This Spring, the Psionic imprint returns with its seventh chapter, welcoming rising Uruguayan talent Juanma Alegre to the fold. Across four forward-thinking, rave-infused cuts, Alegre blurs the boundaries between mysticism and pure dancefloor drive.
The journey opens with “Capsule of Time”, a deep, pulsating opener awash in acid-laced atmospheres and hypnotic grooves. Next up, “Selvinter” delivers a seismic mix of rolling drums, liquid acid lines, and dreamy pads—built for moments of late-night transcendence.
Flipping to the B-side, “Intrus” locks into intricate percussion and mind-warping textures, maintaining pressure without letting up. Finally, “Going Inside” closes the record with breakbeat pulses and off-kilter rhythms, channeling raw emotion straight to the heart of the peak-time floor.
Juanma Alegre opens the portal—step through if you dare.
Cerca:del close
Straight from Copenhagen, Danish DJ/producer B From E delivers an EP that sits halfway between Trance and House. With deep melodies and infectious rhythms, Blue Lava opens a portal to a new world — both icy and fiery. Split into two parts, the A-side burns with energy, while the B-side shines with luminous melodies.
With its powerful vocals and a melody that brings a breath of fresh air, the opening track of the EP We Are Gods truly lives up to its name. Representative of the EP, it beautifully embodies the deep and captivating melodies of Blue Lava.
Ocean Drive offers a subtle blend of softness and groove. Like a dream, light percussions gently land on a track filled with ethereal melodies.
Hypnotic, the arpeggio of Arp Dream never leaves the track and opens the B-side of the vinyl. The drums evoke the energy of an erupting volcano where the melody of the track would represent the blue lava flowing poetically.
With Blue Lava, B From E closes his EP on a nostalgic note. Blue Lava recalls an early morning sunrise, in the atmosphere of a night you never want to end.
Acid Delirio – the new EP by Lorenzo Morresi feat. Saturnino. Inspired by the 1968 cult film Acid Delirio dei Sensi, this 4-track journey blends percussive bass, analog synths, and organic grooves—crafted from Milan studio jams into forward-thinking dance music.
Lorenzo crosses several genres here, including disco, Moroccan dance, and Italo house, delivering a bold, borderless sound. The title track is a club-ready trip featuring Maria Chiara Argirò, with two versions (electronic vs. live drums). Also included: Night of Dreams + a fire remix by Gerd Janson, and the cinematic closer Idea Meccanicistica. Worldly, jazzy, psychedelic—it’s Italian electronic music at its most daring.
Netherlands-based artist Jonny Nash returns to Melody As Truth with his new solo album, ‘Once Was Ours Forever.’ Building on 2023’s ‘Point Of Entry,’ this collection of eleven compositions draws us further into Nash’s immersive, slowly expanding world, effortlessly connecting the dots somewhere between folk, ambient jazz and dreampop.
While ‘Point Of Entry’ was characterised by it’s laid-back, daytime ambience, ‘Once Was Ours Forever’ arrives wrapped in shades of dusk and hazy light, unfolding like a slow-moving sunset. Built from layers of gentle fingerpicked guitar, textural brush strokes, floating melodies and reverb-soaked vocals, moments come and go, fleeting and ephemeral.
From the cosmic Americana of ‘Bright Belief’ to the lush, layered shoegaze textures of ‘The Way Things Looked’, Nash’s versatile guitar playing lies at the heart of this album, gently supported by a cast of collaborators who each add their unique touches. Canadian ambient jazz saxophonist Joseph Shabason makes a return appearance, providing his delicate swells to ‘Angel.’ Saxophone is also provided by Shoei Ikeda (Maya Ongaku), cello by Tomo Katsurada (ex-Kikagaku Moyo) and Tokyo acid folk artist Satomimagae (RVNG) lends her haunting multilayered vocals to ‘Rain Song.’
As with much of Nash’s work, ‘Once Was Ours Forever’ deftly finds an equilibrium between softness and weight, offering the listener ample space to interpret and inhabit the music on their own terms. Through his uncanny ability to blend the pastoral and the profound, the idyllic and the insightful, ‘Once Was Ours Forever’ arrives as a tender and understated offering, infused with warmth and compassion.
North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.
North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.
‘Closer Thud Mix’ and ‘New Light’ introduce panoramic soundscapes to club focused tracks, with warped electronics and swelling wide-angle pads giving contrast to the fine-grain textures and driving percussive elements. Tracks such as ‘Plaza’, ‘Ribbon’ and ‘Joyride’ lend a nostalgic character to the album, presenting wistful and distant melodies that interplay with the off-hand live instrumentation, building a gentle and nuanced sonic palette.
‘Ruin’ balances delicate arpeggios with pulsing distortion and drum programming, evoking a brooding scene fitting of its title. Album closer ‘DRM Reprise’ also explores darker themes, led by a piercing vocal emulation that warps and evolves amongst sparse percussion. In contrast, ‘Still Life’, ‘Everything’, ‘Coastal’ and ‘Overground’ bring warmth and balance to the overall experience, offering moments of lightness and reflection as the clouds break, sunlight spilling across the open landscape.
b A2. Closer Thud Mix
FCL presents Can We Try — A Deep House Anthem remixed and
remastered for 2025 including flips from Jimpster, Ben Hixon & Deetron
The ever-reliable FCL—aka Belgian house heroes San Soda and Red D—are back on the block with this remastered remix package of Can We Try, a soul-drenched dancefloor meditation that taps into the timeless tension of love and longing. With its raw vocal hooks (courtesy of Lady Linn), analog warmth, and stripped-down groove, the original cut is pure FCL: emotionally rich, effortlessly deep, and aimed straight at discerning dance floors.
Bringing fresh heat to the 2014 original, three heavyweights of house and techno step in for remix duties—each reworking the track in their own signature style:
Jimpster injects his trademark deep, jazzy finesse, flipping Can We Try into a swirling, soulful roller—lush pads, Moog flourishes, and enough swing to keep bodies moving and hearts locked in. Ben Hixon, the Dallas-based underground wizard, lays down a chunky, hardware- heavy rework full of crunchy drums and woozy funk. It's lo-fi soul with hi-fi intent. Deetron closes it out with a peak-time bomb—big room pressure, hypnotic bass, intense stabs and the kind of tension-release dynamics that only a true craftsman can deliver.
This limited-edition white label 12" vinyl is circulating in the wild—no frills, no hype, just a nod to those who know. Pressed loud and cut for the floor, it’s already making waves in the bags of tastemaker DJs from Berlin to Brooklyn. Can We Try is a reminder that dance music doesn’t need to shout to speak volumes. With this return, FCL prove they’ve still got their finger on the pulse—and their heart in the mix
Dentelles Records presents La Fontaine EP Vol. 2 incl tracks by Chris Lowone, Xylène, Greg All, & Francesco Marra
Following the success of its debut release, Dentelles Records — the sub-label of Diki Records founded by Greg All — is proud to unveil the second volume in the La Fontaine vinyl series. Rooted in the spirit of the Les Dentelles Electroniques festival, this new chapter continues to celebrate the vibrant and festive energy that defines the label.
La Fontaine EP Vol. 2 brings together four exclusive tracks crafted by artists closely linked to the La Fontaine experience. This edition features a groovy and soulful vocal house track by Chris Lowone, an impressive Afro House debut by rising talent Xylène, a high-energy and captivating vocal track by Greg All, and a punchy Tech House cut by Francesco Marra.
To make this release even more special, the EP is available both on digital platforms and as a limited edition transparent Curaçao blue vinyl, adding a colorful and collectible touch to the listening experience.
Once again, Dentelles Records delivers an inspired and festive selection that captures the essence of La Fontaine's dancefloor. A must-have for vinyl lovers, DJs, and all fans of vibrant electronic grooves.
Francais
Dentelles Records présente La Fontaine EP Vol. 2!
Suite au succès de sa première sortie, Dentelles Records — le sous-label de Diki Records fondé par Greg All — est fier de dévoiler le deuxième volume de la série vinyle La Fontaine. Inspiré par l’esprit du festival Les Dentelles Électroniques, ce nouveau chapitre perpétue l’énergie festive et vibrante qui fait l’identité du label.
La Fontaine EP Vol. 2 réunit quatre titres exclusifs signés par des artistes étroitement liés à l’univers La Fontaine. On y retrouve un morceau House vocal groovy et soulful de Chris Lowone, une première sortie Afro House prometteuse de la jeune talentueuse Xylène, un titre vocal énergique et entraînant de Greg All, ainsi qu’un track Tech House percutant signé Francesco Marra.
Pour rendre cette sortie encore plus spéciale, l’EP est disponible à la fois sur les plateformes digitales et en édition limitée sur un vinyle bleu curaçao transparent, apportant une touche colorée et collector à l’expérience d’écoute.
Une fois de plus, Dentelles Records livre une sélection festive et inspirée, capturant toute l’essence du dancefloor de La Fontaine. Un indispensable pour les amateurs de vinyles, les DJs et tous les passionnés de grooves électroniques vibrants.
Gradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.
The first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.
The second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.
The final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal.
The album artwork for Gradually is a conclusive visual representation of this journey, captured in the final frame of an analog film roll that began in the Netherlands and concluded with an image of the streets of Sydney, Australia—a perfect metaphor for the album’s narrative of gradual transition and discovery.
- A1: Delenz & Zeitstill – Place To Be
- B1: Superpitcher – Dream B
- C1: Patrice Bäumel – Nat
- D1: Sawlin – Der Jasager
- E1: Dc Salas – Escapism
- F1: Tal Fussman – Eyes
- G1: Ken Ishii & Yuada – Split Second
- H1: Marcel Fengler – Aura
- I1: Impérieux – Kala
- J1: Joe Metzenmacher – Da Freak
- K1: Joseph Capriati – Cosmopop
- L1: Matthias Schildger – Distorter
Limited Vinyl Box Set including 6x olive 12” vinyl & download code
Cocoon Recordings presents: Cocoon Compilation V
Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.
Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.
The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.
A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.
On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.
Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.
Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.
From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.
The landing isn’t soft. The collision with the wax sends waves of sound and matter. Basslines deep as craters, elliptical grooves, harmonies both dissonant and familiar. The astronaut realizes that this isn’t a crash. He’s arrived on Planet Tapes.
The new EP takes you on a dynamic sonic adventure, blending introspection with dancefloor energy.
A1 – Produced by Riccardo. This track is a mystic and introspective voyage, built on warm, enveloping sounds, a captivating rhythm, and subtle electro textures. Perfect for deep listening.
A2 – Crafted by Two Opposites. This cut is all about movement, interlocking melodies and arpeggios designed to storm the dancefloor with relentless energy.
B1 - Italomario delivers pure electro soul sharp, dark, and packed with attitude. A raw, hypnotic groove that commands attention.
B2 – Torrent closes the journey with a harmonious farewell romantic, serene, and reflective. The calm after the storm.
generic sleeve 2025 repress
Oxygeno returns to his label Lost Verses with Pure Devotion, an EP that fuses hypnotic, raw, and relentless techno with a satirical and defiant critique of the Churchs values.
Side A opens with Soul Absorption, a track with a heavy low end, absorbing synths, and an atmosphere that plunges you into a deep abyss. Next comes Haunted, which takes the darkness further with a haunting, psychotic synth sequence and a heart-rending bassline that keeps you on your toes.
On the B-side, Infectious delves into shadowy territory with a modulated synth line that simulates something infectious and consuming. Finally, The Weight Of Guilt closes the EP with the heaviest and most aggressive track. Thunderous percussion and a crushing bassline capture the intensity and gravity reflected in its title.
Pure Devotion is a sonic journey designed for the dancefloor, where the body moves to the beat while the mind ponders and grapples with the ideas woven into each track.
Eliott Litrowski's Eyes Need Sugar EP brings a vibrant mix of electro, house, and deep grooves, designed for the dancefloor. Produced in Copenhagen for Dischi Autunno, the EP opens with the title track, Eyes Need Sugar, featuring trancey synths, a heavy bassline, and playful drums. Bright Lights, Big City follows with a Chicago house flavor and groovy acid lines, while Highway To Holler brings high-energy electro rhythms. The EP closes with Delicate Dance, blending electro and Italo influences with emotive pads and acid bass.
Rhiza Semar returns with Scarlet Cloak, the second instalment from Dutch-Indonesian producer and label founder Hitam. Emerging from the depths of sonic experimentation, Scarlet Cloak continues Rhiza Semar's mission - blending club-oriented tracks with a left-field approach. With three tracks from Hitam and a remix by Nawaz, the EP offers a subtle nod to early 00's mental tribe, reimagining it with a sleek, contemporary, edge. Pulsing tentatively, Scarlet Cloak opens with delicate drum patterns, paving the way for gritty, heady sonic immersion. Meticulously crafted, faint and distant synths emerge on the horizon, orchestrating an ambience that conjures quiet anticipation - a peaceful wonder drifting through the shadows. Blissfully snaking into the next production, Nawaz remixes the track with a razor-sharp switch in tempo, locking the mental trip. Setting the pace for deep introspection, fast and obscure aquatic layers ripple, submerging the listener into dark, murky textures. Flashes of club lights dissolve into a distorted memory, intangible yet electrifying as Future Kill seizes the mind. Pangs of liquid acid spread through an aphotic tunnel of sound, while percussive elements pump the heart, mirroring the adrenaline rush before stepping into a cavernous rave. In Your Head spins forward, stripped-back minimal layers congregate, spiraling the EP toward a hard climax. Rough-cut textures and skittish vocals lay on a soft bed of snares, creating psychedelic dissonance. The atmosphere thickens and breaks with permeating, rolling kick drums, drawing this 10-minute odyssey to a close. Lose yourself in a sonic labyrinth as Hitam masterfully crafts Scarlet Cloak - a volatile minefield seeping with rude, mental, teeth-gritting energy. credits Words by Charlotte Hingley
REVOLT hits double digits with a special release from Athenian underground veteran Other Reality—aka Alex Psaltakis—a figure deeply rooted in the rave culture of the ’90s. His journey began in the late ’80s via the Amiga demoscene, inspired by the raw energy of acid house and hardcore breakbeat. By the mid-’90s, he was DJing at raves, clubs, and open-air festivals, fueled by a passion for psychedelic trance, ambient, Goa, and experimental acid rock. His dedication to the underground has remained unwavering ever since—fed by records, synthesizers, and a deep love for sound exploration.
Still Thrill EP is a 4-track release shaped by a wide musical range, bringing together elements of Detroit techno, trance, house, Goa, ambient, and progressive. More than just a debut on the REVOLT label, this is Other Reality’s first-ever release on vinyl—a deeply personal milestone shaped by years of dedication to his craft and the support of close friends and peers.
Crafted with a mix of hardware and software, the EP draws from years of studio sketches and archived musical ideas. A hidden detail runs through it: a fragmented sample from a rock track that deeply marked Alex in the past—a line that never fully completes in the track.
Each piece carries emotional weight and narrative depth, blending analog warmth with timeless dancefloor energy. The EP moves effortlessly through moods—nostalgic yet forward-looking, playful yet deeply personal.
Ohm ’95—with a name that subtly hints at the Goa trance soul—delivers acid basslines, trance elements, and dreamy pads. A transcendental, unifying experience. Kinda Free pulses gently like a groovy caress at dawn, with dreamy layers, steady rhythm, and acid touches that feel both tender and elevating. More Than Advice embraces movement, disorder, and acceptance, rolling through intricate percussions, hypnotic loops, and a cosmic atmosphere. Emotional and raw. Still Thrill closes the EP with slow-motion energy, submerged in flowing textures and a fluid, nostalgic groove.
Vinyl only. Limited edition.
It is not by looking at the light that one becomes luminous, but by diving into one's own darkness. Yet, this work is often unpleasant and therefore unpopular” C. Jung After a string of releases on La Mamie’s Records, Visions Recording, Local Talk Records, Maytra makes his vinyl debut on Swiss based label Léman records.
On this three-track EP, accompanied by a remix, Maytra delivers his own vision of the deep-house genre, infused with a sense of melancholy. His approach is instinctive, resulting in tracks that feel raw and unpolished, embracing their imperfections. Maytra heads the label Energy Exchange Records, which pays tribute to jazz and live artists such as Kyle Hall, Jay Daniel, and Hanna. Detroit music stands as the cornerstone of his musical education — for what it represents and for its immense influence on today’s musical landscape. ZIggy Zeitgeist, close collaborator and drummer-artist based in Berlin, contributed to Eli and Endless Hours with additional Percussions. Matthew Hayes (Xpress Point) contributed with bass on Midnight RIde (Bandcamp bonus track). Gary Superfly contributed to the project with his own laid back and breaky interpretation of Endless Hours.
XTRICTLY ELEKTRO returns with Volume 2, further establishing its vision of innovative and forward-thinking Electro. Featuring six producers with razor-sharp sound design and solid trajectories across the international circuit, this collective work reinforces Cosmic Tribe’s commitment to rhythmic synthesis, harmonic tension, and the structural discipline of the genre — unafraid to step outside orthodoxy.
EC13 opens the release with another chapter of his retro-futurist signature, marked by strong conceptual intent and cinematic pulse.
Spectrums Data Forces, a side project of C-System, brings the most technical edge from southern Spain, blending depth, precision, and modular design.
Atix, hailing from Lyon, contributes decades of refined energy and craftsmanship, always with a club-oriented focus.
On the B-side, Calagad 13 returns with a deep, introspective electro bass cut, reaffirming his role as a central sonic pillar of the series.
Final Dream, one of Phil Klein’s aliases, delivers a powerful piece built on heavy low-end and epic atmospheres, in line with his legacy as a key figure in UK Electro.
Elektrotechnik, a German producer, closes the release with an industrial-leaning, bold, and uncompromising statement.
Six exclusive tracks showcasing the genre’s vitality and the diversity of creative visions driving its continuous evolution.
Limited to 150 copies.
'Jamz' is a vibrant offshoot of the album Keep Me On The Dancefloor, born from spontaneous jam sessions with the talented musicians who helped bring Riva’s vision to life. These free-flowing studio moments, crafted with the dancefloor at heart, radiate playful energy and infectious groove. Featuring standout collaborators like Australia’s Close Counters and Naples’ Dario Bassolino, Jamz delivers a sun-soaked collection full of musical warmth and feel-good vibes. Already championed by Gilles Peterson on his radio show, this release is primed to move both hearts and feet.
Since launching in 2019, NuNorthern Soul’s Summer Selections series has become something of a must-check release for those seeking the sun-soaked pulse of the White Isle of Ibiza. It not only acts as a sampler for forthcoming digital-only EPs due for release over the summer season, but also a showcase for both established artists and label newcomers.
2025’s ‘selections’, the fifth in total, marks the popular series’ return after a three-year hiatus. Once again, it boasts six tracks, each taken from a forthcoming NuNorthern Soul EP, and touches on a variety of Ibiza-ready styles and sounds.
Up first are Manchester twosome Nightdubbing, who’s eponymous ‘Nightdubbing’ – first featured on their self-released 2023 debut album – is remixed by Archeo Recordings label boss Manu Archeo. He opts to brilliant blend slow motion electronic grooves and deep, warming bass with waves of ambient textures, eyes-closed melodic motifs and attractive lead lines.
George Koutalieries steps up next with the languid shuffle of ‘Seasons’, where imaginative vocalisation arrangements, mazy synth bass, calming acoustic guitars and cosmic electronics create a yearning afternoon delight, before label newcomer James E Burton combines pleasingly live-sounding drums and bass with picturesque electronics and the dreamiest of chords.
Next up is a teaser of what’s to come from recent signings Visions of Light, a fresh collaboration between Free Booter Lounge label founder Simon Sheldon and two of his artists, Muzka and Dan Dub Lounge. ‘The Mandela Vortex’ is a lightly dub-flecked Balearic shuffler rich in infectious hand percussion, meandering guitar solos, heady aural textures and echoing melodic motifs.
To draw the expansive collection to a close, we’re treated to two more yearning, picturesque and atmospheric treats. The first comes from another label debutant, Seafront International and Strictly Dub Records founder Saimon under the Roots Artefact alias. Deep, toasty and smothered in vintage effects, ‘The Big Calm Dubwise’ is a picture-perfect Balearic dub classic in the making.
Rounding things off is former Les Yeux Orange Contributor – and rising star of the French Balearic movement – Jilo, who gently takes us by the hand and leads us towards the dancefloor. Underpinned by a heavily electronic, nu-disco adjacent groove, ‘Shadow’s Tango’ is smile-inducing aural joy writ large – all huggable chords, Italo-house pianos, chugging bass and the most kaleidoscopic of chords. It provides a wonderfully uplifting conclusion to another fine collection of ‘Summer Selections’.
Robsoul Recordings launches its 2025 campaign in style with the release of the ‘Make Love' EP, an impressive label debut from Italian producer and MPC virtuoso, Bress Underground.Following a strong 2024, which saw him release on GLB Dom, SNATCH!, Jackies Music, Special Grooves, and Slothboogie, as well as delivering unforgettable sets at iconic venues such as Sisyphos and NYC Downlow (Glastonbury), Bress Underground rolls out a sumptuous four-track selection of impeccable House music.“The EP was created by mixing a variety of production techniques, including the MPC, sampling, and Ableton Live,” explains Bress Underground, real name Andrea. “These were all projects I'd started and, for whatever reason, remained incomplete for some time. Each track started with a specific mood but evolved into something new as I finished them.”A love for all shades of House is evident throughout the EP, from the bumping horns and infectious shuffle of opener ‘Chick House' to the smooth, chiming keys and soulful tones of fellow A-side cut ‘Keep On'. On the flip ‘I Don't Pray' delivers a powerful, sermon-like groove whilst title track, ‘Make Love,' closes the release with its timeless 303 energy and undeniable dancefloor appeal. As Bress Underground himself puts it, this EP is “the perfect musical omelette,” blending textures, moods, and influences into a flavorful collection of House tracks.
Glossy Mistakes Reissues Resonance 001, a Proto-House & Trance Milestone from Belgium from 1992
Glossy Mistakes is proud to announce the reissue of Resonance 001, the groundbreaking debut EP by Belgian producer Fabrice Lagrange, created in collaboration with Frank Beekman and originally released in 1992. Long overlooked, this forward-thinking record captures a pivotal moment in the early European evolution of house and trance-melding minimalism, emotion, and club-oriented experimentation into a sound that remains strikingly fresh over three decades later.
Resonance 001 stands among the earliest European records to explore the fertile intersection of hypnotic house rhythms and atmospheric trance. The A-side, featuring The Awakening Earth and Pure Self, channels a stripped-down yet euphoric energy-deeply inspired by the spirit of Detroit techno but undeniably forward-looking. As Frank Beekman recalls: "This record was recorded in a very simple studio, with minimal gear, inspired by the Detroit techno sound."
On the B-side, the EP ventures further into experimental territory. Paris By Night offers a dreamy, tech-tinged house excursion, leading into Redondanz, a meditative downtempo closer that perfectly encapsulates the release's subtle charm.
The enduring appeal of Resonance 001 lies in its restraint: crafted with minimal tools, it delivers maximum emotional depth. It seamlessly blends hazy trance atmospheres, early house grooves, and ambient-inflected textures, capturing the open-minded, exploratory ethos of early '90s electronic music.
Now remastered for vinyl by Wouter Brandenburg, Resonance 001 returns in pristine form-faithfully preserving its original character while bringing new clarity to its timeless sound.




















