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Repress of the sold out Record Store Day release, this time on a different colour. Black Spiders – Those trusted and true sons of the north are back. “We knew the new album had to be special. We’ve been away for a while. The first album was a straight shot, the second on the rocks, with this new one we had to kick down the brewery doors!” Pete Spiby. Back in June of 2017, Sheffield rock beasts Black Spiders waved goodbye to an army of loyal fans with some sonically charged shows before retreating into the shadows. And then, in November of last year, with the world in the grips of the Coronavirus pandemic and after a long year of very little fun from out of the silhouettes they returned with ‘Fly In The Soup’, the first new Black Spiders music in 6 years. Exactly the feel-good shot in the arm the world needed, while we await that other vaccine. The seeds of the Black Spider return were actually planted last summer, when singer and guitarist Pete Spiby began taking to guitarist Ozzy Lister to start writing new material and before they knew it, they had amassed the best part of 40 songs in a very short period of time which they whittled down. And then the pandemic hit. “It’s certainly been a strange process, in unfamiliar territory,” explains Pete. “We started to look at how we could do it given the restrictions and not only that, but we had to replace our original drummer too. For us and probably most other bands, we would usually take a riff or song idea to a rehearsal and thrash it out ‘till we either had something or it ended up in the song graveyard! This time around we couldn’t do that, so myself, Ozzy and on occasion Adam Irwin (bass player) started to send ideas back and forth until we had something to work with in GarageBand. We got to a point where we had enough song ideas with basic structure to go into a studio. It was at this point when we had to look for a new drummer.” With former drummer ‘Tiger’ Si Atkinson unavailable to play, with a week or two of grooming, the band took a chance on Planet Rock DJ Wyatt Wendel to occupy the drum stool. “I've never joined or worked with a band in this way EVER,” laughs Wyatt. “2020 certainly made it surreal. “A Pete/Ozzy writing session at the beginning of the year had produced some promising results, but it felt like barriers were popping up everywhere,” explains bassist Adam Irwin. “We started talking about how we could use technology such as GarageBand to help, and slowly but surely the song writing gathered pace. It was time to hook up with our old producer Matt Elliss and try these new songs out in the studio. “Heading into the studio to record songs we’d written but never played together, with a drummer that we’d never met, is one of the stranger experiences I’ve had while being in a band. Thankfully, Wyatt has turned out to be an excellent addition, who despite his faults (loud, southern) has fit right into the band dynamic. Covid has made life really tough for so many of us in our industry. And yet, this new way of song writing has been liberating, this is the most consistent and prolific we’ve ever been, and I am immensely proud of this album.” Against all of the odds, Black Spiders have crafted an album that features 13 tracks of high-energy, feel-good rock n’roll contrasted by demonic doom that despite the disjointed, isolated way it was recorded. It sounds like a band, firing on all cylinders. “We had to dig down deep to pull out some gems and what would we want from Black Spiders,” questions Pete. War, vengeance, mental health, death, conservation & climate change, where are we from? Relationships, friendships, our flaws. Where are we going? Alien life and Mother Earth - some of which made the record.” Kicking off with the aforementioned ‘Fly In The Soup’ single, this 3rd ST long-player wastes no time in grabbing you by the scruff of the neck and dragging you through an album where good times, hooks and riffs are not in short supply, but the doom-drenched likes of ‘Wizard Shall Not Kill Wizard’ and the psychedelic groove of album closer ‘Crooked Black Wings’ give us an album of many moods and dynamics and a reason to be cheerful in 2021. And why does the album have no title? “It wasn’t hard picking a title for the album, as we decided that the focus should be on the band, not the album title, so we decided not to have one. Let the music do the talking....

Ambition ist das zweite Studioalbum des amerikanischen Rappers Wale. Es wurde am 1. November 2011 von der Maybach Music Group, Allido Records und Warner Bros. Records veröffentlicht. Es ist der Nachfolger seines Debütalbums Attention Deficit, das 2009 veröffentlicht wurde.

Die Produktion des Albums wurde von mehreren Produzenten übernommen, darunter Lex Luger, T-Minus, Tha Bizness, DJ Toomp und Diplo. Das Album enthält außerdem Gastauftritte von Rick Ross, Lloyd, Ne-Yo, Big Sean, Miguel, Meek Mill, Kid Cudi und Jeremih.

The Madlib Invazion Music Library Series . Entry #5: Dan Hastie and Terin Ector (Orgone) pick up where Piero Umiliani left off with Exotic Grooves and Lush Funk. This is the next up in a series of music library releases, with future volumes produced by DJ Muggs, Karriem Riggins and more. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.

Heading to a new millennium, people in the 80s and 90s were looking for brighter days to come and Techno was the music of this utopic future, themed by rushed beats made by electronic instruments that resembled a new era of technology, endless excess and possibilities.

40 years later the world is more complicated and dystopian than ever as we face crises everywhere. Mental issues are a natural consequence of the troubled environments we live in and more people around the world suffer from them. At the same time, we haven't lost the appeal for euphoric and fast dancing, either to leave our problems behind or face them head-on on the sweaty dance floor.

This EP is dedicated to some of the feelings associated with the tribulations of mental issues. What seems like a dark take still points out that we are not alone, as music unites us being the source for help and change. Mental States 777_31 offers four sick cuts perfect for insane clubs - fast and furious like an attack, rushed and energetic embracing positivity in the darkness.

Breezy headwinds, orange-tinged skies, hazy, serene bliss – just some of the profound feelings to be had on the latest release from Oath, a masterclass in melody and mood from one of the finest ever to do…..

Italian producer and DJ Jacy remains one of the stand-out musical characters from a dazzling ensemble of atmosphere builders who were so prevalent during the late 80s and early 90s. His craftsmanship is simply legendary, his music quite simply some of the finest to exude from this period of time, and of which is still making waves in the collective sands now. His dedication to the creation of emotive sweeps, gorgeous rippling tones and easy going, freeing atmospheres has remained a cornerstone of his sound, from the early days through to his excellent work on his imprint Home of House, along with sublime releases on Kalahari Oyster Cult and Hot Haus Recs. Jacy’s sound was broadcast to the world once again via Safe Trip’s ‘Welcome To Paradise’ compilations, where his inclusions were something that lingered long in the memory – an essential component of what is known as the ‘Dream House’ sound. It’s difficult to convey into words exactly how a Jacy record can take the listener, but perhaps it’s different for everyone – one thing can be agreed on though, it’s an experience like no other.

‘Night Fantasy’ is Jacy’s first EP in 4 years, and much like his other records, this one blesses us with warmth, delight and joy, in the softest and most subtle of manners. The title track, which opens up the record, greets the listener with a familiar drum pattern, one which then gives way to the rock-hard bass line, and then the pads arrive. Heavenly angelic in form, their presence is complimented by the arrival of the breathy vocal sample, which evolves to provide a wondrous narrative with the cascading synth line that comes soon after. As a combination its intoxicating, with the breakdown giving us time to get to know this mixture very well, indeed, before powering home with excellence. ‘Just Change’ comes on next, and this one opens up with that classic and explicitly dreamy chord sequence we all know and cherish, with Jacy allowing us to soak up this goodness before shifting the perspective to the rhythm. The interplay that occurs here between keys and drums is something different, before everything transitions into a sequence to close your eyes too. ‘Dat Tape’ shifts perspective to more of a swing in terms of the groove, with sweeping background pads doing much to tug at the heartstrings. The vocal sample is so very effective at crafting an audial narrative, inviting the listener to swim deeper into the goodness, with the subtle transitions doing much to keep things ticking over. Finally, we have ‘Come On’, and this one keeps a spacious feel between the keys and the drums, and it works ever so well. The bass line occupies the bottom ends superbly, with interchanges in chords and some ever-so-familiar vocal samples thrown into the mix – and its simply wonderful.

To convey deep set feelings is to have faith in musical dexterity, to understand the grooves in the record, to follow instinct and trust in the process and precedent. Jacy has always found the sweet spot in his music by following this approach, it seems, and this new record of his is an accumulation of a lifetime of dedication and passion to music and all of its many flavors. Soaring, effective melodic undulations and rapturous, fluctuating rhythms, coupled with atmospheres to drift into – what more could you wish for? Lets get lost within it once again….

File Under Balearic Gabba EP is the first in a new series of serious DJ tools that will encompass remixes, edits, originals and licenses, all with artwork that is a twist on the original Balearic Gabba logo by PlanetLuke. Up first is a new selection of music from core Hell Yeah artists that is unruly, impossible to define, and sure to twist dance floors inside out.

First up is Daniel Klein better known as SIRS, a Berlin-based mainstay with releases on the likes of Live At Robert Johnson. His cut of 'Super Rapido' is a dubbed-out blend of kosmiche chug and tropical percussion. Tumbling synth sequences bring extra colour as the groove builds over nine irresistible minutes.

Then comes Japanese downtempo master Calm with his Mellow Mellow Acid Dub of Sergio Messina & The Four Twenties's 'Sometimes' which is a nostalgic acid daydream and the perfect sunset soundtrack. Melancholic moods and lazy drums sink you in deep as the gentle acoustic guitars keep you afloat.

Label regular and Internasjonal and International Feel associate Feel Fly then comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy, worldly vocals that glow as warm as a setting sun.

Last of all is New York maestro and Loose Control Band member DJ Spun with his It's Rong Remix of My Friend Dario's 'Acid Mosquito in a Summer Night'. It finds him serving up a nine-minute excursion into jungle humidity with tribal percussion and jumbled bongos all run through with a spooky and primeval lead synth over lurching drum breaks.

The File Under Balearic Gabba EP brings a whole new dimension to wonky dance floor workouts.

Founded and curated by DJ and producer Samantha Togni, Boudica is a platform that aims to give visibility to women, trans* and non-binary artists. Since the platform was first launched in 2019, Boudica has evolved into a series of club events in London at venues like The Pickle Factory, Fold and E1, a radio show, a music conference and a record label.

Boudica's mission is to promote greater gender equality within the music industry. By showcasing diverse role models from marginalised communities across the music industry, they aim to engage and inspire young and upcoming artists to pursue music careers irrespective of their background and experience within the field.

In 2020, they launched the inaugural Boudica Music Conference at Freemasons' Hall. The full day included educational panels, workshops and live music designed to encourage more artists from marginalised genders to pursue careers in the music industry. In 2022, Boudica not only held London's edition of the conference at the same venue, but they also expanded to Europe. In partnership with Pioneer DJ, they held their first edition of the conference abroad in Bologna at the Museum of Modern Art. Boudica Music Conference is touring in Europe in 2023, featuring talks, workshops alongside Pioneer DJ and club nights.

Last year, they launched the Boudica label, to support and celebrate female, trans+ and non-binary producers. Supported by Arts Council England, the label features artists such as Feminyst, Nur Jaber, Wanton Witch, OCD, Infinity Dreams, Peachlyfe, Yazzus and founder Samantha Togni. Their previous releases have garnered support from major music publications such as RA and Mixmag, resulting in a third VA release.

The third vinyl, 'Dark As It Gets', is a reflection of Boudica's continual musical evolution. The release marks a first for the platform, as they issued a callout for trans+ producers across the world to send in a track to be included on the vinyl. 'Dark As It Gets' by MIIIA was selected, and the title not only encapsulates the EP's energy but also Boudica's drive to support upcoming artists in the electronic music space.

The third vinyl commences with Rotterdam-based duo Animistic Beliefs' 'Vu Sua La Gi?'. The atmospheric track begins with menacing synths that are soon after enmeshed with vogue, gqom and percussive vocal chops that build towards a rewarding, melodic breakbeat cadence at its close.

New York-based Jasmine Infiniti's 'Top Shop' is the second track on the release. Skittish breaks and warped vocals skip across brooding, muted chords that eventually dissipate to reveal a hypnotic synth melody.

The vinyl's B-side begins with Metaraph's 'Emotional Intelligence'. The track marries pummelling kick drums, heady chords and transcendent melodies, all of which serve to guide the listener from triplet hard bass to trance bliss.

Finally, the title track, 'Dark As It Gets', produced by competition winner MIIIA, delivers a powerful sonic ending to the vinyl. In her own words, the track's relentless momentum and intricate incorporation of sampling leads listeners on a 'hypnotic, sassy and intense' techno journey from beginning to end. The uncompromising track's fierce groove emblematizes Boudica's third vinyl commitment to forward-thinking, idiosyncratic production.

The third vinyl concludes the initial Boudica trilogy, depicting members of the Boudica community as contemporary royalty, drawing inspiration from the queen herself.

DJ Drama said about the album: I don't want to dramatize it too much – no pun intended, But the album is just bangers, something that can rock from beginning to end.
Guest appearances on the album include T.I., Young Dro, Sean P, Lonnie Mac, Ludacris, Willie the Kid, Trey Songz, Gucci Mane, LA Da Darkman, Yung Joc, Bun B, Flo Rida, Mike Jones, Rick Ross, Trick Daddy, Ray J, Akon, Fabolous, Yo Gotti, OJ da Juiceman, Nas, Scarface, Marsha Ambrosius, The-Dream, Too Short, Styles P, Jovan Dais, Snoop Dogg, B.G., Juvenile, and Soulja Slim. The producers on the album include Drumma Boy, Tricky Stewart, Cordale "Lil C" Quinn, and DJ Khalil, among others.

Rutilance doubles its efforts to celebrate his 10 years in the music industry with this new various artists double pack. All the Rutilance friends reunite to produce 8 house tracks where everyone can find what they're looking for. 3 digital bonus tracks will be available to complete this master piece....

Curate your music collection with the year most-wanted remixes. Elevate your mind and catalogue with the definite vision of Robert Armani’s timeless bestsellers. This double vinyl boasts new levels of techno.

Discover never-before-seen versions of the Chicago Legend’s Hits of all times. We have a plethora of artists as Mark Broom with a banger, Alexander Johansson & Mattias Fridell, Ken Ishii, amazing Misstress Barbara, Van Czar with a rework of 3 in 1 tracks, Spanish crew featuring Cristian Varela, Paco Osuna, and Jesus Riaño, Belgian classic Dj Bountyhunter, Miss Mana and Waffensupermarkt. These brand-new gems have been carefully selected and the artists involved wanted to pay a deserved tribute to Armani’s career.

Mit der Veröffentlichung der „CONDITION“-Trilogie probierten sie sich wiederum an was gänzlich anderem und näherten sich der zerhackten Elektronik und den Samples im Garage-Stil. Ihre letzten Singles, „Joy“ und „Sternhimmel“, waren pure Euphorie und wurden von Mixmag, DJ Mag, Notion, BBC Radio 1 und anderen sehr gelobt. Jüngst hatten sie einige beeindruckende Live-Sets abgeliefert, darunter Boiler Room Melbourne, Lost Village, Secret Garden Party, Warehouse Project, Parklife, fabric und Field Day, sowie ihre erste Tour durch die USA und Australien absolviert. Weiterhin wurden Sie vom Mixmag UK als eine der DJs bezeichnet, die das Jahr 2022 definiert haben.

Brian Auger’s Oblivion Express was the phoenix that rose from the ashes of sixties combo The Trinity. Fusing R&B, jazz, soul and funk, keyboard maestro Brian Auger created a new breed of music that took the US and the UK by storm. Auger’s unique experimentation culminated in rhythm-infused jazz funk that united Black and white ’70s audiences. The 6 studio albums that make up Complete Oblivion illustrate the group’s diverse musical influences and progression, from the 1970 self titled debut’s heavy jazz-rock to the jazz fusion, latin and disco tinged Reinforcements from 1975 - this process no doubt powered by the groups’ evolving line up, which included guitarists Jim Mullen and Jack Mills, drummers Robbie McIntosh & Steve Ferrone, bassists Barry Dean and Clive Chaman and vocalist Alex Ligertwood. The musical highlights within Complete Oblivion are many, but particular highlights to mention have to be Total Eclipse (Oblivion Express), Fill Your Head With Laugher (A Better Land), the blistering cover of Eddie Harris’ Freedom Jazz Dance (Second Wind), the Barry Dean composition Whenever You're Ready, the version of Marvin Gaye’s Inner City Blues (Closer To It), Beginning Again (Straight Ahead) and the mind bending keyboard tour de force Brain Damage (Reinforcements). Given the groups legendary status among fellow musicians such as Zucchero and Herbie Hancock, DJ’s like Kenny Dope and Gilles Peterson and Auger’s legion of fans worldwide - that mission was fully accomplished - or to put it another way, in the words of super fans The Beastie Boys: “Those who remain oblivious to the obvious delights of Brian Auger’s Oblivion Express do so at their own risk!”

Seitdem seine Musik in Quentin Tarantinos Film "Django Unchained" sowie auf den Discovery Channel und National Geographic Kanälen zu hören war, kann Bruder Dege nicht länger behaupten, "eines der bestgehüteten Geheimnisse im tiefen Süden" zu sein. Dege ist Musiker, Schriftsteller, Arbeiter und Erbe einer langen Reihe ungewöhnlicher Charaktere, die im Süden der USA geboren und aufgewachsen sind. Wie das verrückte Liebeskind von Son House, Faulkner und Patti Smith hat sich Dege einen krummen Weg ins Gelobte Land gebahnt. Nach seinen beiden früheren gefeierten Soloalben ("Folk Songs Of The American Longhair" von 2009 und "How To Kill A Horse" von 2013) bietet "Scorched Earth Policy" eine Mischung aus neu aufgenommenen Studio-Songs, Demos, Coverversionen und Feldaufnahmen.

Seitdem seine Musik in Quentin Tarantinos Film "Django Unchained" sowie auf den Discovery Channel und National Geographic Kanälen zu hören war, kann Bruder Dege nicht länger behaupten, "eines der bestgehüteten Geheimnisse im tiefen Süden" zu sein. Dege ist Musiker, Schriftsteller, Arbeiter und Erbe einer langen Reihe ungewöhnlicher Charaktere, die im Süden der USA geboren und aufgewachsen sind. Wie das verrückte Liebeskind von Son House, Faulkner und Patti Smith hat sich Dege einen krummen Weg ins Gelobte Land gebahnt. Nach seinen beiden früheren gefeierten Soloalben ("Folk Songs Of The American Longhair" von 2009 und "How To Kill A Horse" von 2013) bietet "Scorched Earth Policy" eine Mischung aus neu aufgenommenen Studio-Songs, Demos, Coverversionen und Feldaufnahmen.

Cala Tarida Musica is thrilled to present this summer anthem collaboration by some esteemed Balearic residents. 'Residentes Balearicos' team up with legendary Ibizan DJ Alfredo and include new unreleased vinyl exclusive remixes from Chris Coco and SIRS. 'Sundown' features an infectious vocal that seamlessly fuses dub influences with a nostalgic old-school house groove. This EP is guaranteed to get your dance floor moving.

DJ support: DJ Nova / RodonFM Greece, Luca Averna / Pikes Ibiza, Leo Mas, Chris Coco, SIRS, Adam Warped / STRANGE DAYS radio show, Andy Wilson, Ibiza Sonica, Nancy Noise, Problematic Disko, Tomi Chair.

This release has a mythical status as it was only released on a white label back in the day and for the past 30 years it was assumed that the release was by Liquid Aliens. But now the internet has been set straight after all these years, these two tracks were actually created by DJ Phantasy himself, who had a habit of changing his catalogue numbers around on his label back in the day, possibly helping to fuel the rumour that they were made by Liquid Aliens.

Recorded at Jack Smooth’s studio with Alex release as the engineer, the original pressing has been going to crazy money on Discogs. But now is your chance to own a copy at a small fraction of the price.

Released in a high quality gloss Liquid Wax housebag and white inner sleeve. Available on either red, white or blue 180g heavyweight vinyl.
LIMITED PRESSING.

Repress!

Here's some revisions of early tracks which I started whilst living in Bristol, before moving to Berlin. You can clearly hear decades of the city's influence, mad to think you'd see DJ Die bouncing around Stokes Croft on the rego, or spot Daddy G picking up some fish at the local market on my walk into work each day. Such an inspiring city that's always on the move. Shouts to the 'diff don DJ Guy on the version.

In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix.

As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores.

In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.

Finally, but by no means least, we unveil the third and concluding volume of this extensive, impeccably curated chronicle of San Francisco's underground rave scene and its unique soundscape. Mirroring the same fervour and meticulous track selection as the first two volumes, 'The Beat By Spun' is nothing less than indispensable for any dedicated music enthusiast, DJ, or dancer. Once again, this collection showcases an outstanding array of tracks, featuring music from talents like Mattski, Bass Kittens, Hawke, and Deep2, all maintaining the high standards set by the previous volumes. It's a blend of rarities, classics, and obscurities, combining to deliver an exhilarating, almost transcendental experience to those who dare to immerse themselves in the sonics!

Following their sold-out launch at London’s iconic KOKO, Mercury Prize-winning MC, producer and creative Skepta and
renowned Lord Of The Mics founder Jammer are keeping things moving in impressive fashion as they continue to establish their new Más Tiempo project. Taking the sound from London to Miami and Milan via high-profile DJ sets before returning to Ibiza for the collective’s debut at the World’s #1 Club Hï alongside The Martinez Brothers, the co-founders unite once again as they deliver the second instalment of their house-focused imprint.

Set for release on 30th June 2023, the BBK mainstays are joined by British singer-songwriter and OddChild Music favourite Etta Bond, who reunites with the Big Smoke Records boss following their 2012 record ‘Mastermind’, as they serve up a resonant and soulful anthem built for the summer months with ‘Touching My Body’ - showcasing a deeper, more profound side to their sound.

Harnessing Bond’s alluring and absorbing vocals and weaving rich sun-soaked melodies, crisp percussion arrangements and
sweeping, warping leads around them to create a captivating journey through sounds, ‘Touching My Body’ welcomes a
production built for bustling daytime terraces and memorable early hours moments in equal measure.

Welcoming another new name to the Más Tiempo family, the B-side brings an impactful label debut from fellow Grime talent and London-based musician/producer Jus Jammin, who steps out under Jammin and showcases his own explorations into house music. Here on ‘Down Shovel’ he draws for sharp snappy drums, zig-zagging synths, bubbling leads and warped vocals, serving up a heavy slice of dancefloor ammunition that has been making some serious noise in Skepta’s recent DJ sets.