Lost In Ze Disco offer 4 Disco Pumpin Tribe tunes.
Nice little pearl to mix... listen and dance !
Suche:disco b
- A1: Ruth - Polaroid/Roman/Photo (Instrumental First Mix Edit)
- A2: Richard Wahnfried - Time Actor
- A3: Mecanica Popular - La Edad Del Bronce
- A4: Graham Gouldman - Bionic Boar
- B1: Ose - 29 H 08 Mm (Cdm Edit)
- B2: Schaltkreis Wassermann - Lux
- B3: Logic System - Unit
- B4: Explorer - No 8
- B5: Peter Godwin - Emotional Disguise (Instrumental)
The cosmic journey continues! Finally the fourth volume of the Cosmic Disco Machine series is out. As always pressed in limited number of copies , this volume is served in marbled white vinyl.The musical selection includes classic songs like "Time Actor" by Richard Wanhfried, as long as more underground and exclusive tracks such as "La Edad Del Broce" by Mecanica Popular, "Polaroid / Roman / Photo" By Ruth just to mention two from the rich traclkist.
The selection of these tunes is, as always, treated in any detail, artistic and musical, all tracks being gently mastered keeping the original and characteristic mood of each song. Just get it and you will discover the rest by listening to this new unmissable volume.Have a good listening and stay tuned for the next chapter of our cosmic journey.
- A1: Mandrill - Fat City Strut
- A2: The Wild Magnolias - Corey Died On The Battlefield
- A3: Ltg Exchange - Waterbed (Instrumental)
- A4: Allez Allez - African Queen
- B1: Fela & Africa 70 - Everything Scatter (Rere Run) (Rere Run)
- B2: Tony Allen With Afrobeat 2000 - Nepa (Never Expect Power Always) (Never Expect Power Always)
- B3: Lionel Hampton - Them Changes
- C1: Manu Dibango - Super Kumba
- C2: Screaming Jay Hawkins - Africa Gone Funky
- C3: Harold Alexander - Tite Rope
- C4: Jack Ashford & The Sound Of New Detroit - Do The Choo-Choo
- C5: Africa Djole - Wassahoumba
- D1: Niagara - Sangandongo
Second volume of this collection of pure Funk, Afro Beat and African Funk music is out!
This chapter, as previous one, includes highly respected artists such as Mandrill, The Wild Magnolias, Manu Dibango, Fela Kuti, Tony Allen, Buddy Miles and many others, but also includes the very rare and exclusive long version of “Sangadongo” from Niagara.
All these artists guarantee the high quality of this collection, a record that any funk lover can’t miss: the real funk from the origins and the groove in its free form.
- A1: La Justicia - Guaguanco Coroco
- A2: Ebirac All-Stars Featuring La Calandria & Ramito - Plena Matrimonial-Contraversia
- A3: La Justicia - Las Frutas Del Pais
- A4: Tipica Leal ‘79 - Donde Estabas
- B1: Juventud Tipica ‘78 - Ano Nuevo Y Reyes
- B2: La Solucion - A Bailar Son Montuno
- B3: La Justicia - Alegre Hibarito
- B4: Under The Sun Orchestra - Under The Sun (Instrumental Theme)
Far from the twin epicenters of New York and Miami, Carlos Ruiz and his Ebirac label were both feeling and generating the aftershocks of the mid-’70s salsa boom. Holed up in their own bustling Puerto Rican community center on Chicago’s west side, these third coast salseros plied their trade outside the hot lights, cutting their teeth in city parks, VFW halls, and Holiday Inn rec rooms. Nearly 50 records survive in the wake of orquestas La Justicia, La Solucion, and Tipica Leal ’79, the most impassioned, singular moments of which are compiled here.
Retromigration returns to Ravanelli Disco Club with a brand new broken beat chanelling track 'Jeffa'. None other than Ron Basejam steps up on remix duties in signature disco don style.
He didn’t come alone though, bringing his friends Nephews to the dance on the B side who deliver sunset house grooves in the form of 'Reingelaxed'. To complete the EP Jkriv remixes 'Reingelaxed' into a synth swirling Balearic gem.
- A1: Den Harrow – Always (Flemming Dalum Remix)
- A2: The Sweeps – Voices (Extenden Version)
- A3: Simon Bennett – I Wanna Tokyo'u (Flemming Dalum Remix)
- A4: George Aaron – Midnight Love (Extended Version)
- B1: Tom Hooker & Tam Harrow – You And I (Extended Version)
- B2: Flemming Dalum – Don't Take Your Time (Special Zyx Remix)
- B3: Some Bizarre – Don't Be Afraid (Also Playable Mono Remix)
- B4: Wish Key – Orient Express (Flemming Dalum Remix)
ZYX Italo Disco New Generation Vinyl Edition 4 präsentiert 8 ausgewählte Italo Disco Songs.
Diesmal mit dabei sind:
Den Harrow
The Sweeps
Flemming Dalum
Some Bizarre
Tom Hooker & Tam Harrow
Simon Bennett
George Aaron
Wish Key
Fast 50 Minuten analoge Klangqualität für alle Vinyl Liebhaber.
- A1: Magic (Intro)
- A2: Come Into My World (Interlude)
- A3: I Love It
- A4: In Your Eyes
- A5: Light Years
- A6: Supernova
- A7: Light Years (Reprise)
- A8: I Should Be So Lucky (Interlude)
- A9: Dance Floor Darling
- A10: All The Lovers (With House Gospel Choir)
- A11: Say Something (With House Gospel Choir)
- B1: Real Groove
- B2: Slow/Love To Love You Baby
- B3: Monday Blues
- B4: Where Does The Dj Go?
- B5: Love At First Sight
- B6: Last Chance
- B7: Magic
Fans are invited to return to ‘Infinite Disco’, Kylie’s globally successful live spectacular broadcasted in 2020. Released alongside Kylie’s record-breaking album ‘DISCO’, the 50-minute special performance was met with widespread acclaim and deemed ‘a true joy’ by The i. The ‘Infinite Disco’ vinyl features tracks from DISCO, alongside much loved hits ‘In Your Eyes’, ‘Light Years’, ‘Slow’ (a mash up with Donna Summer’s iconic ‘Love To Love You Baby’) and ‘Say Something’, performed with the House Gospel Choir.
Blair French returns to Rocksteady Disco with an EP of pan-African dance floor heat. Picking up from where he left off with his The Art Of Us LP and his recent Razor-N-Tape EP, this 3-tracker sounds like being happily lost in a hot jungle. Tons of drums, chants, flutes, and basslines for the finest parties. Limited vinyl pressing, don’t sleep.
Music written and produced by Blair French
Pressed at Archer in Detroit
Mastered by Pontchartrain
»C'est Disco« was the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.
Transparent blue[30,21 €]
Deluxe Moon Phase version includes a gatefold sleeve, poster and an extra track on a flexidisc.
Unlearning, the breathtaking debut from Glasgow’s Walt Disco, is steeped in metamorphoses, a stage show in two acts. It covers flings and romances, identities and bodies and change, profound familial love, and - of course - Hollywood glamour. The album plays out like a musical, with an emotional arc and even an instrumental interlude, winkingly titled ‘The Costume Change’.
While the themes of the album are universally relatable, Walt Disco’s gift is in the unique experience of discovery and heartbreak between queer people - something that frontperson James explores in depth on songs such as ‘Weightless’, ‘Be An Actor’ and ‘Hold Yourself As High As Her’. In Walt Disco’s eyes, it’s never too late to become what you might have been and there are plenty of possibilities to explore on Unlearning.
Deluxe moon phase[31,05 €]
- A1: Valerie Dore - The Night (Special Remix)
- A2: Public Passion - Flash In The Night (Extended Version)
- A3: Biba - Top Model
- A4: Silver Pozzoli - Around My Dream (Extended Version)
- B1: Doctor's Cat - Feel The Drive (Vocal Extended)
- B2: Rene - Don't Hurt Me
- B3: K-A-T-A - Fires In The Night
- B4: Johnny Game - Another Kiss
- C1: Faxe - Time For Changes
- C2: Oxo - Keep On Living
- C3: R Bais - Dial My Number (Club Mix)
- C4: Ray Foster - Run To Me
- D1: Linda Jo Rizzo - You're My First, You're My Last (Maxi Version)
- D2: Hugh Bullen - Alisand (Original Vocal Mix)
- D3: Dyva - I Know (Extended Version)
- D4: P Lion - Happy Children
Al Kent takes on Japan’s answer to Vince Montana for another extended disco mix, with the emphasis - as always - on disco! Judging by the popularity of the pair’s last outing this release should once again please those DJs and music lovers with a penchant for the percussion, strings and traditional instrumentation that underpins the best disco music, bringing it up to date with one eye firmly on the past.
Disco Segreta teams up again with Miro (b. Mario Baldoni) in the re-release of his 1970s-80s productions, after the italo-disco burner Stranamore by Brina (DS M 002) and the tropifrutti balearic italo-house smasher Tobago by Pat & Pats (DS M 006), we are back introducing to italo-disco connoisseurs a truly atomic jam !
“Passion Night” was originally written by Miro in 1985. Story goes that envisioning a release by 1987, Miro teamed up with legendary south-african sound engineer Allan Goldberg, in light of their previous Vedette Records disco-infused collaboration for the “Slang“ studio project and the “Real Life Games” LP. The team featured also track co-writer Gregorio Puccio, ready to unleash the synths (Roland JD800 + D50, Yamaha DX7, Oberheim 12, Prophet 5), along with two young vocalists, Giulia Fasolino and Silver Pozzoli, later to become household names for the italo-disco heads.
As a special feature on the track, Miro brought in the studio contribution of the top italian jazz contralto saxophone virtuoso of the era, Massimo Urbani.
In September 1987 a session at Pomodoro Studio had the track recorded on a 24 tracks tape, where has been sitting unreleased for 35 years, until now !
Within its cross-genre blend of synth-pop, italo-disco and jazz, “Passion Night” is an outstanding musical time capsule, a picture-perfect vivid snapshot of year 1987, with the additional historical value as a document itself: it’s the only strictly non-jazz project in Massimo Urbani’s repertoire, in a revelatory performance shedding a light over an unusual facet of Urbani’s versatile talent, regardless of boundaries, a few years before his untimely passing.
Three years in the making for this first-ever release, so that we could bring you “Passion Night” in its original 1987 version from the actual multitrack master, with our usual respectful treatment, plus three remixes: the balearic infused “Miro Smooth Jazz Remix” and a remix by highly acclaimed musician and producer Giulio d’Agostino aka Julyo, who can claim a plethora of collaborations for artists as diverse as Aphex Twin, Goldie, and Michael Brecker.
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, MLD) focused on making dubbish Post-Punk.
In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline.
On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect to shatter your brain.
Retakes from the mysterious ambient artist Civilistjävel! are more brooding.
Introspection and faded horizons are the main purposes here but a glimpse of hope still glow.
In February of 1976 Eddie Carmichael left the group “The Voshays” after catching the bandleader/manager stealing from the band. Derry Shepherd and Duncan Bethel left at that time also. About a week later I asked Derry if he would be interested in starting another band and he said sure. At that point Duncan Bethel agreed to participate and he recruited his friend Flynn Emanuel to play trombone. Derry was the manager of the cafeteria at Sears Department Stores in The Pompano Fashion Square Mall and he met Sandy Ficca who was the manager at Chess King Men’s Clothing Store in the same mall. Sandy also agreed to join the group and we auditioned bass players and chose Dave Segal and only one keyboard player auditioned and that was Bob Groszer. We now had all of the personnel for the group and we commenced rehearsing in the recreation center in Pompano Beach, FL at Westside Park. We did a few “Chitlin’ Circuit“ gigs to fine tune the band and music and then moved over to the beach circuit. While there we would perform spring and summer months at “The Ocean Mist” on the Strip in Fort Lauderdale, FL and for the fall and winter months the Big Daddy’s 8600 Club on Miami Beach. After 18 months of constant gigging I suggested that the band go into the studio and record some original music. Now all we needed was some serious financial support and songs. I met a man by the name of Jerry Bullard and convinced him to back the project. We formed our own independent label “Get Off Records” and publishing company “Situated Music”. At that point Dave Segal and Sandy Ficca left the group and Bruce Saddler who was the drummer for The Voshays joined us on the drums for the first two recordings. Sandy Ficca returned as drummer and brought in his old friend and bandmate Daryl Walker to play Bass on five of the six remaining songs. We recorded the entire album in five days at SRS Studios and Triad Studios both in Fort Lauderdale, FL in August of 1977. The first single “Give It Up (Let Yo Funk Fly Free) was a winner released only in the New York tri state area where in two weeks it reached number 16 in the top 100 and was poised to go number one nationwide on the R&B charts in the next two weeks. Henry Stone, owner of TK Records in Hialeah, FL wanted to sign the group as did many other major record labels including Maurice White of Earth, Wind & Fire. But the usual problems of the music business reared its ugly head and the record was pulled from all radio airplay and the group who became disenfranchised with the business of the industry decided to call it quits. Derry Shephard went into Gospel Music production, Sandy Ficca went on to become the drummer for the Pop/Rock recording artists “Firefall”. Daryl Walker is a session player and music teacher, I did studio sessions and played in several cover bands and toured internationally. Bob Groszer toured with Sly Stone and other legendary recording artists. Dave Segal went on to start New York Bass Works in New York. Flynn Manuel became a music teacher in The Broward County School District and Bruce Saddler and Duncan Bethel left the Music industry completely. We were young and not good business people at that time and did not understand the rules of do’s and don’ts of the music industry. But we had three talented songwriters, a great arranger, a killer band and all the financial support that we needed. Looking back if we only had an experienced manager I truly believe Mirror would have gone on to create some great music over the years that followed.
Peace and love all the time,
A blend of Nu-Disco/Disco-funk, trip hop and cosmic with a touch of jazz from the one they call Super Paolo across 2 x 12 Inch records that has been lighting up dancefloors the world over.
DJ Support:
Ashley Beedle, Daniele Baldelli, LTJ Trevisi, Severino, Francesco Mami.




















