Nightclub E Replacement stylus
Nightclub E is equipped with Special Elliptical diamond. Perfect for usage in clubs. Superb sound quality.
Club DJs and studio workers believe the Nightclub E to be an absolute high-end cartridge. It is indeed a no-nonsence performer with fascinating musical resources.
It's output is superb with a frequency responce rating high enough to compare the Nightclub E to any audiophile cartridge.
The special elliptical stylus guarantees sound with insignificant scratching.
Nightclub E Stylus Technical Data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 23 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-20.000 Hz +/- 1.5 dB
Tracking ability at 315 Hz at recommended tracking force - 65 μm
Compliance, dynamic lateral - 20 μm/m N
Stylus type - Elliptical
Stylus tip radius - r/R 8/18 μm
Tracking force range - 2.0-5.0 g (20-50 mN)
Tracking force recommended - 3.0 g (30 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 1000 Ohm
Internal inductance - 580 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde cartridge weight - 18.5 g
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Nightclub MkI Replacement Stylus
Following in the footsteps of the legendary Nightclub series, the re-engineered Nightclub MkII boasts numerous sonic improvements in both club and studio settings.
With a new cartridge body, the Nightclub MkII offers increased output voltage for powerful, energetic sound and enhanced performance from integrated phono preamps such as the ones found in DJ mixers. Superb sound quality!
Club DJ and studio workers believe the Nightclub MkII to be an absolute high-end cartridge. It is indeed a no-nonsence performer with fascinating musical resources. Its output is superb with a frequency response rating high enough to compare Nightclub MkII to any audiophile cartridge. The special elliptical stylus guarantees sound with insignificant scratching.
Nightclub MkII Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1.5 dB
Channel separation at 1kHz - 23 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-20.000 Hz +/- 1.5 dB
Tracking ability at 315 Hz at recommended tracking force - 80 μm
Compliance, dynamic lateral - 20 μm/m N
Stylus type - Special Elliptical
Stylus tip radius - r/R 13/25 μm
Tracking force range - 2.0-5.0 g (20-50 mN)
Tracking force recommended - 3.0 g (30 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 1.000 Ohm
Internal inductance - 580 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde cartridge weight - 18.5 g
Belt drive DJ turntable, black
Delivery includes pick-up system and stylus
Adjustable ±10 % speed control
Large start/stop button
Strobe lamp for exact speed adjustment
Delivery includes removable dustcover
Adjustable anti-skating
Shock-absorbing feet
Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 0-4 g, adjustable
output level: phono 1.7-3.5 mV/ 1 kHz 5 cm/sec
Color: Black
Connections: Output: phono via Stereo RCA
Pitchrange: ±10%
Material: Plastic
Width: 45 cm
Height: 14.5 cm
Depth: 35 cm
Weight: 3.77 kg
Turntable platter
Material: Plastic
Diameter: 33 cm
Turntable section
Type
Direct Drive Manual Turntable
Turntable Speeds
33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque
0.18 N・m / 1.8 kg・cm
Build-up Characteristics
0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter
0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)
Tonearm Section
Type
Universal Static Balance
Effective Length
230 mm
Overhang
15 mm
Tracking Error Angle
Within 2° 32' (at the outer groove of 30 cm record)
Within 0° 32' (at the inner groove of 30 cm record)
Offset Angle
22°
Arm-height Adjustment Range
0 - 6 mm
Stylus Pressure Adjustment Range
0 - 4 g (Direct Reading)
Head Shell Weight
Approx. 7.6 g
Applicable Cartridge Weight Range
(without auxiliary weight)
5.6 - 12.0 g
14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug
1.2 mmφ 4-pin terminal lug
Terminals
Audio Output
PHONO (Pin Jack) x 1, EARTH TERMINAL x 1
General
Power Supply
AC 110 - 240 V, 50 / 60 Hz
Power Consumption
8 W
Approx. 0.2 W (Standby)
Dimensions (W x H x D)
453 x 169 x 353 mm
Weight
Approx. 9.6 kg
Accessories
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual
Mit dem SL-1200MK7 erweitert Technics sein erfolgreiches Sortiment an DJ-Plattenspielern nun um ein Modell in Silber. Der neue SL-1200MK7 verfügt über die gleichen technischen Merkmale und den gleichen Bedienkomfort wie der SL-1210MK7, der sich seit Verkaufsstart im Januar 2019 zum Liebling der Vinyl-DJ-Community weltweit entwickelt hat.
„In den letzten Jahren wurde von DJs, internationalen Musikveranstaltern und unseren Vertriebspartnern vermehrt der Wunsch an uns herangetragen, das Technics Plattenspieler-Line-up zu erweitern und weiterzuentwickeln. Auch eine Silberversion des DJ-Plattenspielers, der für so viele Anwender auf der ganzen Welt die erste Wahl ist, stand auf der Wunschliste ganz oben“, sagt Frank Balzuweit, Produkt-Manager von Technics Europa. „Diesem Wunsch sind wir gerne nachgekommen und bieten mit dem SL-1200MK7 jetzt allen Interessenten ihr geliebtes Arbeitsgerät in der Optik ihrer Wahl an“, so Balzuweit.
Der SL-1200MK7 in Silber verfügt über dieselben technologischen und funktionalen Merkmale wie der SL-1210MK7 in Schwarz:
- Eisenkernloser Direktantriebsmotor mit leistungsstarkem Drehmoment und einer stabilen Rotation
- Präziser und robuster Tonarm, der die Musikinformationen der Schallplatte präzise wiedergibt
- Zweilagiges Chassis mit verbesserter Schwingungsdämpfung
- Stabiles Gehäuse und schalldämpfende Isolationsfüße zur Eliminierung von Vibrationen, auch unter erschwerten Bedingungen
- Anlaufdrehmoment / Bremsgeschwindigkeit-Einstellfunktion
- Pitch-Regler-Funktion für genaue und stabile Pitch-Anpassung
- Reverse-Play-Funktion erweitert die Flexibilität von DJ-Stilen
- Stylus Illuminator mit hoher Helligkeit und langlebigen LED-Leuchten
Pro S Replacement stylus
The Pro S entry-level cartridge is perfect for newcomers on the DJ scene who want to start off with decent, but not too expensive equipment.
The Pro S has a spherical diamond stylus which minimizes scratching and a solid cantilever which can survive hectic activity at the turntable.
No matter what the application, the Pro S provides remarkable versatility for virtually any setting.
The sound quality is absolutely not to worry about.
The Pro S is a consistent performer and a fine all-arounder!
Pro S Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 5 mV
Channel balance at 1kHz - 2 dB
Channel separation at 1kHz - 20 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-18.000 Hz +/-2 dB
Tracking ability at 315 Hz at recommended tracking force - 70 μm
Compliance, dynamic lateral - 7 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 3.0-5.0 g (30-50 mN)
Tracking force recommended - 4.0 g (40 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 750 Ohm
Internal inductance - 450 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde / OM cartridge weight - 18.5 g / 5.0 g
Belt drive DJ turntable with USB interface and recording software, black
Built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records Plug & play: no driver installation required, unit is identified automatically
Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
Incl. software for recording and editing
2 speeds, pitch control ±10 %
Large start/stop button
Strobe lamp for exact speed adjustment
Adjustable anti-skating
Shock-absorbing feet
Switchable phono/line output
Delivery includes removable acryl dust cover, pick-up system, RCA and USB cable
USB 1.1 support
Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X
the device can be connected via USB to the PC
Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Frequency range: 20 - 20000 Hz
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 3-4 g
output level: phono 1.5-3.6 mV/ 1 kHz 5 cm/sec
line 90-216 mV/ 1 kHz 5 cm/sec
Color: Black
Connections: Output: line/phono via Stereo RCA
Output: via USB B (W) mounting version
Pitchrange: ±10%
USB port: USB 1.1, Typ B
Material: Plastic
PC connect: via USB
Width: 45 cm
Height: 14.5 cm
Depth: 36 cm
Weight: 3.95 kg
Turntable platter
Material: Plastic
Diameter: 33 cm
shipping to EU only!
Xone:96. The long-awaited follow-up to a genuine club classic.
A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.
It’s all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.
Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.
Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.
Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.
Xone96: You mixed. We listened.
Features:
• Type Analogue
• Channels 6 + 2
• EQ
o Channel 1-4, 4-Band EQ
o Channel A-B, 3-Band Parametric EQ
• USB Soundcards Dual 24 Channel (12 in / 12 out)
o Hi-Speed USB2.0 / Mac Class Compliant
o 32bit / 96kHz
o MIDI over USB
• Line Inputs 4 x RCA (CH 1-4)
o 4 x 1/4″ TRS (CH A-D) Mono/Stereo
• Phono Inputs 4 x RCA (CH 1-4)
o LN/PH Switch for DVS
• USB Inputs 6 x USB (CH 1-4 + CH A – CH B)
• Mic Input 2 x XLR
• Master Output 1 x XLR (Balanced)
• Master 2 Output 1 x 1/4″ TRS (Balanced)
• Booth Output 1 x 1/4″ TRS (Balanced)
• Record Output 1 x RCA (Un-balanced)
• Master Insert 1 x 1/4″ TRS
• MIDI Out 1 x 5-Pin DIN
• Send/Return I/O
o 2 x 1/4″ TRS Send
o 4 x 1/4″ TRS Return
o 1 x LN/Hi-Z Switch (SND1/RTNA)
o Filter 2 x VCF Filter
o HPF / BPF / LPF
o Adjustable Frequency & Resonance
o Assignable CH 1-4 + CH A-B
o CRUNCH (Controlled Harmonic Signal Distortion)
• X-Link 1 x RJ45
• Headphones 2 x 1/4″
o 2 x 3.5mm
o Split Cue Monitoring
• Channel Faders 60mm VCA / Replaceable
• Chanel Meters 9 Segment LED
• Channel Fader Curve 3 Types
• X-Fader InnoFADER / 45mm VCA / Replaceable
• X-Fader Curve 3 Types
• Earth Ground Terminals x 2
• Headroom 20dB
• AC Mains
o 100 to 240V
o AC 50/60Hz
o Consumption 45W max
o Mains Adaptor 3 pin IEC socket
• Height 109mm / 4.3″
• Width 336mm / 13.25″
• Depth 410mm / 16.2″
• Weight 7kg / 15.4 lbs.
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal ½"-mount headshell.
Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable which supplies a strong 5.5 mV phono output.
Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
Experience high-fidelity audio and professional DJ performance
Direct-drive, high-torque servo motor with speed stabilization
Fully manual operation
Adjustable dynamic anti-skate control
Selectable 33/45/78 RPM speeds
Professional anti-resonance, mass-damped, die-cast aluminium platter with felt mat
AT-HS6 universal ½"-mount headshell and AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus
Balanced S-shaped tonearm with hydraulically damped lift control, height adjustment, and lockable rest
Dedicated phono-level output (5.5 mV)
Stroboscopic platter with speed indicator
Forward/reverse operation and variable pitch control with quartz speed lock
Retractable plug-type target light for easier cueing in low light
Damped base construction for reduced low-frequency feedback coloration
Includes: detachable RCA output cable (dual RCA male to dual RCA male), power cable, 45 RPM adapter, counterweight, felt mat, and removable hinged dust cover
Turntable
Bauart 3-speed, fully manual operation
Motor High-torque DC motor
Antriebsart Direct drive
Geschwindigkeiten 33-1/3 RPM, 45 RPM, 78 RPM
Plattenteller Die-cast aluminium
Scratch Replacement Stylus
As implied by the name, the Scratch is intended especially for the disciplines of scratch and back-cueing.
It is made of a fluorescent neon-red material with the intention it becoming highly apparent in spotlight and luminous in ultraviolet light. For DJs that require increased tracking ability, the Scratch is up to the task.
Featuring a reinforced rubber suspension, DJs need not worry about compromising sound quality and stylus life when working with higher tracking forces. With solid bass reproduction and extended highs, the Scratch is great for any style, providing energetic, in-your-face sound.
Very high output! Maximum scratch performance guaranteed!
Scratch Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 7 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 25 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-15.000 Hz 3dB/-2dB
Tracking ability at 315 Hz at recommended tracking force - 80 μm
Compliance, dynamic lateral - 6 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 3.0-5.0 g (30-50 mN)
Tracking force recommended - 4.0 g (40 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 750 Ohm
Internal inductance - 450 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde cartridge weight - 18.5 g
Features
NEW in the MK2 version:
Newly developed top panel and reinforced housing construction
Reworked metallic buttons with improved feel & tactile response
Precision Pitch with selectable ranges of +/-8 %
Superior finish in deep black metallic
Quartz-driven DJ turntable with direct drive
Perfect for beginners
USB audio output for digitizing your records easily
Precise motor control with 2 speeds selectable (33 1/3 & 45 rpm)
Precision-engineered, die-cast aluminium platter with stable rotation
Statically balanced s-shaped tone arm with hydraulic lift and anti-skating - mechanism
Universal connection for pick-up systems (SME)
Extendible needle illumination
Built-in phono pre-amplifier (no grounding necessary)
Switchable phono and line level output
Shock-absorbing feet for vibration isolation
Sturdy, heavy construction with optimized damping features
Prepared for dust cover (available as optional accessory)
Incl. platter, OM Black pick-up system (by Ortofon), headshell, slipmat, counterweight, power cord, operating instruction manual
Technical Data
Turntable:
Type: direct drive turntable
Drive: quartz-driven direct drive
Motor: 8-pol., 2-phase, brushless DC motor
Turntable speeds: 2 speeds, manual (33 1/3, 45 RPM)
Starting torque: > 1kg/cm
Brake time: 50 dB (DIN-B)
Brake system: electronic brake
Platter:
Material: aluminium die-cast
Diameter: 332 mm
Tone arm:
Type: universal, statically balanced, s-shaped
Effective length: 230.5 mm
Overhang: 16 mm
Tracking angle error: < 3°
Applicable pick-up weight: 3.5 – 8.5 g (incl. headshell 13 – 18 g)
Anti-skating range: 0 - 7 g
Connections:
1x PHONO/LINE out (gold-plated)
General:
Power supply: AC 115/230 V, 60/50 Hz (US/EU)
Power consumption: 13 W
Dimensions: 450 (w) x 352 (d) x 144 (h) mm
Weight: appr. 6.76 kg
LA based producer Eric Spire released some very forward thinking music on his Silver Pearl label back in the late 90’s. This type of heavy, psychedelic house music was the bridge to a new era of sound and grabbed a lot of attention from the likes of Craig Richards & Lee Burridge’s Tyrant nights at Fabric and DJ Garth to name a few.
Now, 2 decades later, Sushitech and label head Yossi Amoyal compiled a unique series that includes some of the most inspiring and hard to find tracks out of the Silver Pearl back catalogue.
This is an exclusive insight to one of the most inspiring underground labels coming from the west coast. Essential!
LA based producer Eric Spire released some very forward thinking music on his Silver Pearl label back in the late 90’s. This type of heavy, psychedelic house music was the bridge to a new era of sound and grabbed a lot of attention from the likes of Craig Richards & Lee Burridge’s Tyrant nights at Fabric and DJ Garth to name a few.
Now, 2 decades later, Sushitech and label head Yossi Amoyal compiled a unique series that includes some of the most inspiring and hard to find tracks out of the Silver Pearl back catalogue.
This is an exclusive insight to one of the most inspiring underground labels coming from the west coast. Essential!
LA based producer Eric Spire released some very forward thinking music on his Silver Pearl label back in the late 90’s. This type of heavy, psychedelic house music was the bridge to a new era of sound and grabbed a lot of attention from the likes of Craig Richards & Lee Burridge’s Tyrant nights at Fabric and DJ Garth to name a few.
Now, 2 decades later, Sushitech and label head Yossi Amoyal compiled a unique series that includes some of the most inspiring and hard to find tracks out of the Silver Pearl back catalogue.
This is an exclusive insight to one of the most inspiring underground labels coming from the west coast. Essential!
LA based producer Eric Spire released some very forward thinking music on his Silver Pearl label back in the late 90’s. This type of heavy, psychedelic house music was the bridge to a new era of sound and grabbed a lot of attention from the likes of Craig Richards & Lee Burridge’s Tyrant nights at Fabric and DJ Garth to name a few.
Now, 2 decades later, Sushitech and label head Yossi Amoyal compiled a unique series that includes some of the most inspiring and hard to find tracks out of the Silver Pearl back catalogue.
This is an exclusive insight to one of the most inspiring underground labels coming from the west coast. Essential!
Beat In Me is back for its second release. Recognized for bringing some of the most cutting-edge Romanian DJs to his event series under the same name in Tokyo, RAHA keeps pushing the envelope with Beat in Me. This time he introduces, with sincere confidence, two Japanese artists he has long supported: Tomohiro Yano and Yuji Kobayashi.
"Sazae EP" features two original tracks from Tomohiro and Yuji, respectively, and a collaborative work from both, perfectly displaying their raw talent and individual styles. Displaying a unique knowledge of house and techno music with minimal character, "Sazae EP" seems like the perfect alternative for those thirsty for the type of tracks hailing from Romania, with an added Japanese sensibility that perfectly fits those dancefloors craving for intensely hypnotic grooves.
FanFar'On : 'Musician and born in the south of France, Fabien Gienero is the first artist signed of FanFar’on Records, he has delivered a three tracks ep include a Silat Beksi remix. Into the music world, the magic happened when you can navigate & collaborate through different vibes. Already supported by people like Chez Damier or Ben Vedren, the young producer located in Paris now has shown his skills & brought different types of vibe, you will first notice the typical groove coming from a bass player, injecting his musical & funky background with "Nice After", and "Milode" which is more on a Rominimal vibe and also different.
And let the Fanfare begin!'
Big support by:
Raresh, Vlad Caia, Jennifer Loveless, Francois K, Thor, DJ Autumn, Per Hammar, Andrey Pushkarev, Tobi Neumenn, Jorge Savoretti, Rossko, Satoshi Tomiie, Rich NxT, Enzo Siragusa, Julietta, OHM, Terry Francis, Ilario Alicante, Mr. V, Dubtil, Okain...
- A1: Shuko & Hannah V - Do The Right Thing
- A2: Saib - City Lounge
- A3: Sweatson Klank - Play The Shadows
- A4: Konteks - Misty Harp
- A5: Suff Daddy - Fertilized At The Discotheque
- A6: Dj Cam - Aquaverde
- B1: Jinsang - Absence
- B2: Leaf Beach - Coastline
- B3: Loland - Taidana
- B4: Burrito Brown - Ice Cream Sundae
- B5: Melodiesinfonie - Akindstream
- B6: Kazam - With You (Feat Type Raw)
- B7: Flofilz & Digitalluc - Kompass
- C1: Ol'burger Beats - Kaldt 2012
- C2: V Raeter - Dont Play With Birds
- C3: Kreaem & Allan Broomfield - Oblivion
- C4: Yeyts - In Between
- C5: Tesk & Sitting Duck - Letter
- C6: Kupla & Tahmas - Drowsy
- D1: Deauxnuts & Twotrees - Only U (Part 2)
- D2: Imagiro - Watching The Fog Lift
- D3: Smoke Trees - Najana
- D4: Less People - Tragedy For Breakfast
- D5: No Spirit - It's All Good
- D6: Brillion - Lanterns
- D7: Misha & Jussi Halme - Through (Bonus Track)
Back in 2015, when we started Hip Dozer we were overwhelmed by the amount of talents that were still defending that old school way of doing beats and the amazing creativity that was circulating in the scene.
In a period of time where hip hop was evolving so much and getting always further (sometimes for the best but also for the worst), it appeared evident to us that we had to defend this rising scene of young beatmakers that were so tied up to the roots of the 'old-school' beatmaking but still bringing it to another level.
It has been 5 years since we have created Hip Dozer Records with our 1st Anniversary compilation and this is what makes this compilation such a special project every time. Its goal remains the same and will always be, championing the art of beatmaking that we love and help to showcase new artists from the scene.
This year we have the chance to have onboard some of our favorite new talent from the scene with the like of Burrito Brown, Loland, Imagiro, we also have the chance to have standard bearers like Jinsang, Saib, Flofilz, Melodisinfonie, Kazam, Shuko and, cherry on the cake, the french hip hop legend DJ Cam on top of that.
We want to thank so much all the artists who took part in this project and that were as enthusiastic as we are in its realization. It’s been such a thrill since this venture started and this is just the beginning. Much love to all of you guys listening and supporting wherever you are.
PEACE. Hip Dozer Fam.
Rocko Garoni knows what a techno dance floor wants. He’s learned it through countless hours spent on the floor himself as a punter, and through DJing at some of the best clubs and festivals in his hometown Berlin and all over the world. He knows exactly the type of productions that thrill crowds, and he brings this wealth of knowledge and experience to his third EP for Second State, Ammoniak.
The title and first track ‘Ammoniak’ drags you straight into the zone; a pounding, take no prisoners cut laced with stormy synths creating a vague sense of paranoia. ‘Gece‘ cranks the energy up with trancey, bouncing synths and a cool, clipped female vocal. Instantly, you’re pulled into the very sort of club that Garoni knows so well. ‘No Border‘ is the kind of expansive track that seems destined for huge warehouses or vast festival dancefloors. There’s an insistent, brooding bassline, robotic repeated vocals and a mid-track shift in tone that will send the crowd to a heightened state of reverie. The blend of post-punk vocals and eerie beats on ‘It’s All Yours‘, a track featuring Cook Strummer on the vocals, is at once highly unusual and completely compelling. It’s the track to play when the crowd are losing themselves in the best possible way. Closing the EP is ‘Helio‘, another completely different track that showcases the extent of Garoni’s range. Faint, echoed chanting lends the track an almost holy atmosphere. Combined with tunnelling synths and spindly percussion FX, the effect is euphoric, acting as a delicious palate cleanser between heavier tracks.
Put simply, Ammoniak is another first-class EP from a dynamic act who’s fast becoming a Second State star.
Solo 500 delivers another irresistible donut that takes the form of this 2-sided celebration of afro-latin & jazz-funk classics. GSC dusts off 2 deep catalog selections here — & part of the appeal is that neither side is a played-out sample cliché. This one is for heads who already burned through the obvious joints.
Side A digs into Manu Dibango beyond the endlessly flipped “Soul Makossa” universe. “The Panther”, from the 1973 album “Africadelic”, isn’t one of his commonly sampled tracks — & that’s exactly why it hits so hard. Low-slung Afro-funk, stalking bass & suspense-building horns that feel like a break record even if they haven’t been rinsed by every golden-era producer. Selectors who chase texture over recognition will understand the power here immediately. It’s the kind of cut hip-hop heads love not because they’ve heard it before — but because they haven’t.
Side B moves into Latin jazz-funk royalty. Ray Barretto is one of the most sampled percussionists of all time, but “Together” (from the 1969 album of the same name) sits slightly off the obvious break-beat path. Instead of a clean, isolated drum loop, you get rolling congas, warm keys & a communal groove that’s been DJ-tested far more than it’s been sampled. This is the type of Barretto cut that crate-diggers pull when they want rhythm to breathe — bridging jazz floors, disco-leaning sets & hip-hop selectors who think like musicians, not beat miners.
“I don’t get the opportunity to play a full set at 170 very often. When I do, I feel very responsible for doing my research well, as I come from a different background musically. This is a recording of a special night at Ormside where I played a lot of favourites from four decades.”
Featuring tunes by Type, Paradox and Oaysis. This is a deep and dynamic set that finely showcases Tammo’s craft and range as a DJ. Recorded at Ormside Projects on 15.11.25, playing alongside Lemon D, Lynne and Sam Purcell.
C100, transparent blue cassette. Run of 60.




















