Cerca:dj 90

5 track EP including 2 remixes.

Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.

The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.

With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.

Julius Papp’s “Excursions" series returns with six hot edits for the dance floor! An Integral part of the scene since the mid 90’s, Julius's “PappEdits” digs deeper into Disco, Afro and Jazz-Funk to rework them into DJ friendly gems. Essential!

A rising artist of the French electronic scene, Naajet asserts her identity with The Night Starts Now, a four-track EP that celebrates the freedom and intensity of the night. Co-founder of the Bande de Filles collective and known for her explosive universe blending House, Hardgroove and Breaks, as well as for the unique energy inherited from her dance background, Naajet delivers here a sonic manifesto conceived as an ode to club culture and to the present moment.

“I imagined this EP as an anthem to the world of the night. The night offers us unparalleled freedom, an outlet that allows us to be ourselves, to create, to love. The Night Starts Now captures this celebration of the present moment and this declaration of independence.” Naajet Opening the EP, “Ready To Shine” unfolds radiant House nourished by Pop and 90’s sounds. With a clear and ascending rhythm, the track combines euphoria and introspection. “I composed this track as a joyful and introspective journey that prepares us to embrace the night. For me, it is a call to accept our wounds, to transform them into light and strength, so that we may shine brighter when we enter the club,” explains Naajet. Between ethereal vocal lines and shimmering pads, the track acts as a ritual of entering the night, inviting us to turn wounds into strength and to shine on the dancefloor. The second track of the EP, “Sugar”, embodies the effervescence of the club. Carried by a hypnotic voice and an effervescent rhythm, the track celebrates the communion of bodies and the liberating energy of dance. “It is an ode to dance and to bodies coming together. This track speaks of those moments when, on the dancefloor, boundaries fall: we sweat together, we free ourselves together, and energy flows from one body to another,” says Naajet. A true concentrate of intensity, “Sugar” captures the moment when sweat, rhythm and abandon merge into a collective movement towards freedom.

With “I Can Be Anything”, Naajet changes register and flirts with deeper, even techno textures. Built on a throbbing pulse and sharp synths, this track is meant as a manifesto of identity. “I really wanted to propose a track that claims our right to free and plural expression and sexuality. I Can Be Anything is about our multiple identities, our ability to reinvent ourselves and to refuse any form of formatting,” she says. Between club intensity and political resonance, “I Can Be Anything” questions our multiple facets and embodies the assertion of an elusive and free self. Closing the EP on an euphoric note, “May It Never End” stands out with its broken rhythms and powerful synths. The track conveys the transcendent energy of the end of the night, when dawn arrives but we refuse to leave the collective trance. “I wanted to put into music this feeling of infinite energy, when time is suspended and the party seems to never have to stop. It is this euphoric vertigo that connects us all in the same breath, this utopia of a night that would never end,” says Naajet. A true apotheosis, this track embodies the utopia of an eternal night.

DJ, producer and co-founder of the Bande de Filles collective, Naajet has established herself with a singular universe where House, Hardgroove and Breaks blend, nourished by her background as a dancer and an instinctive sense of groove. For the past three years, she has performed on French and European stages – from Berlin to Amsterdam, via Geneva and Oslo – and has made her mark in clubs such as Rex Club, Le Sucre and Badaboum, as well as festivals like Nuits Sonores and Kolorz. On the production side, she has released several acclaimed EPs on renowned labels such as Shall Not Fade and Monki & Friends. In 2025, she takes a new step with the launch of her label SWEAT Records and a residency at Le Sacré in Paris, affirming her role as an ambassador of a free and intense club culture. She also collaborates with the waacking company MADOKI, for which she composes and mixes projects at the crossroads of dance and music. With The Night Starts Now, Naajet confirms her status as an essential artist of the new electronic generation1

The Libra LP finds DJ Dex searching for the perfect balance on the dancefloor. "Freeks N' Geeks" is a shameless party anthem asking dancers to get their geek and their freak on with stomping kick drums, percussion, acid funk, and hands-in-the-air horns. "Papa Was a 909" reinvents a classic Motown anthem via a relentless 909 drum machine workout. "Hoodrat" pays homage to Detroit minimalism and Chicago jack—doubles are essential for the creative DJ. "The Balance" merges an 808 kit with clever percussion, melodic chords, and sci-fi synths for a tense, building track ready for peak-time action. "Casa Oscura" takes equal inspiration from hi-NRG disco tracks and the funkiest aquatic synths of Drexciya for a vibe entirely its own. "Astrological" is the LP's polyrhythmic, thumping, big-room techno cut where cascading synth lines meet atmospheric pads and vocal samples.

Ordering for 2026 repress

Under one of his most notable guises, Larry Heard is pleased to present a new album for 2018. 'Cerebral Hemispheres' is his first full length album as Mr. Fingers in almost 25 years. Famous as one of the most important heads in the dance music around the world, Larry has enjoyed a successful career as a producer, remixer, collaborator, vocalist and DJ spanning 35 years. Due for release on his own imprint Alleviated Records, 'Cerebral Hemispheres' features 14 new pieces of music that allows the listener to fully immerse themselves and dig deep into Larry's musical world.

nagoyaka na kaze / 和やかな風 (quiet wind): a collection of forward-thinking electronic experiments sourced from central Japan - co-curated by Nagoya artist abentis for Facta & K-LONE’s Wisdom Teeth imprint.

The project profiles a close-knit community of music makers operating in and around the Japanese city of Nagoya: one of the country’s most populous and industrial cities, but one all too often overlooked in terms of its cultural significance.

Curated in close collaboration with local scene organiser Yuya Abe - aka abentis - the record seeks to capture the creative energy of a community of artists making hard-to-define, future-facing electronic music away from the clamour of the bigger cities. “In Nagoya, there’s a strong culture of supporting artists. Even if you pursue music in your own way, as long as it’s good, you’re encouraged to keep doing what you want”, explains abentis. “Within that environment, my generation has been able to freely bring in elements we like from all kinds of genres, combine them in our own way, and express ourselves individually. If you go to Tokyo or Osaka, that kind of freedom isn’t something you can take for granted.” Spiritually, Nagoya fits the mould of cultural hotbeds like Bristol, Detroit or Melbourne, showing that some of the most innovative creative communities form away from the glare of the capital cities. Like Detroit, Nagoya is principally known for being a major auto manufacturing hub, famous for being the home of Toyota Motors - but behind the scenes, it is quietly harbouring one of Japan’s most vibrant and forward-thinking electronic music scenes. “In a good way, Nagoya is a bit removed from the cutting edge, so you find people making all kinds of music”, explains Karnage. “If you’re making music, you feel like part of the crew, and people of different ages mix together without much hierarchy.” The city’s music scene is characterised by a freedom to mix genres and an open-door approach to creatives of all disciplines. The artists featured come from a diverse set of backgrounds, ranging from hip-hop to noise music, but have found a common collective identity in their omnivorous approach to genre. As such, the record moves fluidly between shimmering ambient and new age (Am Shhara, DHYAN, daiki hayakawa), psychedelic minimal house (Methodd, abentis), abstract, low-slung downtempo (baptisma, Nasty Soupman) and spaceage steppas (Karnage). “I’d say the way ambient, new age and that kind of sound design are blending nicely with dance music feels somewhat new”, says baptisma, the crew’s eldest member and de-facto scene leader. Responsible for bringing artists like Basic Channel, Mala and Jan Jelinek to the city, baptisma has been crucial in establishing underground electronic music in Nagoya since the 90s, and now helps cultivate the next generation of local talent. “Artists and DJs are seamlessly mixing ambient and new age with techno, house and bass music. I think that’s a really interesting development.” nagoyaka na kaze has its roots in a one-off event held in October 2024 as part of the 10 Years of Wisdom Teeth Japan tour. Curated by abentis in collaboration with Facta & K-LONE, the showcase featured live sets from eight artists based in and around Nagoya at one of the city’s key dance music hubs, Club JB’s. Each of the artists features again here, on record, presenting an original commission produced especially for the project. The record’s art direction was led by Yudai Osawa - in-house designer for Kankyō Records, the much-loved Tokyo record shop run by H. Takahashi - and features original photos by Hayato Watanabe.

Originally released in 1994, MSD - Moonboom is a true cornerstone of Irish dance music and one of the defining dancefloor anthems of the '90s. Fusing Techno, Progressive House and raw 303 energy, it became a staple on floors across Ireland and beyond, a track whose power has only grown with time. Now beautifully remastered and repressed on the newly launched CeltTribe label, Moonboom returns sounding bigger and sharper than ever. Created by Fintan McDonald alongside Dublin DJ Liam Dollard, with Paul Clifford and Peter Coss present during the original mixdown, the track was produced on a Tac Scorpion desk using Akai S1000 and S950 samplers, capturing the raw, hardware-driven spirit of early '90s dance music. Originally released on the Inner Conscience label, this reissue celebrates Ireland's underground dance heritage and is expanded with a strong set of 2026 remixes. The "Love Will Save the Day" Remix delivers a piano-led '90s House groove with nods to New York and Chicago, reflecting the deep Irish house sound loved in Cork and Waterford. The Lanzatech Remix is a tribal, acid-fuelled slammer driven by reworked piano, 303 lines and Detroit-inspired synth pads. Collie's "Midnight" Dub dives deeper into jazzy, hypnotic territory, while Ian's Techno Mix pushes Moonboom into darker, harder underground space with reimagined piano and vocals. A timeless Irish classic, respectfully reimagined!

HAVEN are back with their vinyl operation with a fresh plate of grubby Techno heat from Irish heavyweights Faetch & Sunil Sharpe on the Grotteca EP. Featuring 4 original rippers and a remix from Italian legend DJ Plant Texture of upfront club pressure, the NZ-based label are proud to transmit some of the finest in creeping electronics from across the globe.

The A-side kicks off with 'Bleed In' with its tough drum-work and hypnotising atmospheres eventually descending in to an all-out stomp with one of the filthiest synth-lines in the label's history hitting half-way through. This is followed up with 'Test Breaks' - a broken-beat slammer with a ton of gritty synth design and rear-shaking rhythms. The first side is closed with DJ Plant Texture's remix of 'Bleed In', where driving 909 hits combine with the original synth line for a club-ready weapon ready to get those feet moving.

On the B-side 'Vapornation' keeps the energy rolling with its rolling congas, heavy kick, and eerie atmospheres tailor-made for a concrete basement. Finally, 'Shinplant' closes the record with full-steam-ahead drums and squalid synth rhythms to end yet another plate of dance-floor ammunition from the HAVEN camp.

In early 2025 Oakland-based Jerod S. Rivera released his second full length Dot-Dash, featuring a collaboration with CST co-founder Cat Lauigan and Jonathan James Carr. From the beginning we were mesmerized with the result, a perfect melding of Cat's processed spoken-word and Jerod's Buchla experimentations.

The thought of remixes presented immediately, the material extra ripe for interpolation. Enlisting friends from geographically and sonically disparate locations to present an ideal remix 12". Something for everyone, something for every setting, a tool with multiple functions...

The mysterious dub/techno/leftfield mastermind behind False Aralia dives further into territory explored on iri.gram, uptempo and dancefloor-ready in a more maximal Perlon-ish way while still embracing a half-time dub feel. Philipp Otterbach (Music from Memory, Offen, RIO) goes deeper into the guitar zone he’s been exploring, channeling Earth 2, Boris, and the like for some heavy drone. Oakland duo DJ ML and Wonja adopt their Motoko & Myers moniker (Future Times, Soda Gong), zeroing in on some choice vocal snippets that mesh perfectly with a live drum break and bassline for a Seefeel-esque version that could have come from a 90’s UK studio. Finally, Slowfoam embraces the more experimental elements of the original with a remix that starts sparse and minimal but builds into a glitchy rhythmic climax.

The 12” includes a 2-sided riso insert and a download code with access to an additional remix by close collaborator Jon Carr that twists the vocals into a throbbing industrial caucaphony.

Detroit’s DJ Minx debuts on Rekids with the ‘Energy’ EP. The First Lady of Wax completed 2025 with a remix for Radio Slave and Kameelah Waheed following her appearance at Rekids’ Panorama Bar takeover. Release Date: 13th February 2026.
Legendary Detroit House and Techno pioneer and Women on Wax founder, DJ Minx, drops her debut ‘Energy’ EP for Rekids 13th February 2026. She follows her 2025 appearance on the House of Rekids mix series, and at the label’s Panorama Bar showcase in Berlin, before closing the year remixing Radio Slave & Kameelah Waheed’s ‘All Rize’. Known for championing women in the music industry, particularly Detroit DJs and producers, Minx recruits Florida-native, two-time Grammy Award-winning singer-songwriter Kendra Foster for a larger-than-life, jacking title cut. Robust drums, bright synth stabs, and Foster’s uplifting vocal bring the energy before Minx’s ‘You Can’ features an inspirational spoken word vocal, while low-slung rhythm and a deep, crawling bassline drive the track forward.
DJ Minx has been a central figure in Detroit’s musical history since the 90s. Minx has hosted radio shows on WGPR and CJAM, held a residency at Club Motor, and performed at every edition of Movement since 2000. Her contributions have been recognized with the Spirit of Detroit Award and honors from Mixmag and Time Out. Recent highlights include her ‘Queendom’ EP on HE.SHE.THEY., a BBC Radio 1 Essential Mix, releases on Planet E and Rules Don’t Apply, collaborations with Kevin and Dantiez Saunderson as e-Dancer, and continued headline performances worldwide.

More than thirty years after conquering dance floors across Europe, Mo-Do’s “Eins, Zwei,
Polizei” returns in a special picture disc reissue, available in record stores from January
30, 2026.
Originally released in 1994, the track quickly became a defining anthem of 90s eurodance,
blending driving electronic beats, a hypnotic German-language chant, and an infectious
club energy that still feels fresh today. Mo-Do turned a simple counting rhyme into a
worldwide phenomenon—one that continues to ignite dance floors, throwback playlists,
and DJ sets around the globe.
This new picture disc edition goes beyond sound, offering a highly collectible visual
experience. The striking design enhances the iconic imagery associated with the project,
making it as appealing to display as it is to play. It’s a reissue that honors both the artist
and an era, preserving the immediacy and impact that made “Eins, Zwei, Polizei” a true
timeless classic.

A must-have release for vinyl collectors, 90s dance enthusiasts, and anyone looking to
rediscover one of the most recognizable tracks in European dance music history.

Yore Records proudly presents Yore 060 by DJ Alone Again from NYC - four deep, driving cuts channeling the essence of 90s New York House. Fusing raw groove, crisp percussion, and soulful undercurrents, this EP delivers pure dancefloor authenticity with a modern touch.

On this record Obliq chooses to follow decidedly more house and bouncy paths. Alessio stands out for his garage touch Dj Rou for more dreamy lines.
The side B, sculpted by both, gives a track very influenced by the 90s but with a modern and more dubby touch, the whole thing turns out to be very happy.

After a longtime interest in the beguiling music of Nathan Dawidowicz, Hell Yeah now hooks up with the leftfield downtempo producer for their second full-length album, FLUFF. The immersive record features three long, winding and mystical soundscapes that blend trance and experimental into spiritual and ritualistic escapes.

Dawidowicz was born in Milan to a Polish-Lithuanian mother and a Cameroonian father, but grew up in an ultra-Orthodox Jewish community in Jerusalem. Because of that, their sound is deeply rooted in childhood experiences playing the piano at religious ceremonies, as well as taking inspiration from their father’s DJing throughout the '80s and '90s. Now based in Berlin, Dawidowicz has explored expression through music on labels like Luspoderosa, where they released their debut solo album, Sanctuary of Ideas.

It was when Calm and David Holmes started playing the epic, 23-minute 'Capricorn Rising Over Jerusalemite Temple' from that album that Hell Yeah founder Marco was encouraged to get in touch with Dawidowicz. A few months later, talk turned to releasing this new album, which comes with artwork by Spain's Alicia Carrera.

'Skeptic Afro Jr.' kicks off and soon sinks you into slinky, ever-evolving rhythms. It's a slowly evolving work of sound where the focus shifts from snaking basslines to lumpy drums, cosmic leads to life-affirming chords. 'Scintilla (Feat. Hannah Schraven)' is a deep and downtempo trip into dub and techno, with undulating drums and exotic melodies that escort you into otherworldly realms of spiritualism. Last of all are 'Deep Fluff' and a hidden track (Feat. Leo Börger), two cinematic explorations of deep space where acoustic frequencies and molten synths rewire your brain and connect you to a higher power.

FLUFF is another deeply personal and inward journey packed with transcendental experiences.

DJ FEEDBACK:

"That's such an outstanding piece of work - played two at the beginning on Saturday. Probably my favourite release of the year so far!" Sean Johnston ALFOS

"this is great! 3rd repeat. It’s so nice" Vladimir Ivkovic

"Just listened to Nathan's record and it really sounds amazing... Probably the best thing you've put out to my ears ;-) I love the way he bridges the sounds of the past with contemporary storytelling, taking you on a very long trip which you never want to leave!" Alexis Le Tan

"yeah Fluff is a wonderful weird one!" Axel Boman

"I love him" David Holmes

There are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day.

‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time.

‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

‘Beltram Volume 2’ by Joey Beltram is available on R&S Records from 9th December 2022.

2026 Repress

WRWTFWW Records is extremely excited to announce the first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length Level Select, originally only released on cassette and digital. The liquid drum & bass meets Y2K era video gaming aesthetics monster is now available in a limited edition transparent vinyl double LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve.

Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.

Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s / early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.

Daybreakers return with another one for the deep heads, welcoming Chicago legend Vick Lavender to the fold for Essential Traxx Vol. 1. A musician, producer and DJ with over three decades in the game, Vick’s music lives in that space where house, jazz, and soul connect.

Back in the 90s, Vick came up alongside Glenn Underground and Boo Williams as part of the influential Strictly Jaz Unit, helping shape a sound that still echoes through dancefloors today. In the years since, he’s built his own world through Sophisticado — music rooted in live musicianship, deep feeling, and that unmistakable Chicago soul. It’s real house music.

On the A side, 1.4.4.5 (Where It Started) lays down that signature Chicago pulse — rolling percussion, Rhodes chords, and basslines that unfold like a live jam. Deep, patient, the real Vick Lavender sound.

Flip it for Tiano Nuevo featuring Spike Rebel, a lush meeting of house, Latin, and jazz sensibilities. Guitars, percussion, and keys come together, the kind of tune that keeps a dark room or a sunrise session dancing.

Essential Traxx Vol. 1 captures what Daybreakers is all about. Deeper than deep house.
Buy or cry

Happy to present what is sure to be one of this summer's standout soundtracks. Nic Jalusi, an up-and-coming DJ and producer based in Munich, has been making waves for some time now with his refined house style rooted in the '90s. One of the creative minds behind the fantastic label Super Sound Global, he now lands on MM Discos with Eternal Sunset.
Eternal Sunset brings together all the influences and styles that have shaped Nic Jalusi's sound over the years. From the Italian-rooted dream house of "Sunset 92" and "La Noche," to the Kwaito, Dub, and African-Synth flavors of "Mystic Rythm" and "Gamballa Acid," all the way to the late-night breaks of "Eternal Dance" and "X-break."
A perfect summer cocktail to beat the heat - whether you're in your living room or on the dance floor.

"Drop That Beat," the cult classic by Ixxel that became a staple in clubs and at festivals in the late '90s, is making its return. The iconic track receives a contemporary interpretation by Mosimann, plus a high-energy club remix from NightFunk. Together marking a rebirth that sounds both timeless and hyper-modern.

Mosimann, the French-Swiss DJ-producer, singer and showman, is a leading figure in the French electronic scene, known for his bold, modern and versatile sound. A six-time DJ Mag Top 100 DJ artist, he stands out with explosive live performances in which he not only mixes, but also sings, plays drums, and commands keyboards, a technical virtuosity that makes him a unique live phenomenon, comparable to showmasters like James Hype. His rework of "Drop That Beat" injects the track with that same hybrid energy and performance-driven power.

Mosimann: "This track is very important to me. Fred Rister was much more than an influence: he was the first to truly get me into music production when I was 20 years old. Before he left us, he handed me the stems of Drop That Beat and told me: 'If one day you feel like it, work on a version.' It took me years of reflection, doubts, and memories before I found the strength to do it. Today, with the blessing of the two original composers, I'm finally releasing this version. It's both a tribute to Fred, a nod to Jacky Core and the Captain where I played so many times, and a way to carry on the legacy of that '90s Belgian techno which, to me, still feels very present today."

Belgian house star NightFunk complements this perfectly with a tight, club-ready remix that pushes the track straight onto today's peak-time dancefloors.

With this dual reboot, the essence of "Drop That Beat" remains intact, while both artists inject the track with their own signature touch. The result is an energetic release that resonates with nostalgic fans and a new generation of ravers alike.

This special edition will be released on vinyl via Serious Beats Classics, once again spotlighting the track's timeless character. A must-have for collectors and DJs eager to weave a piece of dance history into their sets.

The combination of Todd Terry and Hard Times is synonymous in the world of House Music. The legendary DJ/Producer, a true pioneer of the genre, was among the first US artists to play at the intimate, vibrant gatherings in the North of the UK in the early ‘90s. Forever linked by "A Night In The Life," the live mix released in 1995 that set a new benchmark for mix-tapes, it is a collaboration that has continually blossomed, forging a bond that remains strong over 30 years later.

1995 also saw Todd Terry make his first impact on the label with the seminal club smash "Bounce To The Beat." Following his chart breakthrough with 'Can You Party’ in ‘88, the legendary 'The Unreleased Project’ series, which spawned club hits such as “Jumpin’”, and just a few months ahead of topping the charts with his remix of Everything But The Girl’s ‘Missing’, label boss Steve Raine seized the perfect moment to bring his friend on
board at Hard Times Records with the signing of Bounce To The Beat. "I can still remember pressing play, hearing those beats for the very first time and thinking we had big track on our hands" says Raine. "It was our second release on the label, but it would be the track that firmly placed us at the forefront of the scene, both here in the UK and globally."

Hard Times & Todd Terry now revive 'Bounce To The Beat' with a 2024 reimagining, featuring two of house music’s most exciting young stars, delivering two powerful remixes that promise to dominate dancefloors this summer and beyond.

Dutch producer and Up The Stuss label head, Chris Stussy, takes the track on a '90s- inspired journey, blending progressive strings, high-energy bassline and original vocal, for an exhilarating ride. "I remember discovering Todd’s productions back in the days when I started to dig for that 90’s sound. He’s one of the artists that inspired me massively. He has proven that he owns the art of making timeless music as his productions are still being played till this day all across the globe. To be remixing ‘Bounce To The Beat’ is something special for me personally and I tried to give it a 90’s touch with a modern twist." says Chris.

London’s own Dan Shake offers a fresh twist with a 2Step-inspired remix, featuring an Armand-esque bassline that pulsates and evolves, building to an epic crescendo that is set to ignite mass hysteria on the dancefloor.

"Bounce To The Beat was actually one of the first records I bought when I started collecting house music. So to come back 15 years later and remix this iconic track for the legendary label Hard Times was both surreal and very, very fun," shares Dan.

Two exemplary reworks of Todd Terry presents Sound Design’s 'Bounce To The Beat'. For Vinyl and Digital release on Hard Times alongside the Original and ‘Tee’s Freeze Mix.’