Suche:dimension 3 ep

Conceptual Records presents you its third vinyl only release Univers Parallele written by a music producer from Canada, Montreal Claire. Inspired by her tour in Europe in 2016, Claire finally embodies her absolutely cosmically sounding ideas in three original composition: Pyjama Jazz, Sometimes I Turn Into stars (on side A) and Parallel Dimensios ( on side B) , in which she uses futuristic sounds, analog drum sections, deep bass, jazz sections from the 30 s and her own vocal. The last track of this release is a tribal dance mix from a talented modern musician of romanian origin living in Ibiza Plusculaar (on B2). Mixdown and mastering by Pheek. Covert art from Djack Arta a moldovian artist. Plunge into the fascinating musical journey to a parallel universe with Conceptual.

Joining the Unknown Precept forces are C.G.I. Records' label head Matthew Wei- ner teaming up with Christopher Daresta as Pyramid Club. Being known for their T.W.I.N.S. and Anticipation solo activities, Cyclic Obsession comes as the debut re- lease of the four-handed formation taking its name from the eponymous venue which helped define the counterculture and queer sound of lower Manhattan in the late 70's. Recorded in their stronghold of Atlanta following a handful of tracks released via the jointly-operated D.K.A. Records, it shows the duo taking over primitive body music in its most physical and psychedelic dimension. Thick as a brick bass lines for the basement turmoil — reflecting the hazy vortex smoldering out of an ill-lighted nightclub. Think of spasmodic synth-driven tunes interspersed by convulsive vocals and throbbing snares, in which one could see the whites of the dancers' eyes right before the lights turn back on.

Cosmic Club 17's in the house, and for this one Skylax have delved deep into the mystic universe of the ultra prolific photonz with a four track EP quite simply out of this dimension ! Photonz is the artist name of Marco Rodrigues, a London-based DJ and producer who's been championing the new sound of Portuguese house and techno worldwide since the early 2000s. He has done tracks for various labels such as crème organization, unknown to the unknown, hot haus, the "cult" dissident and many more. His first cut "memories of burma" that gave the title to the ep is an infinite groove that builds and builds with arabic synths, a perfect crossover between balearic & old school jackin house. "Baronrevxp" & "agape" moves into the same territories with some sharp clap, hi hats and some big retro vintage sounds. While "stealth predator" catches him at his most experimental, upping the tempo and unleashing an ambitious techno juke roller, think about drexcya, 1990s techno, Plink Plonk and you're not even close ! Photonz music sounds extremely big for the big rooms, and still very large indeed for the smaller ones.His music is praised by The Chemical Brothers, Jackmaster, Optimo, Ivan Smagghe, Daniel Avery, James Holden, Ewan Pearson, Auntie Flo, Tim Sweeney, just to name a few. 'Memories of Burma' EP is not just a cosmic experience, but a voyage into the realms of a producer in a world of his own. Must have. Essential item. SKYLAX RECORDS 4 EVER !

For their next release, Freeride Millenium once again link up with Pauls Musique for a perfectly formed new EP from Raphael Danilo feat. George Pappos. Both Danilo and Pappos reside in the rough edges of the greek mountain Parnassos, their musical approach takes cues from their proximity to the ancient sanctuary of Delphi and sees them cook up one fine cut which then gets remixed by Innellea and Nikkname. That lead single is 'Strangers', eight spiritual and spooky minutes of spine tingling and eerie synth music that really takes you on a trip. It operates on another dimension, with pixelated lines and undulating pads all suspending you in space. Perfect for an epic set opening or to really reset the dancefloor with an attention grabbing and emotive piece, it is a truly classy track full of musicality and suspense and atmosphere. German pair Innellea then step up to remix and brilliantly flip the cut into something just as epic and enchanting but with a mid tempo, rubbery house beat down low helping you slip into the deep and colourful groove. Last of all, Nikkname then re-works the whole thing into something minimal and absorbing. The whole thing is riddled with intricate sound design, tender piano keys and the sound of static. It is a real symphony of the organic and the electronic and as such cannot fail to make its mark. This is an artful package that demands close listening with suitably eye catching visuals supplied once again by artist Daniel Rajcsanyi. Thanks for purchasing a real copy!

We continue THE ORB's SIN IN SPACE remix EP series with a third volume focussing on the duo's latest full-length, the highly acclaimed COW / CHILL OUT, WORLD! (KOMPAKT 354 CD 134). The spontaneous, organic vibe and sample artistry of the album is reflected in three distinct reworks from highly respected Kompakt mainstays THE FIELD, DAVE DK and JÖRG BURGER - all of them informed with surprising twists and displaying a clear lineage to the source material.
THE FIELD's remix of 9 ELMS OVER RIVER ENO takes the original's percussive part and unfolds it to a swirling, tropical epic that alludes as much to The Orb's multifaceted sound collages as it does to the hypnotic, looping flow of The Field's own output. Meanwhile, DAVE DK turns in a club-friendly revamp of 4AM EXHALE with the fittingly titled ACCELLERATOR MIX, indulging in exquisitely lyrical glitches and the magic of the straight bassdrum. JÖRG BURGER takes a shot at the beatless 5TH DIMENSIONS with the excellent DSCHUNGELOPER MIX - its loose pop jam feeling and flirty shuffle rhythm recall Burger's lush lounge core efforts under his Triola monicker.

Outta the shadows and into the strobe-light, Alex Lewis aka Turinn debuts on Modern Love with a highly rinsable debut double-pack of sawn-off brukbeats and anxious, nerve-riding grooves brewed in the ravines of North Manchester. Turinn emerges from a new generation of producers in the city that include longtime spar Willow, and upcoming producer Croww, soon to offer up his own debut recordings.
Crooked and rugged AF, but tempered by an acute emotive sensitivity, 18 1/2 Minute Gaps renders a bleedin' cross-section of mongrel, hybrid style 'n pattern in a breathless, deceptively freehand fashion that comes riddled with an electric blue energy all of its own.
Committing ten trax of fractious, mutant funk and sore feels, 18 1/2 minute Gaps serves to cap Turinn's formative phase of production like a lead lid on a nuclear rave implosion; trapping original 'ardcore 'nuum, Detroit booty and dank post-punk elements in a perpetual flux of in-the-pocket grooves which ravenously attempt to split at the seams, alternately pushing into Muslimgauze-like buffer zones of distortion or resoundingly wide ambient dimensions, and often both at once.
On the first plate, this ambiguous dichotomy is epitomised between the rare surge of quick/slow torque in Ovum, which almost sounds like Chris Carter sparring with Burial Hex, and then in his nod to the Italian new wave with Elba, which seems to find the square root between Lorenzo Senni and some skudgy as heck Kassem Mosse grind, whereas the bittersweet soul of 1625 finds compatible links with his close peer, Workshop's Willow as well as Japan's Shinichi Atobe and scene enabler Move D, while Parratactico swaggers into quantum dancehall meters.
The second disc is no less deadly: the album title track runs at a nexx level Detroit momentum like DJ Stingray flipping Derrick May and Carl Craig's Kaotic Harmonies, before ESO cuts in like a super cranky El-B wearing itchy Primark underwear, and the bone-rattling hardcore jungle of Spawn soon enough gives way to the sweetlad couplet of Petrichor and Ondine, where his elusive, distressed melodic touch really shines thru.

Jump in your spaceship and join us on our intergalactic exploration, as we are happy to announce that our next vinyl release is from Blossom Kollektiv's very own Leo Woelfel . Making his debut last year with a digital only release we are very excited to present his first vinyl release for the label titled Heuweid EP. The four track EP features three originals and a remix from Matthias Vogt that will take you on a deep exploration of space so buckle up and get ready to blast off.

We start our journey with the Frizzante mix of 'Heuweider Mineral' the track features a deep brooding bassline but with deep and dubby pads that takes us to a universe that plays with the darkness but keeps the light in plain sight. Backed with a solid kick and percussion to give the track a fully rounded feel this is one track that will put a big smile on any lover of the deeper side of house music.

Next up we get Matthias Vogt's interpretation of 'Heuweider Mineral.' Bringing a more broken beat reconstruction of the original, Matthias brings a raw flavor with a roaring bassline, moving snares and a redevelopment of the dubby pads that transforms the track and creates a feeling of weightlessness while floating through space.

On the flip side we are presented with a more classic deep house vibe with Leo's original 'Elke Ueber Der Bruecke ' this track is careful crafted with the dance floor in mind. A strong kick paired with tightly woven percussion and a classic deep house pad keeps everything moving in this distant but familiar world.

Our final stop on our planetary adventure is 'Stahlgruber Andacht' speaking to us in echoes the pads gently intertwine with a detailed drum patterns until the moving acid like bassline comes in to create a whole new dimension of sound. This concept is something that isn't all together new but done in a new and forward thinking way to finish off the full package of a finely tuned deep house record.

Yellow Vinyl

Elektro Guzzi combine club music and live performance to a unique, energetic mixture. They overcome the rigid boundary of analog versus digital, unifying the human being with his machines in an unprecedented way and surprising the listener with their innovative productions. Sónar, Roskilde, Melt!, C/O Pop or Mutek are just a few stations among others, where Elektro Guzzi fascinated with their dynamic live show, without the use of computers or loops.

With their new EP - Parade , the first release on German label Denovali, Elektro Guzzi broaden their trinity of drums, bass and e-guitar. With implementing trombones as extra oscillators, dissociating them from their conventional use, the trombones become part of the human-machine-universe and are used as an additional sound source in order to modulate and explore its variety live on the stage.

The four tracks emerged from commissioned work for the Artacts Festival for Jazz and Improvised Music. They move along familiar paths, but also show some new, unusual dimensions of Elektro Guzzi. Opener - Element starts gently, bringing the trombones slowly into appearance, culminating in that driving groove, which whips the melancholic sound of the track. Title track - Parade reveals the new source of inspiration of the Vienna-based trio. From Haitian Rara music, through New Orleans brass bands to Basic Channel dub, Elektro Guzzi create rhythms beyond four-to-floor, with that special, warm vibe, which remains in the ear of the listener.

Recording, mixing and sound design results from a collaboration with sound enthusiast Nik Hummer. The - Parade -EP hypnotizes the listener with its diversity of sounds, with floating and dubby rhythms, situated in a stunning sound aesthetic, in which the feeling of its live performance is conserved.

Landside is the collaboration between Italian producers Hunter/Game and the Icelandic band Kúra.
The sound draws as much from the deep vibe and

melancholy ambience of Kúra's reflective, dubby moods, as it does from the more insistent groove of Hunter/Game's dancefloor roots
Landside - Signs Of Change EP
Signs of Change is the fourth chapter of Landside's journey through diverse sound researches that cross over to industrial ambients, basslines and a whirling melody accompained by a crescendo of sonorities that won't release you from the flow.
Distance is a throw back voyage in a melodic orchestra of ethnic sonorities that elevate you to an esquisite and new dimension.
Luke Hess Remix, is a night bounce into into dub techno that will hypnotize you with its hazy yet enthralling use of vocals.
Kelpe Remix is a deep and intense dreamlike hazy trip, accopanied by trippy melodies that melt with the voices of the original track.

After a string of outstanding releases on some of our favourite electro labels, Seattle's Chris Roman aka 214 joins ranks at Lunar Disko to present the 'Talus Loop' EP.
214 has developed into a true master of the atmospheric electro sound, and once again showcases this talent on the 'Talus Loop' EP. A fusion of intricately textured techno and electro, combined with lush ethereal soundscapes transport the listener to a far away and otherworldly dimension.
Futuristic Hi-Tech electro and techno from a producer of the purist form.

For La Clap's second release, CNTRL takes commands with a banging ears EP, including a special Remix by BirdsMakingMachine. La Clap is on the roll, having a slowly start but a heavy advance. "Dwntstrs" will take you downstairs, at a slow tempo and precise claps. A mixture of sharp sounds that makes you travel deep down. CNTRL is coming here with a ame in his hands, followed by a BMM dynamite remix, taking us to another sound dimension

British producer Pris preps his sophomore EP for Avian.

Love, Labour, Loss marks the Berlin-based producer's second outing on Guy Brewer's Avian label, and a further refinement of a production aesthetic that pitches caustic, heads down tool Techno & greyscale IDM against more meditative Ambient & Drone recordings.

AVN026 tackles familiar themes, and the same low slung, deep-seated sense of unease found on earlier offerings, released via both Avian itself & Unbeknown To Us - the producer's own outlet, winds its way in and amongst the work. There's a lightness of touch to this most recent effort though, and experimentation with more overtly musical sequences proves fruitful, drawing on a previously untapped energy to great effect. The same goes for forays into more complex rhythmic structures - taught, processed percussion sits bright in the mix, working to generate an anxiety that is fast becoming a hallmark of the artist's work.

Whilst the material maintains a keen focus on the crushed, droning sonics that have come to characterise the label's output, Love Labour Loss, is an impressive development - offering at once both a new dimension to the artist's work, but also a congruent, streamlined addition to the Pris discography.

After a few digital releases, Lunar Convoy delivers a masterfully executed debut EP to inaugurate newcomer belgian imprint NORITE's vinyl series. Counting Northern Electronics, Hypnus Records, Semantica and Prologue among his main influences, Lunar Convoy's first effort is utterly coherent while not failing to evoke a plurality of emotions. Imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, Outer Rim Territories is a testimony of his love for deeper realms. On the A side, Seswenna's trancey lead synth and pumping bass opens the EP with an excursion towards distant planets. Ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. On the flip side, Eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. Allen's take on Ryloth is symptomatic of the US-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on Attic Music, M_Rec Ltd, PoleGroup or more recently Granulart Recordings. With such a captivating release, Lunar Convoy has set a high bar for the upcoming releases and left us under his sway.

Just This 's first Various Artists aims to the research of a mix of sounds by producers from different countries, to a journey into a variegated world. Melancholic vibes, deep ambient atmospheres.
The second part of the Various Artists, gets straight to the point, reaching the dancefloor in a more hard and deep insistent way.
The First track ''Inside world'' is composed by Hunter/Game, as a playful banger with a solid kick, brushed percussions and surging, subtly atmospheric synth pads that make the track dreamy while fierce.
The Second one by Pisetzky comes with a strong, continuous 4/4 bassline and organic percussion from start to end, further on dominated by a hypnotic melody followed by a more romantic and dreamy motif full of longing melancholy and eternity.

The third one comes from Just This new Artist Altman, with a breaking

mellow downbeat theme, it lets all squeaky sounds mesh nicely

like a dream landscape opening up into a widescreen chord progression, with an epic build up.

dotwav returns to their own KONFLKT imprint with Insanity. Both I/Y and Cadency aka Hector Oaks reshape the originals into individual sound concepts rounding off a complex four-track EP.

Heading straight towards peak time Insanity sets the pace. The raw yet punchy destination that follows on from a hypnotic synth exploration receives a deep tripped-out remix treatment from Berlin-based duo I/Y. Distance ventures into an emotive dimension that channels melancholy and anticipation into a compelling techno ballad. Charging the B-side with urgent heat, Cadency transforms dotwav's composition into a sustained power house for the floor.

Following the great ep from Doomwork, Italy strike back with the duo Reform! Two guys who joined their mind together to create music, testing new electronic paths, playing with external machines to creates their own sounds, after only one release and one track on a compilation you can see that the duo have a lot to say into techno.Reform bring here with 'Chaotic dimension ' a very complete release who take from techno madness with chaotic dimension to deep techno for extremis passing by a super funky vibe for dancewear with this vocal who drives you, to end with treasure who deliver a mind blowing experience.

I started this album simply writing a script, I think it is important that an album has a continuity that gives the album a cinematic sense, basically this must to tell you a story. For this time I chose the topic of: the development of human evolution in the future.'
I find it interesting to experiment with the sound and textures of the classical music, but not with the idea of how to adapt a techno track with classical instruments, I prefer to writing scores from scratch for each of the instruments and adapting synthesizers as part of that orchestra. I think that all this brings us an epic ingredient, that from the beginning I think it was the link between classical and techno music.
Besides the classical music, I have been experimented with different kinds of recording and synthesis, also I created almost all the sounds from zero. I have included different fx sounds, developed it with techniques as morphing and overlapping layers of sound, all to setup the tracks with a complex and rich textures, but with care about do not obtain something pasty.
I worked a lot with the space' in the tracks, trying to place each sound in a particular three-dimensional situation with clean reverbs, also the feeling of tension' is highly significant in this work, but ultimately the most important thing has been to build on a script written -as I said before- so that the narrative is a fundamental part of the album.

One half of Scottish duo Clouds, Perth Drug Legend tear off a solo EP of rugged, apocalyptic bloke-techno. Stunners, all of them. Freak genius at work.
What more can be said about Clouds, young prodigies who have put out as much innovative techno in the past few years than anyone. The story takes a twist with a wealth of material being released by PDL, hot off a remix of Tiga's Bugatti and releases on Resin and Westend Communications. The sound is reminiscent of Ghost Systems Rave, but there's the feeling that things have gotten even more refined, something that smacks of a real subcultural movement.

Opener Balquhidder Ruins is a stomping gate-crasher, the tempo pulled back just enough to feel the grit of industrial funk, everything restrained to it's bare essentials. Monzievaird swings heavily around a few twinkling bleeps, sparse, chunky kicks that thunder through the greased hats. Pushing things even more into the dark corners with overdriven, haunting resonance is Clackmannanshire Crusaderz, which sounds like the soundtrack to being blacked out on the ground in a Berghain tunnel. Thisistullohnottibetpal adds a mystical, multi culti dimension with some mountain flute inexplicably soaring through the air before a bell breakdown zens things into a forceful yet tranquil climax.

If that madness weren't enough, there's a digital bonus track which is an absolute bomb if you're into lower tempos and hip hop inflected bangers.

Stunners, all of them. Freak genius at work.