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Expansion's most successful and longest running compilation series returns with a 2017 edition. The concept remains the same, fifteen must-have modern soul room gems taken from the year's biggest dance floor spins on the soul scene. While tracks here have topped UK soul charts, many have not been available in all formats. Once again, attention is paid to the 'flow' of the 15 gems chosen here from shuffling beats to boogie to more soulful house as played at modern soul events. Participants this year include Omar with Los Charly's Orchestra, Tawatha Agree (voice of Mtume's Juicy Fruit') with Aeroplane, Kenny Thomas with Thames River Soul produced by and featuring Incognito, and both Wez and The Groove Association formerly members of Brit Funk group Second Image. Leela James is here after her stint in a US realty TV show R&B Divas: Los Angeles', other guests including Amp Fiddler, Faith Evans, Trina Broussard and Lifford.

* Over the past six years, Dimensions has become a leading name in the underground, with its festival, International Series, DJ Directory and Dimensions Soundsystem. Now, Dimensions extends its influence with the start of its label - Dimensions Recordings. The label launches with a 12-track compilation across three separate discs. 'An Introduction' makes a huge statement in setting out the label's intent and breadth. With artists established and new stepping up to present 12 exclusive tracks.

* An Introduction Part 2 turns the heat up with more dance floor leaning contributions from four American artists. From long established names such as Lady Blacktronika to relative newcomer Byron The Aquarius, each artist delivers a different but equally powerful piece. Marcos Cabral's 'Prochainement' is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst Byron The Aquarius drops his signature dose of funk into 'Full Moon'. One of the standout breakthrough artists of last year, the Atlanta producer has been part of the Dimensions team for some time. Queen of Beatdown, Lady Blacktronika steps up with a timeless, tripped-out house classic for her contribution 'Can We Still Be Friends', her vocal oozing melancholy. Rounding up is DJ Aakmael with 'Transit'; a raw, flexing cut that we've come to expect via his massively impressive output and his own superb imprint, UnXpozd Entertainment.

2022 Repress
Strictly Limited to 500 Unique Units, No repress, - This is The 'Special edition' with different B Side (as opposed to WRWTFWW011(RED) and comes in Colored Green vinyl 12, housed in heavy cardboard old Stoughton tip-on jacket & VHS Obi. File under: Soundtrack, Haunting Synth, Decadent FM Rock & Erotic Funk.

Lunar Disko presents...
Time marches on with two Various Artist EPs to celebrate the 20th release on Lunar Disko Records. Eight tracks encompassing the modus operandi of the label since the beginnings
Part 2 features another selection of Lunar Disko favourites, with the return of DJ Overdose and Raiders of the Lost ARP, while two of Ireland's finest in Tr One and Automatic Tasty complete this stellar line-up.
..and time is still marching on

Blinding tracks from Joey Anderson, Qu, Nicuri and new artist Art Gallery.

Exchange Place is the DJ collective that includes Nicuri himself alongside Joey Anderson, DJ Qu and a producer by the name of Art Gallery. The name makes reference to a district in Downtown Jersey City, just across the river from Manhattan, which is where the crew is primarily based. They released a 12-inch under the name Exchange Place with DJ Qu's Strength Music label back in 2010, and have DJ'd occasionally as a group around New York City. The new EP, Immaculate Inception, includes one track from each of the four contributors.

Big remix package on this 12" for three songs of MOP MOP's latest album "Lunar Love". KALBATA, NICOLA CRUZ, DJ KHALAB and sUb_modU don't disappoint with their treatments on this single and deliver great new versions of the originals.

Driveclub has sold over 2million copies on the PS4 and for the first time the critically acclaimed soundtrack (inc Driveclub Bikes OST) is available on limited edition vinyl. It features an original score by Hybrid who fuse their trademark bass & electronics with epic cinematic orchestral stylings. Remixes come from luminaries across the electronica, techno and drum n' bass worlds including DJ Shadow, Clark, Noisia, Photek & Machinedrum.

Marcel Dettmann has mixed the latest edition of the highly respected DJ-Kicks compilation series.
Whilst Dettmann is well-known for his incendiary sets at his residency at Berghain, his DJ-Kicks mix is crafted for listening, and displays a more reflective side of the DJ and producer. The mix explores a wide array of selections from various subgenres; ranging from the a new vocal-led Strictly Rhythm release, to rapping on Clarence G's 1991 release 'Cause I Said It Right', recently reissued by Clone Records.
Over the course of its 1hr 14 duration, Dettmann reveals multiple new original productions; most notably a collaboration with Levon Vincent, 'Can You See It'. The pair have collaborated once in the past, releasing 'Vengeance' on Levon's own Novel Sound label towards the end of 2015 to critical acclaim. 'Can You See It' sees the duo venture into darker territory; a stripped back, sub-bass laden affair, the quality of this production immediately stands out in the early stages of the mix.
Dettmann also collaborates with MDR affiliate Wincent Kunth on 'Possible Step'. In addition to five brand new original Dettmann remixes and edits, there's an unreleased remix of Marcel's 'Let's Do It' from Ostgut Ton labelmate Rolando.
Designed to be enjoyed by both the critics and more casual listeners, this mix is the latest in a long series of lifetime achievements over the course of Dettmann's career - and with so many new unreleased original Marcel Dettmann productions included, this is a landmark release for the producer

Lengthy and Weighty "Hunch Music" remixes by Mick Wills and DJ Fett Burger! After Hunee's celebrated debut album "Hunch Music", it's time for these two weighty remixes here... DJ Fett Burger inserts "Crossroads" into Boss Brian's computer and takes it to an extraordinary new level, Mick Wills transforms "Hiding The Moon" into a lengthy throbbing and grinding floor cracker.. BIG TIP!

The return of DJ Technician in company with his long time friend DJ Overdose. From The Hague to Rotterdam, a true westcoast electro affair.

Following two EP releases on Delusions Of Grandeur the time felt right for thatmanmonkz to get working on his debut LP. The Sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon's StarTime.
With his first musical love being Hip Hop it's easy to understand how his approach to house turns out so refreshing. Inevitably MPC's, big, bold samples, Jay Dee inspired grooves and a raw, underproduced sound all play a big part and never one to shy away from an interesting collaboration he has enlisted the skills of several vocalists including Detroit MC Ta'raach (whose credits include Slum Village and Jill Scott), Erik Rico (collabs include Ron Trent and DJ Spinna), Khalil, Dave Aju, Pete Simpson (as A Brother Is...) and Malik Ameer.
Things kick off with a low-slung soul jam entitled Air featuring Kahil Anthony complete with sparkling Rhodes arps and a dub-wise bassline underpinning a beautifully lazy groove. Jus Anutha Wunna Deez follows with a rough and ready house jam that clearly doffs its cap to those old Sound Signature and Mahogoni Music releases we know and love so much. Next up we have Boogie Down with Erik Rico rocking some Parliament inspired vocal business bringing the feelgood vibes to this rolling P-Funker. Some Ol' Nex' Ish goes for a jazz samba meets house fusion whilst A Fly New Tune goes strictly old school with a classic combo of dusty break, filtered fusion rhodes n bass sample, movie dialogue snippets and a masterful flow delivered by Ta'raach. Dave Aju steps up next on Turn It Out laying down a unison vocal refrain to compliment the bumping disco groove complete with a call and response section for some singalong party participation!
As we continue, Another Night Under The Glitterball sees thatmanmonkz back in familiar territory with a rock solid, deep jazz-house jam. On I Can Hardly Breathe we're treated to a downtempo gospel-infused affair which leads us perfectly into the most bumpy club- friendly track of the LP For Bae. Moon On The Hill is a collaboration with Italian DJ Kali and his Raw Standard crew and treats us to some distinctly mid 90's Kruder and Dorfmeister vibes to zone out to before heading off in an altogether more bonkers, psychedelic dancehall direction on Vampires. Baked is another classy thatmanmonkz take on Hip Hop featuring Malik Ameer on the mic. Take U 2 My House sounds like something Prince might have made in the mid-80's if he'd just come off a 3 day bender at Panorama Bar. And closing the show in perfect style and fashion we have For Those I've Lost Along The Way which is a blunted yet beautifully optimistic number that has echoes of Lonnie Liston Smith and a brilliant spiritual vocal sample which provides the perfect closer to an amazing debut LP.

Here we are, finally ! After numerous months of hard work,
today is the release day of " Good Vibes "
from SoulChef on Délicieuse Records !


This is definitely a 2.0 project : a beatmaker based in New-Zealand, a french label, some french scratches, some english, north american, swedish emcees, etc. it's a countless number of emails that allowed us to release this beautiful project that you can listen today.


We're so f****g happy to finally be here ! This album sounds old-school, but it's message and conception are definitely modern. Enjoy, Love is the Message !


Soulchef revives with Good Vibes the original spirit of Hip Hop.


The New Zealand beatmaker gives new life to this still living memory that we're honouring on Delicieuse Musique since our inception. Taking us back to our classics, Soulchef shines a new and personal light on hip hop : the result is positive, groovy and true to its initial roots.


Good Vibes is the result of an exchange of more than 18 months between the producer, the label and various rappers. The album is a mapping of a league that helds the oldschool hip-hop standard : there can be found a whole bunch of more or less notorious MCs on it from Declaime to Croosh, a young talent spotted on Soundcloud.


Gathered around the unifying aura of Soulchef, Delicieuse Records decided to step out of its usual field, offering to its public its first Hip Hop release.

Deconstructed EBM from the Nous affiliate Spoiled Drama kicks off the new Science Fiction compilation - 10 tracks of crazed machine grooves further diversifying the Science Fiction's exploration into synthetics. The opener driven simply by an obnoxiously saturated digital drum machine and a mechanical body music bass loop simultaneously hints to late 80s darkside Chicago roots with hard flanged hi-hats and a detuned string machine.

Tensnake's standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone's happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert's & Dicky Trisco's respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!

With a magnificent compilation Dial Records celebrate their 15th anniversary! ALL offers a collection of exclusive works by long related label artists and friends. Part 1 of the Viny 12Inch Edition features contributions by Stefan Tcherepnin, Dj Richard, Christian Naukoks, Pantha Du Prince and Queens.

With Record Store Day upon us once again, Quantize Recordings felt it only right to unleash a killer EP to the World boasting exclusive edits from 2 of the biggest names of the scene - Danny Krivit & John Morales.

Danny's edit of 'Is It Love' is taken from the recent Quantize Quintessential CD release (also mixed & compiled by Danny Krivit), as you'd expect it's lovingly crafted and receiving some serious rotation from the industry A listers.

On the flip the monumental DJ Spen & Gary Hudgins's remix of Melissa B 'Be Free' finally (and due to much demand) gets an exclusive vinyl airing, whilst John Morales delivers a stunning disco reworked remix of Sheila Ford's 'The Best of My Love'. Limited edition pressing on Royal Blue vinyl!

Rick Wilhite delivers a super strong collection of songs & tracks made by producers coming from either New York, Chicago or Detroit. This is part 2 in a 2 volume album.

The second of the Decadub vinyl-only releases dedicates three of its four sides to a volley of woozy and twisted footwork from most of the key members of Chicago's Teklife crew. Side One starts with DJ Rashad and Gant Man's squiggly 303 banger 'Acid Life' and moves onto Taso & Djunya's Darwinian banger 'Only The Strong Will Survive'. Side Two descends into DJ Spinn's bombastic 'All My Teklife' and then Earl, Rashad & Taye's 'Bombaklot' which takes Hyperdub full circle with a yardcore bomb like a 2014 upgrade of the label's early days. Side Three leads with DJ Earl's immaculate diva vocal cut-up of 'I'm Gonna Get You', then moves on into DJ Taye's fizzling R&B jam 'Get Em Up' and the stone cold, warped humour of 'Icemaster' by Heavee. On the fourth and final side, Tokyo-based ally Quarta330 returns to craft 'Hanabi', an epic, uptempo synthesiser jam. Young gun Champion follows with 'Power Cut', its minimal, energetic and militant kicks and bass molded with cowbell and lots of tight edits, before dropping some neat keys and a warping bassline two thirds in. Ikonika finishes things off with the solemn march of 'Tug Zone', opening slow but building in flickering high hats and gaseous cymbals into a track which could have emanated from Battlestar Galactica.

Ragga Drum & Bass. South france famillies style. Massive sound !

Blank Code start 2014 off strong with their latest EP Rituals of Submission, produced by Luis Flores, with remixes by Black Asteroid and DJ Hyperactive. The opening track Discipline starts off with a nice creepy atmosphere supported by a solid kick and just the right amount of percussion to hook you into the tracks core rhythm, which stays consistent while the supporting percussion keeps the intensity of the track in constant motion. Black Asteroid's Discipline remix gives the track a whole new perspective, while staying true to the original's excellent use of classic elements. The straightforward kick and up­beats work perfect with this track's industrial bassline, while cleverly programmed analog synths carry the track with slow triplet rhythms, and quirky stabs that drift off to space.

Luis Flores' second original composition, The Word, follows the same philosophy as Discipline, with many elements coming together to form one solid rhythm. This is a huge sounding track with intricate metal percussion and pitch modulated stabs that form a dark and inciting hook which is overtaken by filtered claps as the track progresses. DJ Hyperactive gets down to business with his remix of The Word and lets his Chicago roots shine through as hats on all fours and hard hitting claps are used to raise the energy sparked by the deep kick and well processed stab.

True house music on The A side with Self Enemy and huge house beat also on the A2 with DJ Aakmael. SEEKER'S BAND with remixes by JACK THE BOX & CORES FOR SPIN !
Self Enemy aka as Parisian Professor Inc & Detroiter Kris Wadsworth play it slow here. Picking on some classic sample, highly tweaked synth and dj friendly structure. Second opus of this raw collaboration.
Dj Aakmael picks another Billie's song, This time it's heavy orchestra chords on a hard kick singing the blues on the house core.
On the B Side, the SEEKER'S BAND aka Miguel Benavides composes with at Vocals: Mathieu Boko, Percussion: Eric Konnert (plays with St Germain, Martha Galarraga..), Bass: Francois Barbe, Tenor & Soprano Sax: Stephane Becarie, Keys: M Benavides and produced by Professor Inc & Miguel Benavides ; inspired by the first house school, jazz accents, afrocuban classic percussion, a tasty radio version right here !
It comes with a remix by the Berliners Tyree Cooper & Bobby Star aka JACK THE BOX. Dj friendly and deeply rooted with one of the pioneers perpetuating the style.
To conclude this ep, a special short dub version by CORES FOR SPIN

* TO CELEBRATE JAMAICA'S 50 YEARS OF INDEPENDANCE 1962-2012 We have put together a set of releases that cover the musical styles that reggae mutated into through it's history, SKA, ROCKSTEADY, ROOTS REGGAE, DUB, DJ STYLE &DANCEHALL.... So Listen Up! and enjoy!Welcome to the Dancehall Sound from Jamaica. The sound that grew out of the dances in Jamaica around the beginning ofthe 1980's.The musical style again slowed
the reggae beat down to give an uncluttered, sparce backdrop, allowing the singers and DJ's more space to express
themselves. Dancehall has never stopped but turned to a digital beat around the mid - 1980's. So Listen Up ! to some early Dancehall classics that set the style for the years that followed....

Poker Flat return with their ninth label compilation featuring no less than 10 new exclusive tracks, uniting some of the brightest talents from their label roster, and also inviting some new names to join their mischievous posse.

Compiled by Dj Spinna & Mr.Thing.

Classic second album re-issued.

POP AMBIENT returns...and beyond the usual anticipation, for a cause. We celebrate a decade of annual bliss with POP AMBIENT 2010!

Awesome hardcore to industrial hardcore sampler on WISHCRAFT RECORDS! Headliner of this phat 12" is the A1 track DIRTY DANCE WHORES by DJ PARTYRAISER & SCRAPEFACE which is already featured on the new THUNDERDOME 2006 compilation and gets hammered by loads of top djs like TIEUM, PARTYRAISER, DARKCONTROLLER, LENNY DEE and many more!

very nice colored vinyl!