Suche:dj s i one

Label devoted to old school house music. Every release will have an original version and one or more remixes coming from the artists that made our life worth living in the last 30 years. House music is our religion. We are not interested in hype. We are not interested in becoming famous. We are not interested in djing worldwide. There won't be any repress since we are not interested in making money. We'll release music for personal pleasure only if it' ll satisfy our minimum quality standard. Finally, we won't release any digital download, 'cause we didn't grow-up listening to music that we couldn't touch.

DJ Varsovie's new EP takes place in September 2045, in a futuristic end of summer before we have to leave earth. The journey is supported by remixes from Anetha, Minimum Syndicat and Stephanie Sykes, each one gives a different perspective on this dystopic love story. Septemper EP is a double vinyl edition with a colored sleeve and the record is printed on 180 grams vinyl, some of the tracks are also in 45 RPM for maximum quality.

Unstable Signal is a new record label focused on quality Electronic music founded by Michalis Vassiliou in early 2018. The label’s vision is to support the underground music culture, through the pressing of records, as well as pushing for quality curations at the events/concerts of the label.
In less than a year of activity it has managed to associate its name with very strong events such as the debut party at About Blank in Berlin, the follow up in Athens with Ancient Methods and the one with SHXCXCHCXSH at Temple Athens.
Also the long awaited EP of Celldöd under the name Myndighetsförakt is finaly available by the label in 12-inch vinyl and digital format.
Celldöd Is the Stockholm based producer Anders Karlsson. Anders has been active in the music scene for some time working on different musical projects, always with a strong DIY ethic.
Celldöd has built a reputation as a strong live act through gigs at Berghain, About Blank and Griessmühle in Berlin, Joy in Moscow, Femur Club in Madrid as well as live performances as far away as the Epizode festival in Vietnam.
His music has been played and supported by DJs such as Ancient Methods, Beta Evers, Alienata and The Hacker.
His EP on Unstable Signal is the debut release for the label.

After a break of some 10 years producer and DJ Mat Carter felt the time was right to wake his imprint from hyper sleep.

It was started as and will continue to be an outlet for both Mat’s own material and that of other like-minded beings and as the name Varial suggests the label is not limited, instead it reflects Mat’s tastes and touches on many styles.

Varial launches with the remaster and re-release of the much sought after cult classic, Zark Time E.P. Written and produced by Mat himself, this E.P. pulls on influences of fractured imagery, fuzzyelectronics and dense soundscapes to form five tracks of warm, funk-fuelled jams that 17 years on still refuses to neatly conform with any one genre. As Mat himself says, “I can’t help my influences.”

During his time away from the music scene Mat’s focus was on raising a family and honing a physical craft but the pull of music never went away.

Supported by Villalobos, Dorian Paic, Mattia Trani, DJ Tennis, Verrina & Ventura , Giorgia Angiuli, Carola Pisaturo, Julina Perez
There are people who place their soul at a border between two worlds that are completely different one from the other.
Giulio Paternò has always split his heart in two halves: one beating for Pink Floyd's, Dire Straits' and Deep Purple's rock; the other for an electronic sound influenced by the likes of John Talabot, Nicolas Jaar or David August.The final result by mixing these two different souls is all channeled into his project Swoosh, where house and techno meet the psychedelic sound from the '70s. So here is a captivating and a magnetic sound which is shaped exclusively by a live act with Ableton, a Gibson Les Paul and various controllers.Swoosh's peculiarity drew the attention of top national venues and festivals such as Tenax in Florence, Circolo degli Illuminati in Rome, or Amore and Spring Attitude Festivals.By Spring 2016 Swoosh will be releasing his first EP "Over and Above" with Autum Records, a label based in Rome and New York.Feedback:> DJ TENNIS: Great record, Swoosh is a producer to keep watching... / Gran disco, Swoosh è un producer da tenere sott'occhio...> VERRINA & VENTURA: Great, the slow one is fantastic! / Complimenti, traccia lenta fantastica!
> CAROLA PISATURO: Liked it so much. / Mi piace moltissimo.
> GIORGIA ANGIULI: I really enjoyed the whole EP, tracks are so stilish! / Mi piace molto l'EP, tracce super stilose!> JULIAN PEREZ: Good listening, a good listening. / Un ascolto piacevole > MATTIA TRANI:above mi piace moltissimo bell'atmosfera!

Koryu Budo Records is a new techno label based in Madrid. This is their second release, as for the first release, it will only be released on vinyl (300 copies).

This EP named ‘The Last Gift’ has been written and produced by HD Substance, the Spanish producer, DJ, journalist, owner of SUBtl recordings and teacher at The Bass Valley. 2018 marks his 30 year anniversary in electronic music and he keeps on playing techno all over the world, releasing techno in a constant basis, teaching techno at The Bass Valley, writing techno for Beatburguer, Clubbingspain, Pole Group or Falling Ethics and releasing other people’s techno in his own label SUBtl.

The EP opens with "No Body Cares", a complex and timeless track, an orgy of analog psychedelia, the sequences that seem extracted from old clocks are mixed together to offer a hypnotic and enveloping sensation.

In second place, we find "Red Lady", pure and raw techno that is nourished with a devilish bass line, that immerses us in a sinister and dark universe. Direct simplicity.

"Red Lady_Sarcoma version" follows the line of the original track, though the main bass line disappears and in its replaced by syncopated sounds that take away some of the aggressiveness of the track but nourish it with more groove.

A work of great maturity, which shows this producer as one of the great names of techno.

The story of TodoTodo is one of the most incomprehensible and surprising in the history of Spanish electronic music. Without doubt it is, sadly, also one of the most ephemeral. The curse that has haunted them since their forming in 1980 and during their short year and half of life is already legendary. Domestica Records did justice to the group in 2012 with a comprehensive compilation and this EP joins this initial tribute as it reimagines some of these trailblazers most representative productions: Digital Dancer and Autoga´s.
Almost forty years later, Frigio is bringing some of their music to a fresh audience. Juanpablo with his extended edit of 'Digital Dancer.' A steady kick tethers a tripping mechanical melody, a melody that bubbles and simmers as toms, horns and daring funk collide for this seven minute odyssey into the world of Iberian underground synth. The original version from 81 closes the A, a brief and brilliant piece of proto-techno. The flip is introduced by Catalan Dj, journalist and author of ¡Bacalao! Historia Oral de la Mu´sica de Baile en Valencia, Luis Costa. Costa re-imagines 'Autogas' with his Tool Edit, reshaping the off-kilter keys and future highways and byways of the original. The finale is a true treasure from the annals of time. A live version of 'Autogas' from the legendary Rock'Ola club in Madrid, an unreleased work that is as audacious and bold as it was when it was first performed in 1981.

Mainstay of the Manchester DJ scene, Yadava is perhaps best known as a founding member of now legendary club night, So Flute. With 2018's It Rains Here released on Church Records to critical acclaim, he makes a welcome return to Ad Hoc Records with his latest release, Velvet House On Sackville Street, continuing to win new fans through a mix of samba, house and jazz on this one-of-a-kind EP. Luxuriate in the effortless seduction of these choice cuts and transport yourself to a Latin paradise - it's time to groove. Tones of St Germain, Folamour and Gilles Peterson run through every sun-soaked beat of Yadava's music - watch this space and remember the name.

A product of the transformative power of dance music, Ede moved Berlin after he experienced something magical while dancing to Ame at
Berghain. So enchanted was he by the pivotal moment that he set his sights on making music to be released by Innervisions… And that happened
three years later when his track ‘Jenny’ made it into the label’s ‘Secret Weapons 11’ compilation. Ede’s dark, new wave style has also
piqued the interest of Jennifer Cardini, who signed his music to a V/A on her Correspondant Music label recently. Now the producer joins the
TAU family for a full EP, featuring four original cuts.
‘Raum’ jumpstarts the collection with menacing allure. Whirring analogue forms the core of this deadly track, keeping it tight in the low end
while various layers of synth fizz and snarl. An urgent riff joins the fray, adding depth and energy. Across almost 10 minutes Ede showcases his
ability to create a dark atmosphere and imbue his music with spinetingling theatrics. Fans of the riff will be pleased to find a beatless version of
‘Raum’, which will be useful for creating dramatic moments during DJ sets no doubt.
On side B, ‘Zeit’ brings the pace down slightly. A melancholy synth line evokes feelings of sorrow, while the beat pumps along. Ede uses the full
8 minutes of this track to really build the tension, finally unleashing it halfway through. This could easily be used on the soundtrack for a cyborg
action movie set in the future.
Last up, ‘Unendlichkeit’ is a further demonstration of Ede’s love of futurism, new wave and film noir circa 2080. Here he tells a story with the
machines, each one adding their contribution to the narrative which gets more and more chaotic as the tune progresses.
A very impressive EP, and we’re sure you’ll agree it’s something quite special.

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’ for his unrivalled contribution to the house music we know today; what started as an underground movement in Chicago has grown to international heights thanks to Frankie. His records earned him recognition on a global scale, allowing him to work with some of the globes biggest names including the likes of Diana Ross, Whitney Houston and Michael Jackson.

Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades. Now he is commemorated by long time writing and production partner Eric Kupper. Eric, himself a seasoned DJ producer and writer, has worked on over 116 Billboard #1 Dance Records and played a pivotal role in a many of Frankie’s productions. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

Together they re-produced and re-purpose classic cuts for modern dancefloors, with reworks including tracks from Marshall Jefferson, Ashford & Simpson, Artful & Ridney and The Sunburst Band, alongside Frankie Knuckles originals. These releases have now been brought together by Eric to feature on special album called ‘The Directors Cut Collection’ on SoSure Music. It includes the Director’s Cut reworks of Frankie’s classic cuts such as ‘Your Love’ and ‘Take You There’ with Jamie Principle, alongside Frankie’s first #1 single - ‘The Whistle Song’ on which Eric shares writing credits.

Within a multitude of classic reworks, highlights include a previously unreleased version of Ashford & Simpson’s ‘Bourgie Bourgie’ and a huge Director’s Cut Retro Signature mix of Marshall Jefferson’s 'The House Music Anthem (Move Your Body)' featuring Curtis McClain.

The Director’s Cut Collection is a fitting tribute to commemorate the fifth anniversary of Frankie’s passing whilst giving Eric a platform to tell his side of the creative story. This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continuing Frankie’s legacy well into the future.

Repress

Another part in the limited Bunker Robot Dystopia serie. Blunt minimal '80's electro/miami bass funk from the notourius

The new Outplay release is by young and upcoming dj/producer Cleanfield, or 'Jelle' as his mom calls him.
Hailing from Arnhem, the Netherlands, it's always great to see another talent pop up in the Dutch scene!
He has made three super catchy tracks for us, perfect for the summer season!

First up is the title track 'Haute Cuisine', warm bouncy bass topped with a super infectious lead melody and percussion. If there is a track more suited for the festival season it's this one for sure!
'Hot Wheels' races on with a deep rolling groove, fuelled by wah wah rhythm guitars, warm synth chords and arpeggios.
'Conflict With Clayton' brings another solid groove to the table with scattered vocal samples and multiple synth layers. Scorcher!

So imagine dancing your ass off to this EP in the sun and feeling fantastic, we sure are!

Rain&Shine proudly present Steve Elliott's first album -True Image (1981). After failing to find musicians with the same direction and devotion to music he had acquired, Steve taught himself to play eleven different instruments and move from hometown of Pasadena, California to Denver Colorado.

Eager to express his musical ability, Steve became a DJ on KDKO radio, and would then go on to compose, arrange and perform True Image on September 20th 1981 with a collection of drum machines, synthesizers, and contributing musicians on rhodes, flute, guitar and vocals.

Mr. Elliott's philosophy is 'You hold in your hand a dream, a dream come true by a man whose only objective was to express the love he contains, the love we all contain within through music.'

On many collectors want lists, passing for a median price of $450 online.

The new album by Juno Award and Polaris Music Prize-nominated Canadian soul star Tanika Charles.

Produced by a stable of some of Canada's finest musical minds including among the others Chin Injeti (DJ Khalil, Eminem, Drake, Aloe Blacc..), Record Kicks proudly presents "The Gumption" the awaited new album by Canadian soul star Tanika Charles that will hit the streets worldwide on May 10.

"What gave you the gumption?" Tanika Charles rhetorically asks during the introductory notes of her sophomore album appropriately titled The Gumption. While the apprehensive lover at the receiving end of that inquisition should feel slighted by the remark, it also alludes to the assuredness Tanika has gained since the release of her Juno Award and Polaris Music Prize-nominated debut Soul Run. The Gumption picks up where Soul Run left off, continuing her tradition of marrying classic soul with modern production styles. Across a dozen songs spanning 38 minutes, Tanika addresses moments of vulnerability, vindication, uncertain love, forbidden fruit and the state of the world today. "It's a little more mature. It's not feeling guilty about being up front, not being afraid to address situations that aren't comfortable for me. I'm comfortable in my skin now in a way I never was before. The overall theme is growth. I feel the music reflects that, and my words reflects that. Even the album cover tries to convey the feeling too. I'm not putting up with unnecessary nonsense anymore."

Predominately guitar-driven mid-tempo soul, with a handful of dance floor friendly tunes and some psychedelic leanings, The Gumption was indirectly influenced by the likes of Alabama Shakes, The Supremes, Khruangbin, D'Angelo, and Moses Sumney. It is sonically moody at times, but with consistent silver-lining arcs. "I've grown up and learned to deal with situations significantly better. We have a tendency to hold back our innermost feelings for fear of hurting others. Even when we're happy we worry about over-sharing, as if joy is a competition you don't want to gloat about."

The success of Soul Run propelled Tanika in front of new audiences far and wide, with extensive touring in North America and Europe. "I've been touring, experiencing new places and meeting new people. And in that time also worked on completing this album". While criss-crossing Canada with festival appearances on both the east and west coasts, Tanika also embarked upon four overseas tours for a combined 45 European shows within a one year period. This included performances at the prestigious Trans Musicales Festival in France, the Lärz, Germany Fusion Festival, Mostly Funk & Soul and Jazz Festival in UK, the Holy Groove Festival in Switzerland, and the Canarias Jazz Festival in Spain.

DJ Tennis's Life And Death welcomes electronic innovator Moscoman for a label debut that superbly showcases his broad array of club-ready but widescreen sounds. Moscoman is based in Berlin but brings plenty of worldly influences to his music, not least from his homeland of Israel. Next to musical explorations on his own Disco Halal label, he has served up everything from raw and rugged machine disco to melodic techno via wonky house on ESP Institute, Diynamic and I'm A Cliché. He is someone who embraces whatever takes his fancy and has a wilfully random approach to making music that results in never less than thrilling and original tracks. That is the case again here: right from the off 'Wave Rave' is an unusual but effective offering that pairs hands-in-the-air, trance-inducing chords with more reflective melodies and rugged drums. After that one packs a truly emotional punch, 'Dinner For One' is downright dirty. Wild, detuned synths spray about over 'Spastilk'-era snares and rolling drums and the whole thing works you into a lather. On the flip the mood changes again. This time, '550' is a dreamy and zoned out house track with a gorgeous and acoustic lead melody that encourages your mind to wander as you drift along in the warming groove. Last of all, 'Space Comfort' is playful number with sci-fi keys bleeping up and down the scale while harmonic keys and withering retro synth chords bring a sense of spookiness to the fore.

We are delighted to welcome again our beloved Skylax Records label the 'italian stallion' : DJ Soch ! He's one the few producers around able to merge the old school sound by making a new unique sound. The owner of Black Angus delivers on this new 12 inch, 3 rough & amazing deep house cuts and as a bonus, we got a great remix from the mighty the analogue cops. Tips!

No-nonsense, 12' releases. Cut loud for your pleasure.
DJ-focused, functional records made for having fun on the dance floor. Rooted in UK club culture and taking inspiration from techno, house, garage and breakbeat, every release will have at least one track that absolutely bangs.Human Resources christens this new series with two tracks of absolute heat.Lovingly delivered by the crew at YAM Records

The Vibrators were one of the original UK first-wave punk-rock groups, playing legendary shows at London's Roxy Club, and the late great BBC DJ John Peel was an early fan, recordings sessions with the group for his radio show as early as 1976. Their 1977 debut album Pure Mania is an all-time punk rock classic and one of the most immediately catchy and tough releases of its era. Featuring two great tracks off this album, the classic 1977 single "Baby Baby" b/w "Into The Future..." is reissued here on a limited edition picture disc this April.

DJ, producer, singer-songwriter, one-half of world-touring soul duo Myron & E (Stones Throw), founder of boogie outfit The Pendletons (Bastard Jazz), part of electro-funk duo Lucid Paradise, and an endless string of collabos. Over 2 decades in the game means multi-faceted artist Eric Boss knows his way around music. Having been there, done that, gotten the t-shirt and watched the fat lady sing, it's finally time for E to take center stage and deliver his finest effort yet with solo record "A Modern Love", an effervescent collection of raw funk, sweet soul, west coast vibes and classic hip hop, produced by Björn Wagner and Steffen Wagner (The Mighty Mocambos / Bacao Rhythm & Steel Band).

"A Modern Love" has all the ingredients of a future classic. High-profile guests Check: with Gift Of Gab (Blackalicious) rapping on "I Wanna Ride", a track with more bounce than a lowrider chevy on Santa Monica boulevard, and soul siren Gizelle Smith featuring on "Spiders", a spooky number that will get you jumping out of your seat like you've been attacked by giant 8-legged arachnids. Need some dancefloor action "Get Next To You" gets down to serious bizniz with crisp drums and a catchy hook guaranteed to get the party started. Something for lovers We've got it covered with "Is It Love", where Eric waxes lyrical about his sweetheart over a honey-drenched soul beat.

From reggae-flavored vibes being served in inspirational number "Your Life Is Up to You" to the slow-burning grooves of "Merry Jane" which features singer Ishtar, the 10 tunes on "A Modern Love" all attest to Eric Boss' talent and versatility. Judging by how quickly the limited edition 45 of album opener "Closer To The Spirit" sold out when it was released, it seems safe to say Eric Boss is a king Midas with the golden touch when it comes to providing fresh grooves for contemporary ears, and "A Modern Love" is set to prove so once again.

Heist is first and foremost a label dedicated to quality house music with an eccentric angle. Promoting great music from the Netherlands comes as a close second. After presenting a lot of notable artists from our country, it’s great to showcase another young Dutch talent with our latest release: Perdu.
You might know him from his solo debut on Let’s Play House or the follow up on Optimo Music last year. Perdu’s music gets played by the big ones in the game like Hunee, Optimo and Palms Trax to name a few; and obviously, by us. We’re proud to introduce you to his “Skye EP”. His new release includes 3 varied originals and a rave anthem made by none other than our fun loving Ozzie friend DJ Boring.
The A side kicks off with “Jane’s World” and is the track that made us fall in love with this EP when we heard the demo. It’s a worldly tinged house monster, filled with harmonized drum rolls, a counting Frenchman and a funky arpeggio for good measure.
“Sacramento” takes a more introverted approach, leaning on a broken beat and atmospheric pads. The consistency of the kalimba with the vocal gives it a certain swing that got our ears longing for more.

The B-side starts with “Morbid”, a life-affirming electronic anthem, where Perdu shows his mastery of creating a proper build up. Over the whole course of the track, there’s a lead that slowly but surely opens its filter. There’s bells, harps, hand percussion and rides that all build up towards a lovely climax towards the end, while the track never feels like it’s forcing itself upon you.
Where the 3 originals are all, to some extent, quite introverted and modest, DJ Boring’s remix is anything but that. His version of “Jane’s World” is all about ravey leads, powerful percussion and huge breakdowns, which will do wonders at any festival or club closing set.
We hope to pleasantly surprise some of you, and as always, make a musical impact on your moment in the club, at home, or wherever it is you enjoy the music of our new Heist release.

Yours Sincerely,

Maarten & Lars.