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Production duo Dj Dogg and Furious Frank are back with the third edition of their on-going series… this time in full remix treatment!

While keeping in line with their signature underground raw house style, volume three explores some new sounds for the series, including vocals cuts, euphoric early trance melodies, big bass and more.

Clear Vinyl

For the first time in over 20 years, BMG have commissioned a new DJ remix of Rapper’s Delight. BMG will release a double sided 12” with the classic 14 mins long version of Rapper’s Delight on Side A, with the brand new Greg Wilson & Ché remix on Side B.

Rapper’s Delight, is widely regarded as one of the biggest, if not the biggest, commercial hip-hop tracks in the history of Hip-hop. It is considered to be, one of THE most influential hip-hop tracks of all time, credited with bringing rap music to a mainstream audience. Artist’s influenced by this track include; Jay-Z & Nas, Dr. Dre & Snoop Dogg, Run DMC, to name a few.

This iconic track has been sampled over 215 times!

Release #50 celebrates the digging, care & musical curiosity that’s made the GSC series essential for DJs, collectors & break seekers alike.

For years GSC has built a catalog that earns immediate “cop-on-sight” status. Thoughtful edits. Deep respect for the OG recordings. Breaks that knock w/out feeling heavy-handed. The kind of taste that reminds you these are real heads behind the decks.

Side A pulls from Jerry Butler’s “I’m Your Mechanical Man,” released in ’74 on the Sweet Sixteen LP. The track contains a raw drum break hip-hop producers recognized instantly. Most famously it powers Method Man’s “Bring The Pain,” 1 of the defining solo joints from the Wu-Tang Clan era. The break later resurfaced in Missy Elliott & Method Man’s 2002 version & Snoop Dogg’s “I Miss That Bitch.”

On the flip, GSC draws the source into pure DJ tooling: a sample break edit, a full drum break edit & the “Mechanical Wu” mix — built for selectors who know the power of letting a break breathe.

Then they deliver a beautiful surprise. Instead of leaving empty wax, GSC slides in Les McCann’s “Vallarta,” from the 1977 album Music Lets Me Be. Jazz-funk heads know it instantly — the hypnotic groove behind Biggie’s “Ten Crack Commandments.”

This is why Galaxy Sound Co. matters. They’re not just pressing edits — they’re curating moments. Unearthing grooves DJs need back in rotation. Some originals now cost serious money on Discogs. Others simply faded from memory. GSC dusts them off & hands them back to the community.

50 releases in & the curiosity still runs deep.

All Eyez on Me is the fourth studio album by 2Pac and the last to be released during his lifetime. Released on 13th February, 1996, by Death Row and Interscope Records, the album features guest appearances from Dr. Dre, Snoop Doggy Dogg, Redman, Method Man, Nate Dogg, Kurupt, Daz Dillinger, E-40, K-Ci & JoJo, and the Outlawz, among others.

The album features productions by Shakur alongside a variety of producers including DJ Quik, Johnny “J”, Dr. Dre, DJ Bobcat, Dat Nigga Daz, DJ Pooh, DeVante Swing, among others.

The album includes the number-one singles “How Do U Want It” (featuring K-Ci and JoJo) and “California Love” (with Dr. Dre, featuring Roger Troutman) and the hip-hop ballad “I Ain’t Mad at Cha”, along with the Snoop Dogg collaboration “2 of Amerikaz Most Wanted” as a promotional single. It featured four singles in all, the most of any of Shakur’s albums. Moreover, All Eyez on Me made history as the first ever double-full-length hip-hop solo studio album released for mass consumption globally.

All Eyez on Me was the second album by 2Pac to chart at number one on both the Top R&B/Hip-Hop Albums charts, selling 566,000 copies in the first week.

Upon release, All Eyez on Me received instant critical acclaim, and it has been ranked by critics as one of the greatest hip hop albums, as well as one of the greatest albums of all time. In 2020 the album was ranked 436th on Rolling Stone‘s updated list of the 500 Greatest Albums of All Time.

2026 Repress

DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue.

A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.

Released in 1998 on Profile, Rhythm-Al-Ism was the closest Quik ever got to making a commercial splash. “You’z A Ganxta” and “Hand in Hand” made radio waves across the country and the less radio-friendly tracks like “Medley For A ‘V’” were bumping out of car stereos. Combining his soulful, jazzy P-Funk/G-Funk beats with his effortlessly smooth flow, Rhythm-Al-Ism was the quintessential West Coast Party. Squelchy synths, bouncy bass, monstrously knocking drums and freaky keys - this is peaking acidic party-rap, straight out the gate. Music for gliding, for skating, for time with your people and your poison. Sunshine. No cares. BBQs. Heavy smoke in the air. Dripping with wit and good humour. A real swing to the vibe.

The album opens with Quik setting out his mission statement with “Rhythm-Al-Ism (Intro)”, telling us what this is all about before the self-explanatory “We Still Party” rocks the spot. It’s definitely all about the party here, complete with Quik’s signature head-nod/body-moving beat. Next up, the undeniable laidback funk and dripping swing of groove-laden “So Many Wayz”. This positively slaps.

Then we get to the three huge singles. The R&B-tinged radio-friendly minor-hit “Hand In Hand” closes the first side only for the flip to get straight into the rolling and scratching of bleepy computer-funk banger “Down, Down, Down” (featuring a particularly nice use of Howard Johnson’s epochal “So Fine”). The effortlessly smooth, flute and guitar-laced “You’z A Ganxta” completes the trio. Next up the fast-paced, vocoder-enhanced, woulda-beena-global-hit “I Useta Know Her”. This coulda (shoulda) been a single too. Head-nod funk workout “No Doubt”, with its ace sample of Prince's “Sexy Dancer”, closes out the second side.

“Speed” races out the gate on the second disc, sampling Edwin Birdsong’s “Rapper Dapper Snapper” in a harder, better, faster, stronger way than those daft Parisian punks. Amphetamine-swift raps over soaring, string-drenched b-boy beats. A total anthem. Up next, the staggering, near 8-minute laconic, lounge-y sax-rap of “Whateva U Do” cools things down and smooths things out with its flute wrapping around a sample of Smokey Robinson’s “So In Love” and some oh-so-classy lounge-piano tinkling. And speaking of smooth, things don’t get much smoother than the blissfully melodic glider-anthem “Thinkin’ ’Bout U” riding that ace flip of SWV’s “Use Your Heart”. Exceptional.

The exquisite funky-flute-slapper “Medley for a ‘V’ (The P***Y Medley)” opens the fourth and final side, with star turns from Snoop Dogg and a typically suave Nate Dogg. It’s followed by the supremely skanked-out “Bombudd II”, a beautifully sweet reggae-fuelled ode to the herb. “Get 2Getha Again” is slick funk. Stunning.

This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Rhythm-Al-Ism was originally pressed as a double and we’ve reproduced the original LA vibe picture sleeve and insert to match.

As that original front cover says, this is “over 70 minutes of commercial free music” and it’s absolutely perfect from start to finish. There are no stand-out tracks here. It’s all gold.
: Rhythm-al-ism (2LP)

Hip Hop Collected will take you on a musical journey through the history of hip hop. This 2LP covers the first 20 years of the genre, showcasing 25 early pioneers who participated in the rise of hip hop. This compilation features music from the new labels that started to rise from the underground scene, like Sugar Hill Records, Profile and of course Def Jam. Including artists that defined a genre, a lifestyle and most of all, artists that inspired millions of young kids with both socially critical lyrics as well as classic party anthems.

This hip hop compilation album is part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

The 2LP features Kurtis Blow “The Breaks”, Grand Master Flash & The Furious Five “The Message”, Beastie Boys “She’s On It”, Rob Base & DJ E-Z Rock “Get On The Dancefloor”, and Eric B. & Rakim “Paid In Full” amongst many others.

Hip Hop Collected is available as a limited edition of 5000 individually numbered copies on red (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos and credits.

Planet Trip Records is pleased to present Aqua Terra, the latest EP release from Friedrich Trede and Stephan Braun, the respected Munich-based DJ and production duo better known as Rhode & Brown. Since 2010, they’ve racked up a slew of quality releases through Permanent Vacation, Public Possession, Shall Not Fade, and their own Slam City Jams imprint, while playing well-received DJ sets across Europe. Along the way, the two longtime friends have spent the last fifteen years incorporating influences from electro, italo, synth-pop, breakbeat trance, rave music, and ambient into their blend of uptempo house and techno productions.

Shifting gearspeed, Aqua Terra sees Rhode & Brown trying something completely new and unexpected from them: a record inspired by UK street soul, digi-dub, and transatlantic R&B and boogie from the 1980s and 1990s. Beginning with the Loose Ends slanted synthesiser chords and shuffling machine beat of ‘Heart Attack’ and the glossy new jack swing bounce of ‘Passion Sauce’ (both featuring sultry Berlin-based New York singer Marlena Dae), Aqua Terra quickly reveals itself as a treasure chest of heavy tunes. Steeped in love and lust, ‘Heart Attack’ and ‘Passion Sauce’ are essential sing-along numbers for the warm-up and the warm-down.

The exemplar of a groove that keeps on giving, ‘Aqua Terra (Acid Frog Mix)’ is a note-perfect example of digi-dub redone for the 2020s. Keeping us guessing, Rhode & Brown flip the script on ‘Longo Doggo’ by borrowing elements from sampledelic ‘90s turntablism and blending them with a post-disco/electro beat and a slinky bassline for the ages. From there, ‘Multiflora’ sees our protagonists back in a bassy digi-dub mode, before closing things out with an acid breakbeat slanted demo mix of the title track.

Rock & Roll Hall of Fame inductee, two-time Grammy® Award-winning Hip-Hop icon, Kennedy Center Honoree, actor, author, NAACP Image Award winner, entrepreneur, philanthropist, and founder/CEO of Rock The Bells, LL COOL J continues his trailblazing career with upcoming album 'The FORCE'.

LL’s highly anticipated 14th studio album The FORCE (Frequencies of Real Creative Energy) set for release September 6th follows over a decade long hiatus. The record was executive produced by Hip-Hop innovator and Rock & Roll Hall of Fame inductee Q-Tip, of A Tribe Called Quest. With this album, LL will help celebrate the 40th anniversary of the creation of Def Jam Recordings. As LL was the label’s first release, there is no better way to represent the legacy of Def Jam Recordings on its 40th year

Rock & Roll Hall of Fame inductee, two-time Grammy® Award-winning Hip-Hop icon, Kennedy Center Honoree, actor, author, NAACP Image Award winner, entrepreneur, philanthropist, and founder and CEO of Rock The Bells, LL COOL J has created one of the most multifaceted careers and brands in entertainment and continues to display his wide range of talents with every project.

Four decades after he first burst onto the scene, LL COOL J continues his vibrant, trailblazing career. LL COOL J helped elevate the burgeoning rap and Hip-Hop scene of the 80’s, which developed into the musical and cultural phenomenon that is Hip-Hop as we know it today. Of LL’s many contributions to the culture, he also is credited with the creation of the acronym “G.O.A.T.” - short for “Greatest of All Time.”

First introduced to the world in 1984 as a Def Jam Recordings’ flagship artist, LL is the first rap artist to amass ten consecutive platinum-plus selling albums, including his critically-acclaimed debut album, RADIO, and the international, timeless anthem and album of the same name, MAMA SAID KNOCK YOU OUT. LL’s hit singles include “Going Back to Cali,” “Doin’ It,” “Around the Way Girl,” “Loungin’”, “Headsprung,” and Hip-Hop’s first rap ballad “I Need Love.”

Up next, this fall LL is back to make his latest artistic contribution and continue to elevate Hip-Hop culture after over a decade long hiatus with the release of his highly anticipated new album, The FORCE (Frequencies of Real Creative Energy), executive produced by Hip-Hop innovator and Rock & Roll Hall of Fame inductee Q-Tip, of A Tribe Called Quest. With this album, LL will help celebrate the 40th anniversary of the creation of Def Jam Recordings.

In December 2017, LL became the first rapper to earn the prestigious Kennedy Center Honor, which is America’s highest achievement for any performer. In addition, he received his star on the world-renowned Hollywood Walk of Fame on January 21, 2016.
In March 2018, LL launched his own SiriusXM timeless Hip-Hop channel entitled “LL COOL J's Rock The Bells Radio,” garnering millions of daily listeners. The channel features a wide range of innovative and timeless Hip-Hop content, music, interviews, and in-depth retrospectives curated, programmed, and presented by the award-winning artist himself. Since founding the radio station, Rock The Bells has developed into a global platform that has become the preeminent voice for timeless Hip-Hop. Rock The Bells focuses on content, commerce and experiences that honor the CULTURE and the core elements of Hip-Hop – MCs, DJs, Breakers, Graffiti Artists – and more. Rock The Bells hosted its inaugural eponymous music festival in Queens, New York in August 2022, which sold out back-to-back years in 2022 and 2023, where LL headlined both festivals.

LL COOL J was inducted into the Rock & Roll Hall of Fame on October 30, 2021, in Cleveland, Ohio for the 36th annual induction ceremony. Considered by most as the crowning achievement for one’s musical career, the ceremony was a celebration of LL’s lasting impact on Hip-Hop and the music industry.

In Summer 2023, LL COOL J, Rock The Bells, and Live Nation Urban kicked off his first arena tour in 30 years across North America called The F.O.R.C.E. Tour, inspired by the name of LL’s forthcoming album. Living up to the acronym for Frequencies of Real Creative Energy, the lineup for this tour was personally curated by LL COOL J. Building off their amazing performance together on the GRAMMY® Awards earlier that year celebrating the 50th Anniversary of Hip-Hop, all dates featured collaborative live performances with preeminent Award-winning Hip-Hop band The Roots, the legendary DJ Jazzy Jeff, and DJ Z-Trip.

LL hosted the GRAMMY® Awards for an unprecedented five years in a row from 2012-2016, for which he earned rave reviews. In addition, he hosted and produced the GRAMMY® Nominations Concert Live Special for seven years and has also been a presenter at the Emmy®, Golden Globe® and SAG Awards. Most recently, at the end of 2023, LL helped produce CBS’ live concert special A GRAMMY Salute To 50 Years Of Hip-Hop, which celebrated the 50th anniversary of Hip-Hop and was nominated for an NAACP Image Award.

LL has always been an avid philanthropist involved in numerous causes, including literacy for kids as well as music and arts programs in schools. Founded in 2005, LL’s charity “Jump & Ball” – which takes place every August in his hometown of Queens, New York – aims to give back to his local community by offering an athletic and team building program dedicated to bringing wholesome fun to young people.

Between being a musician, actor, philanthropist and entrepreneur, LL COOL J is the ultimate multi-hyphenate whose career continues to expand and where he remains one of the most beloved and innovative brands in entertainment. He currently resides in both New York and Los Angeles.

2025 Repress

DJ Quik is a giant of West Coast hip-hop. With 1995’s Safe + Sound, he scaled new levels of musical magnificence with his signature new age P-Funk/laconic G-Funk. A quintessential, sun-scorched LA album, this is pretty much essential. Typical for mid-90s albums the original vinyl copies are now rare so here’s the Be With re-issue, complete with “Tanqueray”, the hidden track from the original CD release.

A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.

By the time of his third album DJ Quik was a household name on the West Coast - California’s premier rapper/producer not named Andre Young. Released on Profile in 1995, Safe + Sound was certified gold. Less reliant on samples and more focused on live instruments, it elevated him from producer to fully-fledged composer. This sound — the quick, winding basslines, tinny high hats, smooth instrumental solos, soulful pipes, and Roger Troutman’s talkbox — defined him. This is an album of full-blown masterpieces. Rich soundscapes and masterfully arranged orchestrations with dense layers of sounds, intricate rhythms, and well-balanced songwriting.

The first track proper, “Get At Me” samples Cameo whilst Quik takes aim at the Judases in his life, the horn-laced chorus providing a triumphant feel. On the horizontal “Diggin’ U Out”, the soulful electric piano of Warryn Campbell lays a relaxed groove for Quik to talk over about one of his favourite topics: sex. Title track “Safe + Sound” chronicles Quik’s formative years over a slick instrumental. The moody bass locks a laidback infectious groove, the hook is catchy and Quik’s delivery is in fine form. On the uber-chilled “Somethin’ 4 Tha Mood”, Quik cooks up a breezy, feel good track of sparkly keyboards, syncopated claps, shuffling hi-hats, woozy synths and a floating two-minute flute solo courtesy of Robert “Fonksta” Bacon. Analysing the highs and lows of an average day in the hood, it echoes Cube’s “It Was a Good Day”.

“It’z Your Fantasy” is a silky smooth soundtrack to Quik’s detailed retelling of a sexcapade with a young lady and whilst “Tha Ho In You” is musically perfect for that midsummer family BBQ, its lyrical content is unsurprisingly decidedly less family-friendly. A real highlight, the infamous “Dollaz + Sense” is one of the most ruthless diss tracks of all time. The brutal lyrics ride a laidback West Coast beat, flipping a sample from Young & Company’s “I Like (What You’re Doing To Me)” as Quik fires lyrical shots at his arch Compton nemesis, MC Eiht. On the loping, hazy “Let You Havit”, Quik is again in gangsta mode, with more bars of barbs aimed at Eiht, rhyming over sun-kissed synthy-rollerskate funk.

Some of the finest tracks on Safe + Sound are those designed to de-stress. The evocative “Summer Breeze” is a classic warm-weather jam, anchored by a twangy funk guitar, breezy string arrangement, and a soulful hook delivered by Dionne Knighton. Quik’s nostalgic lyrics are not far from DJ Jazzy Jeff & The Fresh Prince’s “Summertime”, reminiscing over barbecues at the park, young love, and the brevity of halcyon youth. The relaxed and jazzy “Quik’s Groove III” is another highlight, as bass, guitar, piano and flute combine to create a smooth, soulful instrumental.

The swaggering “Shack Up”-sampling “Sucka Free” features a cameo from Playa Hamm, all funky braggadocio and over much too quikly (pun thoroughly intended). The jazz-flavoured “Keep Tha ‘P’ In It”, again featuring Playa Hamm but this time extending the cameo invitations to Hi-C, 2nd II None and Kam, is pure laidback P-Funk. The deep bass and industrial drums make sure the groove hits hard.

“Tanqueray” was originally a hidden track on the CD version of the album, but it’s too good to hide. This wild party samples Brass Construction’s gigantic “Get Up To Get Down” and soars in its drunk-ebullience. An apt way to close this party-driven set.

This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Safe + Sound was originally pressed as a double, so all that was missing was the CD’s hidden bonus track “Tanqueray”, so we’ve fixed that. The original vinyl release never got a picture sleeve, so we’ve recreated the original’s promo-style silver-sticker and plain black jacket. A subtle cover for a wonderfully unsubtle record.

Another instant classic 45 guaranteed to be all over DJs set lists. With their sophomore full length coming in September, they treat us to another bomb of a two sider. Side A is a cover of the Dr Dre hit XXplosive done up in proper BRSB fashion, smashing drums and steel pans playing the lead and bass lines. They take this one into new territory by adding synth parts and dubbed out horn lines playing Nate Dogg's infamous vocal hook melodies. Side B takes on one of NYCity's grimiest Hip Hop club anthems, Mobb Deep's Burn . We decided to do this tune and demoed it out long before the unfortunate passing of Prodigy. Unfortunately, he will never get to hear this cover, and that has been one of the nicest things in covering some of these more current Hip Hop tunes. Rest In Peace P. BRSB manages to do it again.....a version equally as raw and punchy as the original. Pans bang out the iconic riff from the original, theremin ushers in the changes, and the low rubble of the synth bass is sure to crush the subwoofers.

Now celebrating its 30th anniversary, and arriving as a specially expanded edition to mark the occasion, the Murder Was The Case soundtrack remains an iconic work in hip-hop history. Originally accompanying the short film directed by Dr. Dre and Fab Five Freddy, this album embodies the essence of West Coast gangsta rap of the 90s. Featuring tracks from legends of the game like Snoop Dogg, Tha Dogg Pound, and more, it captures the gritty realities of street life with raw lyricism and infectious beats. From the haunting title track to the catchy grooves of 'Natural Born Killaz,' each song immerses you in the vivid world of the film and the era's burgeoning rap scene.

Ten years ago Wiz Khalifa released his fifth studio album and his third major label release, Blacc Hollywood. The album featuring the lead single "We Dem Boyz" debuted at #1 on the Billboard Top 200. The album was produced by frequent collaborator I.D. Labs with additional production by DJ Mustard, Ghost Loft, Choppa Boi, Jim Jonsin, Fanatik N Zac among others, Out of print on vinyl since it was released, Get On Down is proud to present a limited edition pressing of Blacc Hollywood pressed on Blacc Tattoo Ink-In Clear colored vinyl, packaged in a high gloss gatefold jacket with a 10-year anniversary commemorative OBI limited to 1000 numbered copies

bring you a 7 inch scratchsafe™ battle record.

A narrow head-gauged deep cut non skip 7" DJ battle tool at 83bpm.

Standard scratch samples with AI generated voices from well known celebrities!


Featuring - Alex Jones, Bart Simpson, Kermit the Frog, Stan Marsh, Angry Male, Adam Sandler, Alan Partridge, Cleveland Brown, Jerry Springer, Rick Sanchez, Snoop Dogg, Donald Trump, Tucker Carlson, Eric Cartman, Stewie Griffin, Greta Thumburg, Arnold Schwarzenegger, Joe Rogan, Limmy, Peter Griffin, Peter Kay & Simon Cowell
Includes an additional x2 Portablist Lounge vinyl marker stickers for easy application
Digital download not available.

Weighing in at 40gms.

Portuguese renegades Diogo and DJ Doggo bring us sexy broken beats, in-your-face samples and sumptuous bass on this new EP from Welt Discos. First, Diogo caresses us with the soulful shuffle of ‘I Need U’ and his moody remix of ‘Aileron Pt. 2’ by jazz-funk band Yakuza. On the flip, DJ Doggo hits us with swung party grooves on the garagey ‘In My House There Will Always Be House’ and the body rockin’ ‘Let Me See You Dance’.

Vinyl-Neuauflage zum 30-jährigen Jubiläum von 'Above The Rim (The Soundtrack)'. Dies ist das erste Mal, dass die komplette 21-Song-Trackliste auf Vinyl erhältlich sein wird. Alle bisherigen LP-Veröffentlichungen bestanden aus 18 Titeln. Sie wird auf doppeltem gelben Vinyl mit orangefarbenen und roten Spritzern erhältlich sein.

Bei seiner Erstveröffentlichung verkaufte sich 'Above The Rim (The Soundtrack)' über 2 Millionen Mal und hielt sich 10 Wochen in Folge auf Platz 1 der Billboard R&B Albums Chart. Der Soundtrack ist vollgepackt mit Songs von so namhaften Künstlern wie Tha Dogg Pound featuring Nate Dogg und Snoop Doggy Dogg, Dr. Dre, Warren G, DJ Quik und Al B. Sure! Zusätzlich enthält diese spezielle 30. Jubiläumsausgabe nun Tracks von 2Pac 'Pain' (feat. Stretch), Lord G 'Mi Monie Rite!' und 2Pac 'Loyal To The Game' (feat. Treach & Riddler).

- Ltd. Col. 2LP: (Yellow w. Red and Orange Splatter Vinyl)

Snoop Dogg’s fourth studio album, No Limit Top Dogg, debuted on May 11, 1999, under No Limit Records and Priority Records. Working alongside renowned producers like Dr. Dre, Dj Quik, G-One, Jelly Roll, Bud’da, and Meech Wells, they created the signature West Coast G-Funk sound that is synonymous with Snoop Dogg. The album reached the #1 spot on the US Top R&B/Hip-Hop Albums chart and peaked at number 2 on the Billboard 200. Featuring hit singles ‘Buck’em’ (featuring Sticky Fingaz), ‘Down 4 My N’s’ (featuring C-Murder and Magic), and ‘Bitch Please’ (featuring Xzibit).

a a1 Dolomite Intro (Voice Uncredited – Dolomite)



e a5 Dolomite (Voice Uncredited – Dolomite)

a a1 Dolomite Intro (Voice [Uncredited] – Dolomite)



[e] a5 Dolomite (Voice [Uncredited] – Dolomite)

With Lucifer, Kompakt presents an album of rare beauty from two masters of modern music. A family affair, it’s a collaboration between the Italian father-and-son duo of Luciano Michelini and Lorenzo Dada, whose combined histories bring to Lucifer a depth of experience alongside clarity of vision and a finely tuned, neatly developed combined compositional voice. A lovely, beguiling suite of music that combines the electronic and the acoustic, the urban and the pastoral, its gorgeous night-eye vision and tender melancholy sits neatly within the Kompakt universe, while offering the curious listener some rich new perspectives.

There is already plenty to know both artists by. Lorenzo Dada creates across multiple fields – a techno producer and DJ who has already worked with the likes of Jay Haze, Fete, Leo Benassi, and Der, he’s released a small clutch of stylish, smartly designed EPs, and a solo album, Second Life (2018). His complementary background in classical music and composition informs his ensemble project, Tears Of Blue (who appear on Lucifer), where Dada paints with neo-classical tones for a quartet of violin, viola, cello and grand piano, supplemented by electronics for live performance.

Luciano Michelini’s history is yet richer. He may be best known, to many, for his piece “Frolic”, the theme to Larry David’s Curb Your Enthusiasm series; it was also sampled by Snoop Dogg for 2022’s “Crip Ya Enthusiasm”. But there’s much more to Michelini’s story. A successful soundtrack composer, Michelini both studied and taught at the Conservatoro di Santa Cecilia, and worked for RCA from the sixties to the eighties; his soundtracks from this period are gorgeous examples of the form, particularly his work for Il Decamerone Nero (1972), L’Isola Degli Uomini Pesce (1979), and the devastatingly gorgeous Dimensione Donna (1977).

In the eighties, Michelini and his wife Anna Gutling founded the Electronic Music Division studio and academy in Rome, which is where the majority of Lucifer was recorded. Dada reflects on the experience: “We never worked together before, so it was all new for both of us,” with Michelini adding, “I truly love this experience with my son. He’s a talented pianist and composer. I am not very familiar with electronic music nowadays, but we did it fluently.” There’s certainly a familial energy at play through Lucifer, and you can hear how Dada and Michelini, through exploration and experiment, find a shared language, balancing Dada’s tendency toward minimalism, and Michelini’s composerly voice.

Lucifer flows as a suite that interweaves electronic music with acoustic instruments: the lonely sigh of saxophone; Michelini’s lush, verdant piano; the weeping strings of Tears Of Blue (recorded at the studio of Michelini’s friend, the late Maestro, Ennio Morricone). These multiple voices are located within the electronic sighs and swarms from Dada’s kit; there are moments of propulsion, and passages of lambent drift, where the album revels in its tonal sweetness. If it flows so effortlessly, that’s because Lucifer was designed that way, as a suite or a sonata of sorts.

And the title? Dada reflects, “Lucifer was an angel who decided not to be one anymore. The miracle of life is that we can decide what we want to be, even if we are born as angels or vice versa.” This feels somehow apposite: there’s certainly something of the transformative, and the transportive, in Lucifer, a unique family collaboration of rare poetry and sensitivity, where two generations meet in the modern crucible that is the electronic music studio.

-Entire album produced by HAVOC of Mobb Deep.

-Having a West Coast lyrical perspective by Ras Kass on this production is like having Kendrick Lamar on a QTip track.

-Features from Method Man, Twista, Philly Freeway, Fame (MOP) Kurupt (Dogg Pound) Raekwon the Chef, and more.

-Appearances by Sway, DJ Kid Capri, KD Aubert, Kxng Crooked, and other celebrity personalities.

GUTTR is not only a collective of respected legendary Hip Hop emcees and up and up-and-coming artists, but also a mindset. GUTTR is a collective, and in a sense, Rap’s first unionization. The entire project was produced by HAVOC from Mobb Deep and spearheaded by Executive Producer, Storm. This debut project is front-manned by West Coast renowned lyricist Ras Kass and Philly's newest buzz, R.J. Payne. The two share sharp bars along with a star studded list of stellar guest features. With HAVOC supplying the entire album's soundscape, the music is respectfully reminiscent of the classic Mobb Deep albums we all know and love. Having a West Coast lyrical perspective by Ras Kass on this production is like having Kendrick Lamar on a QTip track. This combination creates a sound that is different, unique, and magical.

To quote Ras Kass, "We all miss P(rodigy) and that classic Mobb Deep Energy, there is no replacing that or him, period! I did want to pay homage to them and channel that vibe. Havoc being on board to set the musical canvas on an entire album for brothers to paint these bars has been the opportunity of a lifetime."

Coming in hot with 11 tracks of straight up BARS, this album marks a once-in-a-lifetime collab that has been years in the works.

2023 repress on Translucent Purple double vinyl! A Brand You Can Trust is the classic 2009 debut album from hip-hop supergroup La Coka Nostra feturing House of Pain's Everlast alongside Danny Boy & DJ Lethal with Ill Bill (Non Phixion), and Slaine (Special Teamz). Additional contributions come from such hip hop elite as Snoop Dogg, Cypress Hill, Immortal Technique, Bun B and The Alchemist. A breath of fresh air in the days of contrived airbrushed rap music, Ill Bill explained that, "This record is a no holds barred burst of hardcore hip-hop to the fullest, representing everything we love about this art form but feel is missing from the game right now." "This shit bangs," Slaine added. "We set out to make a boom bap hip-hop record and we did that, but to stop there would be selling it short, because lyrically, musically, and sonically this album doesn't fit in a box." Though similar stylistically to the group's prior 2009 online releases, the debut album features songs grounded more in reality. Subjects touched upon include politics, death, drug addiction, raising a child and terrorism. AllMusic gave four out of five stars. Andrew Kameka of HipHopDX wrote that "the album is a mostly solid effort and exactly what someone would expect from a supergroup of like-minded members known for high-energy music". Adam Kennedy of the BBC while praising some the moments of the album said "it's a tantalising parting taste of potential capabilities, yet until they improve a customer satisfaction hit rate that barely troubles one in three tunes here". Steve Juon of RapReviews gave it a seven out of ten. Thomas Quinlan of Exclaim! said "La Coka Nostra are an interesting collection of collaborators that live up to the hype".

DJ Drama said about the album: I don't want to dramatize it too much – no pun intended, But the album is just bangers, something that can rock from beginning to end.
Guest appearances on the album include T.I., Young Dro, Sean P, Lonnie Mac, Ludacris, Willie the Kid, Trey Songz, Gucci Mane, LA Da Darkman, Yung Joc, Bun B, Flo Rida, Mike Jones, Rick Ross, Trick Daddy, Ray J, Akon, Fabolous, Yo Gotti, OJ da Juiceman, Nas, Scarface, Marsha Ambrosius, The-Dream, Too Short, Styles P, Jovan Dais, Snoop Dogg, B.G., Juvenile, and Soulja Slim. The producers on the album include Drumma Boy, Tricky Stewart, Cordale "Lil C" Quinn, and DJ Khalil, among others.

Repress!

Repressed, note price increase. Remastered from the original masters and pressed extra loud for DJs. There are very few albums across any genre that stand the test of time better than 93 ‘Til Infinity, the classic debut record from the Hieroglyphics crew’s very own Souls of Mischief. In an era where Gangsta Rap and G-Funk dominated the West Coast Rap scene, Souls broke ground on a completely unique and thoroughly west coast sound. While the Dr. Dre’s and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 ‘Til Infinity was propelled into success by its title track and lead single, which reached #32 on the Billboard Hot 100. It also featured singles “That’s When Ya Lost” and “Never No More” which also reached the Hot Rap Singles. In 1998, the album was selected as one of The Source’s 100 Best Rap Albums of All Time. Considered by many to be a textbook “slept-on” classic Rap record, 93 ‘Til Infinity has only grown better with age. The album simply defines the Hiero golden age with a sound that would later be fine tuned with strong releases from MCs Del The Funkee Homosapien, Casual and Pep Love. It takes some serious bravado to name your album 93 ‘Til Infinity, but certainly the goal of creating a Hip Hop “classic” must have been on the collective minds of group members A-Plus, Tajai, Opio, and Phesto when recording this landmark moment in Hip Hop history. It’s true, even seventeen years after the album’s initial release many people are still discovering it, and with this re-mastered reissue on double vinyl, fans all over the world will once again discover the brilliance that 93 ‘Til Infinity delivers and will continue to deliver beyond infinity. A1. Let ‘Em Know (Produced by Domino) A2. Live and Let Live (Produced by Domino) A3. That’s When Ya Lost (Produced by Del tha Funkee Homosapien) B1. A Name I Call Myself (Produced by Del tha Funkee Homosapien) B2. Disseshowedo (Produced by Domino and Jay Biz) B3. What a Way to Go Out (Produced by Domino) B4. Never No More (Produced by A-Plus) C1. 93 ‘til Infinity (Produced by A-Plus) C2. Limitations feat. Casual (Produced by Jay Biz) C3. Anything Can Happen (Produced by A-Plus) D1. Make Your Mind Up (Produced by Del tha Funkee Homosapien) D2. Batting Practice (Produced by Casual) D3. Tell Me Who Profits (Produced by Domino) D4. Outro (Produced by Domino)

2023 Repress

Snoop Dogg is a legendary personality. He burst on to the scene in the early 90’s and stole the show with his appearances on Dr. Dre’s classic album, The Chronic which cemented him as a prominent figure within the halls of hip hop. Since then he has gone on to release multiple platinum albums, star in major motion pictures, and even host a TV show with the one and only, Martha Stewart! In 2017, Snoop releaed the album, Neva Left which was a call back to the style that gained him notoriety. Packed with features from the likes of Too $hort, Wiz Khalifa, K CAMP, Nef The Pharoah, Devin the Dude, KRS-One, Redman, Method Man, BADBADNOTGOOD, Kaytranada and more.

Sampled Funk : all the pearls of the Groove, sampled by the greatest hip-hop and R&B DJs and producers. From the first block parties of the 1970s to the digital revolution, the organic rhythms of the funk, disco, and soul music craftsmen have provided the DNA for countless rap classics. The new volume of the Give Me The Funk series explores the groove treasures sampled by hip-hop and R&B"s greatest DJs, producers, and other " creative diggers ". Cramp your style, here come the hotsteppers! From Johnny Guitar Watson to Instant Funk to B.T. Express and Clarence Reid, Sampled Funk goes back to the source of must-have tracks from Eric B & Rakim, Kanye West, Beastie Boys, De La Soul, Cypress Hill, Dr. Dre, Snoop Dogg and many more.

AMG (whom The Source called “more foul mouthed than a late 70s Richard Pryor concert film”), was a part of Courtney Branch and Tracy Kendrick's Total Trak Production crew which developed DJ Quik, 2nd II None, Sylk Smoov, Hi-C and Boss. He made his first appearances on DJ Quik's debut album Quik is The Name. In December of 1991, AMG released his self-produced debut solo album Bitch Betta Have My Money with the platinum selling lead single of the same name. This reissue has this West Coast 90s classic on vinyl for the first time since its initial release and includes “I Wanna Be Yo Ho (Remix)” previously available only as a CD bonus track.

Die lang erwartete offizielle Veröffentlichung von "Thy Kingdom Come"! "Thy Kingdom Come", das ursprünglich am 30. Juni 1998 auf Dr. Dre's Aftermath Entertainment veröffentlicht werden sollte, ist das fünfte Studioalbum von King Tee. Zur gleichen Zeit Aufgenommen wie die Multi-Platin-Alben Dr. Dre - "2001" und Eminem - "The Slim Shady LP", enthält "Thy Kingdom Come" Gastauftritte von Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA-Legende Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - um nur einige zu nennen. Für die Produktion des Albums zeichnen sich Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) und Dr. Dre's Aftermath-Produzenten DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor und Fredwreck sowie Ant Banks, Step One und SLJ verantwortlich. Das Album wurde von Dr. Dre gemischt und überwacht. Remastert in hochauflösendem 24-bit 44.1 kHz Audio im Jahr 2022.

Die lang erwartete offizielle Veröffentlichung von "Thy Kingdom Come"! "Thy Kingdom Come", das ursprünglich am 30. Juni 1998 auf Dr. Dre's Aftermath Entertainment veröffentlicht werden sollte, ist das fünfte Studioalbum von King Tee. Zur gleichen Zeit Aufgenommen wie die Multi-Platin-Alben Dr. Dre - "2001" und Eminem - "The Slim Shady LP", enthält "Thy Kingdom Come" Gastauftritte von Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA-Legende Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - um nur einige zu nennen. Für die Produktion des Albums zeichnen sich Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) und Dr. Dre's Aftermath-Produzenten DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor und Fredwreck sowie Ant Banks, Step One und SLJ verantwortlich. Das Album wurde von Dr. Dre gemischt und überwacht. Remastert in hochauflösendem 24-bit 44.1 kHz Audio im Jahr 2022.

Shogun Audio are proud to present the eighth volume of the acclaimed Shuriken vinyl series - featuring four of the most popular tracks from the Shogun vaults that have never previously appeared on vinyl

Set on yellow vinyl, this is a strictly limited edition collector’s item so don’t miss your chance to assemble a set of weapons any warrior would be proud of, when they are gone they are gone…

Club / DJ Support
Target to over 400 key DJs and tastemakers on the Shogun Audio mailing list including but not limited to Skrillex, Andy C, Goldie, Calyx & Teebee, Friction, Alix Perez, SpectraSoul, Rockwell, Technimatic, Bailey, Breakage, Danny Byrd, Roni Size, LTJ Bukem, Fabio & Grooverider, High Contrast, Lenzman, Camo & Krooked, Skream, Sub Focus, Zinc plus many others

"I was 27 when this album came out, LA was a whole different animal. I was going back and forth from NY to LA, touring a lot and trying to make progress for me and my close friends and family.

Oct 1 2002 seems like it was yesterday... The day we released the album, I got a call from Nas, completely caught me off guard. He complemented me on the writing of “Release Date” the first track on the album. Those are some of the moments I think of when I reminisce about dropping this project. It was such a turning point in my life, I was coming off of a huge push with “Restless” and the follow up had to be a smash, at the same time I was still finding my standing as a man, a young father, and an artist. It was always my dream to work with the people I’ve now been able to work with and I can listen to this album and remember exactly where I was and who I was with, it’s like time travel.

Fast forward 20 years later and I am thrilled to be able to share this body of work with you and more generations to come.

Thank you for rockin' with me for all this time.
Enjoy the 20th Anniversary Edition of MAN VS MACHINE,

From its dramatic intro, "Release Date," to the thundering West Coast march "Enemies," Xzibit's fourth and mythical album, Man vs. Machine produced by no less than Dr Dre, spent a total of 19 weeks on the "Billboard" 200 chart and was certified gold only a month after its release with over 500,000 copies sold.

The legendary album that features a heavyweight cast of featurings with the likes of Snoop Dogg, Eminem, M.O.P, Nate Dogg, DJ Premier and Dr Dre himself is now available for the first time since its original release, to celebrate its 20th anniversary!

















[q] D3. My Life, My World [Bonus Track]
[r] D4. What a Mess [Bonus Track]
[s] D5. (Hit U) Where It Hurts [Bonus Track]

US-Rapper Russ bringt den Nachfolger seiner von der Kritik hochgelobten CHOMP EP (2020): CHOMP 2 gilt als sein bislang explosivster Release, der sich mit einer Reihe von Rap-Künstlern und gefeierten Produzenten als Kandidat für das beste Rap-Album des Jahres empfiehlt. Zur Bande seiner Mitstreiter besteht aus The Game, Ransom, Papoose, Big KRIT, Westside Gunn, Styles P, Jadakiss, Lloyd Banks, Cyhi Tha Prince, Jay Electronica, Ghostface Killah, Conway The Machine, Mozzy, Snoop Dogg, Big Sean, Wale und Royce Da 5'9. Dazu gesellen sich Stars wie 9th Wonder, Statik Selektah, Hi-Tek, The Alchemist, DJ Premier, Jake One, Hit-Boy, Bink!, Boi-1DA, Harry Fraud und Mr. Porter, die neben ihm auf CHOMP 2 zu hören sind.

Teil 38 ist hier! 39 Tracks mit Cuts und Tracks des einflussreichsten Rappers aller Zeiten: DR DER, der den Stars des Hip Hops wie 50 CENT, SNOOP DOG oder EMINEM auf den Weg geholfen hat. Dies ist eine ganz besondere Waffe für alle Hip Hop Mixer und DJs.

Continuing the succesful V.38 here you have the Vol.2, 27 special cuts and tracks of the most influence Rapper of all the times, DR DRE, helped for the more importants stars of Hip Hop like 50 CENT, SNOOP DOG, Lil Wayne, Jay-Z... This is a special and powerful weapon for all the Hip Hop creators and DJ's.

V.39 here you have, 40 special cuts and tracks of the most aclaimed deejay-producer of all the times, DJ PREMIER, helped for someones of the more importants stars of Hip Hop like NAS, SNOOP DOG, GANGSTARR,... This is a special and powerful weapon for all the Hip Hop creators and DJ's.

Der Superstar unter den DJ-Produzenten veröffentlicht sein neues Album "Funk Wav Bounces Vol. 2". Die erste Single "Potion" mit Popstar Dua Lipa und dem Rapper Young Thug hat bereits über 70 Millionen Streams erreicht. Die Liste der Featurings ist beeindruckend: Pharrell Williams, 21Savage, Snoop Dogg, Justin Timberlake, Halsey, Charlie Puth, Busta Rhymes, Swae Lee, Pusha T, Jorja Smith, Tinashe, Lil Durk und viele andere. Le DJ producteur superstar au monde présente son nouvel album « Funk Wav Bounces Vol. 2 ». Le premier extrait « Potion » en featuring avec la popstar Dua Lipa et le rappeur Young Thug cartonne déjà et cumule plus de 70 millions de streams. Pour ce second volume, on retrouve une liste de featurings impressionnants, puisque se croiseront Pharrell Williams, 21Savage, Snoop Dogg, Justin Timberlake, Halsey, Charlie Puth, Busta Rhymes, Swae Lee, Pusha T, Jorja Smith, Tinashe, ou encore Lil Durk.

Repressed

It's been four-years since La Coka Nostra released their sophomore album, Masters Of The Dark Arts, (the groups first project without Everlast was also their most critically acclaimed project - featured collaborations with Vinnie Paz, Sean Price & production from DJ Premier and Statik Selektah) and the music industry has changed considerably in that time. However, a few things still remain constant; La Coka Nostra will always be as their aptly-titled 2009 debut verified, A Brand You Can Trust, and the group will continue to dazzle their rapid fan-base with sold out shows around the globe with their rau-cous live performances. Always known for tackling controversial topic matter, the group’s new album, To Thine Own Self Be True, finds them once again in torchbearing mode, addressing subjects that most artists shy away from.“This album was created during a time of unique and individual transformation for each member of the group” ILL Bill stated. “Speaking for myself, it’s been a heavy last couple of years.It’s definitely the most personal record we’ve made under the La Coka banner and while we’re still making music that’s hard as fuck, there’s a maturity to this latest batch of songs that makes it different from a lot of the older stuff. I notice the biggest reactions come from the songs our listeners can personally relate to and we needed to make a record like this right now, not only for the fans, but for ourselves. I got alot off my chest on this one. Making music can be extremely therapeutic and making To Thine Own Self Be True was a rebirth and a re-ignition for me.” Slaine had a similar take on the projects thera-peutic manifestation “You don’t put as many years in the game as we have without having ups and downs. We all have gone through struggle and adversity—personally and professionally”Slaine la-mented. “This album was recorded as I walked out of a very dark time toward a place of truth and understanding. Music has been how I feed my family, my plane ticket around the world and a place I’ve built real friendships; but at the very core it’s a tool I use to get through life.This album is a moment in time. It is visceral and real.” While DJ Lethal continues to oversee the production end ofToThine Own Self Be True, the group also enlisted Statik Selektah, Marco Polo, Salam Wreck (D-12, Obie Trice, Proof, B-Real, Tha Dogg Pound) & ChumZilla (from the Demigodz) and get vocal contributions from extended family members such as Vinnie Paz, Apathy, Q-Unique, Sick Jacken, SKAM2? & Rite Hook.

Well-loved vocal starlets of the drum and bass scene, Riya and Collette Warren have teamed up to create the stunning vocalist lead LP, ‘Two Sides of Everything’. Both originally hailing from Birmingham the women have been friends for more decade, making this a powerfully personal project. This groundbreaking album is the first time two female vocalists have teamed up in the world of 170, and the release enlists some of the scenes best-known producers from all corners of DNB’s eclectic spectrum.

With tracks from seasoned veterans such as Technimatic and Mercury Prize Award Winner Roni Size and leaders of the new school like Whiney and Monrroe and the pair have ensured all musical areas of the scene are represented. Making sure to include some more female talent, the album also includes Kyrist, and vocal support from Sofi Mari and the legendary Tali who was a huge formative influence on this duo growing up. Separately both artists have carved out significant notches within drum and bass, with their vocals on tracks being heard on timeless classics such as the forever beautiful ‘Kismet’ by Hybrid Minds and the haunting ‘One Exception’ with DJ Marky and Tyler Daley.

Double LP of classic tracks from all your favourite Tarantino flicks.

Hip Hop Collected will take you on a musical journey through the history of hip hop. This 2LP covers the first 20 years of the genre, showcasing 25 early pioneers who participated in the rise of hip hop. This compilation features music from the new labels that started to rise from the underground scene, like Sugar Hill Records, Profile and of course Def Jam. Including artists that defined a genre, a lifestyle and most of all, artists that inspired millions of young kids with both socially critical lyrics as well as classic party anthems.

This hip hop compilation album is part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

The 2LP features Kurtis Blow “The Breaks”, Grand Master Flash & The Furious Five “The Message”, Beastie Boys “She’s On It”, Rob Base & DJ E-Z Rock “Get On The Dancefloor”, and Eric B. & Rakim “Paid In Full” amongst many others.

Hip Hop Collected is available as a limited edition of 5000 individually numbered copies on red (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos and credits.

Methods of Mayhem was Tommy Lee’s first project after leaving Mötley Crue in 1999. He was joined by rapper Tilo and released their self-titled album that same year. It charted on the US Billboard 200 at #71 and went on to be certified Gold by the RIAA. The album features two singles, “Get Naked” and “New Skin”, and is full with guest appearances
- Fred Durst (Limp Bizkit), Snoop Dogg, George Clinton (Parliament-Funkadelic), Lil’ Kim, Mix Master Mike (resident DJ of Beastie Boys), Kid Rock, U-God (Wu-Tang Clan), Scott Kirkland (The Crystal Method) and Filthee Immigrants.

* Limited edition Vinyl release presented in full colour sleeve.
* Mozey boasts a catalogue of releases on the likes of Bingo Beats, Emcee Recordings, Souped Up, Serial Killaz and many more top shelf imprints. Shady Novelle features on both tracks having previously linked up with Mozey on his recent Hospital Records cameo.
* Dynamite MC features on 'Midnight Called', an artist who has collaborated with a variety of world class artists including the likes of Tiesto, Andy C, DJ Zinc, DJ Marky, The Scratch Perverts and more.
* 'Make Beleive' is a collaberation with L-Side who's coming fresh off the release of his Canral Mind Remixed project featuring Break, Spirit, Dogger & Mindstate & Alibi.
* A huge two track single that has great club and radio potential.

Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

Since her debut onto the techno scene with the 2018 release of her EP 'Post-Traumatic Rave Syndrome' on Paula Temple's "Noise Manifesto" and a string of international festival and club appearances, Femanyst has gained a reputation for militant individuality. Akua Grant sets herself apart from the crowd with her aggressive & unrelenting industrial techno sets tinged with elements of Hardcore and Gabber. She has become known for her rebellious and innovative style in her adopted home of Berlin. Her self-assured approach to gripping and brawling techno tension sees her perform a fast paced and fervent flow on the dance floor. Femanyst continues to bring her unapologetically bold signature sound with her own techno imprint "Dark Carousel" as an extension to her much revered DJ sets of twisted and aggressive, high octane electronic music.


A2 Fluid - Post Industrial Transformation
Fluid is a queer DJ and producer based in Berlin. Supporting FLINTA* DJs, producers and party events are one of his priorities. His first release begun in January 2021 and he is still modelling his sound. His interest in electronic music goes from industrial techno to ebm to trance to hypnotic techno.

Post Industrial Transformation is a track which combines aggressive sounds and a lot of industrial elements. The transformation refers to Fluid's evolving own path. This evolution is similar to the tension that builds up all through the track. This track evokes change, modification, passage from one form to another.


B1 Hybral - Unheard Voices
Hybral is a Berlin-based non-binary DJ and producer drawn to eerie energetic industrial techno. They mix and produce haunting techno, EBM, and noisy-driven experimental sounds. Hybral's productions are made of dark atmospheric patterns linked with pushing percussions and basslines as well as heavily distorted kicks and harsh industrial noises. Mixing DJ sets the track selection is ranging from contemplative ambient to stern and fast techno - connecting vast influences from Hybral's personal experiences of spending days and nights on Berlin's dancefloors. They are founder of the queer label, podcast, and event series 'Subverted' which focuses on a distinct program aiming to lead dance music back to its roots of resistance and diversity.


B2 Marsch - Mrs. Jones
Marsch is a Berlin-based dj and producer from France, who initially began 8 years ago as a music curator and selector. She started to produce when she moved to Berlin, and has mostly been focusing on this for the past few years. She would define her music as a balance between melody, energy and texture, with a blend of minimalistic elements, rhythmic and percussions, and voices and futuristic synths.


DURCH BLN/TLV is a queer collective with a clear vision of solidarity and community building. DURCH operates in Tel Aviv and Berlin trying to bring queer people together, building a culture of inclusion, diversity and tolerance. In the tradition of original raves DURCH organizes solidarity events ranging from parties, to art and community events, with the strong belief that raves are a much needed place for people to come together, celebrate their diversity and learn to respect each other. Musically DURCH is eclectic inspired by hardcore, straight forward techno, ghetto and scouse house and 90s acid.

We proudly announce the release of our first vinyl record "dogged boldness". This is a long held dream by the entire crew. With Femanyst, Hybral, Marsch and Fluid we are happy to showcase four artists that are close and dear to DURCH BLN/TLV. The record is a compilation of four hard-hitting, inciting techno tracks. Rough, bold and aggravating, just the way we like it. We are proud that we are able to continuously work with queer artists and to be a platform to further queer artists visibility.


Disclaimer: The world needs more queer artist, more queer music, more queer techno, more queer perspectives, more queer love and more queer intimacy.
No place for any racist, sexist, trans- or homophobic shit.

Artwork by Rory Midhani
Mastering by Chlar

Mind Dance unveils ‘Mystic Minds, Volume 1’ - a five track compilation warmly welcoming label associates old and new. The first in an ongoing series of VA outputs, Mystic Minds was established to provide a new space to foster the collaborative nature of the electronic underground. Whilst only scratching the surface of the cross-continental contemporary dance landscape, the first edition of Mystic Minds effortlessly showcases the breadth and depth of talent in Australia and afar.

Bad Colours is the moniker of London-born, Maryland-raised, Brooklyn-based DJ and producer Ibe Soliman. With influences of garage from both sides of the Atlantic as well as funk, post-disco, proto-house and rap samples; his debut album 'PINK' is set for release by Bastard Jazz on 26th February 2021.

The drive to record an album came about while isolating at home in Flatbush during the COVID-19 pandemic. Inspired by some rough ideas and samples that friends sent him, Ibe focussed his attention on making music. From time well spent soaking up and storing sounds from clubs around the world, Ibe found, now with the time to dedicate towards it, the tracks flooding out. Taking cues from early Trax records and Larry Heard, the UKG musicality of MJ Cole, Todd Edwards' vocal sampling techniques, the brashness of Bmore, and an encyclopedia of disco, funk and soul knowledge; Ibe got to work and quickly compiled more than enough tracks for a full-length release.

Flowing from the album intro 'PINK!', first single 'Cookin' vibes over a Chris Faust sample and saxophone from south California virtuoso Carras Paton. 'Feelin' Like' was originally built around a short vocal sample by Jarv Dee, but grew to include additional lyrics on black power from the Seattle rapper after he heard it: "Dancey stuff with a message" says Ibe.

Slow jam 'Heyyy', with its preemptive lyrical synths, bridges to the album's next single 'Get You Off'. Ibe had been listening to a lot of Marvin Gaye - particularly 'I Want You' - during lockdown, getting into the production and vocals. After writing the "I just wanna get you off" hooks, he handed the track over to talented singer, actor and playwright Marcus Harmon who wrote the verses and provided the stunning vocal performance.

Keeping the sensual vibe, 'Skin To Skin' samples vocals from 'Private Play' by Wash 'N' Set, also produced by Ibe, with the Chris Isaak-esque guitar lines by Lex from Foreign Tapes. Made late at night, CMYK reminded Ibe of driving at night in the rain in NYC, where the colors bleed together on the wet road while 'Boss', the first track made for the album, is based around a Sunny Jones sample. The closing track 'Feel' was made at the peak of Black Lives Matter protests. "I just wanted something hard sounding," says Ibe.

Known for his residencies at some of New York's top venues, Ibe has been rocking crowds as a DJ for over a decade, and has shared the decks with the likes of James Murphy, Mark Ronson, and Q-Tip. He's performed alongside Wiz Khalifa, Snoop Dogg, Pusha T, and Young Thug, to name a few. In high demand as a private party curator, he's helped set the tone for Jeff Koons, FKA Twigs, Justin Timberlake, Travis Scott, and Usher. When Ibe's not behind the decks, he's in the lab, where he's produced for Kendrick Lamar, Faith Evans, Keyshia Cole, and Rick Ross, among others.

• Widely and rightly regarded as one of the best ever soul and funk bands, the now legendary Average White Band tore-up the rule book
and conquered the US, UK & International charts with a series of soul and disco hits between 1974 and 1980.
• AWB’s repertoire has been a source of inspiration and influence for many R&B acts and they are one of the most sampled bands in
history, remaining relevant today, continuing to reach new generations of younger audiences.
• Snoop Dogg, Fatboy Slim, Ice Cube, Puff Daddy, TLC, Rick Ross, will.i.am and Mark Ronson amongst countless others, have all borrowed
sections of their grooves.
• After the success of 1979’s ‘Feel No Fret’, the band went into the studio record their next album and in 1980, ‘Shine’ was released with
the worldwide Chart and Club hit ‘Let’s Go ‘Round Again’, reaching #14 in the UK Albums Chart. However, there was a back-story
behind the album’s release, which Alan Gorrie and Hamish Stuart have annotated in the LP notes.
• To celebrate the 40th Anniversary of ‘Shine’, AWB (past and present) have reconfigured the album as they had originally intended,
bringing in the four tracks that they had to ‘leave’ behind when they changed record labels. In addition, due to separate behind the
scenes situations, two further tracks were unable to be included on the album and remained unreleased until this century.
• ‘On The Strip – The Sunset Sessions’ is what ‘Shine’ could have been; a slightly longer 2LP set, heralding in the new decade.
• The album includes the singles ‘Let’s Go ‘Round Again’ and ‘For You, For Love’, as well as ‘Whatcha’ Gonna Do For Me’, which later
become synonymous with Chaka Khan, who recorded it the following year, having sung on an early-take for AWB, when they were
recording the album. ‘Miss Sun’ makes it long-awaited inclusion on the album for which it had been recorded until fate dealt another
hand, with permission being withheld then appearing as the lead track on Boz Scaggs’ ‘Hits’ LP; reaching #14 on the Billboard Hot 100.
• 40 years on, Average White Band still ‘shine’ brightly and remain highly influential for today’s groove-merchants and EDM DJs.

Immer noch unerreicht2001 der Hammer - 2007 ein Klassiker! Der House-Rap-Techno-TripHop-Mix des Londoner DJ-Kollektivs Faithless wird vor allem von den Fans als das Beste bezeichnet, was Faithless in den vergangenen Jahren veröffentlicht haben. Wie wahr: sanfte Grooves, sweet Melodies, wummernde Beats und sphärische Gesänge machen Lust auf mehr. Anspieltipps: "Donny X", "Evergreen", "We Come 1" und "Crazy English Summer".

The DJ/production duo from Munich back with four tracks full of bass-heavy excursions into hybrid forms of club music close to Grime, Dancehall, Dub, Techno and the yet unnamed territory in between - their natural habitat. Lead single and first track of the EP is Copper And Lead, which features "London city warlord" Riko Dan of Roll Deep fame, spitting dangerous lyrics on a Bashment/Grimeriddim.Following this is Blurred Vision, low end monster named after their gigantic soundsystem event series, exploring the middle ground between Dub and the technoleaning 4x4 universe. Up next is Killer, a song with Warrior Queen from Jamaica, who prepares for a Dancehall dub war on a 808-heavy beat straight from Miami...err, Munich.Topping the EP off is Siren Riddim, an instrumental uptempo bomb for the apocalypse club gang and all the gunfinger crew. It's the first EP in a series of three, leading up to an Haul & Pull Up album in early 2017. With this, Schlachthofbronx will follow up their three previous original albums (2009s Schlachthofbronx, 2012s Dirty Dancing and 2014s Rave And Romance), completed by EPs for Labels like Mixpak, Monkeytown, Mad Decent, Disko B and Man Recordings as well as production work for artists like M.I.A., Snoop Dogg, Major Lazer or Bonde Do Role.

Embracing Disco, Techno and House music in all its declinations, What Ever Not introduces now British artist Reformed Society, project started by house producer Harsh Puri as a consequence of djing and collecting records since 1998, debuting with a four track old school house EP, Optimistic Chaos coherently fitting with the Italian imprint philosophy. 'Hope' has that solar, yet dusty groove folding distorted rhythmics and joyful pads around an insistent lead dubby pattern and shimmering synths. 'Optimistic Chaos' is again smooth but lightly gloomy, until a pause intoxicates one's body and mind filling them with inebriating ambients. 'Incognito' delivers a deep driving atmosphere here, featuring dogged, crisp drums together with minimalist, yet momentary cosmic motives. For the closing cut 'Detracid', the artist cooks up a brew of acid lines with the usual charming synths and vivid hats, building a light sense of tension fired up by the warm, heady sound scapes. Each track is similar to the last, stiffening the musical timbre of the label, confirming the producer's strong artistic identity as a consequence.