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Two iconic 80s Disco/Boogie anthems of the era are set for a re-release on 12-inch vinyl via RCA, with a fresh mix from Brooklyn-based producer, Mike Maurro.

Keni Burke - Risin' to the Top (A Mike Maurro Mix)

'’Risin’ to the Top’, originally released in 1982 on Burke’s third solo album, ‘Changes’, has become Burke’s most successful hit as a solo artist since departing from his former band, Five Stairsteppers. Countless producers have utilised the song as a choice sample for their own tracks with artists such as Mary J. Blige, LL Cool J, Madlib and more.

Maurro’s mix works the stems and gives the record some fresh guitar licks alongside new percussive elements, whilst maintaining a heavy lean into the sensual, laid-back swing of the original.'

Evelyn ‘Champagne’ King - I'm In Love (A Mike Maurro Mix)

'The flip side sees the release of Evelyn 'Champagne' King’s hit single ‘I’m In Love’, originally released in 1981 and taken from King’s fourth studio album of the same name. A feel-good, sing-a-long anthem, once again given a fresh feel thanks to Maurro’s new take on the record.

Both tracks serve as trump cards to whip up any dancefloor at the right time'

"Diving Solo" is the debut album of an artist who, after years of recognition under a different alias, has now redefined himself as "sr²." Central to this project is a deliberate departure from self-staging—shifting the focus entirely onto the art itself.

The album emerges from a deeply rooted vision that took shape over a decade ago. It navigates the fundamental questions of existence: the inevitability of impermanence, the search for meaning, and the quest to carve one's own path. Each track draws from formative experiences—from the electrifying pulse of countless club nights to the quiet, introspective moments that challenge our understanding of everyday life.

The tracks on this 9-track double LP transcend mere functionality; they evoke profound emotions and offer space for personal reflection. "Perpetuated on Canvas..." delves into how the first encounter with mortality can profoundly shape one's perception of life. "Diving Solo" inspires a break from conventions to seek what truly matters—even if that journey must sometimes be taken alone.

While the album weaves a coherent narrative, every listener is invited to discover their own nuances and shades of meaning within it. For, in the end, the artwork always extends beyond the artist.

“Sleep Deprivation” began in 2006, during a time when our sleep patterns were drastically altered by constant travel and late-night gigs. This relentless cycle of broken sleep became a persistent part of our lives, and over time, we noticed something remarkable: our music became more emotional, raw, and vulnerable. Sleep, or the lack of it, affects every aspect of life, and its influence on our creative process was undeniable. For this album, we chose to embrace that emotional intensity, allowing it to take centre stage over traditional arrangements. Sleep deprivation blurs the lines of logic, and the part of the brain that usually handles structure and order begins to falter. In that haze, deeper feelings rise to the surface, unfiltered and honest. With this album, we surrendered to that experience, letting the emotional chaos shape the music, and the result is an exploration of what happens when you’re pushed to your limits, both physically and creatively.

Space Drum Meditation unveils Four Tusks, their debut album and seventh re- lease on the label. This 12-track journey blends tribal rhythms, atmospheric textures, and electronic elements, interweaving darkness and light. The album unfolds like a ritual, revealing a murky, immersive soundscape shaped by primal beats, ethereal ambience, rumbling thunder, and the whisper of rain, reminiscent of a primeval marshland and drawing one into its depths. Featuring a wide array of instruments – including deep percussion, traditional flutes, throat singing, and field recordings – Four Tusks crafts a mysterious tapestry that feels both ancient and futuristic, resonating with nature's elements.

No stranger to the Spatial family following the release of his excellent Age of Awareness EP back in 2023, Eusebeia brings his eclectic breakbeat driven vibes to sister label
Curvature for an EP spanning a variety of energies with a free-spirited approach to drum patterns and atmosphere you wont want to miss.

A1 Set In Motion
Shimmering melodic keys and light hi hats quietly introduce Set In Motion, as Eusebeia takes a laid back opening approach to his Curvature debut. Clean, wandering breaks enter the mix and develop continually, as a subtly used, luscious female vocal greets the listener with a curiously soothing vibe. Following the breakdown, a deep, pounding bassline punctuates skillful synthwork riddled with intrigue and atmosphere to round off
a unique, eclectic track.

A2 In Perpetuum
Stepping things up with a doggedly breakbeat focus, In Perpetuum is an energetic piece with an opening backdrop akin to an aging printer being coaxed back to life,
before an echoed vocal welcomes hyperactive, rasping breaks, edited and chopped with the scintillating talent we have come to expect from Eusebeia. The latter half of the
track changes up the vibe slightly with inquisitive padwork gliding above the omnipresent edits.

B1 Flow State
Subtle cowbell style cymbals and gentle melodies introduce Flow State, before an inimitable duality of old school atmospheric breaks pass the baton repeatedly through the track in typically impactful style from Eusebeia. The melodies and an understated bassline wrapped around kickdrums continues through the various phrases before the beats depart, leaving the listener to reflect on a truly captivating track just as the title
suggests.

B2 The Cure For What Ails You Reverberating percussion and classic whale sounds instantly grasp your attention
before ominous 808 bass ushers in a thunderous helping of pure amen pleasure sent straight from the old school - edited and programmed to perfection by Eusebeia with a
finesse seldom seen in modern production. Dense kickdrums vibe perfectly with the highs and mids of a track destined to headline many an atmospheric junglists set.

Modbox returns with a fresh release on his own label, Castanea Records, delivering the Cosmic Wind EP. This release moves through the realms of tech house, acid, neo trance, and broken beat, creating a textured sound that reflects Modbox’s forward-thinking approach to electronic music.

The EP opens with'Cosmic Wind,' where atmospheric layers float over a steady groove, setting a hypnotic, introspective tone. 'Acid Galaxy' follows, bringing sharp acid lines and raw energy to the forefront, offering a punchy, floor-focused experience.

On the B-side, Arno reworks 'Acid Galaxy' into a deeper, more hypnotic journey, adding subtle shifts in rhythm and expanding the track’s immersive qualities. 'Flow' rounds out the release with its broken beat structure, delivering a refreshing change in pace and a more experimental, layered vibe.

The Cosmic Wind EP showcases Modbox’s ability to blend rhythmic complexity with atmospheric depth, making it a versatile addition to any DJ’s collection.

After solidifying its presence in the electronic music scene, 'Anva' returns with its fourth release, featuring a collaborative effort from Tagir & Indigo Minds. Meditation Dance EP explores the balance between minimal house and tech house, offering four original tracks that traverse atmospheric soundscapes and punchy rhythms.

'Meditation Dance' opens the EP with a deep, rolling bassline that gradually unfolds into a hypnotic groove. Layered with subtle textures and rhythmic nuances, it invites dancers into a meditative state while keeping the energy moving forward. 'Bandit' shifts the momentum with tighter percussion and playful melodic accents, creating a steady groove that’s both engaging and dynamic.

On the B-side, 'Donut' introduces intricate sound design and spaced-out synth work, maintaining a relaxed yet detailed rhythm that adds depth to any set. Closing out the release, 'Jack' brings a bouncy and upbeat vibe, with sharp beats and a syncopated groove that injects playful energy into the dancefloor.

The Meditation Dance EP offers a versatile selection of tracks, perfect for DJs who seek to mix minimal precision with engaging rhythmic flow.

Prepare for Some Standout Tracks ! Robsoul Recordings Proudly Presents “Kinda Cloudy Ep” by the Iconic Nail (Aka Neil Tolliday). as a Cornerstone Artist of Robsoul, Nail Has Consistently Delivered Tracks That Define the Underground House Scene. This Ep Is No Exception, Showcasing His Ability to Craft Diverse and Captivating soundscapes.
“Kinda Cloudy Ep” Features Tracks That Highlight Nail’s Versatility and Depth in House Music. Each Track Is a Journey Through Different Vibes and Rhythms, Demonstrating Why He Remains a Favorite Among House Music Aficionados. Phil Weeks Himself Has Praised This Ep, Noting Its Standout Tracks That Reflect Nail’s Innovative Approach to music
.Nail’s Legacy in the House Music World Is Profound, With a Career Spanning Decades and a Reputation for Producing Timeless Tracks. His Work Continues to Influence and Inspire, Making “Kinda Cloudy Ep” a Must-Listen for Anyone Who Appreciates Quality House Music. Dive Into the “Kinda Cloudy Ep” and Experience the Diverse Sounds of Nail....

Small Great Things proudly presents its latest release, SGT009—a meticulously curated selection of deep house grooves featuring a lineup of exceptional talent. Available on both vinyl and digital platforms, this release showcases a diverse range of deep, soulful, and groove-driven tracks designed to captivate any dance floor.

Opening the release on A1 is Luca Olivotto with "Let Me Go," a track that sets the tone with its rich, melodic layers and piano chords.
Olivotto’s masterful production effortlessly blends emotion and groove, making it an essential opener for this compilation.

Following up on A2 is Quadrakey's "Do It Right," a track that encapsulates the essence of deep house. With tight percussion, smooth basslines, and an irresistible groove, this track demands attention and will undoubtedly resonate with both DJs and listeners alike.

The B-side kicks off with a deep vocal cut from resident duo Nephews titled "Between Your Soul." This track takes listeners on a soulful journey, combining warm pads, driving basslines, and emotive vocals to create an immersive listening experience.

On B2, Peter LC delivers "We Were Alright," a deep, vocal-driven track that stands out with its smooth chords and heartfelt lyrics. The subtle groove and deep melodies make it a standout moment on the release. Rounding off the release on B3 is HAbibi Groove with "Groove Box Grooves." As the name suggests, this track is all about the groove.

With its infectious rhythm and intricate sound design, it provides the perfect closing note to this diverse and captivating compilation—a dancefloor-ready tune.

SGT009 is a must-have for any deep house enthusiast, offering a rich blend of styles and moods that showcase the depth and versatility of the genre. Available now on vinyl and digital platforms, this release is a testament to Small Great Things' commitment to quality and innovation in electronic music.

Locked-In returns with its eighth vinyl release, showcasing the talents of DOTT in a four-track EP.

The A-side opens with "Shock FM", setting the EP's tone. DOTT's masterful sound design is fully displayed, building tension and release through intricate percussion. The track's progression is sure to captivate dancefloors and headphone listeners alike.

"The Helper Returns" follows, diving deeper into atmospheric territory. Swirling synths intertwine with a driving bassline, evoking vast, subaqueous landscapes. The track's subtle evolution reveals new sonic details with each listen.

Flipping to the B-side, "A Bit of Dis & Dat" presents a more stripped-back approach. Its minimalist structure allows each carefully placed element to shine, from crisp hi-hats to a rumbling low-end. This is DJ material to maintain energy while adding depth to their sets.

The EP closes with "Sine Bass Runs Deep." Here, undulating rhythms and shimmering top-end create a sense of constant motion, perfect for those early morning hours when the dancefloor is locked in a collective trance.

Hot off the press this riddim from No Ice Cream Sound sees Charlie P & Jman go truly back to back inna sound system style and pattern.

This instrumental fuses elements of both rubadub and roots. The heavy organic drums and the rattling bass line is seasoned with driving horns and a skank perfectly suited to the incredible lyricism of Jman & Charlie P. Don't sleep on this one, especially if you are after a hard copy as only a run of 300 X 45s will be up for grabs. A must have for any discerning collector.

The B side takes a delve into the depths of a true dub mix; an amalgamation of spring reverb and tape delays take this mix into a different listening space. The dub keeps true to the A side's rhythm while simultaneously entering a new realm which gives a nod to some of the great dub mixing engineers of our time.

Bringing stark dread bass vibes like no one before or since, Mars89 makes a welcome return to Sneaker Social Club with another four-track script flipper.

Since he first surged onto the radar with some incisive moves on Bokeh Versions back in 2017, Masayoshi Anotani has deployed a raw, non-conformist kind of bass music that's minimal in spirit but packing incredible weight where it counts. It draws parallels with weightless grime, but swap the woozy square wave synths out for fierce industrial textures and dystopian bleeps, and maybe you're halfway there.

Following on from 2022's Night Call and a collab LP with Seekersinternational on his own Nocturnal Technology, Mars89 is back with an EP which takes on new sonic dimensions without losing the persistent moodiness that makes his shadowy sonics so compelling.

'No Control' feels the most in line with the earlier Mars89 work, creating a back and forth between an upfront grime-y synth lick and blown out bass notes. The space around the notes is as vital as everything being played, creating a tension that doesn't let up no matter how much the brittle percussion rattles.

'Sonar Breaks' feels distinct as it drags a sticky drum loop through the dirt until it comes out positively caked. That leaves plenty of room for the bleeps up top to cut through the mix with devastating clarity, and Mars89 needs nothing else to make a taut piece of soundsystem Semtex.

'Hydra' continues to draw influence from jungle while taking a sideways approach to breakbeat edits, finding a curious groove in angular drum science before a stark arpeggio locks the track down. It's another hint at the different tools being reached for on this EP, brought into the Mars89 methodology and bent to his particular will.

'Still Dreaming' closes the EP out with an evocative sample from a sci-fi blockbuster and a spiralling sound bed of synth lines and break shards. While the track lands softer than its predecessors, the dense mix whips up a claustrophobic allure comfortably aligned with the overall intensity of the record — an intensity which is wholly unique to Mars89 and his maverick manoeuvres in the field of contemporary bass music.

If ever a producer could be hailed as the true heir to New York's storied house music throne, it's undoubtedly Mike Terra—and his new, seriously weighty Rhythm of Love EP on Nat Wendell's Depths imprint is a testament to that in strides.


The EP begins with the peak-time infectiousness of A1 "7th & C," setting the commanding tone for what's to come. The fittingly Big Apple-titled A2 "27th Street (Dub Mix)" follows, a rollicking shuffler whose fat kicks, stabbing synths, and snapping cymbals recall Johnick's steamier cuts. New York in the 90’s is indeed the frame of reference for this EP, and the B-side finds Terra doing what he does best: creating bumping, stomping, and uplifting must-have workouts for the floor. Whether you prefer the swarthy slapping, Todd Terry-esque groove of title track B1 "Rhythm of Love" or the conga-driven, deep-padded chunk of late-night house that is
B2 "City Got You Trippin'," a late-night jam crafted for those still standing, both tracks are bound to find their places in the record bags of DJs—and heads—worldwide.

Limited collectors gatefold edition on double white vinyl. The best Comtron's songs are now finally available on vinyl. Comtron, the electro-duo of Dutch producers Bas Bron (Fatima Yamaha, De Jeugd Van Tegenwoordig) and Rimer London (Le Le) collected their best work, only released digitally so far. For the real electro heads.

If you haven’t been living under the rock you certainly know who Marilin is. Marinella is an Italian-born, London-based artist who with her utmost professionalism is no stranger to the powers of light and darkness, that depends on the mood of the party she is performing at. However here we will leave the light alone and focus on the darkness. Favoured by sir Craig Richards himself, Mariiin has toured the globe playing at the most different and unique events that has given her the edge and insightful knowledge she possesses. Whether she takes people on the musical journeys by herself or with her partner in crime Bobby, it is always an experience that is impossible to forget with the burning desire to repeat and repeat infinite number of times.

Her solo EP “La Notte” has a very unique and defined dark character which has landed on the label with absolutely in sync with its vision.

Long overdue, we are happy to welcome Damiano von Erckert to Cocoon Recordings with his debut single, bringing late summer vibes that were well worth the wait. Damiano's lovely energy shines through in this EP, resulting in music that blends soulful character with his signature house sound.

“Steam (Staub Mix)” lifts your spirits from the very first beat, and the summery vibe of the housey Rhodes piano brings a smile to your face. Yet, the track retains a somewhat wistful and melancholy feel. Skillful intonation gives the break a jazzy feel, it's this friction that makes it special. Von Erckert showcases his skill with this playful arrangement, sure to have dancers' hands reaching skyward. The second track “Das Was Not Around” is a masterclass in purism, where simplicity meets profound emotion. Swirly synth pads unfold to create a dreamy, immersive atmosphere, pulling listeners into its depths. Despite its introspective title, a sense of hopefulness permeates the track, as if reaching for light through the shadows. Damiano’s approach allows every element to shine, making the deep grooves and ethereal sounds feel both intimate and expansive. It’s a journey of reflection yet imbued with a quiet optimism that lingers long after the final beat fades.

The essence of reduced Chicago drumming is brilliantly embodied in “Roh”, channeling a raw, stripped-back rhythm that strikes with precision and purpose. This forms the bedrock of a composition that feels timeless. The track carries an unmistakable grandeur, echoing the majestic hymns of certain legendary French artists. As the beats develop, they evoke a profound sense of reverence and nostalgia, seamlessly blending classic house influences with a modern edge. It's a track that honors the roots while confidently advancing the frontiers of contemporary house music. "Fantazia 93" is a nostalgic dive into a ‘90s House vibe, channeling the essence of that unforgettable era with authenticity. Damiano's signature sounds are front and center, infusing the track with a unique touch that’s fresh while reminiscent of classic house anthems. The track exudes an Ibiza after-hour feeling, transporting listeners to those sun-drenched days where time seems to stand still. It’s a sonic journey that feels like sunbeams warming the skin, bathing the senses in a radiant, feel-good energy that resonates long after.

Creep Woland returns to Headset for 007, for the long awaited Jungle EP.

The third release from Creepy Wo on Headset - pressing unsung Scottish artists to wax

Mastered & cut by Optimum.

Pressed by Trapeze.

180g heavyweight vinyl.

I Want to Die in New Orleans is the debut studio album by American hip hop duo Suicideboys, which was released on September 7, 2018. The album chronicles semi-autobiographical stories of the duo's encounters with depression, drug addiction and suicidal ideation. Released to critical acclaim in the underground rap scene, the album debuted at number 9 on the US Billboard 200 with 49,000 album-equivalent units in its first week sales. The album also reached the top 10 in Australia and Finland.

Maverick UK producer Kevin Richard Martin (Zonal / Techno Animal / King Midas Sound) joins Relapse for the release of his devastating new double album Machine, his first solo instrumental record as THE BUG.

Machine started life as a series of self-released "floor weapons" (to use Martin’s description), landing in installments between 2023 and 2024 on the Bandcamp page of Martin’s own PRESSURE label. And now - always his intention - Martin has collated a single, powerful, unified statement from those EPs. The album detonates apocalyptic dread-tech mutations of crushing intensity, fusing a unique new strain of futuristic dub with deadly deep electronics and killer bass riffs worthy of the heaviest metal. It is, writes Martin, “ice cold and dystopian.” It celebrates “atmospheric pressure, and the joy of full body assaults, via oversized sound systems in undersized club rooms.” Machine also represents the latest metamorphosis of the "Macro Dub Infection" philosophy Martin germinated with the groundbreaking series of compilations he began curating for Virgin Records as early as the mid 90’s.