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The fourth installment in John Osborn's DRED RECORDS series will be from fellow UK producer Harsh Puri who goes under the moniker Reformed Society. DRED 004 consists of six tracks in total - three that will appear on the vinyl release, followed by another three that will be digital-only exclusives. Harsh Puri aka Reformed Society debuted in 2015 with this being his sixth consecutive release in order. Harsh's productions caught John's eye, or rather ear, after being sent to him last year and resulted in this release of six solid prime time deep house stompers. Packaged in an understated matte white sleeve with a black and white picture of Brahma (the four headed Hindu god of creation) handstamped on each cover by the label owner himself, this being a continuation of the human skull DRED logo. 'ONE LIFE' opens the 'DIMENSIONS' EP and is the track given to label boss John Osborn for deconstructing and remoulding into his own specific vision - each release will contain a rework from Osborn. If you are familiar with John's previous work you will immediately recognize his characteristic resonating percussion, the tune being a deep house sci-fi storm expedition driven by a full luscious kick covering the tracks of chords from unsettled pads. The EP's title track has ambient sonic rays flowing through it, being aptly named 'DIMENSIONS' - it is also the record's warmest adventure; distorted percussion juggles sparse subaqueous melodic moments, and from here we go into the 12s final moment, 'CHASING TITANOID". Reformed Society goes in with full yet silent force on this one. A warped bassline co-creates the groove with a particularly bouncy beat with sharp strings piercing though.

Brett Naucke returns to Spectrum Spools with his sophomore LP for Spectrum Spools following the "Seed" LP (SP-034) as well as a string of exceptional cassette releases on Umor Rex and Hausu Mountain.

"The Mansion" finds Naucke at the peak of his powers with a fresh array of meticulously composed psychotropic tapestries. Themes based on a childhood home, now a distant memory, reveal a mysterious narrative in mind-bending sonic detail. These complex ideas fuse conflicting states of tension and beauty with an organic acumen, each track a piece of the greater whole.

"The Mansion" is a fine mixture of contemporary concrète structure interlaced with tightly crafted melodic arrangement and hi-fidelity electronic exploration. In addition to his stalwart synthesis, Naucke employs additional personnel featuring vocal duties from Natalie Chami (of Goodwill Smith and TALsounds) and Viola sounds from Whitney Johnson (of Matchess). Field recording, piano and other various instrumentation are also carefully implemented adding a new, deeper dimension to the Naucke oeuvre.

With his most realized set of compositions yet, "The Mansion" finds Naucke at the paragon of his conceptual and sonic ethos with a work that's at once deeply meaningful and profound in it's auditory breadth.

Mouse on Mars is recognised as one of Germany's most defning and versatile electronic music projects. With their
anarchic mixture of sound that oscillates between uncontrollable chaos and meticulously arranged structures,
Jan St. Werner and Andi Toma have forged a unique musical language, which is readily decomposed by the
unpredictability of its myriad mutations. Free from schools of thought, genre conventions, and from the constraints
of the music establishment, they have worked under the Mouse on Mars alias for 24 years, mapping their own
idiosyncratic trajectory through a no man's land between pop, art, club music, and the avant-garde. - Jan Rohlf
Idiology takes the acoustic experiments of Niun Niggung even further, and it's this combination of electronic
and 'traditional' music -- melding keyboards and synthesizers with french horns and guitars and trumpets into a
seamless whole -- that points the way through the dead-ends of most electronica.'
- PopMatters
Andi Toma and Jan St. Werner continue to create soundscapes that blur the line between programming and live
musicianship, and sometimes between Earth and outer space.' - The A.V. Club
On April 13th Mouse on Mars will release Dimensional People,
their brand new studio album on Thrill Jockey.
The album features Werner and Toma joined by a number of
prolifc guests: Justin Vernon (Bon Iver), Zach Condon (Beirut),
Spank Rock, Aaron and Bryce Dessner (The National), Swamp
Dogg, Eric D. Clarke, Lisa Hannigan, Amanda Blank, Sam
Amidon, Ensemble Musikfabrik, and about 20 more musical
collaborators.
After a series of notorious dance oor releases, Dimensional
People reveals them working deep within their own vernacular,
digging into fertile terrain of their inexhaustible vault of digital
and acoustic experimentation, and charismatically making
elemental components new again. This album makes clear how
their craft is of discovery, of fnding new contexts for places,
sounds, memories, sensations, ambiences, technologies,
relationships, and of course, people.

Deep Club resident dj and head strobe controller Lone Dancer marks our label's 4th entry with his
first solo 12' on vinyl. After finishing two quality tape albums in 2017 already for Jacktone and Always
Human Tapes, 'House is a Tunnel' arrives packed with 4 club-ready jagged tekno bangers and one cut
for the chillout room. Side A - Communication: The title track is a sure-fire party starter centered around
a thick kickdrum and a repeating synth rhythm laced with weird percussion and synth stabs trickling
through the texture. Next, 'PO12-3' combines crisp claps, hats, and a central synth theme that calls
for an intergalactic rave. 'Colony Dwelling' kicks off the Transportation side, taking our extraterrestrial
dancers to a new dimension steeped in fog juice and flangers. 'Floor' has a chill intro until it launches
into a gritty track that throws broken kickdrums and distorted synths in every direction. Finally, 'Night
Rain' puts the party to rest utilizng soft pads while hinting at moments from the night before.
Overall, 'House is a Tunnel' is a fitting dance-centric conglomeration of Lone Dancer's unique style of
jacking techno, broken beats, and spaced out tracks that has set him apart in 2017.
—Ryan Scannura

Support by:
Jackie House
Derek Plaslaiko
Noncompliant aka DJ Shiva
Heidi Sabertooth
Bil Todd
Dee Washington

KUF create emotion-laden dialogues across layers of time and dimensions of sound. Voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. Glowing synths push forward. Basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. Voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio session's deep flow... A vortex of quirky hands, responsive ears and glowing circuits. Since Thomas A. Edison first recorded the human voice in 1877, the recording arts have changed music forever. Musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. An era of sampling offered a cubistic analysis of the recorded past and DJs took dancers onto intricately fractured time travels. This is the historic foundation that KUF keep probing. Just like the sampler and the DJ before them, they found new ways to re-allocate where machine and man stand when making music together. Most importantly, they turn the resulting friction into sparkling bursts of energy. 'Universe' digs deeper into the android vocal chords. The album offers sweeping melodies, different beats and persistent bass. Immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during Berlin Lichtenberg warehouse rehearsals. By striking the keys, KUF squeeze out and serve up all

Blumoog music is proud to present its new release of 4 tracks of great musical thickness. This time, Blumoog music has selected quality and passion. We introduce a character like Aubrey Metroplex, Ferox, Outsgun and more...) with a classical song of his repertoire : low crushing bag and psychadelic; you will go to cosmic dimension. It's Gotshell time, colombian artist, who is pointing to into historical labels like Blueprint, Missile. His song is terrifying and powerful, not for the weak of heart. It's time for Frankie Serious(Blumoog music,Switch Off rec.,The Zone rec.), artist from Rome. With his very high production quality, he proposes with a powerful killer song; excellent for dancefloors but at the same time wonderful for a mental journey. Unchained Souls goes to end this ep of a large thickness; a mysterious duo whom we'll sure speak about. They propose a dark psychadelic selection which will take you inside the deep abyss of your mind... Blumoog music is always near you with soul and passion for the electronics music.....good listening

Southern Italian sociologist, DJ and electronic music producer Simone Gatto is about to release his second album, 'Heaven Inside Your Frequencies', in November 2017.

Gatto's second album represents a complete excursus of his personal and professional paths, into which he combines music, words, studies, researches and experiments. Along with the album, split in two parts and to be released on both his labels Out-ER and Pregnant Void, the artist is also releasing his first essay, named as the album; the latter offers a theoretical and practical analysis on the use of sounds and frequencies in diverse areas of interest, dedicating space to music therapy and primordial techniques as well as their application in the current digital and virtual era.

Both the album and the essay result from Gatto's personal experiences as well as his ten-year's artistic career: the love of his motherland and his parents, the first approach to clubs, the studies about the potentiality of frequencies, the electroacoustic experimentation and last but not least, the aesthetic sonorous research.

The the first part of the album showcases Gatto's experimental inclination for electronic and electroacoustic music; as such, the upcoming on his label Pregnant Void, has been created to enhance the sounds of the environment and personal panoramas by agglomerating artists, projects and publications. The second part definitely focusses on Gatto's dance personality and club vision, even so, it stays strongly connected to its first part as complementary for the artist's objective.

Ranging in between his favourite club niches, and collaborating with producers with whom he has shared embryonic projects, DJ booths or vinyl releases, Gatto prepares the audience for a complete journey into his idea of club music and grooves, featuring wide aesthetics and emotional resonance. It goes from the gentle tidiness of ambient and deep techno - 'No Te Olvides De Acordarte', 'Today Will Be Tomorrow ft. Kaelan', 'When I Was With You' and 'Limbo' to the intrinsic vitality of break beat, dub and funk tracks 'Caronte' and 'Holographic Drama' continuing with the dynamism of a typical Detroit techno brand of sound reinterpreted in a modern context, like in 'Forbidden Area' and 'Amazonia ft. Aubrey', and finishing with the joyful wildness of distorted sounds, in 'Jamming On The Couch ft. The Analogue Cops, OL047' in collaboration with long-time friends OL047 and The Analogue Cops; the last track, 'Il Canto Dell'Anima', is a partial excursion into the electroacoustic sound, articulated by ethereal soundscapes and piano arpeggios. The whole work is enriched by samples, field recordings and filtered vocals, sound elements which have been deeply explored in the first part of the album, confirming Gatto's aesthetical aptitude as for the club's universe as for the aesthetic sonorous research dimension.

'Heaven Inside Your Frequencies', recorded and produced between his motherland and other significant spaces and cities - the Ionian coast and natural parks of Lecce, his second home Berlin, the Whitney Museum in New York City and other significant places - 'Heaven Inside Your Frequencies' combines Gatto's theoretical background with personal and artistic maturity, achieved in the last decade. Simone Gatto's life, culture and emotions translate into a sonorous and written project, among sounds, frequencies and attempts to achieve empathetic communication with people. Specifically, the second part of the album in meant to increase the sensibility about potential interaction between performer and audience as for club contexts. The album listening and the essay reading are therefore complementary and equally functional to the achievement of the artist's goal: the empathetic communication through sounds.

fter the world applauded sascha funke for his latest album 'lotos land', he gave away some tunes to friends for remix duties.
düsseldorf based tolouse low trax formed 'twirl' into a foggy dark mpc-seducer for romantic nighthawks that love dancing.
also australian boy dreems prepared a remix that grooves odd and uncommon. his percussive version of 'im feiern und feuer' is a slow whirlwind, perfect to start and end a great dj night.
with tuff city kids a duo formed a remix that is good for big room love affairs. their version of 'purple hill' is a heartfelt melange between trance and house deepness that works on any dance floor.
the final edit comes from glasgow's junto club, who transformed 'comola', a tune that they already produced originally with sascha funke, into a longing dark melodic synth stepper.
four versions, four hits, four atmospheric dimensions beyond words. tune it loud!

Sebastian Eduardo burst onto the scene in 2016 with a fine debut EP entitled 'Ultima Necat', now comes his second EP, this time released in The Untold Stories Protagonist Series. Dedicated to the legendary poet Hanshan, the EP is a deep and personal offering, it keeps to the style which made his debut so appreciated: positively charged, quirky and enlivening micro house, but this time there's a deeper personal dimension to the tracks, a nice development and another welcome offering from the young Swiss producer.

This instalment follows on from our acclaimed 'Volume One' - Lauren Laverne's 'Compilation Of The Week', supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. 'Volume Two' picks up where the last one left off — with a touch more soul and disco — records we've been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

We opened a new record shop in the centre of Brighton late in 2016 - 13 years after the mighty London store closed it's door. Now situated on the ground floor of our Gloucester Yard home the shop is open every Saturday to sell records that we love, some of which you'll hear on the radio shows, and on this album.

It's been a resounding success and we've been able to host sunny instore events and Facebook Live broadcasts with guests including Nick The Record, Dimensions Festival family Debora Ipekel, Flamingods, Slugabed, The Physics House Band and Remi Kolawole & Sensible J.

In 2017 and beyond, we will be releasing more of our official reissues including lesser-known essentials from Brazil, such as Gal Costa's 'India', Robson Jorge & Lincoln Olivetti, Burnier & Cartier alongside 1980's Mexican psychedelia from Luis Perez. We've been digging deep, and will share another edition of our 'The Original Sound of...' series, this time across the border from Mali to neighbouring Burkina Faso. As ever, you'll hear these first, on our radio shows.

There will be more 'Mr Bongo Presents' events - we brought Alain Mion & Cortex to the Jazz Cafe in London in 2017 - and we've highly anticipated slots at Bestival and Lost Village festivals, plus a return to RAPPCATS in Los Angeles, more guest shows on Worldwide FM and NTS Radio and, of course, the continuation
of our own radio shows.

Compiled by David 'Mr Bongo' Buttle and Gareth Stephens,
plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.

The return of Timothy J Fairplay sees tracks from his 2 EPs on Emotional Response remixed on one special release. Four favourite producers chosen to bring new dimensions to his brooding, shuffling electronics, featuring Scientific Dreamz Of U, Alessandro Parisi, Perseus Trax and Antenna.Part of the label since inception, the last five years have seen TJF's career explode with releases on Bird Scarer, Charlois and Hoga Nord, setting up the Crimes Of The Future label with Scott Fraser and releasing an album alongside Andrew Weatherall as The Asphodells. His EPs for Emotional Response saw some of his strongest, deep and dubbed out productions that marked their own terrain and these reworks have been a long term project. Starting with a trance inducing breaks-dub of Stories of Prison from Scientic Dreamz Of U and you understand why this mysterious producer has become a cult in his own dreamtime, as subs bump this vortexed revision to its own portal.
Next Alessandro Parisi implants his cyber-electro-harmonies to Aim For The Yellow Sector. Fairplay's late night drive-by is respectfully given a future-retro mix, gliding away from East London's dank streets to mysterious plains and beyond. Things take an analogue twist for the flip with Perseus Traxx showing his love for Chi town on his remix of Saco Bay. A bumpin' bass sets the motion, mixing the swirling original to basement vibes x 10. Win win win.
Kindred spirit and fellow Pinkman/Charlois member Antenna closes the EP with a deep retake of Night Ferry. After causing a stir with the killer Odessa EP and subsequent releases on Royal Oak and Beats In Space, a remix was a given. A mellow groove and optimistic keys is the perfect way to end this chapter of Timothy's music and await for new adventures.

The return of Brain Machine, with their Peaks album, was one of the highlights of last year for Emotional Response. Juan Tripp (aka Jon Tye of Seahawks), Guido Zen (Vactrol Park) and Kyle Martin's (Spectral Empire/Land Of Light/Vactrol Park) acclaimed kosmiche opus is followed up with 2 remix EPs featuring some of the best proponents, peers and friends of deep electronic music.
Remixes One is given over to a quartet of trusted hands including man of the moment, Tolouse Low Trax, ambient visionary Gigi Masin, afro-techno-dub specialist Harmonious Thelonious and stalwarts Ronny & Renzo.First Detlef Weinrich shows his mastery of a unique percussive sound that has seen his identity become as respected outside of his native Dusseldorf as he is in it for his role as one of the founders and curator of Salon des Amateurs. A brooding, propulsive culmination, the original's haunting ambience is retained for a subtle, driving rework that hits the mark.
Surprise of the EP is Gigi Masin's remix of Crystal Clouds. Eschewing the original's celestial soundscapes, scattered percussion interplays with sub-bass to change the context, giving a rhythmic dimension while retaining the shimmering guitar and arpeggio infused cohesion.Starting the B-side is another Dusseldorf elder statesman, in the afro-visions of Harmonious Thelonious. Solo, as well as one third of The Durian Brothers, Stefan Schwander, has carved a distinct sound. Chrematistic percussion is matched with an atmospheric, dub-techno feel that perfectly fits the EP. Play loud for full understanding.
Finally, Remixes One concludes with the return of Ronny & Renzo. Long time associates of Brain Machine, their 10 minutes plus remix takes the glacial original's ambience to a darker plain, fusing rhythmic pulses with alluding acid intent.

the italian duo boot & tax got already one lp and four eps under their wings who all deliver house and techno that stands out.
so far their records been published by glasgow's finest optimo music and meant records from paris.
now the two give their debut for endless flight and release three tunes that listen to the name 'dimension'.
they all got funk, they all love mesmerising melodies. you can feel the power of disco coming in with heavy seducing strings.
you can get lost in echoed drums, trippy sounds and some oriental tones. and you also can march to cosmic techno that loves krautrock without embracing it.
a multi-coloured ep that spreads deepness in an uncommon sense. if moves the heart and soul profound, while staying edgy and catchy.

REPRESS !
Opening the EP, 'A Matter Of Time' sets the things up with a phlegmatic tempo centered around a feverish acid line. A soft mist of organic snares, dub percussions and jazz hi-hats slip over a spacious spread of synthesizers.'Abduction' steps into a more intense dimension, bringing distorted, shamanic, high-energy drumming intended to put the listener into a trance state. The momentum is reached as a deep organ covers the whole structure and releases twirls of acid onto its mediative canvas.Closing the side, 'Harmony Of Spheres' brings the pace down again, condensing all the acid material into a drowned mechanical piece that finally breathes when pads comes in at half-course.The B-side opens with 'Alternative Currents' a gasping piece of electronic jazz centred around a play of tribal percussions and dissonant pads. 'Parsec City' continues the story with its amazing free jazz rhythm investigation, showing once again the expertise of Marini in complex patterns. Closing the EP, the shorter 'Seven Transmutation' plays with sharp acid stripes and immersed organs chords on a frame of abstract drum sequences.

At the third New Interplanetary Melodies' astral journey stopover, it was mandatory to catch an Italian project deeply inspired by the Sun Ra visionary realm, expressing contemporary trials of hybridising jazz with artful electronica. So Ra Toth and The Brigantes' Orchestra landed on vinyl grooves for the label, after having previously appeared on the likes of Mathematics and Berceuse Heroique. Behind the sound, we find the elusive and unpredictable genius of the well-respected producer Marcello Napoletano. NIM received the distorted sound signal from Napoletano taken over by the Egyptian deity born from the lips of Ra. Who knows if those noises were coming from a parallel dimension, outer space, or some otherworldly sphere... Submerged in dark bottom waters, the stormy waves of the 'Acid Sea' are made of convulsive afro-flavoured percussion with sharp synths looming out like the ivories of some freakish abyssal creatures.

Repressed !
The Argentinian team brings the power of their knowledge back to our imprint with this split EP, a six track musical journey from drones to heavy kicks, with a bunch of intelligent techno in the middle.

The release starts with Jonas Kopp's "Grey Area", a floating intro exploring the deepest frequencies in the sound spectrum. Next comes "Intelligent seeker", with grooved synth toms, sharp hats and a naive oscillating sequence that runs free in the arrangement. Profound and aggressive at the same time.

The following number is "Akut": dry kick, reverberated and panned continuous sequences, spiced with classic 909 workout.

Pfirter provides his intro with "Another Dimension", a dreamy ambient piece to warm up for what comes next: "Euritmia". Based on distorted kicks and sequences, "Euritmia" creates an obsessive rhythm that grows alongside the white noise washes during the whole track.

Closing the release is "Rising", which starts with a cleaner beat approach, and once again works with white noises and modular lines to create tension and expectation. Micro percussions run along the groove, nicely adding spice to the hypnosis.

Conceptual Records presents you its third vinyl only release Univers Parallele written by a music producer from Canada, Montreal Claire. Inspired by her tour in Europe in 2016, Claire finally embodies her absolutely cosmically sounding ideas in three original composition: Pyjama Jazz, Sometimes I Turn Into stars (on side A) and Parallel Dimensios ( on side B) , in which she uses futuristic sounds, analog drum sections, deep bass, jazz sections from the 30 s and her own vocal. The last track of this release is a tribal dance mix from a talented modern musician of romanian origin living in Ibiza Plusculaar (on B2). Mixdown and mastering by Pheek. Covert art from Djack Arta a moldovian artist. Plunge into the fascinating musical journey to a parallel universe with Conceptual.

Cosmic Club 17's in the house, and for this one Skylax have delved deep into the mystic universe of the ultra prolific photonz with a four track EP quite simply out of this dimension ! Photonz is the artist name of Marco Rodrigues, a London-based DJ and producer who's been championing the new sound of Portuguese house and techno worldwide since the early 2000s. He has done tracks for various labels such as crème organization, unknown to the unknown, hot haus, the "cult" dissident and many more. His first cut "memories of burma" that gave the title to the ep is an infinite groove that builds and builds with arabic synths, a perfect crossover between balearic & old school jackin house. "Baronrevxp" & "agape" moves into the same territories with some sharp clap, hi hats and some big retro vintage sounds. While "stealth predator" catches him at his most experimental, upping the tempo and unleashing an ambitious techno juke roller, think about drexcya, 1990s techno, Plink Plonk and you're not even close ! Photonz music sounds extremely big for the big rooms, and still very large indeed for the smaller ones.His music is praised by The Chemical Brothers, Jackmaster, Optimo, Ivan Smagghe, Daniel Avery, James Holden, Ewan Pearson, Auntie Flo, Tim Sweeney, just to name a few. 'Memories of Burma' EP is not just a cosmic experience, but a voyage into the realms of a producer in a world of his own. Must have. Essential item. SKYLAX RECORDS 4 EVER !