Buscar:dee

DJ Maestro, geboren als Martijn Barkhuis in Nederland, is een gerenommeerde Nederlandse DJ, producer en componist, vooral bekend om zijn werk aan de fameuze Blue Note Trip-compilatieserie. Met een diepgewortelde passie voor jazz en een scherp oor voor eigentijdse grooves, verwierf Maestro naam door klassieke jazzopnames te combineren met moderne beats, wat resulteerde in een verfijnde fusie die zowel traditionele jazzliefhebbers als een nieuwe generatie luisteraars aanspreekt. Zijn vermogen om naadloze, atmosferische en muzikale verhalen te creëren leverde hem erkenning op van het prestigieuze Blue Note Records-label, dat hem het vertrouwen gaf om hun klassieke catalogus te gebruiken voor moderne, genre-overstijgende mixes. Met de lancering van de Blue Note Trip-serie in de vroege jaren 2000 hielp DJ Maestro de interesse in klassieke jazz nieuw leven in te blazen door tijdloze tracks te koppelen aan subtiele elektronische elementen en soulvolle interpretaties. De serie werd een vaste waarde in lounges en hi-fi luisterruimtes over de hele wereld. Elke release weerspiegelt Maestro’s respect voor muzikaal erfgoed en zijn talent om verhalen te vertellen via geluid, waarbij hij luisteraars meeneemt op een muzikale reis die zowel nostalgisch als vooruitstrevend is. In 2015 begon DJ Maestro aan een opmerkelijk project: Little Girl Blue Remixed, een eigentijdse herinterpretatie van Nina Simone's iconische debuutalbum uit 1958. Het album werd geprezen om zijn respectvolle, maar inventieve remixes. Dit project onderstreepte Maestro's vermogen om de brug te slaan tussen klassieke jazz en hedendaagse muziek, en verstevigt zijn status als visionair binnen de jazz fusion scene. Naast deze albums heeft DJ Maestro samengewerkt met een breed scala aan artiesten, bigbands en jazzmuzikanten. Hij heeft zijn repertoire ook uitgebreid naar filmmuziek, liveoptredens en remixes – allemaal met behoud van zijn kenmerkende stijl geworteld in jazz, soul en downtempo. DJ Maestro blijft een culturele brug slaan tussen tijdperken, waarbij hij de rijkdom van jazz viert en tegelijkertijd innovatie, dansmuziek en moderniteit in zijn mixen verwelkomt. Na zijn geprezen reeks genre-overstijgende compilaties keert Maestro nu terug met Deep Trip – een gloednieuwe mixcompilatie die zal verschijnen op Black Hole Recordings. Deze keer kiest hij voor een meer house-georiënteerde richting, met warmere grooves, diepere ritmes en een weelderige sfeer, maar altijd met Maestro’s onmiskenbare signatuur. Deep Trip verschijnt zowel als een mixed CD als in een triple vinyl set met alle tracks in ongemixte versie. Het is een reis door hedendaagse deep house-texturen, met soulvolle percussie en een hypnotische opbouw. De compilatie laat Maestro’s muzikale evolutie horen: trouw aan zijn jazzwortels, maar volledig omarmend wat de moderne house te bieden heeft.










h 4. I Hadn't Known I Only Heard








h 4. I Hadn't Known I Only Heard








[h] 4. I Hadn't Known [I Only Heard]








[h] D2 | Herbert - I Hadn't Known [I Only Heard] (7 15)

Janeret present Orizon, With his new record label, Janeret opens the door to a world of unrestricted sound. A label that thrives on variety, mixing styles while providing a platform to artists who resonate with his vision. Orizon001, Mantrax EP is dedicated to the different spectrum of house music to a deep dive into atmospheric Drum & Bass. ,

Watershed is the ninth studio album by Swedish progressive metal band Opeth. Watershed is the first studio album by Opeth to feature guitarist Fredrik Åkesson and drummer Martin Axenrot, who replaced longtime guitarist Peter Lindgren and drummer Martin Lopez. The artwork for the album was made by Travis Smith in collaboration with Mikael Åkerfeldt. Opeth is a band that has been taking amazing chances and managed to not only win new fans, but not alienate older ones. A perfect blend of the death metal of Still Life and Blackwater Park, the monolithic riffage of Deliverance and Ghost Reveries, and the prog/classicism of Damnation combined with classic Deep Purple, Pink Floyd, and Scorpions. Watershed is available as a limited edition of 4.000 individually numbered copies on silver & black marbled vinyl, includes a 4 page booklet and a poster and the sleeve has a special linen laminate finish.

i am so thrilled to share the film for my concert cornucopia with you . this has been a long journey with hundreds of people helping out . i am so beyond enormously grateful to every single one of them .

i feel the modern concert film is a matriarchially friendly construct , welcomed in the current climate . where female musicians can share their worlds uncorrupted . in cornucopia , i was joined by musical director and multi instrumentalist bergur þórisson , percussionist manu delago , flute septet Viibra , harpist katie buckley and the hamrahlid choir .

i spent last decade working with 360-degree sound and visual software in virtual reality and animation, creating Biophilia and later Vulnicura as a VR album . i was deeply inspired by the idea of a fully-immersive experience spreading Utopia and Fossora into fully surround speakers . my intention was to bring what we had created for 21st-century VR into a 19th-century theatre - taking it from the headset to the stage .

this vision was realised with 27 moving curtains that captured projections on different textures and LED screens , creating a digitally animated show : a "modern lanterna magica" for live music . i also wanted to feature bespoke instruments: a magnetic harp , an aluphone , a circular flute , and a reverb chamber , specially built with an audio architect to enhance the most intimate version of a performance—in a personal chapel .

throughout this tale, there is a subplot woven in : a second story of an avatar—a modern marionette who alchemically mutates , from puppet to puppet , from the injury of a heart wound to a fully healed state . i hope you enjoy it . warmness , björk

Following her compelling debut EP Mending, Frida Touray returns with Homebody, a work of raw emotional clarity, crafted duringa time when her voice was literally fighting back. Diagnosed mid-process with a rare condition that forced her into silence andstillness, Touray chose not retreat, but rebuild. From the quiet corners of domestic life, she’s shaped a collection of songs thatradiate warmth, vulnerability and quiet endurance.Musically, Homebody expands on Touray’s jazz-soul foundations with sparse, atmospheric production that amplifies her voiceand message. There’s a newfound looseness in her phrasing, a deeper sense of presence in every word she sings. You can hearthe letting go, of perfection, of control, and the deepening of purpose in its place. Each track lands with unfiltered intimacy andemotional architecture, a subtle act of defiance wrapped in softness.This is music built on stillness and shaped by resilience. A reflection on self-worth, illness, femininity, community and healing.Songs that speak to the unseen parts of recovery and the small rooms we build ourselves back up in. Homebody is a record foranyone rebuilding from the inside.

Killer set of six from Picture aka Central aka Natal Zaks.

Speedy, flighty stuff. Filter dials turning, little licks, sometimes small vocal hits. Zephyr and pressure. Some midwestern techno vivre carrying the whole thing along. If you've caught any of the Picture records from the last few years you might know the momentum at play already, a mix of breezy euphoria and deeper, dubbier minimalist force.

Combining a live and impactful improvised energy with Nat's signature twinkling production that has always been in a class of its own. Club tools as well as multifarious instruments of levitation. You could have the 38 most productive minutes of your life with it spinning as your soundtrack next to you.

Mastered & cut by Mike Grinser at Manmade.

Art by Mammo.Works.

London-based producer Tar Blanche, also known as a member of the dreampop band Yumi Zouma, unveils How to Dance Freely Without Social Anxiety, a 7-track journey through jazz-house, deep house, and chill-out lounge.
With a sound that resonates alongside artists like dublon, Table, and Berlioz, the English producer blends ambient textures, refined guitar riffs, and emotive productions, crafting an intimate yet hypnotic atmosphere. Signed to Délicieuse Records, Tar Blanche continues to push boundaries, cementing his place as one of the most exciting producers in modern electronic music.

St. David Unleashes 'Deep House Damage EP' on Definitive Recordings.

Definitive Recordings is proud to present a brand-new four-track outing from Italian house innovator St. David, titled 'Deep House Damage EP'. Following his acclaimed remixes earlier this year for label classics like 'Good Music' (John Acquaviva, Dan Diamond, Alex D'Elia, Nihil Young) and 'Do It' (Las Americas), St. David now steps forward with a full EP that delivers nothing less than pure oldschool house fire.

The release opens with 'Touch Me (Sexy Hard Dub)', a shuffling house cut with a vintage edge, driven by a rolling bassline and a sensual spoken-word female vocal that sets a playful, club-ready tone. 'I Like It Deep' heads into deep house territory, pairing organ stabs and a steady oldschool beat with both male and female spoken-word phrases, creating a hypnotic, afterhours mood. On 'Dub Swagin'', the energy kicks back up with stomping drums, chopped samples, and filtered percussion. All wrapped in unmistakable 90s house flavor. Closing things out, 'Gonna Work It' is a peak-time smasher stacked with classic vocal samples and grooving organ chords that lift the track into euphoric territory.

Born in Bari, St. David (real name Davide Disanto) has carved a reputation as one of today's most authentic purveyors of oldschool house. Deeply inspired by the American house scene, his tracks blend groove, funk, and raw analog warmth, consistently topping vinyl charts and earning support from global heavyweights like The Martinez Brothers, Riva Starr, Jovonn, and Chris Stussy. He is the founder of Theory of Swing Records, a vinyl-only label dedicated to preserving the magic of 90s house. His music has been featured on Cinthie's DJ-Kicks and he has released on respected imprints including Snatch! Records, Body N' Deep, Heist Recordings, Skylax, and Let's Play House.

With 'Deep House Damage EP', St. David confirms his role as one of the most vital voices in contemporary house, channeling the spirit of the past into tracks made for the dancefloors of today.

Ivan The Tolerable returns with Chromophobia, an expansive new double album and his fourth for Riot Season after ‘Water Music’ & ‘Vertigo’ (both 2024) and ‘An Orphan Form’ (2025)
Chromophobia carries with it a deep personal history. The earliest recording sessions date back to 2018 at the IDI in Middlesbrough, engineered by longtime collaborator Nigel Crooks over the course of three weekends. The material was left unfinished for years, shelved for reasons that accumulated and compounded - until the tragic passing of Crooks in 2023. His unfinished work lingered, and the desire to complete it became a mission.
“In the end, I finished this record for Nigel, above all else,” says Oli Heffernan (Ivan The Tolerable). “It always annoyed him that it never got done.”

To bring the album to completion, the original stems were passed to producer Hugh Major (formerly of Benefits) in early 2024. Across a year of meticulous experimentation - countless versions, radical reconstructions, entire songs torn down and rebuilt - the album transformed into something wholly new. The final collection spans 14 tracks, reimagined from the ground up yet still anchored to the spirit of the sessions that began it.
“It’s a very different beast from where it started,” Heffernan adds, “but I think Nigel would really like it - and be glad it was finally finished.”
Chromophobia stands as both a reinvention and a tribute: a document of persistence, creative overhaul, and the enduring impact of a lost collaborator.

Jaime Fennelly, as Mind Over Mirrors, makes music that pushes the known to the lip of the unknown, where it rocks precariously and in exhilaration. He scrambles the familiar and tweaks the comfortable, not through aggression, but a throbbing estrangement. When placed at a distance, these require longer reaches to grasp. The reward for this effort is an enlarged field of perspective, experience, and also of feeling. This is deeply feeling music to feel deeply.

In all of Jaime’s records—and, arguably, especially in Particles, Peds, & Pores—there’s a seed of the pastoral, some ancient shepherd’s song ringing through nearby hills and groves, but one also yearning to plumb the uncanny and the creative possibilities of disintegration. “Farewell to woods,” the grieving Damon sings in Virgil’s eighth Eclogue. “Let all be ocean now.” Fennelly sounds vast, enveloping wildernesses and the thrilling disquiet of their echoless grandeur. (Maybe Burroughs speaks to the borders of these zones: “Pulsing mineral silence as word dust falls from demagnetized patterns.”) There’s something of the heroic at work here, too, although the hero’s instinct has been suitably tempered—or awed—to know not to fly too close to the sun.

After digging deep into the overwhelming archives of Discos Fuentes, Codiscos and Discos MAG in our previous volumes, this fourth instalment in the series "Cumbia Cumbia Cumbia!!!" comprises 28 Colombian cumbia bangers for the dance floor from the deep vaults of Discos Tropical, all of them originally released between 1960 and 1984. The historical origins of cumbia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. Discos Tropical was a Barranquilla-based label founded in the mid-1940s by Luis Emilio Fortou Pereira, a visionary who helped define Colombian dancing habits and tastes from the previous century. Until the late '50s, most cumbias were orchestral-based. However, even though formats and styles diversified from the following decade onward, these highly popular big bands spectacularly defined the sound of Discos Tropical and livened up the most cosmopolitan dances in the major coastal cities. After the mid-'60s, the big bands gradually fell into decline, but the popular demand for tropical music did not. Facing this situation, the major record companies created smaller-format groups with one particular feature: they mixed accordion music with brass bands. This new volume of "Cumbia Cumbia Cumbia!!!" combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. Double Vinylalbum

All Nice Records returns with NICE005, the second release from label co-founder Bobby Dreams--a five-track excursion through deep, functional, and emotionally rich house music. Opening with The Signal, a peak-time piano workout laced with congas and classic Chicago house energy, the record sets an infectious tone right away. Let It Be Real follows with smooth, warm textures perfect for early or late hours. On the A3, Stranger Than Fiction delivers a pure 303 exercise--acid lines twisting and mutating over a tight, hypnotic groove. Flip the record for New Horizon, a hopeful, driving cut built for forward momentum, and Enter The Simulation, a deep, late-night closer with a touch of mystery and tension. Crafted for selectors, designed for the floor--NICE005 is house music for any hour of the night. All nice, all night!

Special Characters, the acclaimed deep house project hailing from New York, comes to uswith "Subsurface Incantations"-a sonic journey that pays heartfelt tribute to the classicgrooves and textures that defined house music's golden eras. This latest record is astatement piece for the Based Faith imprint, and features a captivating remix from Berlin'sIron Curtis, a favorite among DJs and collectors for his deep, analog-driven interpretations.Blending evocative pads, intricate drum programming, and his signature in transforming abassline, Iron Curtis's take on the B-side seamlessly bridges the timeless with the modern,making this EP an essential addition to any discerning selector's crate.
Committed to the art of vinyl culture, "Subsurface Incantations" will be pressed strictly as avinyl-only release, with no represses planned.

Repress!

A true hot stepper and one of the best of its kind, this 1984 masterpiece from Ini Kamoze is heavy, real and authentic. It was actually Jamaican born artist Cecil Campbell's debut album and features spacious, slow motion dubs that invite you deep within their cavernous drums. The chattery percussion, echoing hits and loose percussion all make a real mark. "World-A-Music" has a beat fans of Damien Marley will recognise, and "General" features some of Campbells more vulnerable vocal work. For fans old and new, this is a perfect roots album with a unique perspective.

Best known as the frontman of the influential indie rock trio Dinosaur Jr., J Mascis has also been a solo artist, producer, and film composer. Getting his start as a founding member of the hardcore band Deep Wound, Dinosaur Jr. was founded in 1984 and the group emerged among the most highly regarded alternative rock. By introducing volume and attack in his songs Mascis shed the strict limitations of early 1980’s hardcore, becoming an influence on the burgeoning grunge movement. Mascis’ body of work continues to inspire a generation of guitar players and songwriters today.


In 1997, Dinosaur Jr. disbanded and Mascis released More Light, his first recording under the moniker J Mascis + The Fog. Members and collaborators of The Fog have included Mike Watt (Minutemen / fIREHOSE), Ron Asheton (The Stooges), Robert Pollard (Guided By Voices), Kevin Shields (My Bloody Valentine), Dave Schools (Hard Working Americans / Widespread Panic) and Kyle Spence (Harvey Milk).

Best known as the frontman of the influential indie rock trio Dinosaur Jr., J Mascis has also been a solo artist, producer, and film composer. Getting his start as a founding member of the hardcore band Deep Wound, Dinosaur Jr. was founded in 1984 and the group emerged among the most highly regarded alternative rock. By introducing volume and attack in his songs Mascis shed the strict limitations of early 1980’s hardcore, becoming an influence on the burgeoning grunge movement. Mascis’ body of work continues to inspire a generation of guitar players and songwriters today.


In 1997, Dinosaur Jr. disbanded and Mascis released More Light, his first recording under the moniker J Mascis + The Fog. Members and collaborators of The Fog have included Mike Watt (Minutemen / fIREHOSE), Ron Asheton (The Stooges), Robert Pollard (Guided By Voices), Kevin Shields (My Bloody Valentine), Dave Schools (Hard Working Americans / Widespread Panic) and Kyle Spence (Harvey Milk).

A pandemic album of songs of heartbreak, virality, and dead rats, which Wood called "goodbye cruel world: the musical." The revealing chamber pop/folk album "In Case I Make it" (ICIMI), which Will Wood playfully dubbed "Goodbye Cruel World: The Musical," turned out to be a surprisingly strong followup to his chaotic and sardonic previous release, "The Normal Album." While divisive among some fans due to its gentler sounds and more traditional vocal stylings than most of his last work, ICIMI attracted new, older audiences and showed a more personal side that provided a new context to his discography. Widely considered to be some of his most powerfully emotional work, both the harshly introspective and humorous songwriting, as well as its unique delivery, are still distinctly Will Wood in their experimental nature and uncompromising unwillingness to conform to the expectations of both die-hard fans and audiences at large. In 2021, the underground singer-songwriter was suddenly the subject of unexpected online attention, which, in tandem with mental health struggles, inspired him to put out a "musical suicide note," intended to express parts of his artistic and personal identity that had gone largely unseen by a fanbase he felt misunderstood. Leading the album with intentionally algorithm-unfriendly singles and putting an eight-minute love ballad as the second track on the LP, Wood aggressively redefined himself as being more than just a handful of wacky, unwitting viral pops. Ironically, the surprise viral success of the deep cut "The Main Character," a relentless satire of online culture, drew attention to the album and its second biggest hit, the angst-ridden yet danceable "Against the Kitchen Floor." However, the immense orchestration and vulnerable writing have kept audiences coming back. Songs like "Euthanasia" and "Tomcat Disposables" have developed reputations as tearjerkers, and songs like "Cicada Days" and "White Noise" have become fan anthems in the years since.

Tales from Topographic Oceans (Super Deluxe Edition) is the definitive version of Yes' ambitious sixth album, the record that stands as one of the most sprawling and intricate works of the progressive rock era. This expansive album version includes twelve CDs, two LPs, and a Blu-Ray disc. Introducing, a newly mastered/remastered version of the original album by Bernie Grundman for vinyl and CD. Delve deeper with new 2026 Steven Wilson remixes of the core album, including instrumental versions, alongside a treasure trove of previously issued rarities. This collection is further enriched by portions of two previously unreleased live performances from the legendary Tales tour. A Blu-Ray disc completes the collection with Steven Wilson's new mixes, including the album in immersive Dolby Atmos and 5.1 Mix DTS-HD MA.
Tracklist: 11CD + Blu-Ray
Disc 1 Original Album Remastered
1. THE REVEALING SCIENCE OF GOD 22:01
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY

Disc 2
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL

Disc 3 Steven Wilson 2025 Remixes
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY

Disc 4
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL

Disc 5 Steven Wilson 2025 Instrumental Mixes
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY

Disc 6
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL

Disc 7: Rarities
1. THE REVEALING SCIENCE OF GOD (Single Edit) [3:54]
DANCE OF THE DAWN
2. THE REMEMBERING (Single Edit) [2:50]
HIGH THE MEMORY
3. THE ANCIENT (Single Edit) [3:26]
GIANTS UNDER THE SUN
4. RITUAL (Single Edit 1) [4:20]
NOUS SOMMES DU SOLEIL
5. RITUAL (Single Edit 2) [3:47]
NOUS SOMMES DU SOLEIL

6. THE REVEALING SCIENCE OF GOD (Version 1) [23:36]
DANCE OF THE DAWN
7. THE REMEMBERING (In Progress) [20:36]
HIGH THE MEMORY
8. THE ANCIENT (In Progress) [17:18]
GIANTS UNDER THE SUN

Disc 8: Rarities
1. THE REVEALING SCIENCE OF GOD (In Progress)* [27:50]
DANCE OF THE DAWN
2. THE ANCIENT (In Progress 2)* [19:30]
GIANTS UNDER THE SUN
3. THE REVEALING SCIENCE OF GOD (In Progress 2)* [21:52]
DANCE OF THE DAWN

Disc 9: Rarities
1. THE REMEMBERING (In Progress 2)* [20:42]
HIGH THE MEMORY
2. RITUAL (In Progress)* [24:37]
NOUS SOMMES DU SOLEIL
3. THE REVEALING SCIENCE OF GOD (Version 2) [22:23]
DANCE OF THE DAWN

Disc 10: Live 1973
1. THE REMEMBERING (Live TBD 1973)*
HIGH THE MEMORY
2. THE ANCIENT (Live TBD 1973)*
GIANTS UNDER THE SUN
Live at Capitol Theatre, Cardiff, Wales, December 1, 1973
3. THE ANCIENT* [19:55]
GIANTS UNDER THE SUN
4. RITUAL* [20:41]
NOUS SOMMES DU SOLEIL

Disc 11: Live at Hallenstadion Zürich, Zürich, Switzerland, April 21,1974
1. AND YOU AND I* [10:10]
I. CORD OF LIFE
II. ECLIPSE
III. THE PREACHER THE TEACHER
IV. APOCALYPSE

2. CLOSE TO THE EDGE* [19:12]
I. THE SOLID TIME OF CHANGE
II. TOTAL MASS RETAIN
III. I GET UP I GET DOWN
IV. SEASONS OF MAN

3. THE REVEALING SCIENCE OF GOD* [14:38]
DANCE OF THE DAWN

Disc 12: Live at Hallenstadion Zürich, Zürich, Switzerland, April 21,1974
1. THE ANCIENT* [20:12]
GIANTS UNDER THE SUN
2. RITUAL [23:00]
NOUS SOMMES DU SOLEIL

Blu-Ray:
2025 Dolby Atmos Mix
2025 5.1 Mix DTS-HD MA
2025 Stereo Remix
2025 Stereo Remaster
2025 Instrumental Mix

1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY
3. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
4. RITUAL [21:35]
NOUS SOMMES DU SOLEIL


[a] a1 THE REVEALING SCIENCE OF GOD [22:01]

[c] b1 THE REMEMBERING [20:38]

[e] c1 THE ANCIENT [18:34]

[g] d1 RITUAL [21:35]

Rob Smith, RSD is not only a successful dubstep producer and pioneer of the Bristol sound, but also a very popular deejay travelling the world sharing his music. Coming from a reggae background and well-versed in sound system culture, Rob kept some of his best productions for his exclusive use when deejaying, the only way you would hear these gems was being played in one of Rob's sets. Fortunately, we've managed to persuade Rob to let Reggae Archive Records share these dubplate specials with a wider audience on a limited-edition vinyl LP. Compiled and sequenced in conjunction with Rob, the LP features nine tracks newly edited and mastered by Rob to enhance the bass playback on vinyl - it's cut heavy!
The tracks were recorded between 2006 and 2011, a time when one strand of dubstep heavilyembraced reggae and dub. Rob calls these tracks reggae infused dubstep and that's what they are, but Reggae Archive Records is a reggae label and this selection of dubstep tracks will most certainly appeal just as much to reggae and dub fans. Fusing dubstep beats, reggae samples, and seriously heavy basslines, this is a joyous celebration of musical cross fertilisation that has been tried and tested in clubs worldwide. In keeping with the dubplate origins of the tracks, we have designed the labels to replicate an old school acetate, while the sleeve pays tribute to seventies pre-releases albums with a replica stamp giving just the artist and title on a plain white sleeve with aged effect.