Cerca:del

Frank Turners „The Next Ten Years“ ist der Nachfolger des begehrten Box-Sets „The First Ten Years“ und
enthält seltenes Bonusmaterial aus den Studioalben des letzten Jahrzehnts in einer limitierten Auflage auf
3 LP-Transparent-Vinyls.
Ab dem 7. November erhältlich!

After being out of print for a good number of years, we are making 15 titles out of our Elvis Presley back catalogue available again between August 2025 and February 2026. Each title will see two different editions: one on regular-coloured vinyl and one very limited on mix-coloured, marbled vinyl, both housed in deluxe sleeves with a linen look and feel. Loving You from 1957 was Elvis Presley’s first soundtrack and accompanied the eponymous film that follows a delivery man who is discovered by a music publicist and a country–western musician who wants to promote the talented newcomer. This was Presley’s first major starring role. The fact that only the tracks on the A-side appeared in the movie couldn’t spoil the fun for the fans, as the LP contained hits such as “(Let Me Be Your) Teddy Bear” reaching #1 in the U.S., some covers and some lesser-known deep cuts. It’s not without reason that this album reached Certified Gold status. The Midas touch, so to speak. Loving You is available as a limited edition of 1500 individually numbered copies on yellow translucent coloured vinyl.

Wewantsounds is delighted to announce the release of Akiko Yano"s cult 1979 album 7 O"Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (Yano would tour the world with the group in 1979). Featuring a very funky Yano performance accompanied by Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi, plus Tatsuro Yamashita and Minako Yoshida, the album is presented outside Japan for the first time, with remastered audio, original artwork, and a four-page insert including new liner notes by Paul Bowler.

Fresh from the success of 2024"s "Hombres", "Gun" continue their comeback with this revitalised edition of Swagger. Originally released in 1994, the album featured their hit single "Word Up", a cover of the Cameo"s pop song that they transformed into their own tongue-in-cheek hard rock banger which charted all over Europe and went to the top 10 in the UK. The Deluxe Double CD package contains a 24 page booklet with brand new liner notes written by Joel McIver featuring an interview with Dante (vocals) and Giuliani "Jools" Gizzi (guitar), plus archive photos from the original singles. The Green Vinyl version features renewed and replicated cover art, and contains an 8 page insert with brand new liner notes written by Joel McIver featuring an interview with Dante (vocals) and Giuliani "Jools" Gizzi (guitar), plus archive photos from the original singles.

An enthralling weave of cathartic, introspective spirituality and thrumming, industrial darkness; The Wounded Healer is the first full-length from PREYRS, the new incarnation of Irish singer-songwriter Amy Montgomery and her band as one formidable entity. From the fourpiece's new janiform name; a twisting, conflicting play on the tenderness and innocence of prayer and the deadly dance of prey and predator to the band's fiercely independent journey, PREYRS is a project already steeped in story. After breathtaking album opener `Humble Eyes', lead single `Wave of Wisdom' immediately lays this concept bare as Amy's incandescent delivery of uncertainty, "lesson learned / don't know how / but here I am again / stronger than before", soars over a defiantly discordant clash of alt-folk slide guitar and Mormecha's pummeling industrial percussion. Elsewhere, the high-octane `Zeros, Ones & Lies' wrestles with the spiritual toll of being fed constant footage of atrocity and catastrophe by a media that accepts no responsibility for their part in the global race to the bottom. As such, the track bursts into furious life with urgent, double-time drums met by guitars distorted to the brink of destruction before the song all but caves in on itself as Amy quietly asks of us "Can you feel it? / like a river / it flows so silently / it flows so violently". By contrast, `Bring Ur Bruises' radiates resplendent, self-empowering positivity. Centred once again on the concept of the wounded healer, `Bring Ur Bruises' implores the listener to welcome their trauma in, to own it and wear it as a paradoxical means of ultimately letting it go as triumphant, reverb-soaked guitars soar ever higher. If it wasn't already clear, PREYRS are no strangers to doing things differently and, across every iteration, the band have always taken a DIY approach to every aspect of their existence. From covering themselves in paint and rolling over every single early album cover to, until recently, booking all of their own shows and festivals as diverse as Glastonbury, Green Man (UK), Blizzarrrd Rock (GER) and Bloodstock (UK), last year the band found themselves touring the UK as Amy Montgomery in support of musical heroes and British post-punk legends New Model Army. In November 2025 they will be joining New Model Army again on tour across Europe, but this time as PREYRS performing tracks from The Wounded Healer, the same four people but an entirely different beast. FOR FANS OF Nine Inch Nails, Chelsea Wolfe, Sonic Youth, Julie Christmas, Alanis Morissette, My Bloody Valentine, Siouxsie and The Banshees, Melvins

An enthralling weave of cathartic, introspective spirituality and thrumming, industrial darkness; The Wounded Healer is the first full-length from PREYRS, the new incarnation of Irish singer-songwriter Amy Montgomery and her band as one formidable entity. From the fourpiece's new janiform name; a twisting, conflicting play on the tenderness and innocence of prayer and the deadly dance of prey and predator to the band's fiercely independent journey, PREYRS is a project already steeped in story. After breathtaking album opener `Humble Eyes', lead single `Wave of Wisdom' immediately lays this concept bare as Amy's incandescent delivery of uncertainty, "lesson learned / don't know how / but here I am again / stronger than before", soars over a defiantly discordant clash of alt-folk slide guitar and Mormecha's pummeling industrial percussion. Elsewhere, the high-octane `Zeros, Ones & Lies' wrestles with the spiritual toll of being fed constant footage of atrocity and catastrophe by a media that accepts no responsibility for their part in the global race to the bottom. As such, the track bursts into furious life with urgent, double-time drums met by guitars distorted to the brink of destruction before the song all but caves in on itself as Amy quietly asks of us "Can you feel it? / like a river / it flows so silently / it flows so violently". By contrast, `Bring Ur Bruises' radiates resplendent, self-empowering positivity. Centred once again on the concept of the wounded healer, `Bring Ur Bruises' implores the listener to welcome their trauma in, to own it and wear it as a paradoxical means of ultimately letting it go as triumphant, reverb-soaked guitars soar ever higher. If it wasn't already clear, PREYRS are no strangers to doing things differently and, across every iteration, the band have always taken a DIY approach to every aspect of their existence. From covering themselves in paint and rolling over every single early album cover to, until recently, booking all of their own shows and festivals as diverse as Glastonbury, Green Man (UK), Blizzarrrd Rock (GER) and Bloodstock (UK), last year the band found themselves touring the UK as Amy Montgomery in support of musical heroes and British post-punk legends New Model Army. In November 2025 they will be joining New Model Army again on tour across Europe, but this time as PREYRS performing tracks from The Wounded Healer, the same four people but an entirely different beast. FOR FANS OF Nine Inch Nails, Chelsea Wolfe, Sonic Youth, Julie Christmas, Alanis Morissette, My Bloody Valentine, Siouxsie and The Banshees, Melvins

Sciahri's label, Sublunar, is proud to welcome back one of its familiar faces - Cirkle - with his new EP, "Fading Trails". Known for his unmistakable sound, Cirkle continues to blend classic and modern techno elements in a way that cements his place as one of the most distinctive producers in the scene.

The EP opens with "Silent Rage", a powerful and hypnotic track driven by infectious vocals and intense energy. Next comes "Beaten II", the follow-up to one of his most celebrated work a dark, epic journey that pulls you deep into its atmosphere.

On the flip side, "Machina" explores a minimal but heavy low-end territory, showcasing precision and raw groove at its finest. Finally, "Fading Trails" delivers a deep and emotional trip, its arrangement guiding the mind into another dimension a true standout piece.

“Yassokiiba makes his debut with a two-track release, selected from his modular jam sessions filmed in his Tokyo apartment. Infused with his deep love for dub, reggae, electronica, and ambient, these tracks deliver pure MAXIMUM-DUB-PRESSURE — TOKYO STYLEE

Moods & Grooves welcomes back Romanian producer Andu Simion, nearly a decade after his first appearance on the label with Les Sons De La Lisière, the 2014 debut of Lisière Collectif. Since then, Simion has carved out a reputation as one of the most exciting names in the European underground, delivering a string of refined minimal
techno and microhouse releases that highlight his meticulous approach to groove and sound design.

NDATL continues with the latest release from the legendary UK producer Mr. G, delivering another timeless installment to his already heavyweight catalog. Black Jammies brings two top-tier cuts that showcase why Mr. G continues to stand as one of house music’s most respected and uncompromising figures.

The A-side, “Saved”, is a raw yet soulful groove that locks you in with its chords, hypnotic rhythm & sample. It’s Mr. G at his most essential—stripped back, powerful, and full of swing. On the flip, “So Wrong Yet So…..” dives even deeper, with it's deep bassline, while he asks "Are You Having Fun?" a true masterclass in tension and release, balancing grit and warmth with his signature touch.

These two tracks highlight the unique craftsmanship and uncompromising vision that have made Mr. G a true legend in the underground. Black Jammies is a must-have for DJs and listeners alike, capturing the spirit of NDATL: soulful, raw, and timeless.

Delsin invites you to submerge into the prismatic electronica of Xenia Reaper. Across nine tracks of exquisitely rendered sonics, the shadowy producer engages in the time-honoured craft of introspective sound manipulation, folding gaseous pads into dissected breaks and running heavyweight machine pulses through achingly beautiful synthesis. The sound is sharply realised, modernist music that revels in the finegrain detail afforded by technology, but never at the expense of warmth and charm. It's nuanced electronica for deep listening, but it also hits on an instinctive, physical level.

Introducing Music for Pet Lovers Vol. 1 – a limited edition vinyl experience like no other. The magnificent MBBKR label delivers two A-sides packed with infectious energy. This one is for both: groove enthusiasts and pet lovers. So, expect the unexpected as always - groovy, soulful, and undeniably unique, this one's sure to be a classic in the making!

There are artists we occasionally happen across, even 14 years into our FatKidOnFire journey, where we know we need to work with them. There is material from said artists which sets our world on fire, and then there’s the four tunes that make up our first physical record in over two years. This one’s a long time coming, and also marks one of the first instances in FKOF Records where we welcome an artist to the family with a straight-to-record release. When you hear it, you’ll understand why. This is the long overdue FKOFv009…

Over the last decade and a half, the 140 landscape has been through its peaks and troughs. Tastes and styles change, but the one constant is when we find the right beats, bass and space we know we’re onto a winner. The international TRAKA collective caught our eyes and ears early on in their project – for all the right reasons. We’re delighted to welcome them to FKOF Records with a long-overdue record, as well as welcoming long time FKOF fam Oddkut back into the fold.



“The ninth outing on FKOF Records’ physical imprint opens with the anthemic voice of Rider Shafique joining forces with TRAKA for ‘Soo’. Hard-hitting truths, juddering percussion and a rolling low end so solid you can almost chew on it. Keep fighting and rise.

“Next up, we ratchet things up a notch with ‘Shock Em Up’. It’s an absolute unit of a tune, and when we get asked for what we mean by beats, bass and space this is our 2024 example. Effective heavyweight sonic warfare.

“FKOF009’s B-side opens with ‘Silus' – continuing along the foundations TRAKA laid on the A-side. Suffocating power, engaging atmospherics and a vibe that works at peak time on the dancefloor as well as it does opening or closing out the graveyard slot.

“We close out the record welcoming Oddkut back for his latest outing on FKOF Records with the TRAKA collab ‘Shake Junt’. It twists and turns through its first drop, before taking a completely new direction in the break. It’s an absolute groove and one that’s been a firm favourite for as long as it’s been in the bag.”