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DJ Support: SSSLIP, Voigtmann, Moxie, Domenic Cappello, Subb-an, Reiss, Roza Terenzi, Mr. Redley / Rinse FM, Hutch / Ambers / Fabric, Joe Koshin, ODF, Georgia, Marc Satseg, Make A Dance, Raresh, Secretsundaze, ADMNTi, Francesco Mami, B From E, Tifra, Kassian and many more

Handy Record's 'Natural Frequencies' Imprint returns for its 5th Release with Jinjé.

The four track EP 'Days like This' graces the label fusing sounds in the realms of Breaks , Bass , Progressive and techno.

Days like this opens up a new sonic realm for Natural Frequencies with flickering synth's, soaring analogue embellishments warping around a driving subsonic bass and crunchy drums. Delving deeper into the wormhole with vocal snaps and hypnotic layering, keeping your head down and energy up on the dancefloor.

2026 Repress

DJ Support - Make A Dance, Chloe Calliet, LF System, Josh Baker, Holly Lester, Horse Meat Disco, Elliot Schooling, Blond:ish, and Jamie Jones to name a few are all on board.

The third vinyl only release from the mysterious Duzer project. Dropping two fresh cuts in two different spaces, that have seen strong support from some heavy hitting names across the scene.

Zurich-born, New York-based DJ Tony y Not is best known for her free-spirited sets, seamlessly weaving together techy acid, progressive, dark disco, and heart-opening indie. She brings that signature energy to her Kompakt debut with striking precision. Have You Lost Your Mind channels a touch of Swan Lake-era Todd Terry – one of NYC house’s legendary figures – delivering a razor-sharp acid line, a rock-solid groove, and one of the most flawlessly executed breakdown/drop combos in recent memory. Deep Don’t Stop follows suit, skillfully reviving the essence of ’90s New York club culture in a way that would have set Junior Vasquez’s Sound Factory ablaze. True to her mission, Tony y Not continues to spread joy and uplift others, both on and off the dance floor.

TEE MANGO’s first release on Kompakt has been a long time coming. Ever since Michael Mayer heard his sunkissed remix of The Invisible’s ‘K Town Sunset’ back in 2017, he’s been obsessed with his music. The two tracks here, ‘Moonshots’ and ‘My Mind Is Making Up Monsters’, are prime examples of TEE’s ability to create heartfelt, uplifting modern house music. There’s a sense of bacchanal liberation, a potent transcendental element that opens the mind to joyful bliss.

Asphalt DJ returns to Oddysee with another intoxicating 4- track formula, titled “Double O”. Operating on a solo tip this time around, the Berlin-based producer further expands his sonic palette and offers a versatile collection of steamy club workouts geared towards various stages of dancefloor
functionality. The record seamlessly touches on seductive after-hours bounce, slices of late nite propulsion and flawless rhythmic explorations, while keeping firm footing in the 90 and 00’s sound spectrum. With an eye on the ongoing terror inflicted upon the Palestinian people, we (artist &
label) decided to donate all proceeds from this release to Save The Children - Gaza and West Bank Emergency.

Free Palestine

Ode To Native Tongues” attempts to capture the feeling of coming of age between the years of 1989 -1993 (and beyond) while listening and witnessing the legendary Native Tongues crew releasing timeless classic albums and singles. Told through the experience of seeing the early episodes of “Yo! MTV Raps”, a friend sharing De La Soul’s first album, sharing that album with my cousin who in exchange shared Queen Latifah’s music or finding out about “Bonita Applebum” by Tribe at my high school’s homecoming dance. Evoking nostalgia as well as tell a story of how this music served as the soundtrack woven into the fabric of my youth, my coming of age, was the aim.

Everything’s For Sale” was inspired partly by a story of an elderly couple who went brokhaving to pay for their medicine.“Everything’s For Sale” speaks to how the value of money permeates all facets of this modern life, and as such it seemed only natural for it to reach into my creative world. This time however I wanted to make a song that cross examined how this super ficiality has affected music culture, let alone how it has rendered some in our society invisible -- a clear sign of a society void of compassion. The Platurn beat with a moving guitar riff pushed this song further, providing me the cover of a funky beat to dive into a topic that might not normally move an audience. Part cheat code for slipping in a conscious message to the audience without raising the alarm of the listener who may not be expecting anything more than entertainment.

DJ Support: Tedd Patterson, Michael Gray, David Penn, Mousse T, Brian Tappert, Hector Romero, Derrick Mckenzie.

Definite Grooves 'Disco Light' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, 'Disco Light', is a fun disco gem, capturing a Disco 70s mood with a fresh House twist. 'Getting Stronger' takes the funk further, building up to a filtered disco crescendo that's perfect for late-night floors, oozing with energy and sleek edits. On the flip side, 'Sundown' offers a happier vibe, giving the EP a well-rounded feel with its rich bassline and Vocal Hook. Finally, 'Let It show' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, 'Disco Light' is a solid pick for those craving both nostalgic and modern dancefloor moments.

With two critically acclaimed compilations already under his belt, DJ / collector miche returns to Mr Bongo with the third instalment of his With Love series. Testament to his ever-expanding taste, Volume 3 isn’t just a subs bench call-up from the past compilations, it’s an evolution and progression casting the net deeper and wider than before.

Keeping true to the series, but with some fresh surprises along the way, this carefully curated compilation is a celebration of soulful, independently released music from across the globe, and the amazing (often unsung) musicians and vocalists that made these sublime records.

Across the third volume, miche explores a jazzier side of his tastes. “The deeper I went, the more I found myself gravitating towards jazzier music - not leaving soul behind, but following that same feeling into new territory”, he explains. Tracks like the gliding jazz funk found on Late Nite Music Band’s ‘Sundance’, or the glorious jazz-soul number ‘In Flight’ by Spectrym are shining examples of this.

That defining soulful thread of previous volumes is still in full effect throughout this latest edition. “There’s a healthy dose of impossible-to-find soul gems that have that unmistakable, heartwarming feel. Tracks like John Simmons' 'Ain't Nothing Like The Love', which I've adored ever since Zaf Love Vinyl played it, sit perfectly alongside records like Le Cop and New Way”, states miche.

The addition of some top-tier Turkish music showcases another side to his ever-broadening taste. Nükhet Ruacan's 'Gölge' is something unique, a floaty Brazilian-inspired gem recorded in Turkey and not what you’d typically expect from Turkish records of this era. 

It also wouldn’t feel right to leave out a stop in Brazil, with miche looking to the work of Carlos Bivar whose track 'Amargo Amar' carries that undeniable groove of samba-funk from Rio.

Spreading the With Love message far and wide the series has led to miche DJing across the globe, “from batucada sessions in Timisoara, to all-night sets in a club in Beijing, and even an eight-hour Root Down With Love stage takeover at We Out Here festival, joined by Danilo Plessow, Jeremy Underground, and of course, my mentor and buddy Rainer Trüby.”

Volume 3 then, carries that message even further. It’s an eclectic but intentional collection, built for the music lover who wants to discover something new. Working just as well as a soundtrack to cook dinner to, as it does keeping a packed dancefloor moving into the small hours.

Rocker’s Revenge was a studio musical project, assembled by producer Arthur Baker in 1982. The band comprised of Baker himself plus Donnie Calvin, Dwight Hawkes, Tina B and Adrienne Dupree Johnson. They are most remembered by their 1982 post-disco hit "Walking on Sunshine", which peaked at number 1 on the US Dance Chart and number 4 in the UK.

On the A side of this release, the track is reset for 2025 with a remix by post punk indie rockers Yard Act, where they have include their own guitar, synths & vocals to give their unique stamp to it. – It’s become a track they have been performing live. On the other side is an unreleased 9 minute remix by New York’s legendary Sound Factory co-founder Junior Vasquez back from 1988, to make it proto acid house bassline & driving percussion journey.

Boston-born Arthur Baker launched his music career as a Disco DJ, but soon made his way into music-making, producing classic Disco for legends Northend and TJM. Arthur is one of the most visible and widely imitated early Hip-Hop/House producers; masterminding breakthrough experimentation with tape edits, sampling and synthetic beats on such records as Afrika Bambaataa's 'Planet Rock', New Order's 'Confusion', Freeez's ‘IOU’, and his own break Dance classic ‘Breaker's Revenge'. Baker would go on to become an award-wining DJ, music and film producer, working for and with the likes Dylan, Hall & Oates, Al Green, Springsteen, The Rolling Stones, Fleetwood Mac, Diana Ross, &many more; on film music for 80s/90s classics such as Beat Street, Ferris Bueller’s Day Off, and Life Less Ordinary. Turning his hand to film documentary’s, Baker has produced Finding The Funk and 808 the Movie. Baker has also directed a documentary on Rocker’s Revenge ‘On A Mission’ along with completing their debut album.

Belgian dance label LA MUSIQUE DU BEAU MONDE turns 20, spawning a massive amount of hits spanning two decades. Ranging from commercial hits by DJ Antoine, Laurent Wery, Remady, Jay Santos, to more credible tracks by Phonkers, Merdan Taplak, Les Mecs, and others.

This is the first record in a series of five, and the first one kicks off with a bang. The importance of Pedro Cazanova’s classic Selfish Love in the house scene cannot be underestimated. It grew iconic in the remix by Gregor Salto, as featured on this 12”.

Rock Your Body by Phonkers was one of the most played tracks on Benelux radio stations during the summer of 2011. The track gained massive popularity not only in Belgium and Holland but also in Australia, New Zealand, Poland, and beyond.

Daniel Bovie is undoubtedly one of the best Belgian dance producers of the past four decades. His 2014 masterpiece Way Too Long is included on this record.

In 2014, Ralpheus had a big international club hit with the catchy clubhouse tune Do What? Gospel chants built around a big clubhouse beat, still a floorfiller today!

Repress!

Sophomore release from the acclaimed trio of Inspectah Deck (Wu-Tang Clan) And 7L & Esoteric. Features MF Doom, GZA, Method Man, Large Professor, Juju Of The Beatnuts, Ra The Rugged Man, & Meyhem Lauren. Packaged in a 70+ Page Hardcover CD Casebook / 2LP on Clear vinyl with Lyrics & Cover Art From L'amour Supreme (Mishka NYC). Includes a comic, written by Esoteric with artwork by Gilberto Aguirre Mata (El Ultimo Codice) & L'Amour Supreme. CZARFACE - Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric - isn't concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group's fans. In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the '90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante. This time around the group is the same, but it's fair to say that all three men have stepped up their game. We knew how we felt about the last album, but weren't sure how it would be received by listeners,' explains MC Esoteric. But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.' Inspectah Deck adds, Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I'm in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I'm here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit...I love that. I love when i can just spit freely and just be an MC.' The fighting analogy - whether drawn from pugilism or '80s wrestling, both which figure into Every Hero Needs A Villain - is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.' On the production side, 7L shows yet again - as he did with the group's debut - that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths. If that wasn't enough, it's all iced with a ridiculously intricate and beefy 70-plus page, hardcover CD casebook with lyrics and extensive artwork by Gilberto Aguirre Mata (El Ultimo Codice) and L'amour Supreme, and with Death & Abduction,' a comic written by Esoteric, and an explosive, comic-book-inspired cover by L'amour Supreme (Mishka NYC).

01. Don The Armor
02. Czartacus
03. Lumberjack Match
04. Nightcrawler (Feat. Method Man)
05. World Premier (Feat. Large Professor)
06. The Great (Czar Guitar)
07. Red Alert
08. Junkyard Dogs (Feat. Juju Of The Beatnuts)
09. Sgt. Slaughter
10. When Gods Go Mad (Feat. Gza)
11. Ka-Bang! (Feat. Mf Doom)
12. Deadly Class (Feat. Meyhem Lauren)
13. Escape From Czarkham Asylum
14. Sinister
15. Good Villains Go Last (Feat. Ra The Rugged Man)

After the first, extremely successful "Motor City Days Vol.1" release from 2002/04 with all those then-and-now enduring tracks by Jeff Mills, Tronic Pulse, Drivetrain and St. Andy, the "Motor City Days Vol.2" follow-up comes along now as another ambitious showcase of the continous work of that other electronic music axis Detroit-Cologne in full effect!

The extra limited MLP-Vinyl offers 6 more, typical Planet Detroit tracks on the cutting edge of Techno, House, and Electro by Teknobrat (Bunkerbliss, Ottawa), Claus Bachor (remixed by the D's own Lockstep, Soire Rec. Int.), Ferndale Parking Attendants (House Gallery Detroit), Thomas Barnett (Visillusion Rec.), Eno Justin (BangTech 12/ DTM), and Jason Garcia (Cryovac Rec. / House Gallery).
They all pay attention to the innovations that have come before them. And this is where some experiments in the Motor City's E-Funk fusion show a high fondness for the past while sacrificing none of the production tricks of the modern day. Brimming with full spirit and box-energy.

Finally, this is one of those records that when you hear the DJ play it, you'll leave your drink behind and run out to the dancefloor. While all these trainspotters ran up to ask what was playing? So "Motor City Days Vol. 2" is definitely on fire!

London-based DJ and producer Theo Kottis steps into a defining new chapter with his debut EP on Fabric Originals. A respected figure on the European scene, Theo has spent the last decade refining his craft, delivering euphoric, high-energy productions and magnetic performances that have earned him a dedicated following across the clubbing & festival circuits.

Following standout releases on tastemaker labels including Dekmantel - where his track Lighthouse was dubbed "song of the summer" by Resident Advisor - and Fuse London, Theo’s sound has become synonymous with nostalgia-soaked dancefloor moments, seamlessly fusing rave, garage & bassline textures. His tracks have seen support from top-tier selectors like Ben UFO, Francesco Del Garda & Eris Drew - & his sets at Panorama Bar, Lux Fragil, and Robert Johnson further cement his reputation as a selector with deep musical intuition.

Now releasing on Fabric Originals, Theo is on his best form - following a run of acclaimed EPs on Dekmantel and FUSE London, affirming his place as a versatile & vital force in underground music.

This new EP sees him channel his signature sound through the venue’s rich legacy & forward-thinking ethos. The result is a bold and genre-bending body of work, shaped by both personal reflection and creative momentum.

Opening track Drone was born out of angst - heard through the powerful synths, weighty bassline & unrelenting energy, capturing the tension of that moment. In contrast, Momentum introduces lush pads & evolving textures, expressing a sense of release and optimism, a reflection of renewed focus and belief in the road ahead. Together, the two tracks form a deeply personal narrative, blending emotional resonance with club-ready impact. With momentum building across 2024, this release signals an exciting evolution for Theo Kottis as he continues to shape dancefloors well into 2025 & beyond.

Original Gravity Records Ignites the Summer with Latin Fever Vol. 4

Available on Limited Edition Vinyl & Digital Platforms

Original Gravity Records turns up the heat once again with the explosive release of Latin Fever Vol. 4 — the highly anticipated fourth instalment in the label’s signature Latin groove series. Packed with sizzling salsa, fiery guajira, and vintage Latin soul, this EP is a globe-spanning collaboration anchored in the UK and powered by musicians from Peru, Cuba, the USA, and Italy.

From the opening tumbao of El Tumbao Del Solar by Abramo & Néstor, to the irresistible charisma of Chévere Girl by Luchito & Néstor, this record is a celebration of rhythm, culture, and cross-continental energy. Flip the wax, and you’ll find La Vieja Escuela serving up Vacilar Mi Guajira — a classic throwback dancefloor gem — before Néstor Álvarez brings the party home with the brass-heavy burner La Fiesta Se Va.

With drums, bass, and production led by OG’s own Neil Anderson and a tight brass section along with standout soloists from both sides of the Atlantic, Latin Fever Vol. 4 is pure analog fire — recorded with heart, soul, and serious groove.

Whether you're a crate digger, DJ, or just a lover of Latin rhythms, this is one for the shelf and the stereo.

Get it while it's hot. This is Latin Fever — and it's contagious.

Another all-time classic from the extensive back catalog of the legendary Miami songstress Gwen McCrae.

"90% Of Me Is You" is instantly recognizable, it's been sampled countless of times by some of the most seminal Hip Hop artists ever (Large Professor, Jaylib, Mobb Deep & more) & is a bonafide "Rare Groove" sure-shot that never loses it's appeal & is always in demand with DJ's & producers. Perhaps it's the pairing of the languid guitar & strings, or Gwen's sultry vocals & that steady breakbeat that keeps people hooked some 40 years after it's original release Whatever it is, it's classic material from start to finish!

Backed here with it's original b-side slow jam "It's Worth The Hurt" this super-rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

DJ Support: DJ Sneak, Manuel Sahagun, Jason Hodges, Natural Rhythm & Suburb Beat.

Born into the underground House Music scene of Los Angeles, CA we bring you Tom Carle of Moxy Muzik and Cross Section Music fame.

We’ll keep this short and sweet because the Brooklyn Style EP speaks for itself! You have 3 tracks of down n out funky House Music business and cap it off with the dirty underground banger “This Acid”.

Better hope the floor brought their dancing shoes because the Brooklyn Style EP is straight heat!

Munich’s DJ and Digging crew Super Sound Global drops into rotation with their rst vinyl record. Coming in hot with four hefty danceoor cuts — whipped up through guerrillastyle sampling and oldschool production tricks.

Spin it!

2024 repress!

Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on LP/CD/MC and DCC.

Journeys are never just about distance. They stretch time, reshape perception, and demand transformation. With its latest vinyl split EP, Standard Deviation presents four tracks by Nastya Vogan and Phase Fatale that serves as a vessel for tracing displacement, memory, and the liminality of return. These melancholic yet powerful techno cuts serve both the concrete dance floor and moments of intimate self-reflection. Two artists--Nastya Vogan and Phase Fatale--approach Kyiv from different trajectories, but they both keep returning to the city. Vogan, a Ukrainian musician and resident DJ of Kyiv, and Phase Fatale (Hayden Payne), Berlin-based producer, Berghain and Khidi resident and founder of BITE Records, share a longstanding musical friendship. They've played B2B sets at K41 and Vogan, appeared on BITE's ''Shedding Skin'' compilation in 2023, and they share a vision for music selection, from aesthetics to philosophy. Vogan's 'Transitioning Territory' and 'This Is Not a Love Song' unravel the psycho-geography of transition. The first track captures the 24-hour journey to Kyiv as a rite of passage where 'time seems to fold; you are profoundly present yet paradoxically far from the world you left.' In this suspended state, memories surface and ordinary life recedes as the train's rhythm becomes its own meditation. Her second track explores Lacanian limerence--consciously falling for something not fully known, filling absences with personal projections as a way to discover what lies within oneself. Phase Fatale's contributions capture movement and distance with mechanical precision. 'Kekkai,' takes its name from the Japanese word for boundary, echoing 'respect my borders' ethos while reflecting on crossing into wartime Ukraine. The term also suggests a protective force field in Buddhist thought--much like Kyiv's current aura of resistance. 'Neosyazhna Rosa' (Unreachable Rose) honors Payne's Ukrainian grandmother Rose, weaving family history into his present connection with Ukraine. Both pieces balance melancholy with light, their sound palette of lush pads and rhythmic breaks crafted with K41's dance floor in mind.

The duality of love and pain runs right through the centre of this compelling and highly personal debut LP from Sasha Pervukhin, DJ/producer from Zolochiv, Ukraine, currently based in Paris. 



Over years releasing on his own Laconica label (as Alex Pervukhin) and more recently working at Carpet & Snares record shop in Lisbon, Sasha has honed in on a highly evocative, widescreen sound that draws deftly from his influences in classic tech house, breakbeat and hip hop. Now, on this new Carpet sublabel Nataraja — created for obscure, dark and experimental club sounds, downtempo, ambient and beyond — Sasha delivers four upfront and compulsive dancefloor tracks paired with four noirish vignettes, recounting a heart-on-sleeve sonic narrative about human contradictions: swagger and vulnerability, hubris and heartbreak.

German duo FJAAK remain one of techno's most distinct and uncompromising acts. Their new four-track EP is a raw, intense journey that feels more like a series of live jams than polished studio tracks. This release, FJAAK012, fully embraces their signature analogue sound, delivering four powerful tracks designed to own both big and underground stages and the most demanding dancefloors on the globe. The EP opens with 'Inside Out', a stripped-back groove loaded with industrial energy. It blends breakbeats, jungle influences and hardcore licks, fusing genres and eras while keeping that unmistakable FJAAK intensity front and centre. Next, 'Rekorder' delivers intricate beats with a raw, live-jam energy, dropping rigid sequencing for pure groove. Its coarse percussion and shifting melodic layers create a dynamic flow packed with attitude and character. Flip the record and 'Don't Give A F' steps up the pace with racy rolling grooves and relentless drive. The track's multi-genre beats and piercing analogue tones build a warehouse-ready sound that commands attention. Closing the EP, 'Leave A Message' is a special, one-of-a-kind slice of groove-heavy individuality, standing out with its truly unique sound. It combines hard-hitting rhythms with raw, textured layers and sharp transitions that keep you moving from start to finish. Based in Berlin, Felix Wagner and Aaron Robig have crafted their sound since childhood, pushing boundaries since the late 2000s. Known for their rebellious spirit and hardware-only live shows, they've revitalised the club scene with electrifying performances and DJ sets. In 2024, their genre-defying album FJAAK THE SYSTEM merged UK breakbeat, techno, d'n'b, jungle and more, featuring collaborations with Modeselektor, Skee Mask, Red Eye and Spandau20 co-founder J.Manuel. It marked a bold new chapter for the duo. Now, in 2025, FJAAK build on that momentum with fresh music, global tours, and expanding label rosters. They continue to challenge club music norms and maintain their place at the forefront of electronic music innovation.

The fourth installment of Secretsundaze’s 9FINITY imprint releases the tectonic ‘get now EP’ from Irish, via Berlin dancefloor expert eoin dj. Their eclectic sets draw from all hues of the dance music spectrum, from psychedelic techno, indulgent hard house, pumping tech cuts and beyond.
eoin’s latest record pulls all of these influences into a tight, rolling house-centric EP that brings everything from the raucous to the utterly sexy. Thundering 909 Toms and gliding synths across A1’s ‘spin flip contrast a more percussive, hedonistic voyage through A2’s ‘skin on skin’.
Banging through the B-side with ‘faux baddy’, a mean dancefloor cut that draws the crowds forward for a slice of tribal hard-house. B2’s ‘get now’ is a certified club moment, with eoin’s punky vocals and sludgy reese bass line sliding throughout the uplifting drums and synth chords. A final moment emerges with the digital bonus track ‘the rapture channel’, a progressive groove blending buoyant percussion and large synth licks – an indispensable tool for any time of the night.

SpaceWax is back with a full blast!
After a year in the making, the highly anticipated second release is finally here, and it’s well worth the wait.

Lithuanian DJ and producer Tourman is on board for this mission, delivering a four track EP that covers a wide spectrum of hypnotic and dancefloor ready sounds.

The A-side kicks off with 'Colourless Tasteless', a stellar bomb, an absolute floor destroyer packed with energy and mind bending soundscapes, followed by 'Yucatán', an acid infused roller designed for trippy dancefloor moments.

On the B-side, 'La Wamba' shifts the mood into a mix of hypnotic tech house, rolling synths and summer infused vibes, offering a versatile selection perfect for any set.
'Clear Sign' closes the EP with a blend of warm summer vibes and infectious rhythms.

With limited vinyl only availability, Yucatán EP is a must have for selectors looking to bring the Spacey vibes to the dancefloor.

Drawn from years of early-hour sets and the quiet intimacy of the booth before the room fills, Gimme The Sun marks the debut EP of Al-Veez (real name Alvise Marino). A seasoned guitarist raised in Italy with musical roots in funk, boogie, and blues, Marino’s release is a sonic travelogue of his formative years as a selector in a city, NYC, that quietly became home. The prominent guitar captures both the ache of departure and the bright, restless hope of return.


With a wistful blend of beachy, meandering textures, lush synth layers, and a hypnotic pulse, the EP lands in time for another steamy summer in the city—sure to strike a chord with longtime NYC house heads, whether they be behind the booth or lost in the crowd. Arranged in close collaboration with TSoNYC label boss Danilo Braca (also on mixing and mastering duties), theshimmering title track reads like a Dear John letter to New York. Tender, honest, and full of gratitude, it’s the kind of farewell only a true love could inspire—one that dances forward even as it looks back.

As the record warms up, “F Train Boogie” evokes snapshots of bright midsummer mornings gazing out a scratch-blurred train car window at the glistening city, while the track that follows, “Sneaky”, sizzles with cosmic allure—an intoxicating blend of luminous synths, tightly interlaced rhythms, and a commanding kick drum that locks the listener into an entrancing groove from the very first bar. “Underwater”, the fourth and final track, shares some of the same allure and mystery, but features a playful optimism, encouraging the listener to lean into curiosity of what the next chapter, night, or DJ set will hold. 


London-based producer, vocalist, and DJ System Olympia is set to unveil her latest project, M3 Opera,
a five-track EP that fuses her signature sensual synth soundscapes with a bold conceptual twist.

Dropping on April 25th 2025 via her own Okay Nature Records, the EP features a unique collaboration with five distinct female vocalists, each lending their voice to a standalone "act" in this sonic drama.

Inspired by the sleek power of the BMW M3 and the theatrical grandeur of opera, M3 Opera reimagines the EP format as a multi-act narrative.
Each song accelerates through a different emotional gear—romance, tension, liberation—while the lush pads, gritty drums, and dreamy melodies System Olympia is known for provide the horsepower. "This is about motion and drama," System Olympia explains. "The M3 is that late-night drive, the pulse of the road. The opera is the story unfolding with every voice, every act."

The EP showcases an all-female lineup of vocalists, each bringing their own flavour to the journey. From sultry confessions to soaring crescendos, the tracks weave together a tapestry of feminine energy that’s both intimate and expansive—think *Delta of Venus* meets horsepower under green neon lights.

Following the success of 2024’s *Sanctified* EP with Working Men’s Club and her acclaimed NTS Radio residency, M3 Opera solidifies System Olympia’s reputation as a visionary who blends retro-futuristic
sounds with raw emotion. The EP promises to be a ride worth taking, whether cruising the streets or losing yourself on the dance floor.

Italy’s Tuccillo is back on Kaoz Theory this July with his ‘First Summer’ EP, once again showcasing his widely lovely interpretation of stripped-down, groove-led house. Making his start in the 90’s and still as relevant as ever, Tuccillo, has become highly sought after both for his records and as a DJ, his name is synonymous with gritty, groovy and dance floor focused jams which have found a home on many reputed imprints such as Visionquest, 20/20 Vision, Free-range, his own House Of Tucci and of course Kerri Chandler’s Kaoz Theory where he returns here. Tuccillo also operates as one half of the Doublet duo alongside Holic Trax boss Tomoki Tamura amongst many other sonic side ventures. Opening is title-track ‘First Summer’, perfectly setting the tone with Tuccillo’s distinctive style which utilises, fluttering stab sequences, bouncy bass tones, choppy vocal cuts and a bulbous bass groove atop a raw, reduced rhythm. ‘One More’ follows next and leans heavily into dub house realms with gritty, echoing dub chords, ethereal pad textures and murky bass swells delicately ebbing and flowing around a saturated swinging drum groove. ‘People For The People’ follows next and lays down organic percussion with filtered funklicks, a snaking bass line and jazzy keys before ‘Gotta Be Free’ concludes the release, heading back to a more stripped-back aesthetic courtesy of twitchy acid-tinged bass hits, fluttering synth melodies, crisp drums and an amalgamation of processed vocal chants throughout.

Big Disco Dub 12″ on the obscure Jahtari spin-off Jahmiga, exploring the sweet spot between funk bass and echo chamber with two certified heaters produced by LA axe master Dubsworth and disrupt.

UK dancehall veteran Speng Bond spins a big heart-shaped tale with ‘Empress’ on the A side, meshing his signature ragga-comedy flow with uplifting lofi jazz funk vibes into a sexy anthem that will put a big smile on faces and Reggae sound systems alike.

On the AA-side the enigmatic voice of Domino Slims takes you to an all too familiar scene: the DJ drops your favourite song – but suddenly someone tries to chat you up! ‘Don’t Talk To Me Now!’ can be the only answer when this thumping slap bass epic hits the floor.

Also watch out for the hypnotic Dub cuts, two groove-focused percussive workouts layered with mystical vocal haze by Kimchi Shocka and plenty of Space Dust sparkled on top.

Our newest vinyl release highlights the artistry of Argentinian producer and DJ Kevin Toro.
He presents three dynamic house tracks, each brimming with dancefloor energy.
Complemented by an exquisite remix from the iconic “El Presidente,” Priku, this record is a must-have for all vinyl lovers.

Enjoy!

When the people just gotta dance right now, Turbo Recordings will drop everything to fast-track the hottest, rawest music the moment the download links hit our Hotmail. Such is the case with rising Lithuanian superstar DJ JM’s moov EP, which contains five tracks so good they needed to hit today's streets today. To ensure the mind-churning efficiency and logistical brilliance needed to pull off this kind of turnaround, label life-giver Tiga slept and tried to bathe at the office for five straight days* before being hospitalized for "caring too much.”

DJ Support: DJ Harvey, Masalo, Mendel, Antal

Dutch edit maestro Pete Blaker debuts on RNT with a pair of extended play summertime heaters!

LOVE AND DEVOTION has been a staple in Harvey’s sets this year, and for good reason; it’s quite simply a disco banger of legendary proportions that reaches peak after peak in the course of its nearly 16 glorious minutes.

On the flip DISOC takes us on a deep and mystical journey, with pulsing bass, shimmery synth and guitar work, swirling strings building to a climactic vocal hook. This 12” is a callback to the early double A-side days of RNT, with a pair of tracks that are worth their 180g weight in dancefloor bliss!

(3*12”, silver vinyl) We’re thrilled to announce the release of “The Mackenzie - Classics EP 2”, the long-awaited follow-up to the popular EP 1 everyone was excited about. This limited edition pressing comes on stunning silver-colored vinyl, with only 500 copies available worldwide. Housed in a deluxe threefold sleeve, this release is a true collector’s item.

The Mackenzie name is legendary in the Belgian trance scene, and this EP brings together some of their most sought-after classics and overlooked masterpieces. Each track has been carefully remastered for 2025, breathing new life into these timeless anthems. This EP 2 is spanning over more than 2 decades of hit releases, amongst of them are “Falling In Love”, “Walk Away”, “All I Need” and “You Got To Get Up”.

Expect rich melodies, mesmerizing builds, enchanting vocals, and that unmistakable 90s spirit that made “The Mackenzie” iconic in trance. This is not just the successor of EP 1 – it’s the final chapter in a tribute to the golden era of Belgian quality trance music.

Four exceptional remixes and edits, brilliantly fashioned by the enigmatic Italian collective, DMND Soundsystem.

ESSENTIAL ITEM
LIMITED EDITION
NO RE-PRESS

DMND EDITS - Support
- Ben Sims "Congrat guys, great EP, especially Bad Rouge"
- Daniel Wang "Toasted Jam is so groovy! A perfect 108 bpm boogie, with interesting sound effects, old school clarinet riffs and a great bassline. I'm going to play it out!"
- Sam Ruffillo "Bomb! Bad Rouge & Silvio Hot my favorites"
- Marcel Vogel "Very cool!"
- DJ Ralf "I really like all 4 tracks"
- Dirty Channels "Bomb guys ! send it!"
- Elado "Sounds dope! Silvio hot my favorite!"
- Matteo Diop "I love it, This is absolutely my vibe!"
- Laura Meester "Nice work! love the bad rouge one definitely my favorite!"
- Greg Gauthier "Very very cool!"

The undisputed king of Disco House Purple Disco Machine returns to his club roots with retro-inspired release ‘Ghost Town’ ft. Rertosonix. Fresh off reworking the Hurts classic ‘Wonderful Life’ and delivering a huge remix for ‘Born Again’ (Lisa ft. Doja Cat & RAYE), the Dresden-born producer is once again ready to conquer the dancefloor with his signature sound. Tailor-made for that insatiable desire to dance, it’s a release engineered for movement, locking straight into the pulse of late-night energy and crowd euphoria. As such, the track is unsurprisingly becoming a favourite in Purple Disco Machine’s sets already, where dates in Mexico, the USA, and Spain have left the dancefloors anything but a ‘Ghost Town’. Armed with a dancefloor weapon, Purple Disco Machine drops the release early for DJs on Beatport.

A master of channelling the nostalgia of dance music’s beginnings and blending it with a modern-day flair, Purple Disco Machine has expertly crafted a record reminiscent of throwback disco cuts. The soulful vocals come courtesy of Retrosonix, successful songwriters who have come together to specialise in retro disco vocals that ingeniously feel straight from the archives. You’ll be sonically transported back to a time when disco was heard on every corner. Tactfully letting the powerful hooks and provocative lyricism lead the rhythm for the tune, Purple Disco Machine’s iconic groove-driven beats and mesmerising synths lay the foundation for a dancefloor classic. Crafting breakdowns dripping with funk, the disco maestro builds to a crescendo that will undoubtedly be a crowd pleaser for his many shows in 2025.

On the release, Purple Disco Machine said: “While a number of my recent records have referenced the more electronic 80s disco sound, I never lost the love for the classic funky disco of the 70s - which in many ways was the original blueprint - and so it has been equally inspiring and enjoyable to work with this palette again. I'm hoping that the listeners are as haunted (in a good way…) by Ghost Town as I am !”

2026 Repress


Chicago's Peven Everett has long had a cult following for his own unique, live take on House music. The co-producer and vocalist of Gabriel, which was not only one of the most legendary soulful house tracks of the 90’s but also helped define the two step/garage sound. In 2002 he released 'I Can't Believe I Loved Her' on King Street Sounds offshoot label, Nite Grooves, a soulful piece lamenting a love that went wrong. The track was a worldwide hit and quickly earned itself classic status amongst DJ’s and dancers alike. Both the Original and Calypso Mix are featured on this special charity reissue with all proceeds from this release being donated to Peven’s GoFundMe to help with his lung cancer treatment. Essential!

The epitome of raw, functional, Westside house. Stripped back to the barest essentials, leaving behind 6 cuts of pure punishing dance floor energy. Originally released on the legendary DANCE MANIA in '96, this 2025 reissue includes the previously unreleased "WESTSIDE BOOGIE 1996"

Following standout releases on acclaimed underground imprints like Klasse Wrecks, Planet Trip, Superior Elevation, and more, Brooklyn-based producer GEE DEE steps into a new chapter with the launch of his very own label, FREE UNIVERSE. The debut release, IT’S A FEELING, is a vibrant four-tracker that showcases his deep-rooted love for hypnotic grooves, playful textures, and dance floor-ready energy.

The title track, “IT’S A FEELING, ” leads the charge — a punchy, genre-blurring cut that captures the essence of GEE DEE’s sound: raw, emotive, and rhythmic. “ENERGY LOOP” follows with a bright, bouncing bassline and cheeky percussion, keeping spirits high and bodies moving.

On the B-side, the legendary KIM ANN FOXMAN delivers a sped-up, psychedelic reimagining of “IT’S A FEELING. ” The remix brings a darker, tunneling energy to the original, twisting it into a late-night trip that’s equal parts hypnotic and propulsive. Closing things out is “TWO VOICES” — a heady,

'90s-inspired roller drenched in spaced-out textures and woozy synths. A bold first statement from FREE UNIVERSE, this release marks a fresh new chapter for GEE DEE — producer, DJ, and now label head — continuing his journey of pushing boundaries across the spectrum of underground dance music.

BBE, the iconic force behind the techno trance sensation, is making a powerful return with not one, but two electrifying new tracks: Hurricane and Sturm der Liebe. "Hurricane" sweeps listeners away with its nostalgic, heart-stirring melody and smooth, captivating vocals, creating a wave of emotion that’s impossible to resist. "Sturm der Liebe" is a masterfully crafted DJ tool that builds and swells, effortlessly blending ethereal, trance-like elements into an exhilarating journey of sound. With these two tracks, BBE proves once again that they are at the forefront of creating truly unforgettable, genre-defining music. On the b-side the new collaboration between At The Villa People & Fred Hush is all about techno, trance and acid influences mixed with dreamy vocal details, "Indian Summer" is a peak killer that will definitely make your dance floor explode. Not to be missed.

Straight from Copenhagen, Danish DJ/producer B From E delivers an EP that sits halfway between Trance and House. With deep melodies and infectious rhythms, Blue Lava opens a portal to a new world — both icy and fiery. Split into two parts, the A-side burns with energy, while the B-side shines with luminous melodies.

With its powerful vocals and a melody that brings a breath of fresh air, the opening track of the EP We Are Gods truly lives up to its name. Representative of the EP, it beautifully embodies the deep and captivating melodies of Blue Lava.
Ocean Drive offers a subtle blend of softness and groove. Like a dream, light percussions gently land on a track filled with ethereal melodies.

Hypnotic, the arpeggio of Arp Dream never leaves the track and opens the B-side of the vinyl. The drums evoke the energy of an erupting volcano where the melody of the track would represent the blue lava flowing poetically.

With Blue Lava, B From E closes his EP on a nostalgic note. Blue Lava recalls an early morning sunrise, in the atmosphere of a night you never want to end.

Tunnel was made in Naples in 1978 by Giorgio Verdelli and Danilo Rustici only on 7inch and it was the theme song for two RAI radio programs. Going through the names of the musicians we begin with the inimitable voice and the splendid guitars of Danilo Rustici, then passing through the saxophones of Enzo Avitabile we arrive at the keyboards of Joe Amoruso, musician-arranger who left a great void with his untimely death. For Joe, who crossed his experience with Premiata Forneria Marconi, Zucchero, Vasco Rossi, Mauro Pagani and was part of that 'dream team' of Pino Daniele - made up of technically extraordinary musicians, but above all gifted with an inimitable sound - this one-off project represented his recording debut. 'Tunnel Lights' and 'Speed Up' have been brought to light by Dario Di Pace and Claudio Casalini, two visionaries who believe that Neapolitan music is a sonic mixture of ancient and modern musical registers even if it sometimes develops a conflict between tradition and modernity as the recovery of popular tradition is strongly opposed to the push for innovation. This therefore is the reason for a 12" reissue in which the evocative original songs - from almost 50 years ago - are reflected in the new versions created by a bevy of talented DJ-arrangers including Massimo Berardi (with the bassist Luca Andreozzi) and by the industrious and passionate Francisco & Malkuth (ed: Francesco De Bellis and Cosimo 'Cosmo' Mandorino in disguise) in turn assisted by other zealous musicians and dee-jays - including the very good and always very collaborative Raffaele Arcella - who took part in a remix of this EP with enormous fervor The 12" reissue of Tunnel was released both on the classic black vinyl and in the very limited red vinyl version, in order to reflect the lips of the extravagant cover, a graphic work by another brilliant and multifaceted artist: Lino Vairetti, legendary singer of the historic prog rock band Osanna. The envelope developed by Best Record is embossed (front and back cover) to further enhance the passion that Neapolitan musicians have always had in knowing how to combine their roots with all the other musical genres of the world.

After a string of mesmerizing digital releases and steadily building momentum in Europe’s club circuit, Swiss DJ and producer Audrey Danza marks a major milestone: her debut vinyl EP, titled Laughing in 4D, out this July on .

A six-track excursion through shifting emotional states and tightly wound rhythmic explorations, Laughing in 4D captures Danza’s signature tension between restraint and release. Twisting basslines stretch, snap, and spiral through layers of percussion, driving textures, and off-axis melodies — a sonic palette that feels both introspective and deeply physical. Hints of Psy-Trance, Techno, and House swirl through elastic grooves — equally suited for deep listening or peak-time disorientation. Her tactile, percussive movement ripple with tension, curiosity, and sly humor — true to the artist’s reputation for weaving high-pressure rhythms with emotional nuance. Known for her distinct and dynamic presence behind the decks, Danza has quickly become a name to watch in the contemporary electronic music scene. This first physical release captures the same refined yet playful approach to a contemporary club sound that has defined her growing reputation as a DJ.

Following its release in 1997, ‘Remember Me’ was cemented as an international dance hit, peaking at #8 in the UK singles charts, as well as #2 in the American Dance Chart. Instantly recognizable for the iconic Marlena Shaw vocal samples and down-tempo chugging bassline, ‘Remember Me’ has gained cult status throughout the world as a dance-floor classic. Releasing the original over 20 years ago, the incomparable track has only received one previous official remix with Dutch producer and DJ, Franky Rizardo now injecting new life into an already seminal track also

The Dutch imprint has now asked non-other than David Penn to add his magic to this sure-fire repeat player!

Madrid based David Penn get to grips with the Blue Boy classic and the results are spectacular! Some of you may have already heard it on David’s recent Live lockdown streams all over social media?! Now you have been hand-picked to help break this house anthems!