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‘When The 2000s Clashed: Machine Music For A New Millenium’ is the story of how, 25 years ago, a new form of electronic music – known as electroclash - reignited a tired clubland and gave the indie scene and mainstream pop a shot in the arm in the process. Over this 3LP highlights set, carefully curated from the 5CD box of the same name (also released, 3rd October) the collection showcases the back-to-basics electronic beats that heralded in a new generation of exciting and innovative new artists - Hot Chip, Peaches, LCD Soundystem, and Ladytron, to name a handful. It also shows how the sound and attitude of electroclash plugged into the decade’s cutting-edge indie bands, (Franz Ferdinand, Bloc Party), and became intrinsic to the way chart pop would sound in the first decade of the 2000s (Kylie, Goldfrapp).

The collection also shows how the scene’s underground DIY ethos evolved and inspired the next generation of electronic buccaneers (Simian Mobile Disco, Justice Vs. Simian). ‘When The 2000s Clashed’ brings together a dazzling, diverse selection of artists, producers and remixers from right across the 2000s zeitgeist – from The Chemical Brothers and Daft Punk, from M.I.A. to Soulwax and many points in-between. For good measure, there’s also one side of LP3 given over to the original post punk and electronic sounds (including Kraftwerk, The Human League and Cabaret Voltaire) who’d played such a big influence on the electroclash sound. ‘

When The 2000s Clashed’ was compiled and sequenced for Demon / Edsel by Jonny Slut, founder of London’s electroclash citadel Nag Nag Nag. Established in 2002, in a small Soho venue called Ghetto, ‘Nag’ quickly became THE hottest club, first in London and then in the whole world. A glorious mess and hedonists’ hotspot, a night at ‘Nag Nag Nag’ (if you could get in!) saw the capital’s club kids, students and creatives rub up alongside names from the fashion and music worlds - Björk, Pet Shop Boys, Kate Moss, Boy George, Alexander McQueen, and Pam Hogg were among the regulars. Madonna visited, so did John Peel, Yoko Ono asked to perform and did, Throbbing Gristle’s Chris and Cosey DJ’d, so did Marc Almond, and Too Many DJ’s.

Justin Timberlake was refused entry (too many bodyguards)… even Cilla Black was spotted getting down! Jonny shares these reminisces – and many more - in the collection’s sleevenotes. Named after the 1979 Cabaret Voltaire classic, ‘Nag, Nag, Nag’ became the first place to hear the seemingly endless flow of thrilling new tunes coming from every direction during that decade of dance. Many of them are included on this collection.

Swedish underground maestro Jo Bubbles (a.k.a. Jonas Dahlström) boasts an impressive streak of hot dance 12’’ releases in recent years, for illustrous labels like Parkway Records, The Transient Nature of The Disco Business and Västkransen. Ever intent on lifting homegrown talent and presenting it to its
worldwide audience, Studio Barnhus proudly unveils Mr. Bubble’s first outing on the label: a compilation of four distinct, yet equally striking dance tracks, each showcasing meticulously curated sound palettes paired with undeniably rock solid grooves.
From the electroid stomp of Compass Point to the Balearic-leaning grandeur of closing track Tu Cariño, these are cuts that would have gone down a storm during the early morning hours at Hägring, the infamous, now-defunct disco rave Jonas helped steer for over a decade. We’re thrilled to release these babies into the wild, for all to enjoy. Tu Cariño is out on vinyl and digital formats on October 10.

Hot Piroski Boss Robin 12Tree Beams Back with “Interstellar Vibes Vol. 1” A Balearic Odyssey in 5 Tracks.. Strap in and sunscreen up - Robin 12Tree is back with Interstellar Vibes Vol. 1, a scorching 5-track EP of cosmic Nu Disco and Balearic goodness inspired by strobe lights, sunsets and surfside odysseys. Opening blast The Wriggler is a peaktime disco/house rocket, all teasing arps and synth liftoffs. Feelin Free glides into deeper territory, with lush strings giving nods to deep house royalty. Then comes Who Will Heal Us, a slo-mo sunset serenade featuring new Barcelona rising soul queen, MaYa. Things get extra-terrestrial with Need You In My Life, a deep-house jam born from a Barcelona afters with Soul Mekanik’s Danny Mekanik. Finally, Tupambame brings us gently back to Earth, dripping sunshine and jazzy warmth thanks to Tanzanian vocalist Miss Vivandra. Robin 12Tree launched Hot Piroski from his Barcelona bunker in 2018, scoring early BBC Radio 1 love with his N’Gwode edit. His studio passport is stamped by the likes of Jose Padilla, Stanton Warriors, Visage, Keith Flint and more. Whether as one half of Bubble Club, founder of The Backstage Sluts, or Slyde co-pilot, he’s brought Balearic vibes to Fabric, Bugged Out!, and far-flung festivals from Australia to South America - often as The Prodigy’s tour DJ. Check out this latest release from the man with disco in his blood and chorizo in his lunchbox… Interstellar Vibes Vol. 1 will be released in digital stores from July 14th with vinyl availability from July 30th.

New compilation by Coco Maria on her own new founded imprint Club Coco. Comes with a 4 page folded insert.

There are albums that aren’t just listened to—they’re lived in. Club Coco – New Dimensions in Latin Music is one of them. This compilation, curated by Coco María, marks the first release on her own label and serves as a sonic portrait of what Latin music can become when it’s guided by intuition rather than labels. Eleven tracks open the windows and cross continents as effortlessly as changing a song. Here, Neapolitan synthesizers coexist with digital cumbias, voices whisper from within the groove, and rhythms invite movement—without urgency or pretense.

This selection isn’t defined by a genre but by a feeling: that of someone dancing with an open heart and keen ears. Each track is a postcard from a corner of the world, and also a love letter to rhythm and the emotions it stirs. From Bogotá to Naples, passing through Lima, Amsterdam, and New York, this compilation offers a journey where past and future brush against each other in the present moment. Club Coco doesn’t aim to define a sonic truth, but to invite listeners to discover new ways of hearing and feeling.

The party has already started. Come on in.

With shimmering synths, driving basslines, and cosmic rhythms, each track becomes a time machine—rooted in retro aesthetics, yet engineered for tomorrow’s dancefloors. The result is a sonic experience that’s as cinematic as it is danceable, channeling the spirit of neon-drenched nights and digital utopias alike.

DJ Support: Mark Grusane, Darryn Jones, Tone B Nimble, Danillo Plessow, Miche, Luke Una, Charlie Dark, Folamour, Mike Shawe

Presenting to the altar, a batch of Gospel edits by Admin. Chopped and boosted to get the holy spirit grooving your body. Uplifting funky disco sounds to elevate the mind and prepare the listener for a new horizon... Originally released as unmastered digital files on Bandcamp only, these edits have now been fully mastered and pressed to vinyl for the first time.

2025 Repress

After a short hiatus Deep In Dis intl. is back in the game. This time bringing you a split EP by two young prolific producers who have been in our radar for quite sometime now, Eric OS and Lewis. With both artists being based in Sweden and each one of them with a characteristic sound, we thought it would be a good idea to split our next release between these two cutting edge talents and that's how the Timebomb EP came to life.

We first discovered Eric tunes through a Binh set last year at the Nostromo Festival and we instantly knew we had to get Eric on board for a future project with us and here we are. With releases on System Error, Eya Records and his own imprint Space Trace, Eric brings to the table all those elements that made us get up off the back stage sofa and lose it on the floor. Flipping the record we have the Data Flow head label Lewis bringing us another two special club cuts. Having released a digital EP with us before, we couldn't wait to press some of Lewis analog soundscapes.

A1. 'Eden' is a true dance floor filler , endless groove and quirky sounds penetrating your brain while taking you in a break with some dreamy pads and even stranger synth lines. A2. 'Timebomb' keeps the vibe going, even higher this time. The formula seems to be timeless. Progry melodies, wonky bassline, and solid drum patterns.B1. 'Project Mayhem' invites us to close our eyes and travel without moving with its hypnotic groove, the feeling of pleasure, energy and empathy increases and floats the dancefloor in a never ending way. Closing the EP 'Acid44' spills a lysergic groove on the floor with no possibility of escape or return. Infected synth lines, snappy snares and some serious bassline are the powerful potion of the track.

Welcome to the first instalment of a new collaboration between The Reflex’ DISCOLIDAYS label and Because Music in Paris, remixing gems from the Zagora catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood. Unearthing the multitrack for obscure cuts, The Reflex shifts the focus on the great studio musicians involved in these recordings (Wally Badarou amongst others) and delivers stunning revisions of ‘Harlem Bound’, a
131bpm jazz-funk disco powerhouse cut (1977) and ‘Dancin’ The Mambo’, a 122bpm Chic-esque meets early piano House monster laced with that unmistakable French sound, originally released in 1980.

Both first time-ever remixes from the stems, released on 180g vinyl with custom artwork on card sleeve designed by Al Kent / Million Dollar Disco.

Three more releases will follow, to complete the 4 x 12” vinyl and digital package spread over several months in 2024.

Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts.
Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love - ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4x4 rhythms.
Kicking things off is the shadowy, death rock inspired, "Devil In a Skirt", an infectious ballad about a temptress that may not be what she seems. Next up, "Affaire de Coeur" delivers body fuelled stabs which elegantly bleeds into "Hide & Sick", a more high energy cut, set to scorch the floor. "We Are The Party" keeps the pulse pounding with your next EBM anthem while "In Your Bed" shatters sonic boundaries and leaves things drenched in acid rave. "AI Lover" closes things out with more future goth rave energy which acts as both a warning and a desire for more.
Love Cuts builds on Years of Denial’s previous work while setting the stage for what’s to come. Commanding vocals and dominating beats transmit a powerful message of both the dystopian and euphoric. Remaining uncategorizable, the project continues to evolve their unique sound while burning a path toward the future.

As The Matrix ushered in the new millennium, voices of apocalypse and optimism alike wrestled for the narrative high ground over what the future held in store. Ever more inclined toward skepticism than hope, we have since grown prone to withdrawing in exhaustion when confronted by such gargantuan expectations — “lost in the Matrix,” if you will.

Less’s new album opens by building a bridge back to his previous album “Stranger” (released on the “Freude am Tanzen” label and conceived as an imaginary Blade Runner soundtrack). In the intro, breathy references from vocalist Alice immediately set the tone for the journey ahead: Electro, High Energy, Acid, Chicago, Italo Disco.

A full-fledged club album quickly unfolds—one that invites the listener to dance and switch off, while at the same time, if you allow it, provoking reflection through its lyrics. Now a Berlin-based artist with Thuringian roots, Less draws on deacades of DJ experience and channels it deftly into ten tracks. Less (real name Stefan Leßner) isn’t afraid to go “old school.” Classic touches like vocoder effects are as integral here as Alice’s irresistibly
cool spoken-word vocals—delivered in English (“I Care”, “Mirror, Mirror”) and German (“Alles was du willst”). This retro spirit even extends to his remix of the French-language Underground Cottage track “Canada (2003 Less Remix)” which surfaced in DJ Hell’s setlists last year—bringing things full circle.

“Living in the Matrix” on Lebensfreude Records is not merely a nostalgic reference to times past, but also counters exhaustion with a sense of trust in the future. It is, in essence, a call — an appeal — not to lose oneself in any kind of ‘Matrix.’ Accordingly, the album will be released both digitally and analog. The latter will come as a 180g double vinyl with a high-quality, thematically appropriate gatefold cover.

Benge is the influential electronica artist who launched the Expanding Records label in 1995. Polyrythmic Electronica is one of the underrated gems from Benge's discography, opening the series of re-issues from digital to vinyl on the new System Of Objects imprint.

Human Tree Records proudly presents Ghost Town, the third EP by Bam Bam’s Boogie, landing on 30 January. Following the exclusive vinyl release on Bandcamp, this marks the digital edition of the record

The project unfolds across four tracks that push the band’s hybrid language into darker, heavier territory, while also marking a new point of departure. Ghost Town consolidates what makes the trio so compelling, a rare alignment of sound, research, and pure energy, sharpened into a focused statement that still refuses to sit inside one genre.

Ghost Town is a collision of drum and bass, funk, breakbeat, and afro inspired grooves, built for maximum impact. Expect pounding rhythms, sharp textures, infectious melodies, and lyrics that cut deep. At the core is Jacopo Aluzzi, producer, bassist, and multi instrumentalist, transforming the bass into guitars, synths, and otherworldly noise through live looping and effects. On vocals, Kiko King delivers haunting words with magnetic presence, while Eric Oder on keys and synths expands the palette and amplifies the band’s live intensity. A visceral soundtrack for nocturnal movement, a chase through neon streets and empty corners, where the ghosts of the title feel uncomfortably close.

Four Flies is thrilled to present the very first release of Gianfranco Reverberi's hidden masterpiece: a mind-blowing soundtrack, possibly his wildest and most daring. This Italian score is sort of a Holy Grail for fans of the spaghetti sound, especially thanks to the legendary track "Psicolimite".


In 1973, a mysterious 45 rpm single surfaced under the name 'Sharon Chatam e la sua Orchestra.' The single seemed to be a harmless cover of the theme from Last Tango in Paris, complete with a typical image from the film. But behind the innocent facade, a secret was hidden: the B-side track, "Psicolimite," was actually the main theme from Rivelazioni. When someone in the United States figured this out and realized the 'Sharon Chatam' moniker was a pseudonym for Reverberi and his team, the price of the record skyrocketed, making it a coveted collectible.


This makes the discovery of the full soundtrack even more exciting, considering that the music Reverberi composed for the infamous film by Renato Polselli - one of the most outrageous and uncompromising Italian genre cinema directors - was thought to be lost forever, perhaps vanished into the depths of some film processing lab. But thanks to the sleuths at Four Flies, this enigmatic masterpiece has been resurrected and presented in all its glory. It's available now as a luxurious gatefold double LP with original artwork by the brilliant Eric Adrian Lee.


While the film, despite some critics praising it as "psychotronic," is a bizarre mishmash of rambling pseudo-psychoanalytic theories and sexual deviance voyeurism, the music stands out as a foremost, vital element, able to exist on its own.


Reverberi's reputation as a serious, refined producer (for artists like Lucio Dalla, Gino Paoli, Luigi Tenco, and many more), however, led him to keep his distance from exploitation films like Rivelazioni. To maintain his image, he had his friend and former schoolmate Umberto Cannone take credit for the score – a tactic he also used for Polselli's next film, Mania (1974).


But this anonymity might have unexpectedly increased his creative freedom, for the score he put together and recorded is experimental, at times raw, and driven by a relentless rhythm section where bass and drums lay down the groove. The use of electronic instruments is impressive for the time, with drum machines and spacey synths creating a dark and dreamlike atmosphere. Psychedelic flutes, piano phrases, crazed percussion, filters, compressors, and jazzy improvisations on sax and vibraphone complete the mix.


The full soundtrack was recovered following the discovery of the original 1-inch, 16-track tapes, which were transferred, mixed, and mastered for optimal listening on both vinyl and digitally, with the digital version featuring 8 bonus tracks.


Available from November 22!

Obrador originated from Olympia the capital state of Washington. A multifaceted group that consisted of many members over the years. They were together from 1976-2006 and was led by band leader Michael Moore. The members were, Steven Bentley ~ Drums, Connie Bunyer ~ Clarinet, Guitar, Vocals, Paul Hjelm ~ Guitar, Bass, Trap Drums, Piano, Steven Luceno ~ Bass, Guitar, Michael Moore ~ Keyboards, Michael Olson ~ Percussion, James Pribbenow ~ Saxophone, Vincent Soluna ~ Sax, Vincent Soluna ~ Sax

They recorded 5 albums over the period of 30 years. One track of which “Willow” you will find tucked on the B side of this lovely new release. We wanted you Kats to have great value for money and pack the record with two stone wall Dingwall style killer recordings.

The A side “Blink Samba” was recorded at Russian Hill Studios San Francisco in July 1983, after the group made the long journey down from Olympia and back to record a whole Lp that has lay unissued since 2023 only getting a digital release. We stumbled across the tracks whilst doing some research and was blown away. A few chats with member Michael Olson and we knew these had to be on vinyl. They are pure fire jazz with a slightly latin Esq vibe. We can almost see the sweat dripping from the Jazz dancers as they cascade to the rhythm of the percussion “Blink Samba”

Flip it over whilst the floor is still rocking to the track “Willow” Unlike “Blink Samba’s opening percussion this one kicks in straight away with a rasping baseline. You hold on to the bars like you been strapped into to a rollercoaster and get ready for the ride.

“In Search of Echoes” marks the third vinyl release from Detroit-based electronic music producer Scott Avery, continuing his genre-bending approach to dance music seen in previous vinyl and digital releases. In this EP, Avery delves deep, using sonar technology as a metaphor to discover new sonic territories.

Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.

Basile de Suresnes' "So Good" EP is now available on vinyl. The digital release has become an instant hit, with the title track being playlisted by Laurent Garnier on his Fabric mix. The 2 tracks and its remix are now expected to fly off the shelf at record stores, don't sleep on this one!


The title track proves once again that the parisian producer is a master at bringing a disco cut into House music territory. The epic violin sample gets straight into the head while the groovy bassline call the feet to dance, the vocal adding a pinch of sexiness this great, dancefloor-orientated tune.
« Ask me to dance » is as catchy as it is funky, the samples are layered and filtered with flair and savoir-faire. It certainly will become both a DJ’s delight and dancer’s favorite.

Closing the EP with style is Naux’ remix of « So Good » : the lyon based producer uses chopped vocals and a strong bouncy bassline, adding his own flavor to the track while completely respecting the orginal work. Great job.
Frappé and Basile de Suresnes Strike again and dam it is (so) good !

4 track EP of smokin' hot disco & funk re-edits from Chicago's CRAIGNTHEM. In the same vein as the popular GU "CLASSIQUES" series and just as good. The debut vinyl release soon to be followed by more ripped out of the digital vault. Don't sleep on these. If you know, you know.

lim. 2xLP colored yellow and oxblood vinyl with Poster, Sticker & Mp3 Download!

We are back with another chapter in our ongoing series of unearthing smooth vibes from all over the world, this time we go back to the FUTURE for you with: THE SUNSET MANIFESTO Volume 2. After a five year break mainly concentrating on the late 70s/early 80s Westcoast Soul/Yacht/AOR sound, we finally dive deep into the modern world of our beloved sister-label Too Slow To Disco NEO (for the third time after 2018s TSTD NEO - En France and 2020s The Sunset Manifesto excursions). But of course it wasn't a real 5 year break since the first Sunset Manifesto compilation, as in the meantime we also released a few digital TSTD Neo singles, and - more importantly - our "Too Slow To Disco NEO - FM" playlist on spotify (handcurated by Dj Supermarkt every week and now hosting more than 1500 tracks of mellow, modern sunshine vibes) was growing steadily and becoming a new, important fixpoint in the TSTD musical universe. TSTD NEO is the outlet Dj Supermarkt is using to unearth modern laidback, smooth, sunny slow disco vibes with a soulful Westcoast/Balearic touch. For him TSTD always has been about a laidback vibe/feeling, not a certain time period in musical history. And that sunny Westcoast vibe we dug out on those traditional TSTD compilations has become a huge influence to so many modern artists. So it makes sense that we present the cream of new slo/mo NuDisco/Sunset Disco/Daytime Disco acts in the TSTD format, a luxurious compilation, with artists from all across the globe: Not only from the two homelands of that modern slow disco sound, Los Angeles/California and France, but also from Beijing, Montreal, Mexico, London, New York, Stockholm, Rotterdam… the moon, you name it! This music is more a state of mind, a feeling, then a geographical thing. We are happy and really excited to annouce the following passengers are on board with exclusive tracks: Poolside, Woolfy, Prep & Eddie Chacon, Turbotito, Young Gun Silver Fox, Lovetempo, Kimchii, Goodvibes Sound a.m.m.

"We loved this piece of ramshackle punk funk when we first heard it on 7" in 1994 and we still love it now!" - The Chemical Brothers, 2025 A timeless slice of garage soul punk, the "Fuck Shit Up" DBN102 7" 45rpm was released in 1994, the second volume in Dub Narcotic Sound System's Dub Narcotic Disco Plate series. Immediately recognized as a unique bending of disco bleed towards the teeming masses, "Fuck Shit Up" was championed by the likes of Chemical Brothers, Beck, The Jon Spencer's Blues Explosion (who covered the song on their 1996 Now I got Worry LP) and Make-Up. "Fuck Shit Up" is still a must-play at every down-in-the-basement dance stomp the world over. Assorted unauthorized postings on youtube have accumulated over 100,000 views. Now available for the first time in the digital realm, the original "Fuck Shit Up" is reimagined as a 7" 45rpm phonograph record with new remix version on the flip by Hifi Sean (aka Sean Dickson of Soup Dragons). Hifi Sean's most recent album, in collaboration with David McAlmont, is Twilight (Plastique Recordings), a twelve-song night drive, dancing from dusk `til dawn, with all the moments in-between (out February 14). Hifi Sean has also directed a video for the "Fuck Shit Up Hifi Sean Mix."