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Italian producer Deyayu delivers a powerful new EP on Party Tricks, channeling emotion and subtle melancholy into four striking cuts. Blending elements of progressive, deep, and tech house, the release is designed for late-night energy and golden hour moods, capturing the feeling of first light, where rhythm meets reflection.

The emblematic Chilean producer Camilo Gil tells a story of life through ink and sound. In its original version, the creativity between bass, MPC, garage influences, and Break Deep elements gives us a unique work.
In the alternate version, the legendary MARK AMBROSE takes us on a journey through space, with captivating voices, tones, and his signature sound.

On the B-side, the remix by Detroit legend GARI ROMALIS showcases the soulful, emotional side of the Motor City, featuring pianos and a hypnotic bassline that brings us closer to the 313. Closing the EP is the energetic deep jazzy minimal style of AUDIO WERNER, a track designed for the dancefloor, with a playful swing between vocals and bass, complemented by a hypnotic string that makes us want to dance at any moment.

Since launching in 2019, NuNorthern Soul’s Summer Selections series has become something of a must-check release for those seeking the sun-soaked pulse of the White Isle of Ibiza. It not only acts as a sampler for forthcoming digital-only EPs due for release over the summer season, but also a showcase for both established artists and label newcomers.

2025’s ‘selections’, the fifth in total, marks the popular series’ return after a three-year hiatus. Once again, it boasts six tracks, each taken from a forthcoming NuNorthern Soul EP, and touches on a variety of Ibiza-ready styles and sounds.

Up first are Manchester twosome Nightdubbing, who’s eponymous ‘Nightdubbing’ – first featured on their self-released 2023 debut album – is remixed by Archeo Recordings label boss Manu Archeo. He opts to brilliant blend slow motion electronic grooves and deep, warming bass with waves of ambient textures, eyes-closed melodic motifs and attractive lead lines.

George Koutalieries steps up next with the languid shuffle of ‘Seasons’, where imaginative vocalisation arrangements, mazy synth bass, calming acoustic guitars and cosmic electronics create a yearning afternoon delight, before label newcomer James E Burton combines pleasingly live-sounding drums and bass with picturesque electronics and the dreamiest of chords.

Next up is a teaser of what’s to come from recent signings Visions of Light, a fresh collaboration between Free Booter Lounge label founder Simon Sheldon and two of his artists, Muzka and Dan Dub Lounge. ‘The Mandela Vortex’ is a lightly dub-flecked Balearic shuffler rich in infectious hand percussion, meandering guitar solos, heady aural textures and echoing melodic motifs.

To draw the expansive collection to a close, we’re treated to two more yearning, picturesque and atmospheric treats. The first comes from another label debutant, Seafront International and Strictly Dub Records founder Saimon under the Roots Artefact alias. Deep, toasty and smothered in vintage effects, ‘The Big Calm Dubwise’ is a picture-perfect Balearic dub classic in the making.

Rounding things off is former Les Yeux Orange Contributor – and rising star of the French Balearic movement – Jilo, who gently takes us by the hand and leads us towards the dancefloor. Underpinned by a heavily electronic, nu-disco adjacent groove, ‘Shadow’s Tango’ is smile-inducing aural joy writ large – all huggable chords, Italo-house pianos, chugging bass and the most kaleidoscopic of chords. It provides a wonderfully uplifting conclusion to another fine collection of ‘Summer Selections’.

To celebrate our 50th release, we dug deep into Juan's back catalog and rediscovered four gems that had never been repressed since 1993. After a proper restoration, a new mastering and a precise cut, we are happy to re-introduce those incredible tracks on vinyl and digital. The Future Sound EP is a great example of Juan Atkins' curation for Metroplex Records. Different artists were invited to the studio to give their interpretations of what the label is about.

Hidden Sequence returns, this time to kick off a new label Magistrate, and hot on the heels of their quick-to-sell out 'Silent Roots' last year. This fresh EP seamlessly bridges classic 70s Jamaican dub with modern, bass-heavy and dubwise delights, starting with 'Isms & Schisms'. The horns are brilliantly inviting as are the low ends which have been well worked on a vast desk and come packed with echo and effects. 'Magistrates Dub' is an immediately infectious skank that shifts into a deep, dub-heavy exploration and unites past and present dub influences.

US artist M Squared brings his inimitable style to the latest Purveyor Underground label. As soon as you drop the needle on 'Vibrations' you're in a fresh world of jazzy samples, swinging drums and smeared melodies with spoken words adding extra layers to what is a full flavour jam. 'Self Taught' is another filter-style jam that harks back to the 90s French touch scene and 'Love Technics' brings jacked-up drum funk and insistent loops that never let up. There is more room to breadth with the deeper, smoky sounds of 'In The Shadows' while Demuir's Playboi edit jacks it up for more funky bass.

On limited double vinyl (500 ) with a download -

With Limited Edition A4 Heavy-Weight Space Art print (First 100 Copies Online) Signed & Numbered By Jon Savage (CTRUE48) Original Cover Artwork By Matt Sewell.

Jon Savage's Space - An amazing musical voyage through the theme and idea of Space - music for Space - Space - Music - Through West-Coast US Rock , Techno, Post-Punk , Jazz, Ambient & Experimental sounds-this is a journey like no other .. From Sun Ra to Mr Fingers and way beyond.

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"We are taken to less familiar musical quadrants-fascinatedly & instructively so"

(Roy Wilkinson - MOJO Feb 2025)

Khadim is a stunning reconfiguration of the Ndagga Rhythm Force sound. The instrumentation is radically pared down. The guitar is gone; the concatenation of sabars; the drum-kit. Each of the four tracks hones in on just one or two drummers; otherwise the sole recorded element is the singing; everything else is programmed. Synths are dialogically locked into the drumming. Tellingly, Ernestus has reached for his beloved Prophet-5, a signature go-to since Basic Channel days, thirty years ago. Texturally, the sound is more dubwise; prickling with effects. There is a new spaciousness, announced at the start by the ambient sounds of Dakar street-life. At the microphone, Mbene Diatta Seck revels in this new openness: mbalax diva, she feelingly turns each of the four songs into a discrete dramatic episode, using different sets of rhetorical techniques. The music throughout is taut, grooving, complex, like before; but more volatile, intuitive and reaching, with turbulent emotional and spiritual expressivity.

Not that Khadim represents any kind of break. Its transformativeness is rooted in the hundreds upon hundreds of hours the Rhythm Force has played together. Nearly a decade has passed since Yermande, the unit's previous album. Every year throughout that period — barring lockdowns — the group has toured extensively, in Europe, the US, and Japan. With improvisation at the core of its music-making, each performance has been evolutionary, as it turns out heading towards Khadim. “I didn’t want to simply continue with the same formula," says Ernestus. “I preferred to wait for a new approach. Playing live so many times, I wanted to capture some of the energy and freedom of those performances.” Though several members of the touring ensemble sit out this recording — sabar drummers, kit-drummer, synth-player — their presence abides in the structure and swing of the music here.

Lamp Fall is a homage to Cheikh Ibra Fall, founder of the Baye Fall spiritual community. The mosque in the city of Touba is known as Lamp Fall, because the main tower resembles a lantern. Soy duggu Touba, moom guey séen / When you enter Touba, he is the one who greets you. After a swift, incantatory start Mbene sings with reflective seriousness. Her voice swirls with reverb, over a tight, funky, propulsive interplay between synth and drums, threaded with one-two jabs of bass. Cheikh Ibra Fall mi may way, mo diayndiou ré, la mu jëndé ko taalibe... Cheikh Ibra Fall amo morome, aboridial / Cheikh Ibra Fall shows the way forward, he gives us strength, he gathers his disciples... Overflowing with grace, Cheikh Ibra Fall has no equal.

Interwoven with Wolof proverbs, Dieuw Bakhul is a recriminatory song about treachery, lies, and back-biting. Over moody, roiling synths and ominous, lean bass, Mbene throws out fluttering scraps of vocal, as if re-running old conversations in her head. The music shadows her despair to the verge of breakdown, at one moment seemingly so lost in thought and memories, that it threatens to disintegrate. Bayilene di wor seen xarit ak seen an da ndo... Dieuw bakhul, dieuw ñaw na / Stop judging your friends and companions... A lie is no good, a lie is ugly.

Khadim is a show-stopper; currently the centrepiece of Ndagga Rhythm Force live performances. The song is dedicated to Cheikh Ahmadou Bamba, aka Khadim, founder of the Mouride Sufi order. Serigne Bamba mi may wayeu / Serigne Bamba is the one who makes me sing. The verses name-check revered members of his family and brotherhood, like Sokhna Diarra, Mame Thierno, and Serigne Bara. Though Islam has been practised in Senegal for a millennium, it wasn’t until the start of the twentieth century that it began to thoroughly permeate ordinary Senegalese society, hand-in-hand with anti-colonialism. The verses here recall Bamba’s banishment by the French to Gabon, and later to Mauritania, in those foundational times. During exile, his captors once introduced a lion to his cell: gaïnde gua waf, dieba lu ci Cheikhoul Khadim / the lion doesn’t budge, it gives itself over to Cheikh Khadim. Deep, surging bass, steady kick-drum, and simple, reverbed chords on the off-beat lend the feel and impetus of steppers reggae. A reed plays snatches of a traditional Baye Fall melody; the dazzling polyrhythmic drumming is by Serigne Mamoune Seck. Mbene compellingly blends percussive vocalese, narrative suspense, exultant praise, introspection, and grievance.

Nimzat is a devotional tribute to Cheikh Sadbou, a contemporary of Bamba, buried in a mausoleum in Nizmat, in southern Mauritania. Way nala, kagne nala... souma danana fata dale / I call upon you and wonder about you... If I am overwhelmed, come to my aid. The town holds special significance for Khadr Sufism. An annual pilgrimage there is conducted to this day. The rhythm is buoyantly funky; the mood is sombre, reined-in, foreboding. Punctuated by peals of thunder, Mbene sings with restrained, intense reverence; huskily confidential, steadfast. Nanu dem ba Nimzat, dé ba sali khina / Let us go to Nimzat, to seal our devotion.

Mbene Diatta Seck: vocals.
Bada Seck: bougarabou, thiol, mbeung mbeung bal, tungune.
Serigne Mamoune Seck: bougarabou, khine, mbeung mbeung, tungune.
Text by Mark Ainley (Honest Jons).
Mastered by Rashad Becker.
Everything else by Mark Ernestus.

Born from the warm and vibrant local markets of Italy, 180 GR has always been a celebration of vinyl culture. Now, it takes the next step—evolving into a full-fledged record label dedicated to strictly 180-gram pressings, in vinyl-only, limited quantities, crafted for true collectors and connoisseurs.

The label’s inaugural release, Music & Territory, is helmed by none other than its founder, N-Zino. On the A-side, the Original 180 GR Mix of You Can’t Change Your Mind takes you on a mind-expanding journey—soulful, sensual, and deeply immersive.

Flipping to the B-side, the legendary Glenn Underground graces us with two masterful interpretations. His vocal version is a lush, organic groove filled with warmth and virtuosity, while the instrumental mix strips it back, letting the raw musicality shine through. Both versions embody the unmistakable touch of Chicago house—authentic, deep, and timeless.

This is more than just a record—it’s a collector’s gem, a piece of house music history pressed in its purest form.

To quote GU himself, HOUSE MUSIC WILL NEVER DIE.

"6-track house finesse from Amsterdam mainstay Beraber, topped off with a killer remix by Brazilian artist Zopelar. Expect six melodic tracks for the body & mind. Beraber returns to United Identities with Gentle Actions, setting the tone for long summer evenings and sun-soaked days. The Amsterdam based producer and DJ organically blends Chicago's classically-schooled keys and machine backdrops with subtle, atmospheric textures. This long-awaited record by Beraber (Baris Akardere) is a deeply personal collection of music, encapsulating a period of creative and personal growth. Rather than a concept record, it serves as a document of the past years, bundling some of most cherished productions into a cohesive and heartfelt gift to the audience. This EP marks the first time the producer has used his own vocals in his productions, next to vocal contributions from Barcelona-based artist Ivy Barkakati, whose lyrics perfectly resonate with the journey of the EP. Gentle Actions opens with Between Us, a calm builder, gracefully layered with meandering pads. Distant Language picks us up with its dubbed-out groove, guiding our feet on a journey through melodic landscapes. It flows into Responsibility, an introspective track with a powerful message about turning dreams into reality, before continuing with Lost in Loops, a loose and soulful house cut featuring his own vocals. The journey ends with the more upbeat, instrumental Good Company, topped off with a deep, nocturnal remix by Zopelar. Written and produced entirely in his Amsterdam studio -- housed in the same building that once held De School -- Beraber continues to rely on a deeply analog and outboard gear-heavy approach. The result is a record that stays true to his soulful and introspective signature, mirroring the sonic identity of his acclaimed radio show, Gentle Actions on Amsterdam's online radio station RRFM."

Cyphon is excited to announce the release of an amazing new EP from Domenic Cappello. Titled Galactic Praise, this four-track masterpiece pays homage to the rich heritage of Detroit Techno while seamlessly incorporating Cappello's innovative sound design, displaying his golden ear for what makes a discerning dance floor tick.

A key figure in the electronic music scene through his long-standing residency at Glasgow's legendary Sub Club, Domenic captivates audiences globally with his unique blend of tough, pulsating beats, heartfelt melodies, and deeply immersive soundscapes. His position as booker and resident (alongside Harri) at Sub Club has allowed him to hone his craft and connect with some of the finest talents in House and Techno, influencing his distinctive style. With Galactic Praise, he takes listeners on an exhilarating journey through the heart of techno, inspired by the pioneering music that emerged from the golden era of Motor City sounds.

Dat Thing sets the tone. A driving house track that encapsulates the raw energy and spirit of Detroit, featuring hypnotic synth lines and robust bassline that give a hint of melancholy whilst maintaining a stripped back groove for maximum club impact.

Niamh’s Song is a deeper exploration of melody and rhythm, showcasing Cappello's masterful ability to weave complex harmonies into an intoxicating, otherworldly groove.

Flip over for Galactic Praise, a tribute to the roots of Techno, this track combines classic 909 and 303 elements with ethereal pads creating a heavier, timeless sound that will resonate with both longtime fans of the genre and newcomers alike.

Closing out this special EP we have Neon Skyline, a pumping yet reflective piece that captures the essence of late-night drives through urban landscapes blending chiming arpeggios, a driving synth bassline and tough beats making for an immersive experience.

As Domenic puts it: 'This EP is a tribute to the roots of techno that have inspired me since my formative years. My experiences at the Sub Club have been crucial in shaping my sound and approach to my own productions, inspiring me to create something that captures the energy and emotion of that packed dance floor and incredible sound system. I can’t wait to share it with everyone!'

Wh0 arrives on Rekids with ‘Girls & Boys’. The Grammy-nominated producer’s next single comes with a remix from Catz ‘n Dogz.

Wh0 lands on Radio Slave’s Rekids with new single, 'Girls & Boys', out 13th June 2025. A full-throttle piano jam, the track distils a range of House styles into one expressive, infectious, modern-day classic. Powered by a raw, rolling bassline and loopy chords, it brings unrelenting energy built to raise hands in the air all summer long.

Polish duo Catz ‘n Dogz step up on remix duties with a chunky dub mix. Stripping things back, they reimagine the original into a thudding Techno cut, complete with eerie vocal chops and a deliciously deep, driving groove.

Formerly a member of legendary House duo The Rhythm Masters, Wh0 has since made his mark as a solo act with sold-out shows at places like Printworks, XOYO and Fabric. The Wh0 Plays and Wh0 Worx label boss boasts production credits for artists like Ten City, Royksopp and Idris Elba and collaborations with the likes of David Penn, David Morales and Nile Rodgers, with his work often topping digital charts and his Spotify clocking up more than a million streams a month.
Radio Slave’s Rekids was founded in 2006 and has since spawned successful off shoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Harry Romero, Tal Fussman, Spencer Parker, The Hacker, and many more.

Madrid-based ensemble Sinouj fuses the deep-rooted traditions of the Mediterranean with the driving force of contemporary jazz, funk, rock and West African grooves. Their open-door vision draws in musicians from across the spectrum – from flamenco and Iranian classical music to soul and cutting-edge jazz – creating a dynamic, ever-evolving sound that is both global and unmistakably their own.

Their latest release shines a spotlight on 'Hak Dellali', a traditional North African tune that first rose to fame in the 1980s thanks to Tunisian star Hedi Habbouba and later Emirati singer Hussain Al Jassmi. In Sinouj's hands, this classic song becomes a transformative ritual, pulsing with the festive sway of Moroccan chaabi rhythm, Tuareg rock grit and the spontaneous spark of jazz. Over the years, it has consistently ignited the band's concerts into ecstatic celebration.

Backed with a psych-tinged and club-oriented remix by Berlin's Voodoocuts, with 'Hak Dellali' Sinouj continue to blur lines between genres and geographies, offering a fresh take on tradition.

The analog version of the masterpiece EP "I'll", released in 2018 as a work that expresses the continuation of the world view of the debut album "Grace",
has been repressed on turquoise blue vinyl!

Haruka Nakamura herself is in charge of the lyrics, composition, and all the instrumental parts. Janis Crunch, who was in charge of vocals on "Grace",
is featured again. The dreamy number "I'll" evokes the beginning of spring and hope, which synchronizes with the fantastic world depicted by photographer
Shiori Iwakura, who collaborated with Haruka Nakamura on the jacket and music video, "Arne", a reconstructed version of the famous song "arne" from the
debut album "Grace", and "Lilium", a song that was used in the climax scene of the movie "Every Day", for which Haruka Nakamura was in charge of the
music, are newly recorded and included.

The B-side includes "Anne", which can be called a different version of "Arne", which was included in Schole's compilation "Joy" in 2013, and is exclusive to the LP.
It connects the worlds of "Grace" and "I'll". It also contains warm songs that bring to mind childhood scenes, such as the nostalgic "Abandoned School Organ" and
"Your Canon", which combine church organ, muted piano, and field recordings.

The artwork, like the 8cm CD, depicts beautiful natural scenery, and the jacket and insert feature a series of photos by the immensely popular photographer
Shiori Iwakura, creating a package that beautifully blends the sound world of "I'll" with the scenery. As with the analog version of "Grace", the mastering was
done by Gen Tanabe, a close friend of Haruka Nakamura's who works on the sound of his works. It is a deep sound production that will give new discoveries
to listeners who were captivated by the release of the 8cm CD.

I fell into a deep sleep of reason Everything broken and hence when I woke up from that deep sleep of reason it all made sense

A Unique Artistic Partnership This project represents a distinct and carefully considered artistic endeavor. Developed by Mark Springer (Rip, Rig and Panic) and Neil Tennant (The Pet Shop Boys), it combines a suite for piano, quartet, and quintet with vocals, accompanied by lyrics offering thoughtful introspection. The collaboration explores the intersection of divergent creative approaches-one characterized by radical expression, the other by meticulous craftsmanship. The result is a work that invites reflection and demonstrates the potential of disciplined artistic dialogue.

The Sources of the Project Neil Tennant: I bought a book of Goya's print series Los Caprichos which had inspired Mark's music and saw that the artworks were a satirical, cruel, nightmarish portrayal of the politics, corruption and culture of his era, exploring his dreams - or nightmares - while exposing the double standards of the ruling establishment. The lyrics I wrote for "Sleep of Reason", in response to Los Caprichos, are intended to be sardonic and dreamlike, looking back to Goya's nightmares but then reflecting on my experiences in 21st Century popular culture and media in which I have located the "monsters" Goya saw in his dreams. It often feels like we're living in an era dominated by monsters with their grotesque egos hollering through social media, unfiltered and untruthful, leaving a trail of wreckage behind them. Maybe it's always felt like that.

Movement and Soul Records is the highly-anticipated imprint, founded by Nonna Fab...

The label aims to capture deeper sounds and meditations in rhythm, spanning spiritual jazz, broken-beat and deeper house.
Nature is Enlightenment is the debut release on the label. With flute, keys, bass and drums from Nonna Fab and saxophonefrom Benjamin Ten-Bruggencate.

The B1, 'TROPIC' invites Kali, lyricist, poet and azz influenced vocalist from Sheffield, accompanied on piano/rhodes by Nonna Fab.

The broken-beat focussed B2,'FLOAT' featuring bassist Tom French and an opening poem, that touches on thecosmos, by Kali.

Multi-instrumentalist, producer, band leader, record collector and party'starter, Nonna Fab has launched the label as a platform to push the sound of his own music, working closely with a range of musicians from the North.

"It's come at the right time for me to allow a space to push a very new, organic sound working with a lot of the musicians I play with regularly, interweaving the sound with dance music."

Nonna Fab is behind audiophile party, Apricot Ballroom, which was named in the top 10 nights in the country in TimeOut Magazine as well as being acknowledged for being a pioneer of northern contemporary jazz by BBC for Footprints. As well as this, Nonna Fab is co-owner of Grub Records, which has been written about in DJMag, Mixmag and Resident Advisor.

"The label is a true hybrid of both live sound and electronic dance music and really allows focus on true communication and expression. I have always appreciated more free-form styles of dance music so it really is a space for me to explore the more expressive andspiritual side of my sound"