all that makes this album special. The Antwerp Gipsy Ska Orkestra has also welcomed a young prodigy into their ranks: Ramadan Sali. At just 18 years old, he's not only an extraordinary talent but a lifelong fan of the band, having followed their music since he was three years old. His fresh energy and creative spirit have injected new life into the band, making "Revolution" a truly remarkable chapter in their history.

"Revolution (Never Has Been Simple)" Unveiled
This album is more than just a collection of songs; it's a testament to the band's enduring spirit, their journey of growth, and their unyielding commitment to the craft of music. The tracks on "Revolution" are a thrilling mix of genres, emotions, and messages. From the high-energy dance anthems to soul-searching ballads, this album encapsulates the complexities of life and the raw power of music to connect with our hearts.

Get Ready for the Revolution!
As we eagerly await the release of "Revolution (Never Has Been Simple)," mark your calendars and prepare to join the musical revolution. This album is a testament to the Antwerp Gipsy Ska Orkestra's ongoing legacy, a fusion of the past and the future, and a celebration of the unifying power of music. Stay tuned for release dates, sneak peeks, and all the excitement surrounding this revolutionary musical masterpiece. The Antwerp Gipsy Ska Orkestra is back, and the world is about to witness a "Revolution" like never before!

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Last In: 2 years ago
20,80 €
Galliano - Halfway Somewhere LP 2x12"

Almost three decades on from their last release, Acid Jazz forefathers Galliano are back with news of their new LP ‘Halfway Somewhere’ which is being released on Gilles Peterson’s Brownswood Recordings on 30 August.

Born out of London’s underground clubs and warehouse parties of the mid to late eighties, with the debut single on the Acid Jazz label in 1988, Galliano came out of a culture that spanned music, dance, fashion, art, design, and the written word.

When they arrived as the first act on Gilles Peterson’s Talkin’ Loud label in 1990 with ‘Welcome to the Story’ (produced by Chris Bangs who invented the term Acid Jazz) dressed in Gabicci sweaters, beads and skullcaps they captured a scene built on re-invention. “We were all playing around with what we could get our hands on whether that was a seventies book on Jamaican style or old Last Poets and Watts Prophets records,” says Gallagher. “We’d been recycling things for a few years but suddenly everything had coalesced and you’ve got an amalgam that seemed quite solid.”
For their first album since 1997, Rob Gallagher and his partner, vocalist Valerie Etienne, are joined by Galliano stalwarts Ernie McKone on bass, Crispin Taylor on drums, and Ski Oakenfull on keys (with guests including saxophonist Jason Yarde and percussionist Crispin ‘Spry’ Robinson).

Where the old Galliano recycled records they heard at clubs, today they are responding to the kaleidoscopic global jazz scene - from Total Refreshment Centre in London to International Anthem in Chicago. More than forty years since they came together, Galliano are still only ‘Halfway Somewhere’, but listening to the album they are obviously having fun getting there. “I think the stars have to be aligned when you redo things,” says Gallagher. “Coming at it from this door is very different to the door we came into back then. But once it's existing it is something. But I’m still not sure what that something is.”

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Last In: 22 months ago
30,88 €
EVA808 - LETS B HAVIN U EP

Eva808

LETS B HAVIN U EP

12inchEXIT102
Exit Records
04.09.2024

After releasing my album 'ÖÐRUVÍSI,' which was a very personal and emotionally challenging project, I felt the need to make something weird and energetic for the club. I’m really into tunes that feel both slow and fast simultaneously.

The first track on the EP, 'Let’s be Havin u,' was initially hard to place genre-wise, i ended up sending it to Darren, who loved it and wanted to sign it. Releasing on Exit kinda feels like earning a black belt as a producer hah. I never imagined that a decade after buying Exit 12”s in 2014, I’d be releasing my own music on the label.

When I started making the EP, I had just begun performing again. I often saw people on the dance floor, too out of it to enjoy the music and often some of them having to be carried by their friends to backstage. This made me wanna make tunes for the dance floor as a bit of a statement on this. I first tested 'Let’s be Havin u' at Prikið in Reykjavik, sounded mad on the little old funktion one. The moment I knew that I was onto something with the EP was when I was Performing in Bristol at Thekla for my friend Boofy. It was wild, the ceiling started leaking during the show. I Love Bristol, feels like home to me.

Most of the percussion and hats on the EP are made with an Elektron Model Cycles, and the synths and pads are from a 80s Yamaha hybrid FM/sample synth I found at a thrift store. It doesn’t have MIDI, so I have to record perfect takes for chords and melodies. I often use pedals afterwards or resample the sounds for more tonal control.

I enjoy digging for records with unique breaks to sample, as I feel this is lacking nowadays. I usually make all my drums from scratch but when I use breaks I like it to be something I haven’t heard before. The alien percussion sound in the last track is actually me biting my teeth together, resampled repeatedly and ran through pedals and interfaces. I also recorded myself chewing gum for the second track to give it that hand on the hip feel. Most of the EP is made with hardware, outboard gear, or real-life recordings.

I’m not concerned about the EP fitting a specific genre or playlist. Too many artists play it safe by focusing on their Spotify stats and abandoning projects that don’t work instantly. I think also Obsessive nostalgia stifles innovation, keeping things stuck in a loop by replicating to the tee, tunes from 2 decades ago. I get it, but there has to be a middle ground sometimes.

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Last In: 22 months ago
20,13 €
COIL - MOON'S MILK (IN FOUR PHASES) LP 3x12"

Red in Clear Vinyl. First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness.Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)").Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future."The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice.The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc CD-R / 2019 Threshold Archives CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From post-industrial to post-everything, theirs is an art untethered, in the wilds of its own design.

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Last In: 13 months ago
57,35 €
Giuliano Sorgini - Occulto

Giuliano Sorgini

Occulto

12inchFLIES47
Four Flies
31.08.2024

Two years after the stunning AFRICA OSCURA, Four Flies Records is back with another gem from Giuliano Sorgini's secret archives, this time one which unearths some of his darkest, eeriest music – that is, pieces he composed in the mid-70s for some of the most infamous, low-budget horror movies ever made in Italy.

This collection brings together a selection of original recordings from those movies, which were directed by "Italian Kings of the B's" Angelo Pannacciò, Salvatore Bugnatelli, Luigi Batzella, and Guido Zurli, with whom the Roman composer worked intensively throughout the 70s. Due to the very low-budget nature of the films, Sorgini recorded the soundtracks entirely on his own, in his Cat & Fox Studio in Rome. He played drums and percussions and added overlapping layers of analogue synths to create a superbly sinister soundscape, thus turning a constraint into an opportunity.

The result is a journey into the mysterious atmospheres of the Italian occult-sounding music of the time, something very close to the dark electronic masterpieces that made Sorgini famous, such as ZOO FOLLE or THE LIVING DEAD AT MANCHESTER MORGUE.

OCCULTO features ten previously unreleased tracks characterized by enigmatic moods, obscure beats and esoteric themes. All tracks are taken from original master tapes that remained buried in the composer's archives for decades.

The LP comes in a deluxe jacket and inner sleeve designed by Luca Barcellona. Also available in digital format with three previously unreleased bonus tracks.

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Last In: 5 years ago
30,04 €
Gloster Williams and The King James Version - Together LP

Experience the divine power of gospel music with the reissue of the legendary album Together by Gloster Williams and The King James Version. Originally released in 1977 on Gospel Roots Records, this seminal work is now re-released for the first time on vinyl, courtesy of Regrooved Records.

Together captures a moment in gospel music that is both timeless and transcendent. Led by the dynamic Gloster Williams, The King James Version choir brings an electrifying blend of traditional gospel with hints of soul and R&B, creating a sound that uplifts and inspires. This album is famed for its stirring harmonies, powerful lyrics, and the passionate delivery that fans and newcomers alike will find deeply moving.

Highlights of the album include the soaring title track, "Together," which has been a staple in gospel music playlists for decades, celebrated for its message of unity and spiritual upliftment. Each song on the album is crafted with care, featuring intricate arrangements and a raw emotional energy that captures the essence of gospel music's golden era.

This reissue is a meticulously remastered version that enhances the original recordings while preserving the authentic sound that made Together a must-have for gospel collectors and enthusiasts. It's pressed on high-quality vinyl to deliver the best listening experience, ensuring that the richness of the choir’s vocals and the depth of the instrumentation are beautifully rendered.

Don't miss this opportunity to own a piece of gospel history. The reissue of Gloster Williams and The King James Version’s Together is a testament to the enduring power of gospel music to console, celebrate, and connect us. Add this vital record to your collection and let its messages of faith and fellowship fill your home with joy and inspiration.

pre-order now30.08.2024

expected to be published on 30.08.2024

24,50 €
WHITE HILLS - BEYOND THIS FICTION
  • THROW IT UP IN THE AIR
  • CLEAR AS DAY
  • KILLING CRIMSON
  • FIEND
  • CLOSER
  • THE AWAKENING
  • BEYOND THIS FICTION
also available

CLOUDY SEA BLUE VINYL[28,53 €]


"One of the best bands to come out of NYC since who gives a shit." -CVLT Nation. When you enter White Hills' lair in Brooklyn, the duo's insatiable desire for music and art is immediately palpable. Crates of vinyl from floor to ceiling line the long hallway. Guitars appear at every angle, one lying across a sofa in obvious mid-play with others in cases tucked beside amplifiers into every conceivable corner. Synthesizers and cables cover the purple satin bed while gouache paintings in various stages of progress strewn the floor. Album covers, movie posters, books, paintings, prints and souvenirs of subversive culture occupy the remaining wall space. A sanctuary of adoration, creation and imagination, it's also the nerve center of their record label Heads on Fire Industries and the site where the final mixes of their latest album Beyond This Fiction took shape. For nearly two decades, White Hills have been blowing minds with their sonic alchemy: a unique mix of neo-psychedelia, art rock, and post-punk- at once original and recognizable. Their cult reputation emblazoned in celluloid following their performance in Jim Jarmusch's sultry vampire romance Only Lovers Left Alive, the duo has toured vigorously since their inception. With a vast catalogue that astounds and a relentless punk ethos, time seems to energize the duo, making them increasingly daring and prolific. "Music creates a bliss beyond sex and drugs," professes one-woman rhythm section Ego Sensation. "We'll never stop making music. It's the highest high to be had in life." Founding member Dave W, whose signature other-worldly guitar sorcery defines the White Hills sound, grabs his Les Paul to record a melody lingering in his head from last night's dream before it escapes. Outside, the sound of passing sirens, honking horns and bits of conversation remind you that you're in the middle of New York, a city so flush with rock legacy and artistic innovation it would take lifetimes to drink it all in. A voice from outside shouts, "This shit is going for 3! These people got to be out of their fucking minds!" Dave shakes his head and laughs, "There's no place I'd rather be." Committed to a vocation marked by extremes, doubt, struggle and moments of ecstasy, Dave and Ego continue this torrid affair with music bearing their latest fruit Beyond This Fiction. Inspired by the ideas of Joseph Campbell, the writer/philosopher known for the book The Power of Myth, the album explores the idea of "riding between opposites"- forging one's own path unrestrained by the dualistic constraints of society. It's a cry to all the seers among us- call us outsiders or rebels- who feel smothered by convention and see nonconformity as the gateway into divine mystery. Recorded with Martin Bisi, known for his iconic NYC sound developed through his work with no-wave titans Sonic Youth, Swans and Lydia Lunch, Beyond This Fiction sees Dave W (guitar/vocals/synths) and Ego Sensation (drums/bass/vocals) orchestrating their distinct guitar heavy meditations into songs with a stronger focus on vocals than previous albums. Opener "Throw It Up In The Air" and closer "Beyond This Fiction" both have a lush quality that flirts with shoegaze. "Killing Crimson", a song that takes inspiration from Killing Joke and King Crimson, has a driving beat and a catchy hook that begs for a sing-a-long. "The Awakening" plunges into the meditative ambient abyss the band is well known for, featuring the unique voice of frequent collaborator poet Dan McGuire to deliver the meaning behind Beyond This Fiction. The album harnesses the seductive accessibility of 2015's Walks For Motorists while evoking the tempestuous soul of the band's seminal 2011 H-p1. Notorious shapeshifters, White Hills make Beyond This Fiction a familiar surprise. Back in the lair, Dave draws eyes on his hands in preparation for the day's video shoot. Ego reaches in the closet pulling out the red velvet jacket she wears on the cover of Beyond This Fiction where she stands in a NYC alley holding a glowing orb. "That's the portal- the gateway into the mystery. The music will take you there.".

pre-order now30.08.2024

expected to be published on 30.08.2024

28,53 €
NORNA - NORNA

Norna

NORNA

12inchPELV263
Pelagic Records
30.08.2024

A formidable power trio, hailing in parts from the icy Swedish northlands and the glacial expanse of the Swiss Alps, named after the three Norse goddesses of fate who wove the very tapestry of fate underneath the mythical World Tree, Norna aren't messing around. Their debut album, 2021's `Star is way way is Eye' was saturated filth; uncompromising, unrelenting ugliness. This though, their eponymous sophomore offering, digs its claws deeper into the dirt. Sharpened, hungry and desperate, born of the moment and yet years in the making; `Norna' liberates a primal rage that has been suppressed for far too long. Rather than defining their music around needlessly complex riffs or trapping themselves in established song structures, the band instead built colossal walls of crushing guitar noise before carving away at the chaos to form the bones of each piece. The results are hypnotic, looping dirges; apocalyptic mantras that take on their own shapes and stories, coming to life with each excruciating reprise_ Sculpted the same way as their debut album, with ideas and hooks hewn from a mass of noise held quite literally in the clouds (Dropbox being the band's platform of choice), Norna this time entered the process with a vision; a final, horrific form in mind. As such, the eponymous record pushes their boundaries even further beyond the extreme, with even the briefest moments of calm quickly curdled by the band's use of insidious ambient synthesisers, manipulated samples and even more distortion. Despite only forming in 2020, the three pillars of Norna bring decades of heaviness with them. Consisting of Swedish post-hardcore pioneer Tomas Liljedahl (Breach, The Old Wind) and Swiss stalwarts Christophe Macquat and Marc Theurillat (both of instrumental juggernaut Olten), Norna came together as a perfect storm of abrasive influences, harnessed by friend and producer Magnus Lindberg (Cult of Luna), to create something new, limitless and terrifying.

pre-order now30.08.2024

expected to be published on 30.08.2024

20,38 €
NORNA - NORNA

Norna

NORNA

12inchPELVC263
Pelagic Records
30.08.2024

A formidable power trio, hailing in parts from the icy Swedish northlands and the glacial expanse of the Swiss Alps, named after the three Norse goddesses of fate who wove the very tapestry of fate underneath the mythical World Tree, Norna aren't messing around. Their debut album, 2021's `Star is way way is Eye' was saturated filth; uncompromising, unrelenting ugliness. This though, their eponymous sophomore offering, digs its claws deeper into the dirt. Sharpened, hungry and desperate, born of the moment and yet years in the making; `Norna' liberates a primal rage that has been suppressed for far too long. Rather than defining their music around needlessly complex riffs or trapping themselves in established song structures, the band instead built colossal walls of crushing guitar noise before carving away at the chaos to form the bones of each piece. The results are hypnotic, looping dirges; apocalyptic mantras that take on their own shapes and stories, coming to life with each excruciating reprise_ Sculpted the same way as their debut album, with ideas and hooks hewn from a mass of noise held quite literally in the clouds (Dropbox being the band's platform of choice), Norna this time entered the process with a vision; a final, horrific form in mind. As such, the eponymous record pushes their boundaries even further beyond the extreme, with even the briefest moments of calm quickly curdled by the band's use of insidious ambient synthesisers, manipulated samples and even more distortion. Despite only forming in 2020, the three pillars of Norna bring decades of heaviness with them. Consisting of Swedish post-hardcore pioneer Tomas Liljedahl (Breach, The Old Wind) and Swiss stalwarts Christophe Macquat and Marc Theurillat (both of instrumental juggernaut Olten), Norna came together as a perfect storm of abrasive influences, harnessed by friend and producer Magnus Lindberg (Cult of Luna), to create something new, limitless and terrifying.

pre-order now30.08.2024

expected to be published on 30.08.2024

24,79 €
Dr. John - The Brightest Smile In Town LP 2x12"

Trying to define what it is that makes Dr. John special is much like trying to define the word "soul'—you can surround it. But nailing it down is a whole ‘nother smoke. You can point to his sense of history, how he's never forgotten from whence he came, how his music always returns to his roots, even honoring the proud heritage of his native New Orleans. You can dissect his technique, marveling at the adroitness of the hands right and left; admiring the strong second line; respecting the tributes to his inspiration, Professor Longhair, apparent at every turn. And you can note how his peers consider his presence at a session as lending instant credibility to that particular project. "Upon the release of The Brightest Smile in Town, the reviews were effusive. Chicago critic Bill Knight’s comparisons to Fats Waller and James P. Johnson were high compliments indeed. Downbeat’s Jim Roberts called the playing 'graceful'; noting that the LP had a broader scope than its predecessor. Jazz Times’ Rhodes Spedale summarized: 'He’s never been in better form than here.' We kept in touch over the years. Mac was always generous and encouraging. Little did we know when The Brightest Smile in Town was released, what accolades lay ahead for Mac Rebennack and Dr. John. From the innovative guitar triumph 'Storm Warning' on the Rex label in 1959, to his 2012 Grammy-winning Locked Down album, Mac’s musical light shone brightly for seven decades. We were fortunate he chose to play for us. I’m sure he’d say that he was lucky too." - Jack Heyrman, Clean Cuts Producer

pre-order now30.08.2024

expected to be published on 30.08.2024

43,07 €
After 'Ours - Long Road LP 2x12"

The records is released in two options. Both hvae 180g vinyl records. The first version has two black vinyls and the second limited edition (numbered 100 pieces) has one turquoise vinyl and the other red.

Over the last three decades, Auckland, New Zealand, has given birth to several generations of musicians, DJs, and producers who operated within the interzone between jazz, blues, soul, funk, Latin music, hip-hop, house, boogie, and broken beat. Across two slow-cooked albums that sit at the intersection of machine funk and vivid live instrumentation, Odyssey (2016) and their forthcoming sophomore release Long Road (2024), After 'Ours - the group project of pianist and composer Michal Martyniuk and drummer, guitarist and producer Nick Williams - have comfortably located themselves within this antipodean tradition.

Born and raised in Auckland, Nick Williams grew up surrounded by music from a young age. At home, his mother, Mary Anne, a record collector and DJ with deep, diverse vinyl crates, kept his ear sharp. By the time he was eight years old, he was regularly joining his musician father on stages across Australia in his blues rock band Slippery Sam. In his early twenties, Nick began leading the eleven-piece Auckland Latin-dub-funk fusion big band Tangent, who performed regularly until the late 2000s.

Michal Martyniuk, on the other hand, grew up on the opposite side of the world in Szczecin, Poland. After playing classical music for twelve years and attending jazz school, he relocated to New Zealand with his family in his teens. While studying at Auckland University Jazz school, Michal came into the orbit of the legendary New Zealand saxophonist, composer, producer, and band leader Nathan Haines, who brought him into the same world as future collaborators like Tama Waipara, Batacada Sound Machine, Sola Rosa and Nick.

Inspired by the rich stories of jazz, neo-soul, electronica, and dance music from both sides of the Atlantic Ocean and the open-eared Auckland scene they emerged from, After 'Ours formed in 2011. Born out of a friendship cultivated through playing together at bars and nightclubs around town and home studio sessions. "Nick had family and work, so I had to wait all day," Michal says. "We'd come to the studio at 10 PM and go till 3 AM. That's how we came up with the name.

Session by session, After 'Ours revealed itself to be a creatively fertile meeting of minds. "We both have our angles, but it works well in the end," Nick reflects. "It takes the music to a place we can't get to by ourselves."

Between 2011 and 2016, they wrote and recorded Odyssey with a cast of musical collaborators that included KP, Sharlene Hector & Kevin Mark Trail (UK), Matt Nanai, Nathan Haines, Jakub Skowronski, Nick's partner Ange Williams (nee Saunders) and British producer Mike Patto from the lauded UK future jazz group Reel People. Influenced by the smooth yacht rock of Steely Dan and Donald Fagan, the warm midtempo bounce of A Tribe Called Quest and J Dilla, and the complex jazz/RnB bop of Robert Glasper, Odyssey was a labour of love that emphasised community, warm-hearted hospitality, and care.

Seven years on, they're finally ready to return with Long Road, an album that contains some of their best work yet. As well as reconnecting with past collaborators Kevin Mark Trail and Ange Williams, Long Road sees After 'Ours calling on assistance from Louis Baker, Jakarta-based saxophone player Kuba Skowroński, bassist Dan Antunovich, Los Angeles-based drummer Chris Bailey and the journeyman British soul artist Omar Lyefook.

Across ten songs that plot a stargazed course through their antipodean spin on UK broken beat, jazz, modern soul, and blues rock, Nick and Michal build on everything they learned while writing and recording Odyssey. In the process, they take their joyful musical visions to sublime new heights.

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Last In: 22 months ago
35,71 €
QWÄLEN - SYVÄ HILJAISUUS

Qwälen became what it is in 2017. The band members share a passion for playing music in its various raw manifestations and their band backgrounds include Küroishi, Nistikko, Dumathoin and Akma among many others. Punk background bleeds into the music connecting Qwälen's interpretation of black metal into how the genre started decades ago. Simplicity, rawness, speed and honesty. These values were present in the beginning and the same values still hold true. Punk background especially shows live as the chaotic energy of hardcore punk clashes with the ritualistic nature of black metal. Lyrical themes in the first album focused on self-portrayal, dealing with loss, building anew along with finding alternatives in abandonment, misanthropy and Satan. The second album ponders the sheep-like nature of humanity, the inevitability of destruction, the acceptance of being faulted and surrendering to a greater force. Syvä hiljaisuus was recorded at Waiting room recording studio in Tampere with Mikael Neves who has worked with the likes of Death toll 80k and Tryer. Mikael also handled mixing duties. Mastering was done by Will Killingsworth at Dead air studios.

pre-order now30.08.2024

expected to be published on 30.08.2024

23,11 €
QWÄLEN - SYVÄ HILJAISUUS

Solid green vinyl. Qwälen became what it is in 2017. The band members share a passion for playing music in its various raw manifestations and their band backgrounds include Küroishi, Nistikko, Dumathoin and Akma among many others. Punk background bleeds into the music connecting Qwälen's interpretation of black metal into how the genre started decades ago. Simplicity, rawness, speed and honesty. These values were present in the beginning and the same values still hold true. Punk background especially shows live as the chaotic energy of hardcore punk clashes with the ritualistic nature of black metal. Lyrical themes in the first album focused on self-portrayal, dealing with loss, building anew along with finding alternatives in abandonment, misanthropy and Satan. The second album ponders the sheep-like nature of humanity, the inevitability of destruction, the acceptance of being faulted and surrendering to a greater force. Syvä hiljaisuus was recorded at Waiting room recording studio in Tampere with Mikael Neves who has worked with the likes of Death toll 80k and Tryer. Mikael also handled mixing duties. Mastering was done by Will Killingsworth at Dead air studios.

pre-order now30.08.2024

expected to be published on 30.08.2024

23,11 €
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