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Gladstone Deluxe is one of the most exciting musicians in the US right now. They make futuristic, deep, percussive yet smooth techno, deep house and electro. They also play timbales in NYC queer and trans salsa band Las Mariquitas, and are a frequent collaborator with fellow East Coast sonic trailblazers Kiernan Laveaux, Johnny Zoloft, and Mira Mira. They have released on Black Techno Matters, Data Disk, Misc, Innocent Music, How Things Are Made, and now Fixed Rhythms is excited to add to the Gladstone lore with their new offering, “No Haterade EP”.

A1 “Cleanse” is zippy tech-y house…think groovy, up-beat, sexy, like something you’d hear in a Titonton Duvante set. A2 is a remix, “Teakup – Where’s My Snare (Gladstone Deluxe Remix)”. Now the EP takes a turn towards psychedelic electro. Spacey trippy vocal manipulations, swelling deep space gravitational waves swelling and resolving. The B side opens with the “No Haterade” track. Arpeggiated electro that slaps with swagger. The final track is a longer, 9 minute driving deep housey techno tune. A bass line that you never want to stop, luscious pads, brain-tingling pings, melodic percussive synth runs, and a touch of acid.

If Gladstone is not already on your radar, take heed! Big tunes here!

Love From San Francisco – 'Keep Rockin' (+ Unreleased mixes)

A true underground classic returns via Mint Condition — 'Keep Rockin' by Love From San Francisco (aka Charles Webster) is back on wax in this freshly remastered 2025 edition. Originally released in the mid-'90s and long out of print, this deep house essential defined a generation of smoky after-hours and West Coast groove.

This deluxe 12" reissue stays true to the original deep, dubby sound but adds extra value for crate diggers and collectors alike with two previously unreleased mixes, recovered from the original DATs. These alternate takes give a new dimension to an already timeless track — stripped-down, hypnotic, and primed for modern floors. Pure vinyl heat from the golden era of deep house.

fka boursin is a DJ and producer out of Bristol, UK.
Previously known as DJ Boursin, he is recognized for his deep, ambient-infused house music that explores political dimensions of clubs and identity politics.
Welcomed into the Scissor & Thread fold, fka boursin shares two cuts of deep and introspective
electronic music.
The original Listless Intertext is a hazy trip through ambient soundscapes, shuffling rhythms and half-caught conversations, drifting across a 12 minute run time that slowly evolves and shifts with time.
"Listless Intertext is a track centred around the "failed" employment of cheap vocoder software that attempted to process explicit words and phrases across 11 minutes." says fka boursin. "Instead, the vocoder output made any words indecipherable and I was left with thematic vagueness. The final text of the track is simply a submission to its own limitations with some french thrown in."
When label bosses Frank & Tony step up for their Housebeat Dub, they keep the essential mood but introduce a thick, fat groove that works just as well in conveying the mood.
"Our remix is a strictly dancefloor approach," says Frank, "an extended psychedelic beat rework perfect for late night, early morning vibes".

DJ Support: Midland, Craig Richards, Vladimir Ivkovic, Benji B, Emerald, Cici, Darwin, Jossy Mitsu, I JORDAN, Daria Kolosova, Alienata, Carl Craig, Paula Tape, OK Williams, Hammer, Kassian

Kilig Unveils New Era with Air In The Dark / Back To Sofa Surfing

Elusive leftfield electronica producer Kilig emerges from the shadows to unveil a new era on Cross Country with Air In The Dark and Back To Sofa Surfing—two tracks that signal a matured, exploratory sound, balancing introspective ambience with subtle rhythmic propulsion.

In a celebration of London’s enduring spirit of community, experimentation, and unity - fabric resident Bobby. and FOLD’s own Voicedrone join forces to rework Air In The Dark. Bobby. crafts an epic, psilocybin-inspired reinterpretation; Voicedrone - a hard-hitting high BPM electro reinterpretation; and cult favourite RAMZi offering a warm, deep ambient cut.

Back To Sofa Surfing receives its own forward-facing treatment from Manami and Dufraine — two voices at the cutting edge of London’s bass and electro underground. Hailing from a shared studio space , the remixes are infused with raw dub, bass, acid, and electro infused energy.

DJ Support: SSSLIP, Voigtmann, Moxie, Domenic Cappello, Subb-an, Reiss, Roza Terenzi, Mr. Redley / Rinse FM, Hutch / Ambers / Fabric, Joe Koshin, ODF, Georgia, Marc Satseg, Make A Dance, Raresh, Secretsundaze, ADMNTi, Francesco Mami, B From E, Tifra, Kassian and many more

Handy Record's 'Natural Frequencies' Imprint returns for its 5th Release with Jinjé.

The four track EP 'Days like This' graces the label fusing sounds in the realms of Breaks , Bass , Progressive and techno.

Days like this opens up a new sonic realm for Natural Frequencies with flickering synth's, soaring analogue embellishments warping around a driving subsonic bass and crunchy drums. Delving deeper into the wormhole with vocal snaps and hypnotic layering, keeping your head down and energy up on the dancefloor.

NRV008 delivers two immersive tracks from Za__Paradigma, elevated by a standout remix from Romania’s minimal maestro, Cezar Lazar.

Za__Paradigma’s "Pianeta Extrasolare" opens with hypnotic rhythms and lush textures, ideal for intimate dancefloors. "Senza di te" follows with minimalistic grooves and a compelling, building energy.

Cezar Lazar’s remix of "Pianeta Extrasolare" is an 11-minute journey, blending intricate rhythms with subtle orchestral undertones, showcasing his visionary mastery.

A must-have for minimal, deep tech, and electronic audiophiles.

“We All Jack” marks the first vinyl release from the Heattraxx label — a true celebration of the Chicago house scene. The original track features a powerful Klassik Mix by K'Alexi Shelby, his second release on the label, a living legend of Chicago house who earned critical acclaim with The Ron Hardy Memo and is now back on the label stronger than ever. The record also includes three heavyweight remixes: Sirus Hood, a longtime friend of the label, talented artist and producer, founder of Mood Child, and deeply connected to the Chicago scene — having produced a documentary featuring interviews with some of the most iconic names in house music; The Checkup, label head of Heattraxx, delivers his deep and driving grooves as seen on labels like Kaoz Theory, Snatch! and House Puff; and Joe Smooth, another legendary Chicago pioneer, known for classic acid house sounds and immortalized by the anthem “Promised Land.” A tribute to house heritage, infused with the spirit of the Windy City in every beat.

»Reise der Schatten« (»Journey of Shadows«) is the soundtrack to the eponymous debut feature-length animation film by Swiss artist Yves Netzhammer. Composed by Anthony Pateras and released as a stand- alone album through Hallow Ground, the 29 pieces are based on »weird folk melodies ornamented with electro-acoustics to give the film a more fantastical, fairy-tale feeling,« as the composer puts it. His extensive international recording sessions with a slew of guest musicians results in a record imbued with a sense of mystical surrealism, otherworldly and haunting.

»Reise der Schatten« tells the abstracted story of a genderless being coming to terms with its identity and place in a world full of conflicts and systems of control. »The film was made with old animation software that only works on Mac OS 9. So already, we are in a very hermetic, unique space,« says Pateras. Having tried (and failed) to compose something »typically experimental,« he went for long walks in the Australian bushlands and came home with something else: the idea to create a soundtrack that would create »a kind of distance, or perceptual shift, but also a narrative drive and emotional context which is not always clear.«

While recording the album, the tētēma co-founder did not use digitally generated sound, instead workingwith live instrumentation whose sound palette was enriched by the use of feedback, tape delay, analogue synthesizers, and samples from vinyl records. Wanting to work primarily with acoustic instruments suchas the clarinet made Pateras embark on a complicated journey of his own. The initial recording sessions took place in Basel on metallophones that were designed by Domenico Melchiorre’s Lunason company and laid the foundation for everything that came after.

Pateras recorded with musicians such as guitarist Alexander Garsden, viola player Erkki Veltheim, clarinetist Aviva Endean, multi-instrumentalist Justin Marshall and Lizzy Welsh on the viola d’amore among other instruments. He recorded percussion and recorders with Rohan Rebeiro and Natasha Anderson in his hometown of Castlemaine, double bass with Benjamin Ward in Sydney, bass and flutes with Jon Heilbron and Rebecca Lane in Berlin, and electronics in Zürich with Netzhammer. »Reise der Schatten« was thus a literal journey, made with a »big, international electro-acoustic ensemble.«

As a stand-alone album, »Reise der Schatten« opens up a space of its own. Its stylistic diversity makes it atmospherically and emotionally multi-faceted. As its composer notes, »music for screen can be very virtuosic, sophisticated, and variegated!« His own work is a testament to that claim.

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Planning For Burial is the solo project of Thom Wasluck, emerging from Wilkes-Barre, Pennsylvania. It’s Closeness, It’s Easy is the long-awaited follow-up to 2017’s Below The House. If Below The House was about returning home, following in the footsteps of one’s father and joining a union, and leaving behind youth’s wild days, It’s Closeness, It’s Easy embraces what comes next—the weight of all years, the quiet shifts, the reckoning with what remains. This record is many things. It captures the slow drift of time, the unnoticed shifts in a loved one—the creeping changes in mental health, the quiet pull of addiction, the kind of grief that settles in the bones rather than announces itself.
At its core, It’s Closeness, It’s Easy is about stepping into middle age and taking stock. It confronts the reality of living with the hand that’s been dealt and searching for meaning in what remains. It speaks to loss—the crushing weight of saying goodbye to a beloved 17-year old cat, the slow-motion grief of watching friends self-destruct, the inescapable passage of time as it bears down on aging parents and the self. But it also reflects the warmth of reconnection, the kind of love that never burns out but instead deepens. The feeling of picking up where things left off, untouched by the years in between.

While written over the course of two years, the recording process reflects a sense of immediacy. Rather than assembling songs piece by piece over time, the album took shape in singular, immersive sessions—less an act of construction, more an unveiling of something already waiting to take shape.
Rooted in a staunch DIY ethos, Wasluck handles every aspect of Planning For Burial project himself—recording the music, designing the artwork, and performing live as a one-man band. He books his own tours, ever and independent creative. This hands-on approach has led Planning For Burial to play hundreds of shows solidifying his place in the underground music scene. A defining moment came in 2018 when he performed at the Meltdown Festival in London, curated by Robert Smith of The Cure.

To coincide with the second birthday of Echo Chamber Recordings, it was right that we returned to the series that kickstarted it all in the summer of 2023 - with the fourth instalment of the “Boogaloo Lessons”. The Latin Brothers dig even deeper in their crates of original late 1960s vinyl from New York - to sample dozens of tunes for these next instalments. As ever, these are cut and pasted into a dancefloor party style and updated with extra beats ‘n’ FX for clubwise satisfaction - in homage to the classic Hip Hop Lessons series



The first two releases in the series sold out immediately…



This edition is only 300 worldwide - in order to move quickly and get more space on the shelves for the forthcoming releases on the way on ECR and it’s sister labels ECHO LABS and ECHO EDITS - which are queuing up right now at the pressing plant !

Eddie Palmieri's The Sun Of Latin Music (1974) is a landmark album that pushed the boundaries of salsa and Afro-Caribbean jazz. With this record, Palmieri won the first-ever Grammy for Best Latin Recording, cementing his reputation as a bold innovator. The album features dense polyrhythms, blazing horn arrangements, and exploratory piano work that blurs the line between traditional Latin dance music and avant-garde jazz. It’s celebratory and deeply complex—an album as much for the head as for the hips.

Anchored by tracks like “Un Día Bonito” and “Nada de Ti,” the record showcases Palmieri's willingness to experiment with song structure and harmonic language while staying grounded in the groove. His band, including the powerhouse vocals of Lalo Rodríguez (just 16 at the time), delivers performances that are fiery and technically dazzling. The Sun Of Latin Music isn’t just a classic of salsa—it’s a daring artistic statement that redefined the possibilities of the genre.

At A Glance Records proudly presents its third chapter, AAG003, a standout debut from rising talent Harre.

Harre enters the scene with a confident statement, fusing warm, emotional atmospheres with the timeless swing of classic house. His sound invites listeners into a rich, layered world, where soulful depth meets infectious groove, and storytelling meets rhythm.

Following the warmly received AAG001 and AAG002, this latest release continues to elevate At A Glance’s vision: music that is thoughtful, dynamic, and firmly rooted in the dancefloor spirit. Harre’s intricate arrangements and finely tuned textures mark him as an artist to watch, bringing both maturity and freshness to the label’s growing catalogue.

As an offshoot of Small Great Things., At A Glance stays committed to curating forward-thinking house music with emotional resonance. AAG003 reflects this ethos, a record made for those who dig deep, whether behind the decks or lost in the music.

The 10th release on Frenzy marks a milestone, and we're celebrating it with a true legend at the helm.

We're thrilled to welcome Marco Bailey to the label, a name deeply woven into the fabric of techno for decades. His latest work, the "Hollow Cry EP," is a six-track statement reflecting both his legacy and continued evolution as an artist.

Across four original tracks, Marco channels the tension, urgency, and emotional gravity that have defined his sound over the years. From gritty low-end power to cinematic builds and hypnotic repetition, these tracks are built with intent - to move bodies, challenge minds, and hold the floor in their grip.

The journey doesn't end there. We've brought in two key remixers to reinterpret Bailey's vision through their own lenses: The Advent, an undisputed cornerstone of the genre, delivers a groove-laced rework that's equal parts punch and finesse - a masterclass from a true pioneer; and Kaiser, one of the most distinctive voices in today's generation of techno artists, strips things down and dials up the pressure with a deep, percussive take that hits with precision.

We're proud to host Marco Bailey for this special chapter in the Frenzy story, and we invite you to dive deep into this powerful body of work.

"Hollow Cry EP" is built for the late nights, the flashing strobes, for those who know.

Having carved out a place in the contemporary club scene with releases on Glitterbox/Defected, Boogie Angst & Lovemonk Records amongst others, Madrid's Casbah 73 recently shed his skin and is now ready to introduce The Jade, a live ensemble that prioritises emotion, excitement and the art of the song. Led by Oli Stewart (Casbah 73), the project brings together a remarkable group of players. At its core, this is about people: musicians in dialogue, shaping rhythms and melody, singing songs from the heart, that shared pulse based on a timeless musical vocabulary.

Opening with the exuberant 'Let The Light In', this is sizzling hi-jazz and sunny soul, shot through with a dose of funky Afro-Latin rhythms for good measure. Josh Hoyer leads the charge, delivering a powerhouse vocal performance, while Nia Martin and Deborah Ayo bring that gospel glow. As, indeed, they continue to do so throughout, especially on the deep, soulful standout 'When Love Left' or the shimmering, street soul meets Brit-funk feel of 'Change!' Experience the spontaneity and playful nature of tracks like 'Si No Me Quieres Esperar' (with Cuban maestro Ale Gutiérrez on vocals) infused with funky Latin and Brazilian rhythms, as well as sparkling, alien disco dub in the form of 'Space Lines'. There's no-holds, hands-in-the-air, fluid disco club grooves on 'What It Takes' and driving, riotous soul-jazz on 'Being Seen'. Just when you think you've got it figured out, the band change it up and stretch out with beautiful jazz-funk instrumentals like 'At The Queensboro' or lush sonic gem 'On That Strange', a track that feels like a long, blissful afternoon fading into evening, with things left unspoken in the air and mystery in its kinky grooves.

The Jade's sound is post-pout, studs up, raw soul, free from modern dancefloor tyranny.It's intimate disco, dead-selfie freedom, Afro-Latin jazz-dance and Iberian funk all rolled into one, rooted in emotion and shot through with a healthy dose of funky bad ass groovism. Genres that blend and bleed into each other following one simple idea: songs and the expressive power of live instrumentation.

Debut LP by Benedikt Montiel Mathews
Frankfurt-based producer, multi-instrumentalist, and DJ Benedikt Montiel Mathews is set to release his debut LP in August 2025 in collaboration with Jazz Montez. Fusing Jazz, Funk, Electro, House, and Techno, the album reflects Benedikt’s genre-bending sound and unique musical voice — shaped by his skills on keys, trombone, guitar, bass, and vocals.
The record will be released on vinyl and accompanied by a music video and a release gig on August 31st, where Benedikt will curate and DJ the entire night. Expect rich textures, danceable grooves, and a fresh perspective from one of Frankfurt’s most exciting young talents.

Iter, Calgolla's latest concept album, is an intense and layered sonic journey into the contradictions of the contemporary human condition.
With a musical language that combines alt-rock, post-rock, post-punk, spoken word and forays into performance art, the group constructs a complex work that defies any simple definition.
The record deals with themes such as migration, inner transformation, social alienation, ecological collapse and a sense of loss, layering lyrics and sounds into a coherent but fragmented narrative, like the time it tells.
The lyrics are taken and adapted from Viaticus, a graphic poem written by the singer together with visual artist Giacomo Della Maria, reshaped to adhere to tense, dense and visionary soundscapes.
The nine tracks of Iter thus form a journey that crosses different languages, styles and moods, like stages of an initiatory path that reflects the precariousness of modern life.
An album that refuses to offer answers, but invites immersion, surrender and transformation through listening. It is a meditative, multi-layered exploration of transformation, perception and resilience in the fragmented reality of modern life. With nine tracks and several languages, Iter (‘journey’ in Latin) traverses internal and geopolitical, sacred and profane landscapes, layering spoken words and sound collages into a deeply expressive experience. The guitars weave textures that are now ethereal and now abrasive, while the rhythm section builds a pulsating framework that supports and amplifies the evocative atmosphere of each piece. Iter does not merely recount the decay of our time, but attempts to bring it to life, immersing the listener in an emotional flow that blurs the boundaries between dream and nightmare, between meditation and chaos. An album that refuses to offer answers, but invites immersion, abandon and transformation through listening.

Seoul-based producer and DJ Yetsuby conjures immersive, layered soundscapes that glide between breakbeat, jungle, and leftfield bass. As one half of the duo Salamanda and co-founder of Computer Music Club, she has released music on labels like Wisdom Teeth, all my thoughts, Human Pitch, and Métron. And her boundary pushing sets on Seoul Community Radio, Boiler Room, and NTS Radio have brought her experimental Seoul roots to a global audience.

Her new album, 4EVA, invites listeners to wander through strange musical landscapes. Blending digital, analog, and acoustic sounds, Yetsuby explores the magnetic pull between people and music—an experience that feels both cosmic and deeply personal. Effortlessly weaving through genres such as bass, breakbeat, ambient, footwork, contemporary club, and IDM, she creates maximalist compositions that remain cohesive and refined.

The inspiration behind 4EVA is equally surreal. A childhood doodle from her sister, calling her a “brain-ful human,” sparked reflections on loneliness, togetherness, and the joy of navigating both. The album channels these themes of connection, introspection, and the transformative power of music, delivering catchy melodies and restless harmonies that invite listeners to lose themselves in its nuanced rhythms.

Out on Pink Oyster Records in LP and digital formats, 4EVA marks a bold new chapter for Yetsuby. With this release, she emerges as one of electronic music’s most original and exciting voices, defining the sound of Seoul’s underground—and beyond.

Pink Oyster is a new label from Jess Goodchild and Jack Hardwicke (Métron Records)

Full Dose head honcho Brollachan is back with a fresh project alongside fellow Glasgow artist, Limiting Factor. Collaboration between Brollachan and this new name on the scene results in a weighty two track, 2-stepping EP - “Garden of Gelsemine”

The pair conjure up sounds reminiscent of early 2000s UK bass music, but with a certain Full Dose flair. As with some of the best and murkiest Dubstep and dub influenced cuts from yesteryear, these tracks aim for a deeper connection. Off-kilter rhythms and a significant focus on low end mean “Garden of Gelsemine” works well both in the club environment and as an introspective headphone listen.

Welcome to the garden, where Brollachan and Limiting factor have cultivated 2 particularly wacky specimens. "

Fishing for Gravel is the debut solo mini-LP from Dublin-born, Amsterdam-based producer Paraflow (aka Niall Rogers), via Superconscious Records. Known for his work as a music supervisor and dream pop collaborator (Officer John), Paraflow dives deep into a world of EBM and dub-infused electronics-granular textures, mid-tempo chug, and flashes of blissful uplift driving seven tracks of earthy, drum-heavy synthesis. Includes a rugged remix from Superconscious' own FIO. For fans of Jonquera, Parchman, BPM AM.