"Die Dunkelheit wimmelte immer von unerklärlichen Geräuschen..." (HPL)
Mit "Nahab" - dem zweiten Teil des Disharmonium-Zyklus - kehren BLUT AUS NORD wie getrieben in die unheimlichen, alptraumhaften Jenseitswelten von H.P. Lovecraft zurück, um sie in einem Spiegel erschreckenden Black Metal-Wahnsinns zu reflektieren.
Ähnlich wie die beiden dunklen Kammern des 2022 erschienenen Erstlings "Disharmonium - Undreamable Abysses" und der dazugehörigen Kompilation "Lovecraftian Echoes" ist diese neueste Emanation ähnlich gebärmutterartig, detailreich, verstört und transformativ.
Musikalisch nur durch das umfangreiche Oeuvre der Band beeinflusst, hat "Nahab" im Vergleich zu BANs jüngsten Lovecraft'schen Erkundungen einen erhöhten Anteil an derangierter Vokalmanie, die unheimliche Dynamik ist besser umgesetzt, die unverwechselbare melodische Kraft der Band verstärkt, die Gitarren - tiefer gestimmt für zusätzliche Resonanz - fließen im Tandem mit taumelnden Grooves wie ein stygianischer Tsunami.
In der totäugigen Trance eines dämonisch Beschworenen haben BLUT AUS NORD einmal mehr esoterische Folklore und moderne Gewalt in ein weiteres phänomenales Stück Außenseiterkunst kanalisiert, das ihrem eigenen Mythos und ihrer Monstrosität mehr als gerecht wird. In der Tat ein krönender Abschluss des Grauens.
quête:dm
Duca Bianco is back with one of its special various artists' releases, and a mighty fine one it is too. This one finds four guest producers all with their finest studio tools sharpened and ready for action. Two of the artists are well known but use new alias - one is Israeli synth and psyche wizards Red Axes who work their magic as Der Sexa on 'Gabi Plane' and another is Beauty & The Beat party man Cedric Woo as CW. He gets nice and twisted here while the other two cuts - one from Italo king Franz Scala who builds slow new wave funk, and one from Manchester's renowned edit kings Talking Drums who offer some lovely leftfield madness on 'DMNB', all make for crucial listening.
- A1: Hello, Billy Bob
- A2: Raindance (Ft Native Soul)
- A3: Be Who You Are (Ft J.i.d. Newjeans, Camilo)
- A4: Worship
- B1: My Heart (Ft Rita Payés)
- B2: Drink Water (Ft Jon Bellion, Fireboy Dml)
- B3: Calling Your Name
- B4: Clair De Lune (Ft Kenny G)
- B5: Butterfly
- C1: 17Th Ward Prelude
- C2: Uneasy (Ft Lil Wayne)
- C3: Call Now (504 305.8269) (Ft. Michael Batiste)
- C4: Chassol
- C5: Boom For Real
- C6: Movement 18' (Heroes)
- C7: Master Power
- D1: Running Away (Ft Leigh-Anne)
- D2: Goodbye, Billy Bob
- D3: White Space
- D4: Wherever You Are
- D5: Bonus Track Life Lesson (Ft Lana Del Rey)
Das bislang poppigste Album des Grammy-Abstaubers 2022 (u.a. für ”Best Album”)! Was macht man nach dem Gewinn eines Oscars, eines Golden Globes und von fünf Grammys in einem Jahr? Jon Batiste hat kurz durchgeatmet und ein energiegeladenes neues Album aufgenommen, das sich in keine Genre-Schublade einsortieren lässt. „World Music Radio“ heißt sein neues Albumprojekt. Für den einst als Jazzpianist und -Sänger bekannt gewordenen Musiker ist es das bisher Pop-orientierteste Album geworden. Als Gäste lud er u.a. Jon Bellion, Lil Wayne, Lana Del Rey, Kenny G, Fireboy Dml, J.I.D, Camilo und Newjeans dazu ein. Der Ohrwurm „Be Who You Are“, aufgenommen für Coke Studio, hat bereits seinen Siegeszug um die Welt angetreten. „World Music Radio“ ist eine quirlige, überbordende Mischung aus groovigen Sounds aller musikalischer Richtungen und aus allen Winkeln der Welt. Batiste: „Viel zu viel Musik versucht sich heutzutage in eine Schublade einzufügen. Auf meiner Reise lade ich die Zuhörer ein, all das loszulassen.“
Und das macht Riesenspaß!
Collecting recordings made between 1953 and 1956, Miles Davis Plays For Lovers is a look at the more sensitive and sensual side of the great trumpeter, focusing on his sultry and smoky late night ballads. Mostly featuring his legendary mid-50s quintet of Coltrane, Garland, Chambers, and Jones, this collection highlights that groups ability to slow things down to a soulful, brilliant simmer. Classic jazz ballads that swing, perfect for late nights with a lover at your side.
- A1: Yonkers Tale (Intro)
- A2: Livin' The Life
- A3: If You Think I'm Jiggy
- A4: The Interview (Part I) (Interlude)
- A5: Money, Power & Respect (Feat. – Dmx, Lil' Kim)
- A6: Get This $
- A7: Let's Start Rap Over (Feat. Carl Thomas)
- B1: Mad Rapper (Interlude)
- B2: I Wanna Thank You
- B3: Goin' Be Some Sh*T
- B4: The Heist (Part I)
- B5: Not To Be F**Ked With
- C1: The Set Up (Interlude)
- C2: Bitches From Eastwick
- C3: Can't Stop, Won't Stop (Feat. Puff Daddy)
- C4: All For The Love
- C5: So Right (Feat. Kelly Price)
- D1: The Snitch (Interlude)
- D2: Everybody Wanna Rat
- D3: The Interview (Part Ii) (Interlude)
- D4: We'll Always Love Big Poppa
Celebrate Hip-Hop At Fifty, Bad Boy records and the 25th anniversary of the debut album of The Lox, as they takes you on a journey through the streets where money, power, and respect rule supreme. With hard-hitting beats and thought-provoking lyrics, Money, Power & Respect is a timeless masterpiece that will keep you captivated from start to finish. Feel the energy surge through your veins as you immerse yourself in these iconic street anthems.
Featuring iconic tracks like "Money, Power & Respect," "If You Think I'm Jiggy," and "We'll Always Love Big Poppa," this album is a must-have for any true hip-hop aficionado. It's a sonic experience that will leave you hungry for more.
g A7. Let's Start Rap Over (feat. Carl Thomas) 4:28
This repressed 12" features 5 of the best early DM remixes from his now legendary (and long out of print) mashup EP 12"s. Includes his mashup remixes of NAS vs PORTISHEAD, AUDIO TWO vs AIR, SUZANNE VEGA vs 50 CENT, OUTKAST vs FUNKADELIC, and XZIBIT vs RADIOHEAD. Limited stock on colored vinyl.
Blue Vinyl[32,73 €]
Green Vinyl[32,73 €]
White Vinyl[25,42 €]
Purple Vinyl[32,73 €]
Orange Vinyl[32,73 €]
Black Vinyl[32,73 €]
Sally Cinnamon is acknowledged as the first release in the style which would come to be recognised as the Stone Roses' trademark sound. This
EP includes the 12" single mix, all the B Sides and additional live tracks. This is the first time this new configuration has ever been released in
six unique colour variants on heavy weight 180g Vinyl. Half-speed mastered to the highest possible quality and DMM – Direct Metal Mastered
with protective polypropylene inner bag making this the ultimate collector's edition.
Red Vinyl[32,73 €]
Green Vinyl[32,73 €]
White Vinyl[25,42 €]
Purple Vinyl[32,73 €]
Orange Vinyl[32,73 €]
Black Vinyl[32,73 €]
Sally Cinnamon is acknowledged as the first release in the style which would come to be recognised as the Stone Roses' trademark sound. This
EP includes the 12" single mix, all the B Sides and additional live tracks. This is the first time this new configuration has ever been released in
six unique colour variants on heavy weight 180g Vinyl. Half-speed mastered to the highest possible quality and DMM – Direct Metal Mastered
with protective polypropylene inner bag making this the ultimate collector's edition.
Red Vinyl[32,73 €]
Blue Vinyl[32,73 €]
White Vinyl[25,42 €]
Purple Vinyl[32,73 €]
Orange Vinyl[32,73 €]
Black Vinyl[32,73 €]
Sally Cinnamon is acknowledged as the first release in the style which would come to be recognised as the Stone Roses' trademark sound. This
EP includes the 12" single mix, all the B Sides and additional live tracks. This is the first time this new configuration has ever been released in
six unique colour variants on heavy weight 180g Vinyl. Half-speed mastered to the highest possible quality and DMM – Direct Metal Mastered
with protective polypropylene inner bag making this the ultimate collector's edition.
Red Vinyl[32,73 €]
Blue Vinyl[32,73 €]
Green Vinyl[32,73 €]
White Vinyl[25,42 €]
Purple Vinyl[32,73 €]
Black Vinyl[32,73 €]
Sally Cinnamon is acknowledged as the first release in the style which would come to be recognised as the Stone Roses' trademark sound. This
EP includes the 12" single mix, all the B Sides and additional live tracks. This is the first time this new configuration has ever been released in
six unique colour variants on heavy weight 180g Vinyl. Half-speed mastered to the highest possible quality and DMM – Direct Metal Mastered
with protective polypropylene inner bag making this the ultimate collector's edition.
Red Vinyl[32,73 €]
Blue Vinyl[32,73 €]
Green Vinyl[32,73 €]
White Vinyl[25,42 €]
Purple Vinyl[32,73 €]
Orange Vinyl[32,73 €]
Sally Cinnamon is acknowledged as the first release in the style which would come to be recognised as the Stone Roses' trademark sound. This
EP includes the 12" single mix, all the B Sides and additional live tracks. This is the first time this new configuration has ever been released in
six unique colour variants on heavy weight 180g Vinyl. Half-speed mastered to the highest possible quality and DMM – Direct Metal Mastered
with protective polypropylene inner bag making this the ultimate collector's edition.
- A1: So Much Trouble In The World (Feat Nutty O & Winky D)
- A2: Dem Belly Full (Feat Rema & Skip Marley)
- A3: Redemption Song (Feat Ami Faku)
- A4: Waiting In Vain (Feat Tiwa Savage)
- A5: Turn Your Lights Down Low (Feat Afro B)
- B1: Three Little Birds (Feat Teni & Oxlade)
- B2: Buffalo Soldier (Feat Davido)
- B3: Stir It Up (Feat Sarkodie)
- B4: Jammin (Feat Ayra Starr)
- B5: One Love (Feat Patoranking)
Black Vinyl[31,05 €]
Das Album Bob Marley mit dem Titel ”Africa Unite” ist das Ergebnis von den besten afrikanischen Künstlern, um die größten Hits von Bob Marley neu zu interpretieren. Auf dem Album sind Künstler wie Davido, Rema, Sarkodie, Ayra Starr, Tiwa Savage, Fireboy DML, Oxlade & Tems zu hören, die jeweils einen Klassiker von Bob Marley neu interpretieren. Dieses verbindende Projekt symbolisiert den Einfluss, den Bob Marley auf das moderne Afrika hatte. Africa Unite für die Welt!
Ab dem 04.08 als CD und auf roten und schwarzem Vinyl verfügbar.
- A1: Up Above My Head, I Hear Music In The Air
- A2: Ain't No Grave Hold My Body Down
- A3: Didn't It Rain
- A4: Trouble In Mind
- A5: Stand By Me
- A6: Sit Down
- A7: Jesus Is Here To Stay
- A8: The Natural Facts
- A9: The Devil Has Thrown Him Down
- B1: Bring Back Those Happy Days
- B2: Stretch Out
- B3: Bems Of Heaven
- B4: Don't Take Everybody To Be Your Friend
- B5: Teach Me To Be Right
- B6: This Train
- B7: That's All
- B8: Nobody's Fault But Mine
- B9: Shout, Sister, Shout!
Sister Rosetta Tharpe is often referred to as "the godmother of rock and roll" for her pioneering guitar technique, use of distortion/reverb, and a 1963 UK tour with Muddy Waters that has been cited as a huge influence by Eric Clapton, Keith Richards, and Jeff Beck. Though she reached more widespread notoriety across the world in the '50s and '60s thanks to the folk/blues revival and her beloved status among UK blues and rock musicians, it's her early recordings from the late '30s and early-mid '40s that are the most brilliant, visceral, and emotional of her career. This excellent collection compiles 18 of those amazing gospel and R&B sides into one place. Essential.
- A1: Surfin' Safari
- A2: County Fair
- A3: Ten Little Indians
- A4: Chug-A-Lug
- A5: Little Miss America
- A6 40: 9
- A7: Surfin
- A8: Heads You Win - Tails I Lose
- A9: Summertime Blues
- A10: Cuckoo Clock
- A11: Moon Dawg
- A12: The Shift
"Formed in 1961 when Dennis Wilson, the only Beach Boy to regularly visit the beach, asked his brother Brian to write a song about the sport of surfing. The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin'') and were immediately signed to a major label. Though many debut albums in the early '60s were mainly built around a few smash-hits, the Beach Boys' 1962 full length debut on Capitol (featuring such hits as 'Surfin' Safari,' '409' and their version of the Eddie Cochran classic 'Summertime Blues') remains one of the greatest first steps in American pop culture, and a mandatory chapter in the history of rock and roll."
After the release of "3.3 magnitude" and the remixes of the single "1.3 HDG" unveiled last February, H3 Records continues its musical exploration between rap and electronic music with a new release, "Music 4 Tesla".
This time, rapper Kaba joins forces with producer Hyas and unveils a slender and festive 6-track track, true to the label's identity.
Hyas started producing music in 2017 and released his first projects completely independently. Today, he has more than twenty releases on labels such as 99CTS and Casa Voyager. The Lyon native, resident of Le Sucre and Rinse FM, has a string of dates and festivals in France and abroad and founded his own label Bardouin Music in 2020.
For his part, Kaba has released three singles this year, including two featuring Karmen (formerly Tortoz) and Samy Ceezy, and a 10-track "Long Story Short", a joint project with the young beatmaker Keno.
The connection between the two artists was very natural: the rapper's ambitions and Hyas' influences complemented each other and led to a first draft of tracks, convincing enough to form the basis of a joint project. With influences from UK Garage, Acid House, Ghetto House and 2step, "Music 4 Tesla" is a high-flying, catchy, danceable, warm and sunny project. Throughout the tracks, Kaba borrows incisive old school flows (like on "4daMob") but also "DMV" (overlap flows where the phrases overlap like on "Original G") and enriches the musical universe of the project, which carries in it this fever of H3 Records' sounds.
Between pervasive house influences and bouncy bass, borrowed from funk sounds, "Music 4 Tesla" depicts throughout its 20 minutes a captivating gradation of festive ambiences, and proves again that the marriage of rap and house is definitely made to last.
- Puff's Intro
- Do You Wanna Get $? (Feat. Puff Daddy)
- Take What's Yours (Feat. Dmx)
- Mad Rapper (Interlude)
- Will They Die 4 You? (Feat. Puff Daddy & Lil' Kim)
- Lookin' At Me (Feat. Puff Daddy)
- White Girl (Interlude)
- Love U So (Feat. Billy Lawrence)
- The Player Way (Feat. Eightball & Mjg)
- Hater (Interlude)
- Niggaz Wanna Act (Feat. Busta Rhymes)
- Feel So Good
- What You Want (Feat. Total)
- Phone Conversation (Interlude)
- Cheat On You (Feat. Lil' Cease & Jay-Z)
- 24: Hrs. To Live (Feat. The Lox, Black Rob & Dmx)
- Need To Be (Feat. Monifah)
- Watch Your Back (Interlude)
- Wanna Hurt Mase?
- Jealous Guy (Feat. 112)
Elvis Presley’s self-titled debut album forever changed popular culture on release in 1956, its earthquake aftershocks still felt some 65 years later. Gritty adaptations of Carl Perkins’ ‘Blue Suede Shoes,’ Ray Charles’ ‘I Got A Woman’ and Little Richard’s ‘Tutti Frutti’ helped make it the first Rock ‘n’ Roll album to top the Billboard charts, where it remained unchallenged for a full ten weeks. The iconic cover image with its distinctive lettering, showing Presley brandishing his acoustic guitar, helped embed the instrument in rock mythology too, indelibly changing how we conceive of the genre and its axemen. Elvis Presley proved that our hero was already the undisputed King of Rock ‘n’ Roll, just as he still is today.




















