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From the incredible Robb Scott album Siren' comes a new single Neptune Atmosphere (You Didn't Feel My Love)'. Robb Scott is a UK musician, singer, songwriter, composer and producer who on this single features Gina Foster on lead vocals. With the album version already established as a soul gem, this new single takes the song further into the dance sphere with new mixes by Phil Asher/Mighty Zaf and 2000 Black. Phil, from Restless Soul, is one of the most prolific DJ/remixers over the last 25 years, Mighty Zaf has become renowned for his DJ edits and take on Disco & Boogie as a DJ, remixer, compiler (Deep Disco & Boogie, Private Wax etc). The 2000 Black mix is by Dego who has been on the broken beat scene since the 90s with 4 Hero and continues to be one of the most exciting remixer/producers in that genre

Continuing Ostinato's Series Of Cape Verde 45s Showcasing Diasporan Bands That Are Staples In Europe's Cape Verdean Communities, Ostinato Records Presents Timeless Dance Music For The Summer By Conjunto Jovens Africanos, Founded By Ze Orlando, A Respected Producer Originally From São Tomé. Formed And Originally Based In Lisbon, The Band Fused Raw Funaná Rhythms From The Cape Verdean Island Of Santiago With Syncopated Electric Guitars, Raucous Synthesizers, Relentless Percussion, And Addictive Vocals That Kept Their Compatriots On Their Feet Across Little Known Krioulu Nightclubs In Europe's Major Cities. First Released In 1984, Conjuntos Jovens Africanos' "nhu Jhon" And "volta Pa Terra" Are Stellar Representations Of Modernized Funaná's Endless Energy.

In its second venture into reissuing hidden gems of electronic music produced in Eastern Europe in the 20th Century, LITTLE BEAT DIFFERENT ISSUES focuses on the work of a Czech composer, musician and producer, Alexander Goldscheider. Born in Prague in 1950, Goldscheider started as a music orrespondent in New York in 1968/69, went onto reading Music at Charles University whilst continuing as a music critic and radio/club DJ, before becoming a record producer at the top Czech label, Supraphon. As a composer, he pioneered the use of synthesizers in his songs for major Czech pop/rock singers as well as in his own instrumental tracks. After moving to London in 1981, he first recorded two albums at the renowned Red Bus Studios, then proceeded to work at the legendary BBC Radiophonic Workshop, before co-founding and establishing Romantic Robot, a software and hardware design and manufacturing company which later moved into music recording and publishing. Of the many original products, THE MUSIC TYPEWRITER was ground-breaking software enabling the writing and printing of real notation on the Sinclair ZX Spectrum. Similarly TEREZÍN: THE MUSIC 1941-44 was the first ever release of CDs with music written in the Theresienstadt Concentration Camp during World War II. Goldscheider's 1980s LPs THEMES FOR A ONE-MAN BAND Vol I & II reflect his work as a solo artist, always writing, recording and producing single-handedly. He had, though, a team of technical aficionados and inventors back in Prague, who adapted and developed his electronic music equipment incl. synthesizers, sequencers and even a Studer multitrack recorder, thus creating a revolutionary set-up, on par with the much later MIDI.This LP samples Alexander Goldscheider's music produced for records, films, TV and even an art exhibition in the space of 25 years starting from 1975.

Released in solidarity with Tiga's anti-tech house crusade, a silent campaign fought everyday on the streets of your hometown, 'Blaze' finds Russian crypto-whiz Dimitri Veimar still dancing with the rawer-than-the-rawest-dog electro that's brought him to the dizzying heights of the mid-tier crags of Mt. Turbo Mountain. Throwing his weight behind what some in the media are probably already calling 'Tiga's War' was absolutely necessary following the events of a recent gig in Moscow. Veimar opened the night by playing no fewer than three Tiga tracks, which anyone who's read Tiga's Taboos can tell you is definitely a Tiga Taboo. Deeply immersed in the practice of pouring his own mineral water, Tiga ignored the hootin' and hollerin' of the VIPs crowding the DJ booth (including Dennis Miller and Diego Maradona), and proceeded to play a set entirely comprised of recordings of every embarrassing thing Veimar had ever said in his life. Four hours later, an emotionally-shot Veimar collapsed into Tiga's arms, with the magnanimous label boss whispering, 'I forgive you, Dimitri' into his ear. The release also features a 'broken techno' remix from mysterious European producer Florian Kupfer, who made us sign a Non-Disclosure-Agreement dictating that we can only describe him as 'mysterious,' 'enigmatic,' and/or 'European,' so we'll have to let the music do the talking.

Three years after presenting an original idea of arranging his own music live by using a standard DJ setup and a drum machine, Strahil Velchev alias KiNK is ready to premiere the very first EP-outing of his new project entitled kirilik.

Created with obscure studio equipment and backed by an array of sonics out of his extensive line-up of machinery, Kirilik successfully transfers to the record that unique level of levity and immediacy that his live act has already become renowned for.

Loopy and thus infinite in nature, sometimes seemingly spiraling themselves out of control even, these tracks are as versatile as they are just fun to play around with! Fittingly enough, Infinity Is Not A Number comes complete with an added bonus of four additional endless loops, edged into the final grooves of each side...

Unnatural, uneasy, unexpected. 'The Great Filter' keeps you on your toes constantly, it makes your fingers tingle with anticipation and the hairs on your arms stand up from the tension. It is eerily calm and controlled, while it takes you to faraway places in the twilight, that don't actually exist. Subdued, bright yellow light with no sun in sight. Wide plains with an inherent structure that can only be illogical. Unorganic sounds, alien voices, excited synths and sobering organs. Reality is so mundane. The way we are now expecting it from Krink, he does what is unexpected and stretches conventions somewhere around techno and deep house. The music is driven by imagery rather than song structure. The EP puts cutting rhythms over comfort and sound over beauty. Like a focused dream, it is concrete and abstract. Let's get found in the universe. Vital Sales Points: DJ promo, German print & online, UK/international online

Washington DC's Rush Plus drop four superb techno cuts entitled 'The Sweat EP' on P.Leone and Caiazzo's E-Missions imprint.

Having dropped three quality releases on their own eponymous label, Rush Plus continue to turn heads with their imaginative productions, gaining support from the upper echelons of techno with names like Rodhad, Ben Klock, DJ Spider, Ben Sims, Slam, Answer Code Request, DJ Deep and many more getting behind them. Following up a release on Ambivalent's Valence Records, they now join P.Leone and Caiazzo's rapidly rising E-Missions imprint.

'Megabust' initiates the package with twisted sci-fi synths and syncopated drums whilst rattling metallic elements operate throughout. Intricate hits of percussion are soon followed by rumbling bass in 'Rebirth' as the track gradually becomes more and more twisted using filtered effects and soaring pads, making way for the shuffling 'Sweat' with its menacing stabs and echoing voices. Finally, the package concludes with 'Slow Release' - a high-octane and ominous roller.

For its third release, Here To Hell welcomes Melbourne (via Adelaide) veteran, Rambl, and his incredible groover 'Doss'.

This third release on the label happened purely by surprise, and what a discovery! The track itself is no accident, but the signing took place after a chance encounter. Richard Campbell aka Rambl, who is one of Melbourne's best and most consistent DJs since the last two decades, had developed a small cult following of viewers via facebook, where he had been providing live video coverage of Australia's wild weather in a kind of comedy-weatherman format. Once these updates caught our attention, the magical facebook algorithm placed all of his content at the top of our feed.

One day his video moved away from the wild South Australian coast and into the studio. Rich - who we also know for his huge stature akin to an NBA basketballer, and his brain for Mathematics and Computational Biology - was bopping that giant brain up and down and making his 'bass face', with a mixing desk and some speakers (and some beers) in the background. The soundtrack to this video was completely mesmerising. We sent him a private message immediately: 'what the hell is THIS!!!'

His reply: 'This is one of mine, it's not finished yet but it feels good'. Our reply: 'It feels INCREDIBLE!!! Finish it and let's put it on wax!'

So today we bring you 'Doss' and we expect you'll love it.

On the flipside we've invited another Melbourne man, Sly Faux, to demonstrate why he's appearing in the playlists of Richie Hawtin and Maceo Plex, and why his EP on Nicole Moudaber's Mood was a bestseller. He's also just remixed The Presets and continues to impress with his tight productions. Sly Faux's remix takes the original Detroit-inspired techno-funk and twists it into a different kind of main room banger.

Who Do You Go To For Your Very First Session When You Have Just Been Gifted Your Very Own Top-flight 'stradivarius Of Synth Based Studios' Enter 'the Grid' ...mr David Ball: One Man Band Of Pioneering Electro-pop Distorters Soft Cell, Part Time Psychic Tv Personality, Film Soundtrack Composer And All Round Synth Afficionado & Richard Norris: Eclectic Beat-meister & Ambient Dj, Record Producer, Commited Psychedelicist From 'beyond The Wizard's Sleeve'. The 1990's Saw Worldwide Commercial Success As The Grid Scored 10 Uk Chart Hits, Many A Euro Hit Including 1994's International Mega-hit 'swamp Thing' Featuring A Twisted Use Of Sampled Banjos Lifted From The 1970's Okie Shocker Movie 'providence. In 1996 The Grid Went On A Holiday And They Didn't Return Till 2005. In The Initial Week Of The Moog Sound-lab In Early 2015 As The Studio Was Literally Put Together Around Them, Our Abiding Memory Was Their Absolutely Delighted Grins As Each Moog Unit Was Added To The Lab. Dave & Richard Created This Benchmark Album Of Deluxe 'tronic Trax That Showcased Their Prarie Wide Knowledge Of Electronica & Their Ocean Deep Skills As Both Technicians & Original Soundscapers - Kraftwerk-ian Werk-outs, Space Noise Jams, And Slinky Grooves With Subtle Pop-tones.

Wislov might be a new signee to Knitebreed, but he has been releasing material for years, and the Spanish (not Russian) maestro is already known around the world for his awesome breakbeat creations. It was only a matter of time before a label snapped him up, and he is a producer easily capable of dropping huge tunes in both dark and lighter stsyles. This EP showcases his talent, with four tracks specifically designed to compliment the Knitebreed sound while carving his own niche into the label.

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

* With a number of high profile releases already behind him for labels including the legendary XL Recordings and Dusky's 17 Steps imprint, Hugo Massien has carved a sound for himself that sees him bring together elements from house, techno, dubstep and hardcore, all combining force to produce this killer 4-track EP, running at the techno-friendly tempos of around 128bpm.

* 'Advanced Aerial Threat' kicks things off with a fractured half-step rhythm that gives more than a nod to his formative years as a fan of the early UK dubstep movement. Stark, deadly and meticulously constructed, the rhythm taps a pace as wild bass stabs rip across a theatre of sound.

* Next up is the delightful melancholy of 'Ursa Minor' which takes a rolling breakbeat as its backbone before a Reese-like bassline emerges from beneath, rising and empowering. An intimate piano line comes in, providing an introspective element, balancing the otherwise rave-savvy ingredients in place.

* 'Candy Flip' takes things into a more electro direction, providing a reliable work out for the dance floor as the tightly tuned drums and bass hold down the spooky synth stabs.

* Last up, closing the EP is 'Divisions From The Start' where once again we see Hugo's intuitive sense of soundscape grandure, creating a kaleidoscope of moods all strung together with precision drum programming and heavyweight sub work.

* DJ Support from: Shed, Loefah, Pinch & many more.

RSN ist Produzent, DJ und Musiker aus der griechischen Metropole Athen. "Strange Eyes" ist bereits sein viertes Album und gleichzeitig sein Debüt auf Agogo. Es enthält 13 Songs, die von Electronica und Trip-HopSounds beeinflusst sind, die typische Elemente aber mit ganz ungewohnten Klängen zusammenbringen. HipHop-Beats mit fetten Basslinien treffen auf effektvoll melodische Gitarren, eine Hammond-Orgel und atmosphärische, analoge Synthesizer schaffen einen idealen Klangraum für die Musik des Griechen. RSN hat zudem zahlreiche außergewöhnliche Sänger und Musiker als Gäste für diese Produktion eingeladen. Seit 2009 ist er als DJ bei der bekannten britischen Band Belleruche aktiv. Mit diesen Meistern des Souls tritt er regelmäßig bei vielen Konzerten in Griechenland und im Ausland auf, sei es in Serbien, in der Türkei, Russland, Schweiz, Frankreich, England oder Ukraine. In den vergangenen Jahren ist er so auf den großen Festivals in der ganzen Welt zu Gast gewesen. Als DJ hat er selber die Live-Shows von Top-Künstlern wie Alpha Blondy, Wax Taylor, DJ Krush, Parov Stellar und anderen eröffnet.

Norm De Plume has been quietly making a name for himself the last eight years with remixes for Tornado Wallace and Ben La Desh and EP's for Kolour LTD and his own vinyl only imprint Plumage winning him a solid fol- lowing along the way. His passion for all things disco and deep, dubby, un- derground house inspired by his musical hero Ron Hardy feeds through into his production style as well as his recently formed Peaches & Prunes party which boasts an audiophile sound system and vinyl-only sets from the DJ's. So when the opportunity arose to do a full EP with Norm we jumped at it. Here we present you with the Castlecrag EP, a nod to the Londoner's new adoptive home of Sydney, Australia, and whilst his sound may be more akin to the recent musical movements of Melbourne, the laid-back sun-kissed melting pot of The Harbour City certainly shine through in the two originals and Folamour remix on offer here.
Title track Castlecrag leads the charge with a deep mood-setter driven by a cowbell riff and filtering pads. The spacious mix and less is more arrange- ment ensures that the drums and rolling bassline punch through making for a track that sounds both unique yet accessible and demonstrates Norm's sense of musicality as well as DJ instinct for setting the right mood on the dancefloor. Next up we have Whole In One which treads a similar path whilst dropping the BPM's a touch and building up layers of synth strings to create a subtle yet engaging track to immerse yourself in. Finally, man of the moment Folamour gets busy on the remix of Whole In One working his magic by upping the tempo and going heavy on the jazz- inspired drums. By laying down a driving groove and pushing the string stabs to the fore, the Lyonnais producer behind the wonderful Moonrise Hill Material label has delivered a fresh-sounding take that will work like magic on discerning dance floors out there.

Fresh off the back of the languorous poolside disco and tropical pop of their debut album 'Shapes On Shapes' released last November, LA based duo Wild & Free return with a collection of essential remixes from label mates and influences alike by revisiting the heady disco of recent single 'Ferns and Stuff'.
Both multi-instrumentalists, singers and producers in their own right, Wild & Free duo Drew Kramer and George Cochrane came together in 2015 and have spent the past 2 years crafting a series of acclaimed EPs and remixes (for the likes of Joe Goddard (Hot Chip), Panama, Gigamesh, RAC and Ben Browning of Cut/Copy) that saw them tipped by the likes of Spin, XLR8R, Indie Shuffle, Clash Magazine, Data Transmission and many more and take their live show on the road playing alongside the likes of Brooklyn's Body Language.After releasing a few solid ep's and two full lengths album's Xinobi has gained real recognition among established and well-known artists and opinion-makers, and his underground cult has amplified. What has followed is remixes, edits and reworks for artists such as Sbtrkt, The Avener, John Grant, Toro Y Moi, Nicolas Jaar, Agnes Obel, Kris Menace and Tensnake.Along with Moullinex and Mr. Mitsuhirato he gave birth to the still-growing-influent Discotexas who here lend their label mates their expert musical arrangement skills with 'Discotexas Club Mix' thrown in for good measure. And it doesn't stop there, with legendary New Yorker Justin Strauss, who has produced and mixed records and remixes for the likes of LCD Soundsystem, Beyonce, La Roux and Goldfrapp contributing a 'Whatever/Whatever' mix as part of the slick and hugely influential production duo he formed with Bryan Mette.
Already noticed for his remixes and array of collaborators and with several releases under his belt (including a track on the 'Bonjour Colette' compilation), Tokyo-based Yuki Abe AKA producer/DJ Boys Get Hurt gets his inspiration from the melancholic feelings the end of summer inevitably brings about, a personal and evocative sensibility in tune with the land of the rising sun's delicate culture. Yuki expertly crafts bouncy disco-house music with sprinklings of electronica, indie, ambient, hip-hop and R&B. Here he adds a mix with a loose and joyful feel that fits the sentiments of what Wild and Free represent perfectly.

FLIES 45-04

BRAEN & RASKOVICHAfro Beat / Afro Flower

7'' Limited Edition 400 copies

Four Flies Records continues its 7" line-up with anotherde rigueur repechagethat will have your dancefloor jump frantically up and down. Two freaky afro- flavoured tracks, written by Giuliano Sorgini and his partner in musical delices Alessandro Alessandroni. Recorded during a non-specified session which may be traced back to the recording of Sorgini'sUnder Pompelmoand Pawnshop's first 7". The sound and the ideas behind the music are exactly the same, even though there's more rhythmic and percussive emphasis on both tracks. Two little precious gems, unreleased to this day, brought back to light and finally available for DJs and fans all over the world.Afrodelic breaks for your pleasure!

FLIES 45-05

NICO FIDENCO Eternal Anguish / Come Back! Rhythm
taken from the movie Emanuelle - Perche´ violenza alle donne - The Degradation of Emanuelle (1977, Joe D'Amato)
7'' Limited Edition 400 copies

At last available on 7" two of the more danceable tracks of the wholeBlack Emanuellemusical canon, written by the celebrated dream team Nico Fidenco (composer) and Giacomo Dell'Orso (arranger and conductor) for legendary cult director Joe D'Amato.

Sensually haunting synths, hypnotic drums, and mellow and persuasive bass lines. A unique disco sound that will have DJs around the world rejoice!Funky Emanuelle for your pleasure!

British DJ/producer Bearface has been on a bit of a roll of later. Aside from releases on his own Beartone label, the London-based label owner has also found time to deliver outstanding cuts to the likes of Exploited Ghetto, which housed his last release, the wonderful 'Moon'. This time around, he comes correct on his own Beartone label with a record that's notable for its quirky demeanour and undoubted eclecticism.

Opening up the release is the sounds of 'Mumbai Nights'. Although it gets us underway in fairly innocuous fashion, it quickly finds its feet thanks to a brilliant, whaling Indian-Inspired vocal that weaves in and out throughout. A whimsical track of that sort that's sure to be a hit with more daring DJs, it's an auspicious start to a release that's never lacking in personality.

As is his forte, Bearface then goes much deeper in search of kicks on 'Data Storm', taking us taking us down the rabbit hole to a place that's full of enticing oddities throughout. After this, the frankly bonkers sound of the electro-leaning title track 'Sista' take centre stage. A thoroughly intense peak-time workout, it's full of attitude and an indication of the producer's more gnarly and abrasive approach. All things considered, it's sure to get the night moving in an altogether different direction wherever it's unleashed.

Closing out the EP is the drum heavy sounds of 'March'. A broody track that's tailor made for the night's more relentless moments, it's a a fitting way with which to sign off an eclectic and dizzying release. The latest chapter in the Beartone story is a captivating listen throughout.

David Douglas has been a mainstay of the Atomnation label since day one, releasing several EP's, albums and remixes from 2012. David gained an international reputation as a producer, DJ and live performer. On the new EP he displays a sound heard at his DJ sets and live shows.

For his inaugural EP under new guise 'Yem Gel', NTS Manchester resident and visual artist Alecs Pierce comes through with a four-track cacophony of sounds for Dave Maclean (Django Django) run label Kick + Clap.
From previous experimental outings as Obsidian Pond, gristed petunia and, Handi Dogh he returns with this new project based solely on electronic compositions, giving the multi-instrumentalist artist a chance to further explore his electronic leanings. Operating with a clear mission statement, Yem Gel moniker seeks to live up to its name's reference to malleable 'fictional future plastics' by offering a set of genre-spanning compositions, drawing from multiple influences from ambient, drum 'n' bass or grime and leaving us wondering where he might take us next.

Reminiscent of the infamous quote 'There are four lights", the release kicks off with an homage to the will of resistance. From Captain Picard to Orwell - may the (referential) chain of command is not as evident as H4L's sci-fi passion, the title track's power structure couldn't be wielded more efficiently: While stomping kick drums and subtle hi-hats build up a foreplay full of suspense, the witty melody with its warped and distorted sounds grants 'Four Lights' the perfect authority. Following a similar approach, 'Fesch' with its bouncy and mantra-like groove, in which synths playing a ping-pong game, completes the swinging A-side. Deep'a & Biri, the Israeli DJ and producer duo from Tel Aviv, start the flip side with their interpretation of 'Four Lights". By using breaks and greater attention for details, the remix not only redirects the originals' energy into more hypnotic realms, Deep'a & Biri extract the melody's keys in order to create a moody and dense version. Resonating from two decades of warehouse reverberation experience, 'Disc 2 Dysnomia' finishes the release with an IDM-drenched workout, full of UK bass knowledge, unpolished electro grooves, and swirling synth poetry. Absolute freedom means absolute lawlessness.