Cerca:dj m

Limited to 300 copies. No repress.

This is Queenie DJ and Music producer from China I’m thrilled and honoured to have YangBing — a true master of Chinese electronic music — join this project with his remix for spring

About this EP — “Four Seasons (IIII Season)”It took me two years to complete this album (from pre production to Released )
This EP was inspired by the distinct feeling and atmosphere of each season. The four vinyl colours reflect that same seasonal bloom.

Track by Track:

1. Spring (Splash Fluorescent Pink Vinyl)
This song was born during Spring Festival in Guangzhou. To capture the local spirit, I sampled the classic Cantonese opera “The Princess’ Flower” — a touch of tradition. YangBing’s remix then injects vibrant electronic energy, making the track blossom with the renewal of spring.

2. Summer (Splash Blue Vinyl)
I was sitting by the sea in Xiamen, coffee in hand, feeling the sun and ocean breeze wash over me. Right then, it hit me: a jazz-house tune would be the perfect soundtrack to that summer afternoon. This track is that moment, frozen in sound.

3. Autumn (Splash Yellow Vinyl)
For me, autumn is a bridge to winter — a time for natural soundscapes. You’ll hear birds, evocative chimes, and traditional Chinese textures like the Jiangnan pipa and urgent gong rhythms. Part of this song was inspired by Yangshuo, where mountains and water truly embody the season’s essence. It’s where East meets West, sparking something special.

4. Winter (Splash Pure White Vinyl)
A downtempo rhythm to ease busy minds. Winter’s morning light enters on the lingering birdsongs of autumn, followed by subtle holiday warmth and the quiet feeling of falling snow. To me, winter is a season of gathering — of holidays, family and friends.
(coloured vinyl 12" 180g comes in different coloured vinyl, we cannot guarantee which colour you will receive))

EVPHORIA is not just a record. It’s a trigger.
140 BPM of tension, ascent and release — engineered to push the dancefloor into collective hypnosis.

Balancing power house propulsion, techno pulse and large-scale emotional lift, the track transforms a strangely familiar sensation into something raw, direct and uncompromising. No nostalgia — only forward motion. A rise that refuses to come down.

The original version unfolds as a sustained euphoric surge: driving percussion, insistent hooks and controlled repetition built for peak-time unity.
The edit version distills that energy into a tighter DJ weapon — immediate, sharp, floor-focused.

On the B-side, Inflammable Noise appears in its instrumental form — pure club mechanics, no vocals, no distraction. A stripped version that amplifies tension and turns the track into a true dancefloor weapon. Already tested in demanding environments, it notably detonated a peak-time moment when Chloé Caillet played it at Berghain — a point where the room tipped over.

EVPHORIA moves freely across scenes — from house floors pushing tempo to techno basements and high-intensity dance spaces — built for DJs chasing the rupture point.

Pressed in a strict limited edition.
Vinyl only — no digital release.

Created under the EVPHORIA imprint by Hardrock Striker — dancefloor architect and driving force behind the Skylax universe — this release stands as a physical, autonomous club statement.
Sleeve artwork by H5 (Daft Punk, Air, Étienne de Crécy, Logorama, Kanye West / Adidas), reinforcing EVPHORIA as both a sonic and visual manifesto.

EVPHORIA doesn’t ask permission.
EVPHORIA triggers.
A record for the moment the room tips over.

DJ Support: Black Coffee, Ame x Dixon, Solomun, Osunlade, &ME, Rampa and Pete Tong

MoBlack return with another killer 4 track sampler featuring some of their biggest recent releases.

Limited release act fast!

King Street Sounds are back again with their fourth installment in the King Street Sounds Sampler Series. This release unearths four classics from house music heroes such as DJ Romain, Mike Delgado, Dennis Ferrer, 95 North, Sabrynaah Pope and Louie Vega.

The EP kicks off with DJ Romain’s “All Day, All Night”. Originally released on “Nite Grooves” in 1996, a perfect example of New York house with a memorable vocal sure to keep you hooked hopefully all day and all night.

Next up is Mike Delgado with “Get Ready”. This track is a certified dancefloor filler, with those fast hitting highs and catchy keys. It is definitely a secret weapon that any DJ should use in case of an emergency.

Flipping over to the B side, Dennis Ferrer is returning once again in this series with “Dem People Go (DF's Kicked Out Mix)” Featuring Bola Belo. This Tribal House classic emulates being in the sun for the listeners, effortlessly bringing that block-party vibe.

Rounding off the EP is 95 North featuring Sabrynaah Pope with “Hold On” (Louie’s MAW Club). An already great track by its lonesome, but with house music icon Louie Vega’s magical touch it makes it a must have for any DJ who wants to get the dancefloor bumping.

King Street sounds have done it again! All killer and no filler.

DJ Support: Support by Kenneth Bager, Colleen "Cosmo" Murphy, Phil Mison, Chris Coco, Erki Pruul, Steve Cobby, Max Essa, DJ Gripper, Phil Cooper, La Guardia De La Luz, Johan Blende, Bill Brewster, Mike Salta, Pete Herbert, DJ Dribbler / For Mankind and many more.



Greek duo Bonnie & Klein serve up an Aegean musical escape with their new Glam Pulse EP on Hell Yeah.

George Fountzoulas and Thanasis Skouzis are lifelong Balearic brothers who offer up their own soul-stirring take on the sound on labels like Music For Dreams and NuNorthern Soul. They are inspired by the sunsets and seas of their homeland and bring great imagination to their melodies as this new outing proves.

'Glam Pulse' sets a gorgeous tone from the off with wavy grooves and a peppering of percussion. As well as some singing guitar riffs, sundown synths and shimmering chords make this a steamy and seductive gem. 'Haleakala' is another perfect soundtrack to lazing on the beach and watching the sun sink into the sea while new age motifs wash over you and carry away your woes. Proggy guitars speak to the soul on 'Horizon Avenue' as woody xylophones and wispy leads ride on dubby bass and 'Sunion' closes with hints of melancholy - a lament for the final dance of a long hot summer with lingering trumpets lodging deep in your heart.

Bonnie & Klein tap into real Balearic magic on this EP and effortlessly transport you to a sandy paradise.

Organic Analogue returns with a rediscovery of Beppu's rare dubbed-out electronica and circuit-bent techno. Andrew Hargreaves is the Manchester-based producer behind this alias which was first making waves back in the late-2000s. Back then it was three limited CDr EPs in 2009, which came with just 50 copies each, that made a stir and still stand up today. As such, the sought-after recordings receive a proper vinyl pressing and have been mastered by Miles Whittaker. Two distinct remixes from Demdike Stare also add further quality and contemporary context to the origins, which blend dub techno and braindance with textured noise. IPOP continues Organic Analogue's tradition of spotlighting overlooked talent having already done so with names like DJ Guy and Jean-Louis Huhta.

DJ Feedback

dBridge:
"A moment in time."

Ben UFO:
"This is gorgeous, thank you."

Tolouse Low Trax:
"Very much my start into Electronic Music back in the days. Cool Reminder!"

Stonecirclesampler:
"All time Manchester classic from one of the best in the city, incredible project and so so so happy for it to be reissued and on vinyl, original and Demdike remixes are all beyond incredible and absolutely nail the sound of the late 2000s early 2010s post-Sandwell District/Berghain techno and pre-noise/techno/post-punk - an absolute snapshot of a city and sound moving FWD, brilliant cant wait for the wax!!!"

Eric Cloutier (Palinoia, Tresor | Detroit):
"Well god damn. I mean...god damn."

Yu Su:
"These are so good. Demdike Stare's remix also!!"

Ruf Dug:
"Next level even almost 20 years later."

Silent Era (Of Paradise) :
"Great project. What a gem."

‘Absurd Matter’ is a labyrinthine sonic conundrum that spirals around the two poles of extreme noise and hiphop. It's Berlin-based Italian producer Shapednoise's first album in four years and confidently advances his narrative into the next chapter, building on the groundwork of his prior abstractions to emerge with a coherent genre-warped fusion of urgent rap, crushing bass weight and idiosyncratic sound design. After spending years scrupulously deconstructing club music, Nino Pedone has rebuilt it brick by brick in his image.

The album is the first release on Pedone's brand new imprint WEIGHT LOOMING, a multidisciplinary label platform that's set to explore the depths of bass music, textured noise and abrasive transcendence. It follows a slew of acclaimed releases for Numbers,
Opal Tapes, Type and his own Cosmo Rhythmatic label, and forward thinking collaborations with Kenyan beat alchemist Slikback and Hyperdub-signed Angolan producer Nazar. Pedone's most ambitious project to date, ‘Absurd Matter’ taps into kinetic energy from a hand-picked selection of collaborators, including New York rap duo Armand
Hammer, French DJ/producer Brodinski, Bruiser Brigade's ZelooperZ and vanguard Philly poet, musician, and activist Moor Mother.


On ‘Family’, Billy Woods and Elucid weave a dismal, apocalyptic landscape with their razor-sharp anecdotes. The duo’s macabre imagery is given artificial life by Pedone's industrial scrapes and rattles that curl around their worlds like thick smoke. It's still rap, just about, but lodges itself in the back room of a factory, machines running themselves to an early death. Pairing with techno-rap trailblazer Brodinski, Pedone edges further towards the sound system, spatializing rhythms in four dimensions around Detroit rapper
ZelooperZ's playful expressions. This is the Italian producer's sci-fi tinged liquefaction of radio echoes, a way to fire familiarity into the void and sublime the human voice into weightless mist. When Moor Mother arrives shouting "me me me" on the aptly-titled 'Poetry', it sounds as if all of Pedone's loose threads are being tightened into a knot. His misshapen neo-grime beats sound like a broken jet engine, but smartly cede power to Moor Mother's resonant rhymes. "You can't cancel me" she assures. ‘Absurd Matter’ is a defining personal development for Pedone that not only appraises his career so far, but diverts its logic into frighteningly new sonic territory. From great loss, the producer has determined his work's cardinal themes, and sounds more strident and far heavier than ever before.

New on Sublease is label boss Steve Bug teaming up with Herve Solar, an emerging talent from Geneva whose debut was featured on Poker Flats Under One Roof series previously. The two artists first crossed paths at the Mixmasters retreat in Ibiza, where Herve participated as a student under the guidance of Steve Bug. Impressed by Herves material, Steve Bug saw potential for collaboration. Upon returning to Geneva, Herve sent Steve a few unfinished tracks, sparking the idea for a joint EP. The creative process involved each artist sending a track for the other to complete, with Steve Bug adding the final touches in his Berlin studio.

No Faith, No Dreams highlights a slinky, sexy sound that will instanty win over other DJs and crowds, and is also shared here via a remix courtesy of Jürgen Kirsch. His rework is a little tougher, stripping the sound down to ist essentials before bringing up the energy with a dubby bassline and intricate percussion. Swamp Frog is the 3rd track of the release, a grooving bassline providing the anchor for the rhythm and detuned chords that lend the whole thing a wonky, loose feel for the heads.

Jason Velo hails from Wisconsin and has been DJing for years, mostly in the rams of Chicago and Detroit house., He has recently decided to branch out into production and this latest outing comes on Noonish and is deep, groovy and minimal house for afterparties in cosy basements. Opener 'Dream Wheel' has diffuse, humid chords radiating out of a gentry bumping deep house groove, while 'Slow Burn' is just that with its horizontal vibes and gentle patter of drums over a nice rolling bassline. 'Lost Remote' is far less anxious than the situation it describes, though it does have a more eerie and cosmic feel than the others with its deft melodies and larger sense of scales. Tasteful stuff.

Zurich-born, New York-based DJ Tony y Not is best known for her free-spirited sets, seamlessly weaving together techy acid, progressive, dark disco, and heart-opening indie. She brings that signature energy to her Kompakt debut with striking precision. Have You Lost Your Mind channels a touch of Swan Lake-era Todd Terry – one of NYC house’s legendary figures – delivering a razor-sharp acid line, a rock-solid groove, and one of the most flawlessly executed breakdown/drop combos in recent memory. Deep Don’t Stop follows suit, skillfully reviving the essence of ’90s New York club culture in a way that would have set Junior Vasquez’s Sound Factory ablaze. True to her mission, Tony y Not continues to spread joy and uplift others, both on and off the dance floor.

TEE MANGO’s first release on Kompakt has been a long time coming. Ever since Michael Mayer heard his sunkissed remix of The Invisible’s ‘K Town Sunset’ back in 2017, he’s been obsessed with his music. The two tracks here, ‘Moonshots’ and ‘My Mind Is Making Up Monsters’, are prime examples of TEE’s ability to create heartfelt, uplifting modern house music. There’s a sense of bacchanal liberation, a potent transcendental element that opens the mind to joyful bliss.

Repress!

For the upcoming release on KNTXT, label boss Charlotte de Witte announces a dual EP release. “The Selected EP and Pressure EP, to me, are the perfect reflection of the music I have been playing over the years.” says Charlotte de Witte. “On the Selected EP people will find the straightforward Techno sound with the Acid twist, that I love to bring to the floor when I’m touring.”
“It’s counterpart, the Pressure Ep, is an extension of the mixes that I assemble for my BBC Residency.

A more ambient approach, that’s rougher around the edges.”“Both releases can be seen as an ode to the techno I love and cherish.” concludes de Witte. On the subject of the dual release Charlotte says “For me this duality is essential to explore my interests both as a producer and DJ. Therefore it also made sense to me to release them simultaneously, as we also combine our label releases with events and our weekly radio show.”

DJ Support: Melvo, Dr Packer, Kevin Yost, Birdee, DJ Meme, DJ Meme, Saison, Derrick McKenzie.

Next up on Sultra Records is a standout double A-side release from label head Michael Gray and Italian soulful house stalwart Antonello Ferrari.
This package delivers two quality soulful house cuts, each receiving fresh remix treatment.

On the A-side, "Season High" gets a pair of reworks — first from rising talent Charlie Price, followed by a groove-laden interpretation from Risk Assessment, the alias of seasoned UK DJ/producer Glyne Braithwaite.
Flipping over, "Music of Life" by Antonello Ferrari takes center stage. A respected DJ/producer since 1990 and head of Sunflowermusic Records, Ferrari’s past work includes releases on D-Vision, UMM Italy, and current contributions to labels like Z Records, King Street Sounds, Quantize Recordings, and Purple Music.

Michael Gray steps in with a slick remix of "Music of Life", and the package wraps up in style with the string laden and emotive Love Family Tribute Mix.
A must-have for fans of quality soulful and vocal house.

Originally released in 1978 on Americom Records. Officially reissued for the first time with love by Celestial Echo Records.

Some records just have that magic. A vibe that pulls you in from the first note and doesn’t let go. Phylliss Bailey’s 1978 cult classic Phylliss is one of those records—a hidden gem of modern soul and disco that’s been doing the rounds for decades in underground scenes, on dancefloors, and among collectors who know. It’s been whispered about in the right circles, bootlegged and then bootlegged again—but never given a proper reissue… Until now.

Celestial Echo Records proudly presents the first official reissue of Phylliss, a record that’s as essential today as it was back then. Originally released on the independent Americom label, the LP flew under the radar in its day but has since become a secret weapon for DJs with a taste for the modern soul & disco sound.

Phylliss Bailey’s voice is pure class—gliding over lush arrangements, tight rhythm sections, and dreamy strings with ease. Whether she’s riding the groove on dancefloor bombs like 'Focus' and 'Release Me' or slowing it down on the smouldering 'Feeling Of Love,' Bailey brings emotional weight and undeniable swagger to every track.

Fully remastered and officially licensed, it brings Phylliss into the light where it belongs. With a reimagined sleeve and labels (to distinguish from some shady copies going around!). This record is looking and sounding better than ever.

Celestial Echo Records is a label devoted to the soulful and the timeless. Based in London and run by miche & Stu Clark, the imprint has been steadily carving out a reputation among collectors and DJs for high-quality, lovingly curated reissues of rare modern soul, boogie, and disco. With each release, they shine a light on overlooked gems that still resonate deeply in today’s clubs and dancefloors. Phylliss is the next jewel in their growing catalogue of essential rediscoveries.

DJ Support: Tedd Patterson, Michael Gray, David Penn, Mousse T, Brian Tappert, Hector Romero, Derrick Mckenzie.

Definite Grooves 'Disco Light' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, 'Disco Light', is a fun disco gem, capturing a Disco 70s mood with a fresh House twist. 'Getting Stronger' takes the funk further, building up to a filtered disco crescendo that's perfect for late-night floors, oozing with energy and sleek edits. On the flip side, 'Sundown' offers a happier vibe, giving the EP a well-rounded feel with its rich bassline and Vocal Hook. Finally, 'Let It show' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, 'Disco Light' is a solid pick for those craving both nostalgic and modern dancefloor moments.

Die Kult-Reihe geht weiter! „80s Techno Tracks – Vinyl Edition 4“ ist die neueste Ausgabe der erfolgreichen Compilation-Serie, die die elektrisierende Energie der 1980er Clubszene auf Vinyl bringt. Diese Edition vereint erneut rare und legendäre Extended Versions von wegweisenden TechnoTracks, die das Fundament der heutigen Clubkultur legten.

Mit dabei sind Szenegrößen wie Westbam, Noise Control, OFF und viele mehr – in voller Länge, remastered und bereit für den Plattenteller. Ein Muss für Sammler, DJs und alle, die die Wurzeln des elektronischen Sounds feiern wollen.

With two critically acclaimed compilations already under his belt, DJ / collector miche returns to Mr Bongo with the third instalment of his With Love series. Testament to his ever-expanding taste, Volume 3 isn’t just a subs bench call-up from the past compilations, it’s an evolution and progression casting the net deeper and wider than before.

Keeping true to the series, but with some fresh surprises along the way, this carefully curated compilation is a celebration of soulful, independently released music from across the globe, and the amazing (often unsung) musicians and vocalists that made these sublime records.

Across the third volume, miche explores a jazzier side of his tastes. “The deeper I went, the more I found myself gravitating towards jazzier music - not leaving soul behind, but following that same feeling into new territory”, he explains. Tracks like the gliding jazz funk found on Late Nite Music Band’s ‘Sundance’, or the glorious jazz-soul number ‘In Flight’ by Spectrym are shining examples of this.

That defining soulful thread of previous volumes is still in full effect throughout this latest edition. “There’s a healthy dose of impossible-to-find soul gems that have that unmistakable, heartwarming feel. Tracks like John Simmons' 'Ain't Nothing Like The Love', which I've adored ever since Zaf Love Vinyl played it, sit perfectly alongside records like Le Cop and New Way”, states miche.

The addition of some top-tier Turkish music showcases another side to his ever-broadening taste. Nükhet Ruacan's 'Gölge' is something unique, a floaty Brazilian-inspired gem recorded in Turkey and not what you’d typically expect from Turkish records of this era. 

It also wouldn’t feel right to leave out a stop in Brazil, with miche looking to the work of Carlos Bivar whose track 'Amargo Amar' carries that undeniable groove of samba-funk from Rio.

Spreading the With Love message far and wide the series has led to miche DJing across the globe, “from batucada sessions in Timisoara, to all-night sets in a club in Beijing, and even an eight-hour Root Down With Love stage takeover at We Out Here festival, joined by Danilo Plessow, Jeremy Underground, and of course, my mentor and buddy Rainer Trüby.”

Volume 3 then, carries that message even further. It’s an eclectic but intentional collection, built for the music lover who wants to discover something new. Working just as well as a soundtrack to cook dinner to, as it does keeping a packed dancefloor moving into the small hours.

Repress

Now we look to the horizon of the unknown, We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; we can't accept it for what it is, But the Journey has already began - Fantastic planet 004 Will be out soon with dearest friends @byronyeates @hamatsuki @reshio.dj Huge thanks @ggrdzelishvili for Art direction and @alden.tyrell 4 Dope mastering

Passionate about electronic music from a very young age, Francesco Scarci, aka Deejay Fisherman, is an underground DJ and producer who loves vinyle.

In 2022 he opened his own label Sea Records and released his first Ep. "Dancing with shark". After various experiences as a guest in the dancefloors of Italy and Europe, he became resident in the well - known Italian underground Sound Department.

Today it boasts FIVE EP:

Sea 001; Dancing with shark;

Sea 002; The sound of Sirens;

Sea 003; Jolly roger groove.

Sea 004 ''Revolution'' and several collaborations with international labels, the latest with “Label 2222” with the track “Extasiado” and wit h Sound Department ascolti with the EP ''walking'' and the single bomb track ‘Baby’.

Rocker’s Revenge was a studio musical project, assembled by producer Arthur Baker in 1982. The band comprised of Baker himself plus Donnie Calvin, Dwight Hawkes, Tina B and Adrienne Dupree Johnson. They are most remembered by their 1982 post-disco hit "Walking on Sunshine", which peaked at number 1 on the US Dance Chart and number 4 in the UK.

On the A side of this release, the track is reset for 2025 with a remix by post punk indie rockers Yard Act, where they have include their own guitar, synths & vocals to give their unique stamp to it. – It’s become a track they have been performing live. On the other side is an unreleased 9 minute remix by New York’s legendary Sound Factory co-founder Junior Vasquez back from 1988, to make it proto acid house bassline & driving percussion journey.

Boston-born Arthur Baker launched his music career as a Disco DJ, but soon made his way into music-making, producing classic Disco for legends Northend and TJM. Arthur is one of the most visible and widely imitated early Hip-Hop/House producers; masterminding breakthrough experimentation with tape edits, sampling and synthetic beats on such records as Afrika Bambaataa's 'Planet Rock', New Order's 'Confusion', Freeez's ‘IOU’, and his own break Dance classic ‘Breaker's Revenge'. Baker would go on to become an award-wining DJ, music and film producer, working for and with the likes Dylan, Hall & Oates, Al Green, Springsteen, The Rolling Stones, Fleetwood Mac, Diana Ross, &many more; on film music for 80s/90s classics such as Beat Street, Ferris Bueller’s Day Off, and Life Less Ordinary. Turning his hand to film documentary’s, Baker has produced Finding The Funk and 808 the Movie. Baker has also directed a documentary on Rocker’s Revenge ‘On A Mission’ along with completing their debut album.