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Edinburgh based DJ and producer Filthy Rich, head honcho at independent techno label ‘Zimp Recordings’, is a deliciously slippery artist with an engorged techno sack who’s always at the ready to spurt his computer generated juicy tit bits all over your proverbial techno flaps.

Furious from the get go with old-skool breaks, filthy rave blasts, scratchy samples and acid-house basslines, this is a release destined for festivals and outdoor parties. And with Randolph Glahs making his welcome return to the label doing exactly what he does best with massive driving kicks, hats and cymbals coming in and out like techno terrorists, the club roofs will absolutely blow off with his remix.

Full of constructed synths, thumpin’ 4x4 kicks, focused tunnel hypnosis and smooth organ overload, the infectious “wub-wub” sounds emanating from this uplifting release will roller-disco it’s way over any sound system that can take its tight ……… FUNKAGEDDON.

Robert Hood's techno and Femi Kuti's Afrobeat intertwine in a new form where jazz-grooves reign supreme. For the fourth season of La Compagnie des Indes & Sourdoreille "Variations" live series of creations for France TV, the duo were united around the singer and producer James Brown, performing a tribute to the legendary Godfather of Soul who passed away in 2006. This "Variations" album is the live recording of this unique collaboration and performance, capturing a very special moment in time.

The evening witnessed a meeting of two icons in their own genres: one with synths and drum machines, the other on saxophone: Robert Hood and Femi Kuti embody excellence in their respective fields and the pair combined to make something truly unique, soulful, funky and spontaneous. Recorded in one 30+ minute take, "Variations" is embellished by Femi's exquisitely free-flowing yet restrained saxophone, whilst Hood anchors the groove with layers of pads and kicks with the long-time mastery of a true DJ.

Alongside Jeff Mills and Mad Mike, Hood is one of the original members of Detroit techno group Underground Resistance. His style is characterised by minimalist and experimental tones with an assertive groove. Throughout the '90s, he helped pave the way for techno to flourish - giving birth to minimal techno with his seminal album "Minimal Nation". Since then, he has been consistently forwarding electronic music culture with ground-breaking productions, sensational performances and his M-Plant label.

Alongside him, Femi Kuti takes on every musical style with his saxophone, which he plays with a virtuoso touch: pop, soul, electronic music and Afrobeat, of which he is one of the leading exponents. The son of Afrobeat singer and political activist Fela Kuti, he has inherited his father's zeal for both music and activism, where he continues to highlight the plight of most Nigerians living conditions in the oil rich state.

With "Variations" the duo capture an explosive combination on a special night in Paris 4 years ago, November 2019, filmed at the ADP Group headquarters (Paris Aéroport - Charles de Gaulle (CDG) - Roissy).

"It is so amazing when a vision comes to fruition. I enjoyed collaborating with the legendary Femi Kuti for this special project." Robert Hood

Time To Play is happy to announce “First Step”, a collection of five tracks from Various Artists showcasing the eclectic and forward-thinking nature of the label.

A1 is the jazzy house workout “Recognizing Strenght in Healing” by Meftah, an uprising talent from the Detroit scene who already had a few releases under his belt and was featured on the Theo Parrish Dj Kicks comp; A2 marks the return of label regular Colosimo with the acidic cut “It Works” featuring Alessandro Barbieri on percussions.

On the flip side, B1 the trippy jam “Hyper Dino + -“ by another label affiliate – Phonorem, featuring Stefano Nardon on Wurlitzer, followed by LSZ’s sunrise dancefloor burner called “21 – 12 – 21”. The closing track is Dj Dreamboy’s “Sunset Groove”, an old-school Chicago reminiscent track that keeps what is promised by the title.

Trym Søvdsnes is a relative newcomer to the scene, but he’s been putting in work in and around Bergen for years, scoring a residency at the infamous Café Opera, where he snagged the attention of local house legend Bjørn Torske. Soon, the duo were DJing, producing and performing together, eventually running the monthly radio show Pigs in Space where they would go head-to-head for six hours at a time, plumbing the depths of their immense record collections.

It’s this lust for bottom-of-the-crate oddities that guides Søvdsnes’ self-titled debut album, a concoction of dub techno, hard-swung house and percussive club music that positions itself a few paces away from any conventional modes. Basically, a perfect fit for Le Jazz Non.

‘Gølles Dans’ opens with a filtered acid bassline and bone dry kick that’s like some psychedelic, slower variant of Basic Channel’s ‘Enforcement’, slicing into the groove with gristly acoustic percussion that drags it up from the basement. The producer leans into asymmetry on ‘Døgnrytmen’, wrangling 303 squelches with booming Berghain kicks and tight snares, enhancing the psychedelic potential by layering ticking percussion into loopy spirals. If you’ve ever caught an extended Dozzy set, this is the kind of ruff-edged gear he would likely play an hour before sunrise. ‘Ordnings Mix’ is weirder still, slopping chirpy bleep/rave stabs into a jazzy hybrid that sounds like a bossa meltdown.

Søvdsnes saves his most cosmic mettle for last, on ‘Cowboy Acid (Solstikk Dub)’ he strips the kickdrum to a faint knock, before building up into a sort of screwed Metro Area mirrorball that sounds brilliantly out of time.

Tuff City anthology of early Hip-Hop solo performers with insert 7" half on red, half on yellow vinyl featuring Spoonie Gee, T-Ski-Valley, Ultramagnetic MC’s featuring Kool Keith, Grandmaster Caz, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s.

Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint.

The Solo MC’s kicks off with Harlem’s pioneering Spoonie Gee’s influential “Spoonin’ Rap” from 1979. “Catch The Beat” from T-Ski Valley captures the post-Disco Bronx era of Rap. The side closes with the underground personality Funkmaster Wizard Wiz whose “Knucklehead Rappers” came after he broke from The Undefeated Three. Brooklyn’s Jimmy Spicer delivers a 14+ minute marathon “Adventures of Super Rhyme (Rap).” Grandmaster Caz from Cold Crush is paired with the Fantastic’s Whipper Whip for “To All The Party People” Captain G Whiz from Freddy B’s Mighty Mic Masters closes with his solo 12” track “All The Way Live.” The bonus single features a Kool Keith solo from the Ultramagnetic MCs backed with Grandmaster Caz by himself doing “I’m What Is and You’re What Wants To Be.” Track Listing: A1 Spoonin' Rap-Spoonie Gee; A2 T-Ski Valley-Catch The Beat; A3 Funkmaster Wizard Wiz-Knucklehead Rappers; B1 Adventures of Super Rhymes-Jimmy Spicer; B2 Grandmaster Caz with Whipper Whip-To All The Party People; B3 All the Way Live-Captain G. Whiz; Single A: Ultramagnetic MC's-Kool Keith Wild; B: Grandmaster Caz-I'm What Is Your What Wants To Be

Jeigo dropped a thrilling debut album Cerulean back at the end of 2022, worked in a tune with Elkka for her DJ-Kicks mix and also remixed Bicep not long ago.

Now he follows all that up with a firing four-track EP on Tread Records that again collides different club sounds, great samples and hooky melodies. 'Hatchet's Cave' is hands-in-the-air house euphoria with blistering drums and warped pads, then 'Move X' is a gritty tech bouncer and 'Compulsions' is a bubbly one with crisp hits.

Nervous Horizons label boss Anunaku remixes the title track into a bass-heavy banger and four locked grooves feature on this 12" for adventurous DJs to play with.

For this special release he provides 8 cuts of advanced techno, from mental and hypnotic to broken and industrial or simply arpeggiated and beatless.

WHEN THE UNCANNY ARISES starts with No Gender Role an elastic mental exercise with metallic and processed components flying over a solid kick and white noise percussive elements add some hypnotic pads and you have a powerful mind and body tool.

Blue follows in a similar approach, clean drum programming, bleepy synth lines and a progressive arrangement constantly evolving and changing Flipping the vinyl, it’s time for the broken rhythms of Feel and understand combining distorted kicks with gummy sequences again administered in a quite wise structure.

Klonger closes the B side with obsessive metallic hits repeating until madness, a powerful industrial beat for the experienced dj’s out there.

The second vinyl slice begins with Negative One, returning to the martial beat combining a precise drum workout with floaty and liquid components, followed by Anonimo coercitivo exploring the deepest side of techno using textures and drones to spice the relentless beat.

Zero opens the C side, providing a solid distorted groove with metallic details and sci fi interstellar bell like sequences, proper futuristic vibes here.

Saying goodbye, the beatless Nothing To fear, an arpeggiated synth solo reminiscent of the old Berlin School of electronics from the seventies.

A touchable proof of his craftsmanship in the studio by one of the key figures in the European techno scene.

repressed !

To celebrate 25 years of the label, Tearin Vinyl’s debut release ‘Brok Out/London Talk’ has been repressed on krome (silver!) 180 gram vinyl. Originally crowdfunded on Kickstarter in 2019, meeting it target in less than 24 hours!

DJ Krome & Mr Time take you back to 1994 with two heavy hitters that were heavily rotated back in the day. This is Jungle Music as it should be heard, written by two of the genres finest purveyors. It’s now 2020 and the Jungle scene paved the way for Drum and Bass, which has since spawned numerous other genres which built the foundations that have supported many of todays EDM producers.

Glasgow’s iconic and highly influential progressive house label Limbo Records celebrates it’s 30th anniversary. An incredible compilation across two 12”s in an expertly designed gatefold sleeve with a poster insert that takes a look back at some of the biggest tracks that graced the label over the past three decades.

A true collector’s item, showcasing the power and presence of this Scottish stalwart, lovingly remastered by Davie Forbes and reissued for a whole new generation of listeners. The compilation kicks off with Havana - Schtoom, the record that started it all given the remix from legendary Scottish duo Slam, before the party anthem ‘Buruchacca’ from Mukkaa aka Kiltie and Crichton gets a signature remix Apollo 440.

Elsewhere Gypsy hit with undeniably one of the highlight tracks in the Limbo catalogue ‘I Trance You’ and Sublime serve up another of Limbo’s classic releases, the dance floor banger ‘Transamerican’ which topped all the charts at the time.

Take to side 3 and you’ll find the second release on Limbo a percussive drum laden epic from Havana entitled ‘Shift’ that planted Limbo firmly in the must buy section of record shops across the UK. Another highlight on side 4 sees legendary Glasgow DJ Harri of Sub Club fame with his debut on Limbo – a superb slice of hard to house.

All in all, this is a serious slice of history that every collection should have nestled in its racks.

Raw Materials Records’ back with their second V.A. showcasing an all italian lineup of local heroes, revered masters and talented newcomers.

Soundwise, the E.P. kicks off with Sicily’s finest Manuold serving a 90’italo house flavored rocket, keeps on banging with Curl’s Mpc craftsmanship skills, then going harder and darker with the acid tinged sounds of LSZ.

On the flipside, maestro Dj Soch serves another pure italian sounding house jam, followed by Davide Del Vecchio’s melodic lines and closed by the downtempo oddball by DJ Rou to complete the wide sound panorama journey suited for house enthusiasts and djs.

Have a listen, this one will stick in your bag for quite a while!

There's no denying Marcel Fengler's profound impact on the ever-changing techno landscape. A pioneer in his own right, Fengler's works have flooded dancefloors and set lists worldwide for decades, and that shows no sign of changing anytime soon. His latest work is an all-encompassing four-track EP titled "Unleashed", including a remix from sought-after Stuttgart duo SHDW & Obscure Shape.

Kicking off with the title track, "Unleashed" introduces the EP with high-octane rhythms, pulsating low frequency sonics and rave like harmonic layers. An unrelenting onslaught of fast paced thumping techno, built around long, sweeping notes, vocal injections and a piston-like bassline, this one was made for the height of the party. "Caution" is next to feature, presenting itself as a robust industrial number with harsh percussive drive and endless layers of cadence throughout the mix. Weighty yet groovy in a unique up-tempo way, its robotic vocal splashes make the perfect accomplice for its potent warehouse vibes.

"Cypher" pulls you into the second half of the EP with rattling rhythms and more gritty sweeping musicality. Exhibiting the depth in his production skills, Fengler loads up the mix with a kaleidoscope of percussive elements alongside thumping kicks, surging synths, and another haunting robotic vox before SHDW & Obscure Shape get their teeth into a signature remix. Taking it deeper and darker, the duo's emphasis on subtle progressions and increasing intensity throughout the mix with offbeat trickery and creative unpredictability make their remix of "Cypher" a certified peak-time bomb.

"It has been quite a journey with this EP, as I've been exceptionally discerning about the sound and the entire production process. My goal was to create a release tailored for the dance floor, with the right amount of energy for peak-time moments, while also ensuring a profound and well-structured sonic experience. After testing potential tracks in my DJ sets, I distilled what I believe captures the essence I want to share with the audience. Furthermore, I'm thrilled to have SHDW & Obscure Shape on board for a formidable remix. Their work carries echoes of the raw and forceful sonic textures from earlier times, which I hold in high regard. I'm genuinely delighted with how everything has come together, and I hope you enjoy it!" - Marcel Fengler
Order IMF012 now

Copenhagen’s Terry Tester (Brownswood / BBE) serves up five slabs of deep and gritty Detroit-inspired house on new outing ‘Walkin’’ for Creak Inc., seamlessly weaving snappy snares and crunchy kicks into soulful chord progressions in his trademark MPC-infused sound. For fans of Kyle Hall, Zopelar, DJ Spinna, Jason Hogans or Jay Sound
Within Terry Tester’s two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood, Jahi ft. singer Dwele, and Marc Mac on BBE remixing alongside DJ Jazzy Jeff.
Terry’s latest efforts has yielded spins from influential selectors such as Carista, Sassy J, Alexander Nut, Mr Beatnick, Soulection and FS Green.

Walkin’ releases via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music.

After impressing with recent outings on the likes of Chocolate Star back in September, KNOE1 is back with a fresh new EP that is for DJ Use Only. This one on Truseschool Ltd kicks off with 'Inside Out' (Boogie dub), a fresh take on a classic tune you may well know if you dance in classy places. It's a timeless cut with gorgeous vocals and hip swigging drums and finger claps that oozes warmth and soul, not to mention lush strings at the breakdown. Flip it over and you will find 'Feels So Good' (Diskomix) which his more uptempo but no less full of magical groove and disco dazzle. Another great outing from this ever more vital artist.

Semi Delicious return for their 16th edition with the impressive ‘Asylum Of Love’ VA inviting faces old and new to the imprint. A label noted for bringing together impressive collections of talent, SEMID016 is no exception with contributions from Krywald & Farrer, Gallegos, Tattie Dee, Omar Smadar & DJ Gear, Scarlett O’Malley & label boss, Demi Riquisimo.

The A-side welcomes Krywald & Farrer, Gallegos and Tatie Dee. The release kicks off with ’Seize The Source’ from the aforementioned Krywald & Farrer. A classic house beat with modern, psychedelic flourishes, the track sets the tone nicely for an EP loaded with club ready heaters. Up next is label regular Gallegos with ‘Asylum of Love’, in keeping with the
house-centric motif, Gallegos delivers an acid laden, Chicago inspired weapon. ‘For My Niece’ by Tatie Dee wraps up side one on dreamy, Balearic tip.

Omar Smadar & DJ Gear’s ‘Check One’ opens up the B-side. A cruising progressive jam that's certain to be heard throughout the autumn and for the duration of 2023’s club season. Next Rinse FM resident and Club Cowgirl label boss Scarlett O’Malley makes her Semi Delicious bow with the grooving percussive ‘Hey Party People’. Demi himself puts the finishing touches on SEMID016 with a 2023 interpretation of his own ‘Rocking You Internally’ from his own ‘Mirage Over’ EP, released on the same imprint.

Introducing the eagerly awaited second instalment of Fabio's meticulously curated collection of liquid Drum & Bass classics - 'Generation Liquid.'

Fabio, a true legend in the music industry for over three decades, kickstarted his illustrious career as a Pirate Radio DJ in the mid-80s. Throughout the years, he masterfully evolved his style across various musical genres, ranging from Dub and Hip Hop to House, until he ultimately solidified his position as one of the pioneering forces behind Jungle and Drum and Bass. Fate played a remarkable role in Fabio's extraordinary musical journey. Serendipitously, he landed a pivotal spot on the pirate radio station Phase One, all thanks to a connection through a close friend. This opportunity allowed Fabio to showcase his raw talent and hone his early skills. As destiny continued to guide him, Fabio formed a powerful partnership with Grooverider, and together, they soared to fame, headlining numerous major outdoor raves and orbital M25 parties during the late '80s acid house boom. The duo's magnetic presence and innovative sound captivated audiences, setting them apart as trailblazers in the electronic music scene.

As club culture blossomed, Fabio and Grooverider became the distinguished residents at the iconic club night RAGE, hosted at Heaven in the heart of London. Their influence was immense, as they were credited with moulding the early Jungle sound and orchestrating the world's first-ever weekly Jungle night. Fabio's unwavering passion and dedication to music have not only left an indelible mark on the industry but have also inspired countless aspiring artists. His boundless creativity and willingness to push the boundaries continue to shape the ever-evolving landscape of electronic music, solidifying his status as a true pioneer and a living legend.

After the Jungle scene declined and underwent a distinct shift in sound and style, Fabio took the initiative to establish London's first dedicated soulful deep Drum and Bass night, known as Speed. Week after week, Fabio shared the decks with LTJ Bukem, and their skilful sets eventually garnered immense popularity, drawing in not only junglists but also celebrities, club kids, record label A&R representatives, and the who's who of the West End at that time. When the curtain fell on Speed Fabio's legacy continued to flourish with the inception of his legendary Swerve weekly residency at The Velvet Rooms, which later relocated to the iconic club, The End. The influence of Swerve was profound, serving as a catalyst for the creation of influential labels like Hospital Records, Tony Coleman (also known as London Elektricity) became a regular attendee, further contributing to the scene's growth and innovation.

The term 'Liquid', was born out of Fabio's deep admiration and support for his protégé, the talented Northern Irish producer and DJ, Dominick Martin, famously known as Calibre. This inspiration led to the creation of his acclaimed 14-year radio show on BBC Radio 1, 'The Liquid Funk Show', which drew from Calibre's masterful productions that Fabio likened to "liquid gold" for the ears. Through this show, Fabio played a crucial role in breaking numerous iconic records, and artists such as Chase & Status, High Contrast, and many many more.

Now, 'Generation Liquid' takes the baton from the legacy of Speed, Swerve, and 'The Liquid Funk show', capturing the essence of the era and the soulful, deeper music that Fabio has championed throughout his illustrious career. This meticulously curated collection celebrates records that embody the spirit of soulful D&B, making it a must-have for anyone who has followed Fabio's musical journey since the vibrant days of the 1990s up until now.

The second volume of this immersive exploration into the soulful realm of Drum & Bass is just as indispensable as its predecessor. It boasts a curated collection of rarities, timeless classics, and straight-up anthems from the vibrant liquid D&B scene. Esteemed artists such as DJ Marky, Calibre, Calyx & TeeBee, and dBridge all contribute to what is undeniably becoming a seminal anthology of the subgenre. The track selection and seamless programming are expertly guided by none other than Fabio himself, providing listeners with a nostalgic glimpse into the electrifying atmosphere of being right on the dance-floor at iconic events Speed and Swerve.

Gottwax is back with its seventh instalment, and this time, the reins are in the hands of the Beeyou co-founder and FUSE regular, Laidlaw. Laidlaw showcases his unparalleled talent and versatility as a producer in the 'Prophecy' EP, solidifying his status as one of the rising stars in the scene. This four-track EP takes listeners on a journey through deep house, stripped-back grooves, and breakbeat, making it an absolute essential for every discerning DJ's collection.

The EP kicks off with 'Wait Till The End,' a deep house gem with a playful bass line, moody chords, and sparkling top notes. Each element is thoughtfully crafted, blending harmoniously to create an atmosphere that subtly builds throughout the track. 'Wait Till The End' is a flawlessly realised tune, serving as an incredibly strong start to this EP.

Next up is 'Planet 727,’ is a minimal groover with deep, subby bass and hints of tribal drums, infusing the rhythm with captivating movement. This track is one for late-night, ensuring the dance floor keeps moving till the early hours.

As the title track of the EP, 'Prophecy' does not disappoint. This groove-laden breakbeat track is brimming with deep sub bass and intricate textures, leading into an infectious melody. A must-have in every DJ's bag, 'Prophecy' will undoubtedly be the soundtrack for countless future parties.

Closing out the EP is 'That Was Well Quick,' a high-energy composition adorned with mesmerising melodic textures. With its hypnotising baseline groove and captivating top lines, this track creates an infectious atmosphere, injecting an electrifying energy into the dance floor. 'That Was Well Quick' is an absolute essential for all devoted electronic music lovers.

We are beyond excited to welcome Laidlaw to the Gottwax family and share this incredible release you. Prepare to be taken on an unforgettable sonic journey with the ‘Prophecy EP’.

Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.

ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble.

Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike.

On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds.

Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions

Moiss Music released a hot pair of EPs in February and repeat the same trick in May with another quality double drop. It is a various artists offering as always with DJ Delivery's 'Never Gonna Give You Up' a sure-fire floor-filling anthem to start things off. It's got loopy drums and string samples as well as sumptuous vocal harmony then Borka & The Gang keep the feel-good vibes alive with 'Kidding Feelings and Even Funkier's' Dance With Your Feet' is another smile-inducing bit of disco warmth with withering sic-fi synths and hip swinging claps. Jordan Reece's 'Prayer' has hints of gospel in the vocal while noodling keys and tight kicks all get looped to perfection.

Lady Tazz’s Mind Medizin imprint drops NO.NAME’s ‘Unseen EP this September.

Following the success of the label’s debut release ‘Serpent Kiss’ from Canadian/Bangladeshi producer Lady Tazz and Colombia’s Gotshell, catching the attention of Daniel Avery, Ancient Methods and Sigha, newly-minted imprint Mind Medizin returns with a fresh selection of high octane techno. Arriving following support from Rekids regular Dustin Zahn and more, Italian DJ and producer NO.NAME makes his first outing on the label as he delivers his impactful and hypnotic ‘Unseen’ EP.

Loopy synths ride a pummeling bassline in ‘Monochromatic’ as fierce kicks meet crashing symbols and unnerving vocals before ‘Unseen’ serves up more modular artillery over steamy low-ends and chilling echoes in this warehouse-ready cut.