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Various - BRAVO - The Hits 2024

Various

BRAVO - The Hits 2024

12inch8851322
Polystar
06.06.2025

C1 | Meduza, Onerepublic, Leony – Fire (Official Uefa Euro 2024 Song)
C2 | Ofenbach Feat Norma Jean Martine – Overdrive
C3 | Kygo, Ava Max – Whatever
C4 | Felix Jaehn & Leony – Waking Up
C5 | Jaxomy X Agatino Romero X Raffaella Carrà – Pedro
C6 | Artemas – I Like The Way You Kissed Me
D1 | Michael Marcagi – Scared To Start
D2 | Cyril – Stumblin' In
D3 | Ariana Grande – Yes, And?
D4 | Jack Harlow – Lovin On Me
D5 | Tate Mcrae – Greedy
D6 | Natasha Bedingfield – Unwritten
E3 | Benson Boone – Beautiful Things
E4 | Teddy Swims – Lose Control
E5 | Sabrina Carpenter – Taste
E6 | Noah Kahan – Stick Season
F1 | Justin Timberlake – Selfish
F2 | Shawn Mendes – Why Why Why
F3 | Ariana Grande – We Can't Be Friends (Wait For Your Love)
F4 | Purple Disco Machine & Benjamin Ingrosso Feat Nile Rodgers & Shenseea) – Honey Boy
F5 | Lost Frequencies, Tom Odell – Black Friday (Pretty Like The Sun)
F6 | Hugel, Topic, Arash Feat Daecolm – I Adore You
G1 | David Guetta & Onerepublic – I Don't Wanna Wait
G2 | Karol G – Si Antes Te Hubiera Conocido
G3 | Fourty & Bausa – Vempa (Frx202445570)
G4 | Sampagne, Badchieff, Cro – Tempo
G5 | Billie Eilish – Lunch
G6 | Kendrick Lamar – Not Like Us
H1 | Zartmann, Ski Aggu, Dauer – Wie Du Manchmal Fehlst
H2 | Soffie – Für Immer Frühling
H3 | Sdp, Sido, Esther Graf – Mama Hat Gesagt
H4 | Nina Chuba – Nina
H5 | Luciano X Jazeek – Starboy
H6 | Shirin David – Bauch Beine Po
E1 | Lady Gaga & Bruno Mars – Die With A Smile
E2 | Gracie Abrams – I Love You, I'm Sorry


Bevor sich das Jahr 2024 dem Ende neigt, erscheint mit der „BRAVO – The Hits 2024“ der alljährlich
beliebte Jahresrückblick voller Hits und Chartstürmer. Ganz nach dem Motto „End Of Beginning“ vereint das Album von Anfang bis Ende die erfolgreichsten Songs und musikalischen Highlights des Jahres 2024.
Wenn Chappell Roan „Good Luck, Babe!” wünscht, Sabrina Carpenter „Espresso“ trinkt, The Weeknd in
den Flammen tanzt und MEDUZA, OneRepublic und Leony on „Fire” sind, kann das nur eines bedeuten:
Die „BRAVO - The Hits 2024“ steht in den Startlöchern und versorgt uns mit den größten Hits und beliebtesten Singles. Mit dabei sind internationale Bands und Künstler*innen wie Billie Eilish, Linkin Park,
Hozier, Coldplay, Justin Timberlake, Ariana Grande sowie deutsche Newcomer und Stars wie Shirin David,
Zartmann oder Nina Chuba.
Das Besondere dieses Jahr: Die beliebte Hit-Compilation erscheint erstmals auch limitiert als 4LP. „BRAVO
– The Hits 2024“ ab 08.11. als 2CD & Download und pünktlich zum Nikolaus als 4LP erhältlich!

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39,71

Derniere entrée: 77 jours
TY SEGALL - POSSESSION

Ty Segall

POSSESSION

12inchDC915
DRAG CITY
30.05.2025
 
8
également disponible

Cassette[14,71 €]


Ty hits the big sky trail of our good ol" frontier empire, discovering non-stop bangers and inspired new sonics around every bend. With lyrics co-written by long-time collaborator, filmmaker Matt Yoka, Ty"s glittering rhythm arrangements move with fresh scansion, inviting in sweeps of strings and horns to further the charge righteously. You"re invited too! Don"t miss the trip - the country inspires awe from up on Ty"s high-octane ride.

pré-commande30.05.2025

il devrait être publié sur 30.05.2025

28,53
TY SEGALL - POSSESSION (TAPE)

Ty Segall

POSSESSION (TAPE)

CassetteDCC915
DRAG CITY
30.05.2025

Ty hits the big sky trail of our good ol" frontier empire, discovering non-stop bangers and inspired new sonics around every bend. With lyrics co-written by long-time collaborator, filmmaker Matt Yoka, Ty"s glittering rhythm arrangements move with fresh scansion, inviting in sweeps of strings and horns to further the charge righteously. You"re invited too! Don"t miss the trip - the country inspires awe from up on Ty"s high-octane ride.

pré-commande30.05.2025

il devrait être publié sur 30.05.2025

14,71
Repetition Repetition - Fit for Consequences: Original Recordings, 1984–1987
 
2

Fit for Consequences: Original Recordings, 1984–1987 is the first ever archival release from Repetition Repetition, the “two-man electric minimalist band” consisting of Ruben Garcia and Steve Caton hailing from Los Angeles in the mid 1980’s. Repetition Repetition’s unique blend of cosmic art-rock minimalism / maximalism was self-released across a series of cassettes produced in micro editions, and while garnering the attention and participation of luminaries such as Harold Budd, remained under the radar during the band’s existence. Fit for Consequences: Original Recordings, 1984–1987 collects select material from across the duo’s catalog.

It was over a plate of Mexican breakfast food when Ruben Garcia and Steve Caton first told Harold Budd of Repetition Repetition and the worlds they intended to explore by respective way of synthesizers and guitars --- a rendezvous instigated by the former’s fan mail to the legendary composer. If the upstarts entered this restaurant from a one-way street of admiration, they would leave with not only Budd’s interest but, sometime later, a blessing in the wake of many hours shared by the three in Garcia’s Los Angeles home recording studio: “This is going to be difficult, but God help them, I think they’re great,” noted Budd in a USC lecture in 1985. Now several degrees removed from prior rock music aspirations, the real game was afoot.

Between 1984 and 1988, Repetition Repetition operated within something akin to the underground of the experimental underground, although even that designation perhaps overstates the case. The duo’s sparse output consisted of three cassettes self-released on Garcia’s Third Stone Music label: Repetition Repetition (1985), Lakeland (1987), and The Machinist (1987). Their songs would also be included during this period on Trance Port Tapes’ vital scene-scanning compilations assembled by A Produce. Live performances occurred with similar infrequency, but Garcia and Caton counted converts in quality over quantity, numbering among them the aforementioned Budd, a Chambers Brother, and, judging by a memorably drop-jawed reaction following a rare Repetition Repetition gig, Jackson Browne.

Likewise, critical support materialized in the form of KCRW deejays Brent Wilcox and Dean Suzuki, whose steady airplay positioned Repetition Repetition’s music amidst fearless company like Jon Hassell, Hiroshi Yoshimura, and Richard Horowitz. Yet, to hear fellow Trance Port featured players like Tom Recchion and Bruce Licher of Savage Republic tell it, Garcia and Caton moved as ghosts --- a notion more vexingly endorsed by the silence of record companies that failed to come knocking --- and therein lies an overarching truth to the work itself.

Journey to the heart of Repetition Repetition and one discovers a collective ear impossibly attuned to the hypnotic possibilities of stylistic convergence, the resulting music possessed of seamless multimodalities which beckon to a glimmering plane of the disembodied. Where Caton sought his artistic fixes at an intersection of popular genres, Garcia zoned in on the sonically spare, drawing from the same wellspring as the Enos and Rileys of his personal avant-garde pantheon, and in their coming together the two tapped into a deeper cosmic source. Synthetic walls of keyboard sound in forever states of reprise met waves of shimmering --- and at times even punishing --- guitar in reply, their soundscapes hovering convincingly between, as suggested in fittingly dualistic fashion in a press kit assembled by Garcia, such disparate sensations as bird flight in one song and oil drilling in the next.

But don’t call it a push-pull dynamic, as this was a creative partnership founded upon fluidity and organicism by way of, naturally, repetition. In contrast to, say, the Bressonian ideal of repetitive motion as a great stripping away, the concept in the hands of Garcia and Caton equated to ascendancy via continuous unfolding, a maximal route to minimalism. To be sure, their recording philosophy morphed over the course of the act’s short history, and what started as a process defined by consistent in-person interplay developed into a more isolated method formulated by Garcia, who eventually took to his own one-man bedroom-studio sessions in order to fully chart any and all potential ostinato-loaded paths which he could travel down, the Tascam-captured resonances subsequently provided to Caton as blueprints from which to take flight himself, adding layer upon layer of steel to the proceedings.

If the practice and execution changed, however, the evidence certainly didn’t rest in the results: The seamlessness remained, and, despite the brevity of their time together, so has Repetition Repetition. With this finely calibrated collection of songs in Fit for Consequences: Original Recordings, 1984–1987, Freedom To Spend sees to it that the private worlds of Garcia and Caton can now be visited by all rather than just the count-‘em-on-both-hands lucky few whose musical endeavors or collector vocations carried them into this once-distant dimension.

Repetition Repetition’s Fit for Consequences: Original Recordings, 1984–1987 will be released on Freedom To Spend in vinyl and digital editions on May 30, 2025. The collection includes extensive liner notes from Bill Perrine, and wil be offered alongside Over & Over, a supplemental collection of music available exclusively as a mail order cassette from Freedom To Spend and RVNG Intl.

pré-commande30.05.2025

il devrait être publié sur 30.05.2025

26,01
TRIGGER - SECOND ROUND LP

Trigger

SECOND ROUND LP

12inchBING217LP
Ba Da Bing
30.05.2025

After 45 years, Trigger’s never-released second album, Second Round, invites listeners to rediscover the hard rock sound that made the band a standout act of the 1970s. In early 1979, Trigger walked out of Electric Ladyland Studios with a completed second album. Mere months had passed since their self-titled debut came out on Casablanca Records, home to KISS and Parliament. The band had toured with Cheap Trick and The Godz, met Bruce Springsteen and Joni Mitchell, and things were looking bright. But Casablanca unexpectedly went bankrupt, and the label’s artists went into freefall. Trigger unsuccessfully sought interested parties, shelved the recordings and disbanded; a disappointing end for a band who dominated the Jersey Shore club scene on their way up with fiery, kick ass live shows. RIP Trigger: 1973-1979. Jump to 2024. Guitarist Richie House is living in Northern New Jersey with his wife, enjoying a relaxing afternoon at the community pool with neighbors. One of them, Andrew Wexler is shocked to discover his friend had a band in the ’70s. He listens to their recordings, and as an avid record collector, assumes the mission of getting that unheard second album released. He writes to Ba Da Bing, a label with Jersey roots. Much excitement ensues. Second Round’s long-awaited release will now be available. All original members—Derek Remington (vocals/drums), Jimmy Duggan (guitar/vocals), Tom Nigra (bass guitar/backing vocals), and Richie House (lead guitar/vocals)—are present on the recordings. Sadly, Duggan and Nigra have passed away, but Remington and House have overseen this reissue, with songs sourced directly from the analog masters.. The Trigger of today maintains a high level of quality, albeit with a bit less flair, and even less hair. And there’s more going on here than at first listen. While the band carries the earmarks of their era—melodic hard-rock fashioned for Saturday night parties—they override the cliché with incredibly catchy songs. How would a ripping song like “Back Talk” have been received in 1979? It’s a question we’ll never be able to answer, but the raw energy of the track spans generations. “One In A Million,” however, with its full harmonies and forceful chorus, could have easily made the soundtrack for Fast Times. Celebrate the discovery of this lost gem by giving it a listen. You’ll be Trigger happy…

pré-commande30.05.2025

il devrait être publié sur 30.05.2025

28,99
THE	SOUND OF MONEY - TWO: RHYME ON
  • Dr Dr Themefart Frustrating Himself Posed As Gay Old Nazi Ss
  • Angry Hop Hop
  • All The Morning Drivers, O-E-O!
  • Sex Duo
  • Red Roses
  • Aha But No
  • To Be Elvis
  • Sicctech
  • Utc
  • Citrus
  • Nanny Got High Times
  • Anti-Love Lab A

Sie maschen's noch einmal. THE SOUND OF MONEY mit "Two: Rhyme On". Die Band aus dem Münchner Pop-Underground - genauer: mit Albert Pöschl, direkt aus dem Kern des faszinierenden Echokammer Labels, Claudia Kaiser, ex-Moulinettes, mit der aparten Stimme, die an eine Münchener Nico ohne den Drogen BS erinnert und Martin Lickleder, der für Wortakrobatik, Referenzspielereien und flotte Discostreicher berüchtigt ist - mit der Weiterführung ihres spielerischen, nicht minder faszinierenden Konzeptes: An Anagrammatical Exorcism of the 70s. Sie nahmen die Titel ihrer 12 Lieblingsalben aus den 70ern als DNA - und schüttelten die Buchstaben kräftig durch! Heraus kamen 12 neue Titel, für neue Songs. Im Jahr 2017, auf ihrem Album MORE? WHY NOT! haben sie das Gleiche mit den 60ern gemacht. Jetzt toppen sie den Spaß sogar noch. Kurz zurückgespult, 2017: Pu?nktlich zum 50-ja?hrigen Jubila?um des Summer of Love 1967 pra?sentieren The Sound of Money 2017 ihre Konzeptplatte "More? WHY NOT! - AN ANAGRAMMATIC EXORCISM OF THE 60S". Dazu stellen sie die Titel von 12 ihrer Lieblingsplatten aus diesem Pop-Ur-Jahrzehnt zu Anagrammen um - und schwuppdiwupp hatten sie 12 Titel fu?r ganz neue Songs: Aus "Pet Sounds" wurde "Nude Spots", aus "Piper At the Gates of Dawn" wurde "Tiger T - Death Happens to a Few", aus Bobbie Gentry's "The Delta Sweete" wurde "Let's Eat The Weed",... 2025: Geradezu u?berpu?nktlich vor dem 50-ja?hrigen Punk-Jubila?um sind sie wieder zur Stelle: Am 23.5. wird, wieder über das Hamburger BB*ISLAND Label "TWO: RHYME ON - AN ANAGRAMMATIC EXORCISM OF THE 70s" erscheinen - mit Anagrammen von David Bowie bis Chic, von Nico bis Slits, von Bob Marley bis Kraftwerk. Beispiel? Aus "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" wird "Dr. Dr. Themefart, Frustrating Himself, Posed as Gay Old Nazi SS".Exodus von Bob Marley wird zu Sex Duo. (Die beiden songs sind schon mal als Singles / videos veröffentlicht ) Und wie die Titel-Buchstaben haben sich auch Musik und Text zu einem schillernden, grotesken Kaleidoskop klassischer 70s-Popstile zurechtgeschu?ttelt: Landwirtschafts-P-Funk, Finanzcasino-Gospel- Disco, Anti-Pogo-Postpunk, zweifelnder Heimcomputer-Dub-Jazz, der gesamte Bowie in dreinhalb Minuten ru?ckwa?rts ... Nicht nur Live eine Wilde-Maus-Fahrt des Pop-Glam in Mu?nchner Underground-Allstar-Besetzung: CLAUDIA KAISER: Gitarre, Bass, Gesang ALBERT PO?SCHL: Bass, Gitarre, Gesang MARTIN LICKLEDER: Geige, Mundharmonika, Gesang TOM WU: Schlagzeug FRANZISKA ERDLE: Percussion SVENJA PFEIFER: Keyboards, Gesang

pré-commande23.05.2025

il devrait être publié sur 23.05.2025

23,11
34 Trolley - Relaxation EP

Early 1980s NYC-style Post-Punk Mutant Disco out of Philly.

First solo release from Jarrett Dougherty of legendary DIY Punk band Screaming Females.

For fans of: ESG, Liquid Liquid, Tom Tom Club, Dinosaur L.

Featuring Marissa Paternoster of Screaming Females and Brittany Luna of Catbite.

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18,70

Last In: 6 months ago
Various - Borga Revolution! Ghanaian Music In The Digital Age, 1984 - 1999 LP 2x12"

Kalita is excited to present the third volume in their groundbreaking ‘Borga Revolution!’ compilation series, exploring the revolutionary phenomenon of ‘Burger Highlife.’ This unique style fused West African melodies with synthesizers, disco, and boogie, a sound that took Ghanaian airwaves by storm in the 1980s and beyond. With previous volumes receiving strong support by tastemakers such as Gilles Peterson, Antal, Tom Ravenscroft, and Hunee, Volume 3 takes a deeper dive than ever before into the world of Ghanaian digital dance music. This volume features rare, sought-after tracks from artists including Obibini Takyi, Osei Banahene, and Okyerema Asante, as well as Burger Highlife trailblazers George Darko and Lee Dodou. Borga Revolution! Volume 3 offers a curated mix of standout anthems and rediscovered gems, many of which are otherwise nearly impossible to find, making this collection a must-have for fans and collectors alike.

The 1970s and 80s saw Ghanaian musicians begin to incorporate Western sounds like funk and disco into their music, reflecting the changing global musical landscape. However, the country's political instability and economic hardships, marked by military regimes and curfews, forced many artists to leave Ghana in search of better opportunities abroad. In Europe and the U.S., these musicians fused their traditional highlife roots with emerging digital sounds, using cutting-edge technology like the DX7 synthesizer and drum machines to create the genre now known as Burger Highlife. With ‘Borga Revolution!’ Kalita offers a vivid exposition of this musical transformation, using rare interviews, archival photos, and detailed liner notes to bring to life the pioneering spirit of both well-known icons and unsung innovators of Burger Highlife, one of West Africa’s most exciting musical movements.

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26,01

Last In: 10 months ago
Claude Cooper - Friendly Sounds Vol 1

Illusive Bristolian producer Claude Cooper returns with ‘Friendly Sounds Vol 1’; part psychedelic trip, part romping beat tape, part party. The album was inspired by the vinyl discoveries made from Cooper’s months of digging and cataloguing the bulging inventory of Bedminster’s Friendly Records record shop. Cooper fed these myriad captured sounds through the studio and then, blurring the lines between sampling and performance, arranged and embellished them with keyboards, drum machines, bass guitar and more, also co-opting BEAK> bassist Billy Fuller and esteemed composer Ben Salisbury to contribute.

With most of the tracks in and out within 90 seconds, the album is best enjoyed as a continuous course. Play side A, play the B, then flip it back and listen all over again. Stand out moments include tremulous cut ‘n’ paste jam ‘Jackie’, the moody string-laden ‘Rainbow Eternity’, funky sitar workout ‘Nerd Nork’, and atmospheric closer ‘Take Flight’. Sharing a similarly broad and experimental sound palette as the likes The Avalanches, Madlib, The Go Team, and Edan; ‘Friendly Sounds Vol 1’ is the soundtrack to a wild joyride down South Bristol’s North Street, foot on the gas, hand on the horn, LPs spilling from the boot.

Cooper’s irrepressible debut album ‘Myriad Sounds' (Jan ‘22) caught the attention of the UK's press and radio alike. Mojo's four star review described it as “Bristol’s beat scene backdrops late night jams”, Uncut enjoyed the "rugged psych-funk romp" and Louder than War declared "it’s vital and vibrant and exactly what we need to kick start the year”. Bonus round 'More Myriad Sounds' (Apr ‘23) added Brooklyn vocalist Brain Fog to the melange with a bounty of pyretic vocal performances. DJ Mag called it “A fierce, kaleidoscopic trip” while Bandcamp Daily said “This album of cross-genre influences is as likely to get it included in any number of best-of columns, with the theme of serious fun as their common element”. Called a "mysterious Bristol breaks scientist" by Lauren Laverne, BBC radio DJs including Cerys Matthews, Gideon Coe, Huw Stephens, Jamie Cullum, Stuart Maconie, and Tom Ravenscroft have rinsed Cooper’s tracks, with Huey Morgan inviting Cooper to contribute a Block Party Mix for his show.



‘Stay A While’, the first showing of Cooper’s new shop sampling stunners, was released on 7” in January ‘24. Lush string flourishes sliced with 6Ts girl-group vocals and rollicking piano chords resulted in a dreamy, end of night, lights up anthem in-the-making that The Arts Desk called “A horn-fired, beatsy, chop-around that recalls The Avalanches”. Releasing the album is Friendly Records, the best little record shop in Bristol and now a burgeoning record label. Opened by Tom Friend on North Street in 2016, it’s gone on to become a hub of the local musical community. As well as Claude Cooper, the label has released LPs by Alison Cotton, Floating World Pictures, Christian Madden & The Enemy Chorus, Nick Craft, as well as handling the War Child series of 7”s with BEAK>, Idles, J Dilla, PJ Harvey, Portishead, and Sleaford Mods + Hot Chip.



Claude Cooper will DJ at the one-day Friendly Festival on 10th May in aid of War Child, which will feature Sleaford Mods, Katy J Pearson, The 45s, Zalizo and DJ sets by Ishmael Ensemble, Heavenly Jukebox and Friendly Records DJs.

pré-commande09.05.2025

il devrait être publié sur 09.05.2025

27,31
Will Saul, Fink & James Alexander Bright - Paradise Ave

Aus Music founder Will Saul collaborates with Fink and James Alexander Bright on the final EP in the AUS200.

After music from the likes of Quantic, Dam Swindle, K-Lone and Cinithe, Will Saul brings celebrations around his label's 200th release to a close with one track alongside long-time friend Fink and one with James Alexander Bright, an artist he discovered and signed to !K7 during a 10-year stint A&Ring with the label.

Saul's music has provided the backbone of the label since day one. His club-ready EPs and more immersive, expansive albums have helped to define its melodically rich fusion of bass and house. Just as importantly, his A&R has helped it evolve over the last two decades so it remains as relevant as ever with the current generation while providing a platform for contemporary talents to shine.

First up here he links up with his old friend, singer, songwriter, guitarist and producer Fink who, as Sideshow, was behind the first-ever release on Aus back in 2006. Since then, he and Saul have continued a fruitful working relationship which now bears juicy musical fruit once more. Their 'Slo-mo Life' is six sublime minutes of deep, dubbed-out downtempo. It's powered by a prowling bassline with tender melodies and introspective chords next to subtle vocal loops that cannot fail to bliss you out. Fink then offers up a remix as Sideshow that rides on airy jungle breaks while evocative synths are smeared in painterly fashion before decaying in endless reverb to an angelic ambient sound.

British multi-hyphenate James Alexander Bright has built up a colourful body of albums and EPs that soundtrack everything from hazy daydreams to lazy afternoons in the park via dance floor trips. The singer has worked with, among others, Groove Armada’s Tom Findlay and Girls Of The Internet and always brings a lovably lo-fi and intoxicating sensibility.

'Blue' is a raw, live sound with crashing hits and broken kick patterns. Bright's nagging vocal speaks of emotional pain while shimmering chords bring the heat. Bright's remix reworks the track into a widescreen hazy breakbeat soul track that gives his vocals extra room to make their mark while the exquisite live drums from Joris Feiertag keep you moving.

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15,55

Last In: 11 months ago
Neil Ardley - Harmony Of The Spheres LP

NEIL ARDLEY’S HARMONY OF THE SPHERES RETURNS TO VINYL FOR THE FIRST TIME IN OVER 40 YEARS
Analogue October Records proudly presents the long-awaited LICENSED reissue of Harmony of the Spheres, Neil Ardley’s cosmic jazz masterpiece, originally released in 1979 by Decca. This marks the first vinyl reissue of the album since its original release, offering fans a rare opportunity to experience this extraordinary record in its purest form.

A Visionary Fusion of Jazz and Science
Recorded at the legendary Morgan Studios and produced by the esteemed Martin Levan, Harmony of the Spheres is another bold evolution in Ardley’s ever-expanding musical journey. A unique blend of jazz, electronic synthesis, and progressive rock, the album explores the ancient Greek concept that planets create celestial harmonies as they move through space. Using precise astronomical calculations, Ardley transposed planetary orbits into a nine-note chord—one that extends beyond the range of traditional acoustic instruments, making synthesizers the only means of fully realizing this cosmic sound.
The album features an all-star lineup, including the visionary John Martyn on guitar, saxophonist Barbara Thompson, Tony Coe, Ian Carr, and keyboardist Geoff Castle, alongside the formidable rhythm section of Billy Kristian (bass), Richard Burgess (drums), and Trevor Tomkins (percussion).

A True AAA Reissue – Cut Direct from the Original Master Tapes
Following the reissue success of Journey to the Urge Within (1986) by Courtney Pine (AOR-001-ST), Analogue October Records’ founder Craig Crane embarked on a mission to restore Harmony of the Spheres to its full sonic glory. Working with Gearbox and using Decca’s original 15ips 2-track stereo master tapes, this reissue is a true AAA release—an all-analogue production with no digital step. The album was meticulously cut directly from the tapes and pressed to the highest standards at Optimal in Germany.
Inside the deluxe package, fans will discover an 8-page booklet featuring an in-depth essay by Jazzwise magazine editor Mike Flynn, along with never-before-seen photos from the original recording sessions.

Continuing the Legacy
This reissue is just the beginning—Analogue October Records is committed to further explorations of Neil Ardley’s work, alongside other deep cuts from the UK’s vibrant 1970s jazz fusion and jazz-rock scene.
Whether you’re rediscovering Harmony of the Spheres or experiencing it for the first time, this release is a testament to the artistry and innovation of Neil Ardley.

pré-commande02.05.2025

il devrait être publié sur 02.05.2025

35,25
Ella Guru - Good Vibes Only EP

The Stockholm duo Ella Guru made waves with their 2023 debut “No Strings Attached”, blending deep house with breezy balearic guitars. Since then, guitarist Tommy Galento and rhythm maker Daniel Strand have been joined by bassist Håkan Engström. His analogue basslines have not only made Ella’s sound more organic, but also pushed the band’s music even further onto the dance floor.


On their new record “Good Vibes Only”, the trio pays tribute to the afro-funk, disco and house of the late 20th century. With two original tracks and a powerhouse remix from Västertorp’s rising force Funky Loffe, the record delivers three electrifying cuts crafted for the club’s peak hours.

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13,40

Last In: 6 months ago
Harold Melvin & the Blue Notes - Wake Up Everybody
  • Wake Up Everybody
  • Keep On Lovin' You
  • You Know How To Make Me Feel So Good
  • Don T Leave Me This Way
  • Tell The World How I Feel About Cha Baby
  • To Be Free To Be Who We Are
  • I M Searching For A Love
  • Don T Leave Me This Way

"As one of the founders of Philadelphia soul, Harold Melvin & The Blue Notes played & recorded for a few decades, but the musical highlight of their career must have been when Teddy Pendergrass joined ranks between 1972 and 1975. Wake Up Everybody from 1975 is the last album on which you can hear his sultry vocals before he went solo, and it is filled with profound, uplifting & thought provoking songs that in some cases are better known for their covers than for their originals. The song ""Wake Up Everybody"" was a radio hit for John Legend & The Roots, and ""Don’t Leave Me This Way""’ is a disco classic that was made even bigger by Thelma Houston. This 180 gram audiophile vinyl version has a special bonus track: an 11-minute remix of ""Don’t Leave Me This Way"" by inventor of the remix and the 12”: Tom Moulton! Wake Up Everybody is available as a 50th anniversary edition of 750 copies on dark green coloured vinyl."








[h] Don T Leave Me This Way [Tom Moulton Mix]

pré-commande18.04.2025

il devrait être publié sur 18.04.2025

31,51
SPELLLING - MAZY FLY

Spellling

MAZY FLY

12inchSBRLPC3221
Sacred Bones Records
11.04.2025
  • Red
  • Haunted Water
  • Hard To Please
  • Golden Numbers
  • Melted Wings
  • Under The Sun
  • Real Fun
  • Hard To Please (Reprise)
  • Afterlife
  • Dirty Desert Dreams
  • Secret Thread
  • Falling Asleep

Mazy Fly, the second full-length by the Bay Area artist SPELLLING, explores the tension between the thrill of exploring the unknown and the terror of imminent destruction. Chrystia Cabral spent the summer of 2018 in her Berkeley studio reflecting on the thresholds of human progress and longing for a new and better tomorrow. She was struck by the way the same technologies that have given humans the ability to achieve utopian dreams of discovery have also brought the world to the precipice of dystopic global devastation. Despite the darkness of this reality, Mazy Fly is defiantly optimistic. It is a celestial voyage into the unknown, piloted by Cabral. Mazy Fly musically traverses the spaces between languid, honey-soaked vocals and distant angelic whispers, from thumping 808 club beats to crunching tape loops, and from silky, smooth R&B to whirling organ sonatas. Cabral became enamored by the idea of flight as a harbinger of both progress and apocalypse, and that was expressed in the textures and compositional techniques she utilized. Swarms, flocks, flies, angels, spaceships, flying saucers - all are represented sonically by Cabral and her Juno-106 synthesizer.

pré-commande11.04.2025

il devrait être publié sur 11.04.2025

22,27
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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Satoshi TOMIIE / TUCCILLO - Delta Dubs

Hailing from Tokyo, Satoshi Tomiie emerged in the New York scene after Frankie Knuckles discovered him and his debut record, 'Tears' in 1989, was co-produced with Knuckles and featured Robert Owens. It is a dance music classic and as part of Def Mix Productions with David Morales, Satoshi crafted iconic 1990s remixes for artists like Madonna, Mariah Carey, and Inner City. Here collaborating with Ibiza's Tuccillo, Satoshi created 'Delta Dubs', a live, one-take dub house project recorded on a Soundcraft Delta desk. This tribute to dub's pioneers reimagines the essence of dub with a futuristic twist that lands courtesy of 20/20 Vision.

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16,60

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Sally Shapiro - Sad Cities LP 2x12"

Iconic Swedish duo Sally Shapiro’s 4th studio album is finally here. Sad Cities enters our atmosphere & we couldn’t be more excited to share it tonight.



15 years ago, their breakout debut 12” “Disco Romance” was released on Diskokaine by our dear friend Wolfram. No one was even close to doing what they were doing back then & the world quickly took notice. Two years later, Johan reached out to Johnny to remix Glass Candy’s After Dark classic “The Chameleon” & the two stayed in touch.



Emerging like a phoenix from a 5 year hiatus, the duo worked in deep seclusion & recorded a gorgeous bouquet of pure electronic bliss. Mixed by Johan Agebjörn & Johnny Jewel, the album includes features from Highway Superstar, Electric Youth, Tommy ’86 & our very own Jorja Chalmers.

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18,70

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Miami Horror - We Always Had Tomorrow
  • Aurora
  • Dead Flowers
  • Another Time
  • (Beyond Us)
  • Together
  • Glowin
  • Don't Leave Me
  • Remember
  • (Oblivion)
  • We're All Made Of Stars
  • (Childhood)
  • Lost Seasons

In 2016 an internet user discovered Panchiko’s discarded 2000 demo CD, D>E>A>T>H>M>E>T>A>L, in a Nottingham charity shop and posted it to 4chan to intrigue and fanfare. It took four years for Panchiko’s legions of dedicated fans to find the people behind the music as millions of curious listeners were swaying to the band’s adolescent creations. Upon discovering their own virality, the band reformed with original members Andy Wright (keyboardist and producer), Owain Davies (vocalist and guitarist), and Shaun Ferreday (bassist) alongside new members Robert Harris (guitarist) and John Schofield (drummer), toured the world and wrote, recorded, and released their first album in 20+ years, 2023’s Failed At Maths. But after the thrill of the whirlwind came a new question. What comes next when your dreams come true? The answer is Ginkgo, a 13-track project that finds the band making some of their most introspective, cinematic, and moving music yet. “The whole production has gone up ten-fold,” says Wright of the new album.“ Standout track "Shandy in the Graveyard" feat. rapper billy woods sees the band channeling their youth and tapping into the typical audience at Panchiko shows. That youthful spirit can be felt in the song’s sonic world, as its production genre-shifts between trip hop and orchestral folk, creating a fresh juxtaposition of soundscapes. The same wrenching honesty that attracted legions of fans to their teenage demos is the same truthful ethos that keeps them listening to new material like title track, “Ginkgo.” On it, Davies sings “You command the leaves to fall/The Ginkgo bends at will.” A rumination on the limits of control, collaboration, and fate, the song is an apt meditation for a band whose resurgence came about through a mix of luck, artistry, and then clear-eyed energy.

pré-commande28.02.2025

il devrait être publié sur 28.02.2025

23,74
Max Cooper - On Being LP 3x12"

Max Cooper

On Being LP 3x12"

3x12inchMESH0100V
Mesh Records
27.02.2025

Powerful works of art have traditionally sprung from some source deep within an artist and, if they strike the right tone, resonate with an audience to leave a lasting mark. But what if that equation were reversed: what if an artist were to draw their inspiration from deep within their audience, and use that to reflect those ideas, emotions, hopes, fears, pains and aspirations back to us?

Over a two year journey, audio-visual artist and electronic innovator Max Cooper has inverted the creative process by collecting hundreds of anonymous quotes, posing deep but open questions such as "What would you like to express which you cannot in everyday life?" and "What is it like to exist inside your head?"

The goal: to understand what it is truly like to be human right now. The result: his new album On Being, to be released in February 2025 with the first single "Sun In A Box" coming this September 4th.

With On Being, Cooper aimed to probe under the synthetic surface of social media to "create a snapshot of our minds these days," as he puts it by asking people to share anonymously what they dare not ever say publicly. The result is an emotionally raw and shockingly honest kaleidoscope of confessions, ranging from suicide contemplations to miserable marriages to simple pure loneliness, contrasting with hundreds of anonymous confessions of love and longing.

"I was interested in the way I interact with people for my writing process, which usually involves a one-way communication of feelings and ideas that I later find out whether they resonate with others or not," says Cooper.

"With this I could start instead with people's thoughts and feelings, what resonates for them, and make my own interpretations of those musically and visually, and then send those back out to everyone. It's more of a collaborative approach to making an album, and more intense."

Grief, hope, regret, joy, hurt and love form the basis for each track, taking Cooper's ever-evolving creative process in a completely new direction - with profoundly intense results.

"Rendering the experience of being is at the core of what I do musically - but I hadn't realised the impact that other people's words on being would have on me until I started reading the database of thoughts," he says.

"It was like finding a secret window into everyone's minds, and discovering amongst the chaos, pleasure and pain, the experiences that we all share at different times of our lives, and overwhelming emotions and connections that call out to be explored."

Despite what we see in the maelstrom of rage in the echo chambers of society ‘On Being’ reveals that humans still have an innate need to trust one another and express communal generosity - more easily done from the safety of an anonymous portal.

"The quotes carried so much weight for me - I interpreted them with my usual musical tools, but as you can hear in the music, everything got more extreme as I dove into the depths of what everyone had to say later in the record," says Cooper.

The result is a unique work of art that demonstrates unequivocally not only the power of using music without words to express emotions, but the power of words to express what seemed to be inexpressible.

On Being will continue to evolve as Cooper gathers more confessions to feed into this ecosystem of emotions and to create a new range of art projects and other accompanying works which hopefully will speak truthfully to humanity today - and of who we are and who we can become.

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38,87

Last In: 10 months ago
Enxin/Onyx - In Rupture (LP)

Enxin/Onyx, the duo of Nicky Mao/Hiro Kone and Tot Onyx (formerly group A), joins Other People with their debut album "In Rupture," capturing the same mesmerizing energy for which their live sets have become known.

“In Rupture” is not painless but in rupture lies possibility. The elasticity of this time pitching us across unknown terrain, revealing new potentialities, eclipsing static being. Whether in breach, collision,shimmer or severance, Enxin/Onyx explores these as occasions for transformation. Peeling back the layers through discord and harmony, exciting the inversion of expectation, towing the listener to depths and back up again to illuminate the senses. At times metallic and feral, at others murky and sharp, each song serves as an offering for all that is in rupture; body, spirit, land, ecosystem.
The opening track “A Void” calls to mind some mutation in its mechanical ecstasy, but for what purpose remains unknown. Even in the near moments of stillness, “Needle Pierces the Threshold” breathes a forceful disquietude. Tommi’s vocals pulling the listener down into some subterranean
madness, to unravel upwards from all sides, flooding the once parched landscape. In “Embers Kissthe Eye”, all of time emerges in one moment, compelling the subject’s gaze towards a new horizon.
The album follows its subjects through exile, exhumation and discovery. Through this process plates shift, fissures are revealed and what once appeared to be indomitable absolutes crack, pointing towards their inevitable collapse. To be in rupture is regeneration, to be in rupture is to return.

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22,27

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