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Samo lived in Hong Kong for a bit. He rescued a dog and brought him back to Stockholm. He skates but that's not him on the front. He put together one of the best very records on LIES but this four-tracker kills it dead. Ben UFO's been rinsing it. The dog's name is Denzil.

Intangible Records and Soundworks presents another classic release in the rebound.
Remastered version of DJ Slym Fas' legendary masterpiece from 1996.

Simple House music, created with hardware + psilocybin, some which were released on Shroom Records, sitting at #1 on DJ Sneaks wall at Gramaphone for several weeks in 1995. "a lovely reminder of piano driven 90's" - Honey Dijon

Propelling Down Under techno and house into the world's clubs with classics such as Phreakin', LSD and 6AM in the mid-90s, djhmc (Cam Bianchetti) is rightly hailed as the 'godfather of Australian techno'.

Now with more than 30 years experience of transcendentally moving dancefloors - and 20 years with his productions, remixes and edits; djhmc is back with a new label - reflector.

This will be an all new platform to showcase totally remastered versions of his back catalogue as well as to provide a vehicle to bring his current and previously unreleased
work to his already loyal following and to new believers.
Cam Bianchetti is a man of many talents who is very much in demand as a DJ and a producer, and he applies the same meticulous attention to detail and knowledge of what works a dancefloor across both disciplines. Under his djhmc alias, it isa very broad church that covers disco, house and techno, whilst his other monikor, Late Nite Tuff Guy focuses more on his love of Funk & Soul. When it comes to giving a classic sound a new contemporary twist, there is simply no-one better.

With the arrival of the 'reflector' label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc; once again its time to prove why he is one of the most talented techno and house producers and DJs to ever grace the turntables....the Godfather is back!

Ghettomania kicks off 2014 with another hard edged Ghetto Techno weapon !

Urbana owner Rober Gaez delivers his new tech house EP on Sphera.

VINYL + MP3 + BONUS 7''

Underground House meets a dark and hypnotic atmosphere. Dj Jus-Ed is on a truly deep mission .

Phaze Records is the new Imprint founded by Gummish aka Tony Matt. Phaze Records focus on the funky side of techouse and minimal techno of electronic dance music. The debut EP is coming from spanish based Dreamteam Carlos Sanchez & DJ Ray (Superfancy, Katchuli) with a remix from Mr. Dejonka (Wahrhaft, Suchtreflex, Knall, Parquet). High-Quality House Music for Fall 2009.

“Spirit Chaser” by DJ Life. Berlin-based, aus producer slips back onto the label through Jupiter’s Depth, landing his first full solo EP with us — almost 7 years on from his first appearance on Neptune Discs.
After a run of VA appearances here, alongside standout releases on X-Kalay and Craigie Knowes — this lands as the third on the sub. Weighty baselines, fleeting vocal fragments, lush chords from elsewhere. All slightly off-centre, in a good way.
4 pattern-led trax, percussion up front — an undulating gem.

A-Side: Spiralen - DJ Koze
It is said that DJ Koze creates musical universes - yet what many don't realize is this: the universe itself was created 13.8 billion years ago by DJ Koze, before he condescended to become physical matter. He was the force of gravity that held everything together - and today, as for over 35 years, he continues to surprise again and again, scattering his stardust across the night sky.
It's simply unbelievable.

"In your eyes, spirals are turning
They pull me deeper than any mind can reach
The world goes soft around its edges
And everything drifts into no man's land"
B-Side: "Wo's Patric?!?" - DJ Koze
The title says it all - fortunately, Patric is always there. So beautiful that he exists.

Cyphon Recordings continue their deep dive into the rich heritage of UK and Detroit electronic sounds with their second label release, this time from Danny Was A Drag King label boss DJ Rocca.

Active since the 90s, the Italian producer is a dedicated explorer of the Italo Disco-inspired sounds native to his home. He’s been plotting his sonic journey for decades, making pit stops at labels across Europe including Rekids,Toy Tonics, Slow Motion, Rotten City Records and Roam Recordings. On top of his solo outings, collaboration has played a big role in his production journey to date. He’s worked with artists like Howie B, Jazzanova and Zed Bias, as well as joining forces on ongoing projects with fellow Italian stalwart Daniele Baldelli and Dimitri From Paris, the latter under the name Erodiscotique.

Now back on his solo pursuits for Cyphon, Rocca proves he’s still very much at the top of his game. The four cuts on ‘Code 041’ explore all shades of electro, from raw, old school machine funk to futuristic cosmic sounds. It’s electro done the Rocca way.

The title track sets the tone. An eerie bass line crawls along, providing a bed for reflective pads to glide and mysterious synth sounds and echoing vocal samples to ricochet above. ‘No Gym’ greets us next, bringing that Italo flair Rocca’s mastered so well. It’s the most vibrant track on the release, matching colourful pinging synths and tropical-tinged melodies with a signature driving acid bass line.

On the flip, ‘The Bigger Lake’ takes the EP in a different direction, on a trip through dark glistening pads, tittering percussion and sub aquatic bass before the dusty breaks and moody, jazzy keys of ‘Omega’ bring the release to a close. Mirroring Cyphon’s label ethos, Rocca showcases the best of the past and present of a timeless sound.

DJ Pone returns to his roots with Bass Culture (out March 6, 2026), a new 19-minute mixtape. A renowned turntablist, DJ Pone delivers an immersive and mesmerizing mix. Following his success with Birdy Nam Nam, he has released several genre-blurring projects, including the cinematic Radiant and the deeply introspective 1978. These albums showcase a producer with a meticulous ear for detail, atmosphere, texture, and storytelling—at times overshadowing the full extent of his talent and charisma behind the decks. With this new release, he reconnects with his first love: sound collage, razor-sharp cuts, and the magic of real-time manipulation. The mix fuses a burst of tracks into a seamless journey, punctuated by precise breaks and UK and tropical inflections. The sound design feels both cathartic and transient—a subtle blend of beats and sonic landscapes that echo and dissolve into one another with remarkable finesse. From an opening manifesto paying tribute to DJ Shadow and DJ Qbert to a rawer section infused with urbex textures, recalling the energy of Company Flow, Pone crafts a narrative that is as thoughtful as it is intensely joyful—yet paradoxically soothing. Mostly instrumental but never lacking soul, Bass Culture is filled with glitched melodies and vocal samples, echoes of his recent travels to Barcelona and beyond. The project stands as a personal, tactile canvas—instinctive and unembellished—pushing back against an era dominated by digital excess. It resonates as a true statement of faith in the art of DJing, reminding us that, even as a producer, DJ Pone’s touch on vinyl remains grounded and almost magnetic, far removed from today’s passing trends.

Dj Immortal invites you to dive into his obscure experimental laboratory with “dissociation EP”, the first release on his own label, Glue Recordings. Oscillating between breakbeat, house and electro bits, the project blends genres and moods into a four-track journey made for sticky dancefloors and nocturnal explorations.

Discotchari unveils a full deadstock run of this rare 7 inch from 1970, found in original factory boxes and reissued as the first release of the label. It features previously unheard material from oud virtuoso John Bilezikjian and percussionist Raja Zahr, a Burbank via Beirut collaboration. The record will be available on vinyl and digital platforms from November 3rd, 2023.

Recorded under the name Something Different, the duo produced a single 45 RPM that was shelved as their solo careers took off. At just 21, Bilezikjian handles oud, bass and harpsichord, while Zahr delivers rich and inventive percussion.

Side A, Zulu Man, blends late 60s psychedelia with a more experimental edge, closer to underground acts than mainstream rock of the era. Carried by evocative vocals and expressive oud lines, the track unfolds like an epic narrative.

Side B, Chemical Reaction, is harder to define, moving between cinematic moods and rhythmic tension. The track evokes shifting landscapes and contrasting atmospheres, making it as intriguing as it is unpredictable on a dancefloor.

Originally pressed by Nose Records in 1970.

PPP: a whirlwind new link-up between contemporary club heartthrobs Piezo, DJ Plead and DJ Python. A trio of the best in the game come together for a new collaborative project on Facta and K-LONE’s Wisdom Teeth imprint.

The project was recorded gradually over a two year period at Piezo’s studio in Milan. Initial sketches were written when Python came to stay for a few days in late 2023. Later, when Plead travelled through the city, he stopped by to add his own contributions - and the record grew incrementally and organically from there across multiple visits.

The initial MO was to workshop a warped take on early 00s minimal and tech house - but at a certain point the record took on a life and soul of its own, spreading out in a number of disparate yet interconnected creative directions: from the peak-time euphoria/melancholia of ‘Wisco’ through to the shoegazed minimal of ‘Plz’, via proggy psychedelia (‘Bborn Again’), glitched Perlon reconstructions (‘Pez’) and downbeat downtempo (‘Coni’).

At points you can clearly hear their individual voices break through: be it Python’s whale-song melodies on ‘Coni’, Plead’s frenetic hand drums on ‘Wisco’, or Piezo’s sound-design freakouts on ‘Pez’. At other points the joins are harder to find as the record takes on a unique voice far beyond the sum of its parts.