Cerca:dj sa

In this electrifying 2024, we're buzzing with excitement as we celebrate 40 years of Flexi, the record emporium that's weathered countless storms amidst the ever-shifting tides of the music industry, catering to vinyl aficionados across the ages. Alongside the raves and swag, no doubt, there's a killer compilation dropping on the indie label "Flexi Cuts," dubbed evocatively as "Musica Solida" spread across 3 or perhaps 4 12-inch samplers, boasting a carefully curated selection of singles from cherished Flexi-affiliated artists and producers. The vision? To cultivate a virtuous movement of sublime tunes, echoing the fervor and zeal to persist within the realm of quality that Flexi embodies within the Italian scene, alongside kindred spirits... despite the daunting challenges of the market in recent years.



Musica Solida # 1 showcases

DJ Rocca: One of the most solid producers on the panorama, a respected maestro of the clubbing scene in Italy and worldwide.

Club Soda: Live electronic ensemble, still dreamin' from their latest EP 'Basso e Batteria', which packs an unreleased track recorded directly from their house-flavoured jam sessions.

Lex (Athens) & Locke : A Greek producer who is well established in today's dance house scene, with quality-vibey releases and a very nice and classy and groovy sound. We will definitely hear from him in the future!

Hiroyuki Kato: Emerging Osaka-based multi-instrumentalist makes his debut with a very punchy and catchy track!

The Mechanical Man (feat. Bob Vito) : Neapolitan super producer. Raw-sounding, gritty, powerful and never dull, a pleasure to have him with us.



The record will be released in about 200 vinyl copies no more.

Packaged in the classic discobag 2- holes, with a distinctive letterpress print in a beautiful silver cover.



Compiled by Simone Guerra aka Relative

Mastered by Francesco Brini (except track B1, Mastered by Marco Spaventi)

Distributed by Rubadub, Glasgow

Pressed by Desslab

Design by GLZ

The principles of pleasure radiate a knowing, carnal heat throughout the genre-fluid sound of LSDXOXO. His decade of dedication to the sensibility of underground club culture has brought forth club classics interwoven with pop music hooks and subversive, tongue-in-cheek lyrics.

After four years of what LSDXOXO, real name RJ Glasgow, calls a period of “healing and self-discovery,” he is consolidating his multiplicitous sound with one compelling masterstroke: the debut album DOGMA, to be released on his own imprint F.A.G. DOGMA marks a complete paradigmatic shift: it is a poetic and fantastical performance, a route for deep escapism through an expanded musical palette including piano and guitar, and a deeply personal confessional through a fresh approach to songcrafting.

Within DOGMA, RJ meditates on the interlinked qualities of fame, infamy, lust and submission, as he rediscovers a pure, unadulterated approach to music-making, all the while adopting a futurist approach to pop music appreciation. RJ’s unmistakable signatures—the smutty dancefloor caller, the maker of irresistible bangers, the latter-day electroclash and DnB nostalgist—take on even more shades and intricacies. Despite his widespread acclaim as a collaborator with and songwriter for other artists, RJ strips DOGMA down almost exclusively to himself, carving out intentional space as a chameleonic vocalist and performer. He breathes life into the album with private thoughts, external fears and a red thread through personal themes that crystallise the album’s narrative from front to back.

The album’s promo single “Bloodlust” offers angsty, intimate indie-tronica, and musings on the intoxicating nature of love and infatuation. The lead single “Ghost” reaches beyond RJ’s Philadelphia origins to find itself in the deep south, in a sultry fever dream of coquettish R&B featuring backing vocals from close collaborator Kelela. Elsewhere on the album futuristic love, pensive pop earworms, evocative vintage dance styles and sleazy club tracks intermingle. While the DOGMA era will eventually explore remixes and reworks, the album is RJ’s purest embrace of himself and his artistry.

RJ first garnered attention as LSDXOXO in New York City with his on-the-pulse Soundcloud edits and then as part of the cult GHE20GOTH1K collective. His DJ sets and productions quickly earned him acclaim across globally-linked underground scenes. His decision to shift from sampled vocals to picking up the pen and microphone pushed his reach out to the stratosphere; his association with XL Recordings via the Dedicated 2 Disrespect EP in 2021 was a turning point for the burgeoning superstar.

This multiplicity of the LSDXOXO sound has led to enviable co-signs. These include being selected as the opening DJ for Beyoncé’s German Renaissance tour dates, remixing Lady Gaga, Pink Pantheress and Shygirl and producing five tracks for Kelela's highly acclaimed 2023 album for Warp Records, Raven. His fully-realised live show has also taken to the stage, serving fierce charisma to huge audiences at festivals including Primavera, Nuits Sonores and Rewire.

In 2007, Céu debuted her self-titled album, becoming one of the select Brazilian artistsnominated for an American Grammy in the World Music category and is widely regarded as one of the most in_¼éuential Brazilian artists of her generation. With now six albums to her credit, Céu has transcended borders, captivating audiences on five continents at prestigious festivals such as the Montreal Jazz Festival, Coachella, Roskilde, Rock in Rio and Lollapalooza. She is renownedfor her collaborations with both Brazilian and international artists like Duran Duran, Herbie Hancock, Jorge Ben Jor, Gilberto Gil and Emicida. Recorded in the USA, the album features musical production by Céu as well as Brazilian musician and producer Pupillo (drummer of Naçao Zumbi) and American multi- instrumentalist and arranger Adrian Younge (co-founder of Jazz Is Dead). Recorded at Linear Labs Studio in Los Angeles, Novela is Céu"s sixth studio album. It was captured live on tape, in a dynamic moment that demands total presence. A number of artists feature on the record: American MC and songwriter LadyBug Mecca, Franco-Senegalese singer and songwriter anaiis, American singers Loren Oden and Jensine Benitez, American DJ and producer Frankie Reyes, French artist Hervé Salters (General Elektriks) and Brazilian national treasure Marcos Valle. In Novela, ancient technologies, healing, creaminess, bolero, polished stars, echoes of soul music, things of the earth, rap, and whispers to guides emerge. Throughout the record, there is a reaffirmation of the author"sfearlessness, committed to her time, in the complexity and beauty of creative work. Always keeping the diversity of Brazilian music on the horizon.

Cher's FOREVER mit 21 neu gemasterten Songs ihrer großen Hits wie „Believe“, „If I Could Turn Back Time“, „The Shoop Shoop Song“, „Strong Enough“ die von Cher persönlich kuratiert wurden.

No Signal records is proud to introduce for the 10th release of the label one of the most important producer of all time: Jamie Bissmire. His productions have been central part of the scene through the 90s and the last decades. The UK legend spread the proper techno and electronic vibe with his solo moniker and in collaborations projects like Bandulu and Space DJz satisfying any kind of enthusiastic. The EP starts with the ambient skit "Subteranium", subtle synths and textures combined with a smooth-alternate basslines keep the listener moody and tense for an unexpected start. In Temporal Mst open up the dances. Slightly distorted 4/4 beat track, jam-packed in No Signal style, plucked arps well arranged for an elegant swing. Lore & Order is the match up to lead the dancefoors and listeners into more gloomy and wicked mood. Different sequenced synths wrap the drum groove for an hypnotic, yet enchanting and dreamy moving session. The Tapestry of Fate is definitely a massive Jamie Bissmire's signature track. Total ensemble of Ground Recordings releases, wicked patterns, dark mood and relentless pressure. Dancefloors will go mad for it. Antediluvian Analogue closes the shakers with a more modern vision, high cut on bass synth and 2/4 bleepy synth for a step-forward march. Woven Whispers closes the EP as Subteranium opened. Gloomy and dark mood, effective and reverberated synths in full shaded ambient atmosphere to stun the listener and bring it into a different sound dimension.

Defined by a riveting array of Caribbean rhythms, Etienne Charles's first album featuring his big band arrangements is a personal triumph, but Creole Orchestra is also part of a much larger Story. Drawing on material from several different commissions and projects, the album encompasses the key players from Charles's band Creole Soul and features special guest vocalists Rene Marie and Brandon Rose, plus DJ Logic (turntables).

Secretsundaze marks a new chapter in the institution’s storied history with the foundation of imprint 9FINITY. Stemming from founder James Priestley’s daughter Ludo’s toddler-speak of ‘9FINITY’ to define something massive or huge, the label aims to run with this descriptor through no-nonsense, discerning dance records from artists at the vanguard of modern club music.

The label makes a statement with its maiden release, a V/A compiled with the considered curation synonymous with the Secretsundaze name.

9FINITY001 brings together the talents of Eoin DJ, DJ Life, Luca Attanasio, Coffintexts and E-Talking across 5 tracks and digital bonus that act as a distillation of the label’s sonic vision.

The EP kicks off with Eoin DJ’s ‘Red Rubber Roses’ (Rhythm Dub). A deep, yet driving affair that melds a subtle break with an organ bass line. Think Junior Vasquez meets Radiant Love and you’re getting close. Joining Eoin DJ on the A-side is Naarm production wizard DJ Life with ‘Aberration’. A true headspinner, Life pulls out all the stops on this one, brooding D n’ B style low end, his trademark psychedelic flourishes and a mid-track pace change for good measure. A statement of intent for the imprint on its opening stanza.

The flip opens with exciting newcomer Luca Attanasio’s ‘I Like You Mind’. Straight up intelligent modern house music to kick start the B-side with moody keys and sensual vocal samples juxtaposing a rising bassline that emphasizes groove. Next is Coffintexts’ percussive ‘Make U Sweat’. Doing exactly what is says on the tin, a bold club track with a heavy Latinx vibe that implores the listener to move. Last but certainly not least, E-Talking closes out an impressive opening outing for 9FINITY with the balearic tinged, progressive ‘Party’.

The EP also has an exclusive, Bandcamp only digital bonus with Coffintexts providing a dub wise, 140 version of ‘Make U Sweat’.

A year after the release of the acclaimed Bright Magus album, the first remixes of the project dedicated to Miles Davis' electric turn in the 70s are out. The Bright Magus 'Super' Team, a sort of super group of musicians from the Italian alternative indie scene, has received unanimous acclaim from European critics and this positive wave has also struck many musicians and producers in the industry, including Luca LTJ Xperience Trevisi and Luca Dj Rocca Roccatagliati
who in this single remix respectively the title track of the album Jungle Cover, As Way (with Enrico Gabrielli from Calibro 35 as a super guest) and Selim/Miles, the most Davisian track of the project. Nu Fusion could be a new musical genre term suitable for this unusual sound that comes from it. Dance, Funk and Fusion mixed together.

Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called 'Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance. The tracks on 'Grush' are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, 'Imperial Crescent' is named after a Japanese Hotel, as is 'Belvedere' in Prague, while some tracks such as 'Hyper Daddy' were created specifically to play live. Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take 'Hyper Daddy's' spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking. Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of 'Windsor Safari Park,' which transforms from moody electro into a sunny hardcore track midway. The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. 'Grush' is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.Tracklist Vinyl A: 1/Reticulum A 2/Hyper Daddy 3/Fogou B: 1/Magic Pony Ride (Pt.4) 2/Imperial Crescent 3/Reticulum B 4/Grush C: 1/Belvedere 2/Raver 3/Windsor Safari Park 4/Hastings D: 1/Manscape 2/Metaphonk 3/Reticulum C

A thrilling double-sider, a delight for DJs because of the funky dancefloor cuts that have never been available on a 45 before.
Two outstanding funky gems from Piper Pimienta and Columna de Fuego, among the most innovative Colombian artists of the ‘70s.

DESCRIPTION
Early Fruko collaborator and member of Discos Fuentes’ supergroup The Latin Brothers, Piper Pimienta was a renowned salsa singer and composer (and talented dancer!). Following his Fuentes period, he released several records on Venezuela’s Discomoda label. ‘Pensamiento’ is a killer Latin funk cut that was included on the 1979 album “La Fuente” by Piper Pimienta y su Orquesta and has never been available on a 45 before.

The flipside features one of the most innovative groups on the Colombian musical circuit in 1973: Columna de Fuego. They forged its sound by creatively and organically mixing elements of heavy rock with rhythms rooted in the music of the Pacific and Caribbean coasts and also funk and soul, keeping a fast pace from start to finish. ‘Iñot’ is an outstanding funky gem for the dancefloor taken from their only LP.

DJ Support: Liquid earth, Aladdin, Julian Anthony, Will & Batty, Ray Mono, Venard

Lungo makes his return to Groove Arcade this time with a 4 track solo EP. He’s created a beautiful all rounder with something for everyone but every track is still oozing with GA flair.

The A side brings us ‘La Gente’ and ‘Romantic’. The former being the party starter with a vocal that’s guaranteed to get the crowd excited, while the latter brings the tempo down with lush synths and a driving bassline.

The B side starts off with ‘I Understand Perfectly’, a silky smooth groove with an electro inspired bass line and a killer piano hook. The EP is then complete with ‘I Forgot The Password’, full of nostalgic melodies, computerised sounds and 8 bit vocal samples perfect for winding down at the end of the night.

Shlomi Aber & Kashpitzky join forces once again to make their Blueprint Records debut with four formidable techno tracks on the "Sonic Underworld EP".



Barcelona-based Shlomi Aber brings over two decades of production and DJing experience to his music, drawing inspiration from Jazz, Funk, Acid and the old-school Detroit Techno scene. With releases on Cocoon, Ovum, R&S, Figure, CLR, Drumcode, BPitch, Renaissance and his own Be as One Imprint, along with his dynamic mixing technique, has gained him global success while headlining clubs, festivals and venues worldwide.



Growing up, Kashpitzky began his musical path playing guitar in a metal-core band, before trading amps for drum machines. After relocating to Berlin, he graduated from the SAE Institute. A DJ who's hard to pigeonhole, he has a track for every occasion. His definition of techno is best exemplified by his energetic, yet deep and groovy productions, often combining broken beats with organic textures via releases on the likes of MindTrip, Monnom Black and of course, Shlomi's Be As One.

Francesco Farias, DJ, musician and producer, began his artistic life with the group Jestofunk in 1991 together with Alessandro Staderini (aka Blade). Their first single, which also inaugurated their label Rec In Pause, was produced by Claudio Moz-art Rispoli who became the third full member of the group. They had several international successes with songs like I’m Gonna Love you, Say It Again and especially with Can We Live and Special Love, the latter two respectively sung by CeCe Rogers and Jocelyn Brown. Their first album entitled Love In A Black Dimension is still a best seller in the Funky House and Acid Jazz genre.

For the last years Jestofunk have not released new material and Francesco Farias has started to publish songs again on the label Rec In Pause. This first single printed on vinyl sees him in collaboration with Alen Sforzina in their personal Nu Funk version of Inner City Blues by Marvin Gaye where the echo of the Jestofunk project can be clearly heard. On the back an original piece by Farias contaminated as always by the Funky sound.

DJ Support: DJ Sabo, Gordon Invisible Inc, Ground Chill Mountain, Roe Deers, Thomas Von Party, Vidis

Multi Culti serve up a full-length treat from Peruvian artist Aristidez. Cofounder of Lima-based party collective Casa Locasa and the non-profit label Behua Icara (translated as Healing Rhythms), in support of indigenous culture, Aristidez has recently relocated to Berlin. With releases on Calypso, Disque-Discos, and Kebrada, as well as remixes for Amplio Espectro, Ida Sound, Discos Aquelarre, Rotten City Files, and Playground Records, Aristidez has quietly made a name for himself with a growing catalog of low-key dance tracks that have been championed by the likes of Matias Aguayo, Andrew Weatherall (RIP), and Inigo Vontier, to name a few. With an emphasis on the hypnotic power of rhythm, Aristidez channels indigenous influences in subtle fashion, alluding to visionary experience without resorting to pastiche or obvious tropes. There are freaky tribal rhythms but no shaman samples, just expertly produced tracks than reveal an expansive set of electronic influences that range across tempos and decades, from breaky 90s rave, 80s proto-trance, cult dub, downtempo and more. It’s listenable, danceable, heady and kaleidoscopic stuff that should stand the test of time.

The new album from the original founding member of Kool & the Gang -- 2024 Rock & Roll Hall of Fame inductees! Drummer George “Funky” Brown, along with Robert “Kool” Bell on bass, his brother Ronald Bell on tenor and lead vocalist James "J.T." Taylor, was one of the main songwriters in their pop/R&B band Kool & The Gang, whose classic hits like “Jungle Boogie,” “Hollywood Swinging,” “Celebration,” “Get Down on It” and “Joanna” made for a novel and immensely successful pop-funk groove in the 1970s and ‘80s. Such songs have been featured in films (“Jungle Boogie” was in Pulp Fiction while “Summer Madness” appeared in Rocky) and have been sampled countless times by artists including DJ Kool, Mase, Too Short, DJ Jazzy Jeff and the Fresh Prince, Boogie Down Productions, Brand Nubian, De La Soul, A Tribe Called Quest, Nas, N.W.A., Kris Kross and Jermaine Dupri. Aside from being crowned 2024 Rock & Roll Hall of Fame inductees, Brown, with Kool & the Gang, has been inducted into the New Jersey Hall of Fame--and there’s a street in Jersey City named in the band's honor. The Grammy-winning group has received the Soul Train Legend Award and a star on the Hollywood Walk of Fame.

Das neue Album der französischen Reggae-Legende Big Red, eine Hälfte des Duos Raggasonic, ist ein Trip in die Welt der Soundsysteme und des modernen Dub, ein gekonntes Navigieren zwischen Roots-Reggae und heutiger Bassmusik. Begleitet wird er von der jungen Generation französischer Dub/Reggae-Produzenten wie OnDubGround (ODG), Little Lion Sound, Radikal Vibration, Bisou Dub, Irie Ites und DJ Absurd, die den Tracks ihre eigene Note verleihen. Mit seinem unnachahmlichen Flow befasst sich Big Red mit sozial engagierten Themen wie institutionellen Rassismus, Polizeigewalt und die Exzesse unserer Gesellschaft.

We’re excited to present you Yurk’s First Vinyl album on Chomp! Chomp! This six-track all original music by Yurk, is diverse and rhythm heavy across the electronic genres. Kicking off the album with “Delay Tech,” this 90s-inspired acidic house track is festival-ready with big energy. Then we dive into “Bustin’” - a bouncy Tech House with punchy and multiform tones. Follow by “Sin Control,” warm Jazzy House grooves accompanied by delayed filled Trumpet theme. On the B side, “Cosita” - a hard-hitting Detroit-inspired dub techno composition that treks into 90s territory. Follow by “El Nuevo Jazz”, a playful and dynamic track which combines punchy percussive electro breaks with a high-spirited bassline. To conclude the album - “Satori,” takes us on a spaced-out acid house journey, inspired by the Japanese Buddhist term for awakening, offering a psychedelic and uplifting finale.


Yurk is a dynamic producer and DJ from Puerto Rico, now making waves in Brooklyn's music scene. Blending Latin rhythms with global electronic beats, he has released music with local labels like Mechanical in Queens, NY. As the head of Organized Disorder, Yurk hosts a biweekly radio show, along with an all vinyl monthly Saoco! Party focused on Caribbean and outernational music.


All Tracks written and produced by Yurk. Mixed and mastered by Justin Van Der Volgen. A3 trumpet by Robert PM. B1 vocals by Timo Lee. Album Art by Bráulio Amado. "Dedicated to Erik and my beloved mother Laura, whose spirits guide every note with love and grace.” -Yurk

2024 repress

Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘MFR’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

A dance floor sensation from DJ Agent 86, now finally gets a vinyl release thanks to DJ DSK and the DNA Edits crew. This well respected Melbourne producer and DJ brings a blend of funky 70s disco samples and hip-hop snippets to 7” vinyl, ensuring a guaranteed party starter. As a special treat, the B-side features a fresh edit of the disco classic "Rapture."

- For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!

- 180g heavy vinyl pressing, reverse board jacket.

- Fully licensed Trio Records masters.

- Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

- Signature artwork by Yoxxx.

---

After many years working as a buyer for several record stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo's Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the legendary Wamono A to Z records guide book together with DJ Yoshizawa Dynamite.

For this brand new chapter in the highly acclaimed Wamono series, our man Chintam goes digging into the vaults of one of the most revered Japanese labels: Trio Records. Established in 1969 by audio manufacturer Trio Electronics, now known as Kenwood, the label - and its subsidiaries such as Showboat and Trash - released high quality music spanning a large variety of genres including rock, jazz, fusion, soundtracks and popular songs, until its end in 1984. Through the eight tracks selected here, Chintam unearths some dope drum breaks, heavy bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981.

Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and boogie music developed throughout the years since the sixties in Japan!

---

180GWALP05 - Manufactured and distributed by 180g.