In the vibrant streets of Tembisa, South Africa, amidst the sprawling urbanity connecting Johannesburg and Pretoria, the story of Moskito began. Formed in 2001 by Mahlubi "Shadow" Radebe and the late Zwelakhe "Malemon" Mtshali, the group first emerged as a powerhouse of pantsula dancers. However, their undeniable passion for music soon led them down a new path_ one that would cement their place in kwaito history. Spending countless hours on the street corners of their township, where they were born and raised, Shadow and Malemon danced and sang with an infectious energy that attracted crowds. It wasn't long before the duo decided to channel their talents into a kwaito group, and after adding friends Patrick Lwane and Menzi Dlodlo, Moskito was born. (Pantsula dancing emerged in the 1950s among Black South Africans in townships and continually evolved until it became intertwined with kwaito music culture. The stylized, rapid foot movements and characteristic low-dancing became associated with kwaito as it took over South African urban culture into the early 2000s.) With limited resources, the group displayed immense creativity, recording demos using two cassette decks and instrumental tracks from other artists. They would rap and sing over an instrumental playing on one deck while the second deck records their performance. Their determination paid off when they submitted their demo to Tammy Music Publishers, who were captivated by Moskito's style. "Kwaito was the thing `in' at the time. If you did music you did kwaito. We wanted to fit in and actually it was easy," says Radebe. "We didn't have engineers in the group, so the first time in a real studio was with Percy and Thami to record Idolar." That same year, the group released their debut album, Idolar, under Tammy Music. The album was an undeniable success reaching gold status selling over 25,000 units and earning them a devoted fan base across South Africa and neighboring countries like Botswana, Swaziland, Namibia and Zimbabwe. Moskito collaborated with industry legends such as Chilly Mthiya Tshabalala, who was known for his work with Thiza and Spoke "H." They drew inspiration from Thami Mdluli a.k.a Professor Rhythm, who had dominated the disco scene back in the 80s and 90s. Mdluli helped with musical arrangements and executive produced the album and signed on producer-engineer Percy Mudau, while Shadow and Malemon took pride in composing most of their songs. Like many of the rising kwaito artists of the time, they didn't have music production or engineering backgrounds so they required support from engineers together their ideas down on tape. They were inspired from South African kwaito icons like Trompies, Mdu, Mandoza, and Arthur Mafokate, alongside international heavyweights like Snoop Doggy Dogg, Dr. Dre, 2Pac, and R. Kelly, Moskito created a sound that was uniquely theirs_a perfect blend of local flavor and global influence.
Buscar:domin
- A1: Ransum Records - Soca Panda Riddim
- A2: Viral Riddims - Smash Or Pass Riddim
- A3: Shazdown Mmw - Bouyon Beam Riddim
- A4: Dj Demafidem - On Di Road Riddim
- A5: G6 Productions - 2 Stroke Riddim
- A6: Bad Sound, Dj Marfox - Both Twanche Riddim Refix
- A7: Veaygel Productions - Dirty Lows Riddim
- B1: Krome Productions - Tic Tac Toe Riddim
- B2: Lmt Mafia - Daf Riddim
- B3: Viral Riddims - Heat Wave Riddim
- B4: Veaygel Productions - Fire Ball Riddim
- B5: Slaughter Arts Media - Bad Weather Riddim (Part 2)
- B6: Ransum Records - Walk It Riddim
- B7: Scarnx - Midnight Fever Riddim
New Generation Carnival Riddims from St. Lucia and Dominica A hurricane of turbo-charged, body-buzzing tracks collide on Road Fever, a compilation of razor-produced, road-tested instrumental riddims from St. Lucia, Dominica & Guadeloupe that showcases the producers forging the future of Caribbean music in 2025. Road Fever draws together instrumental Dennery Segment and Bouyon riddims originally made for vocalists, presented for the first time as stand alone pieces of music. Distilling carnival riddims down to the bare bones, producers push minimal 150+bpms, FL-percussion packs, DJ/vox samples & synth riffs, bridging trap, drill, dancehall, sped-up Haitian konpa & Angolan kuduro. Ricocheting at the intersection of TikTok culture, best heard blasted through walls of speakers travelled by stage-sized carnival trucks or via bluetooth car speakers, St.Lucia"s "Dennery Segment" sound, (as iconic producer, G6 described in an interview), "sparks your inside; a sound you can"t hear and not move". Amsterdam-based, Curaçao-raised compiler Rozaly echoes G6: "Once you hear it, you can"t unhear or unfeel it. This is a musical movement with an entire history with so many relevant reasons why it still exists, and why it exists the way it exists right now". Rozaly concludes, "there is nothing more simple, let the artists speak."
- A1: Playground - Rainy Day Woman
- A2: Spinnaker - The Spirit Of America
- A3: Natalie Ann - You've Got To Feel
- A4: Shamor - Close To You (Bwela Pafupi)
- B1: Cherry Laine - Land Of No Return
- B2: Sharon & Tracy - The Sheik
- B3: Methods Of Dance - Aggravation (Instrumental)
- B4: Claudio D'ignoti - Anche Per Noi
- C1: Jennifer - Come Into My Life
- C2: Lena - Embrasse-Moi (Strumentale)
- C3: Fabrithia - I Want You (Strumentale)
- D1: Jimmy D - Rescue Me (Imagination) (Dub Version)
- D2: Alison Sheryll - You're Not Alone
- D3: Precious Child - Come Alone
Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page. Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.
It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.
In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail. Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.
Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single. Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.
- 1: Leap Of No Faith
- 2: Ask The River
- 3: Way Too Long Goodbye
- 4: Spleen On Speed
- 5: You Got It All Wrong So Did I
- 6: Fake Af
- 7: Slowdown Attempts
- 8: Nothing I Can Do But Flow
- 9: Everything Sideways
- 10: Us As Ghosts
Sometimes records reflect life with an unsettling precision, your own breath sticking to a mirror, confounding or transforming reality. J.H. Guraj, real name Dominique Vaccaro, is back with ‘The Flip Side’, an accomplished work of grace and sprawling elegance documenting struggle and a near-death experience that summons ghosts of Western primitive masters, rollicking free folk, minimalist orchestrations, weeping guitars and smooth psychedelics.
Time stopped for J.H. Guraj in 2021 following a brush with mortality, extensive forced recovery and subsequent hints of depression after an almost fatal bike crash, leaving our wandering soul, once again, at the edges. While his previous record ‘Introspection / Migration’ hinted at Middle-Eastern influences and merged the artists’ Arbëreshë upbringing with stoic ecstasis, free-form structures and guitar wizardry under sepia tone curtains, ‘The Flip Side’ twists, turns, falls down and rises to new heights, the widescreen breadth of Dominique Vaccaro’s cinematic vision projects new colours, a stark contrast of pastoral emerald green and pitch black asphalt, urban decay and mercurial mystery.
Like passages from some archaic songbook what astonishes is how detailed the new compositions are, a warm embrace like ‘Way To Long Goodbye’, counterpoint pianos leading the way down a Gershwin avenue; ‘You Got It All Wrong So Did I’ with its Van Dyke Parks arrangement; the 9 minute epic ‘Us As Ghosts’ a haunting ballad that resolves into kosmische landscapes; the muted symphony of ‘Fake Af’ and the spectral disorientation of ‘Nothing I Can Do But Flow’. Gentle drumming from collaborator Gianluca Panici augment the eeriness of ‘The Flip Side’, motions that create a sense of suspension and yearning.
- Static
- Hourglass
- Iii
- Fallout
- Stuck In My Head
- Gravity
- Afterglow
- Numb
- Parasite
- Just A Mistake
- Paralyzed
- Words Are Worthless
SLEEP THEORY"S meteoric rise since bursting onto the scene in 2023 has been nothing short of extraordinary. Their breakout single "Numb" smashed into the Top 10 on Active Rock Radio, introducing a sound that feels as polished as it is powerful-something most bands take years to master. Following that initial strike, tracks like "Fallout" and "Stuck in My Head" cemented their place as chart-topping heavyweights. But SLEEP THEORY isn"t just a studio phenomenon-they"ve cut their teeth on the road, delivering blistering performances alongside heavy hitters like Beartooth, Daughtry, and Falling in Reverse. From dominating festival stages at Welcome to Rockville and Sonic Temple to the electrifying chaos of Louder Than Life, their relentless touring schedule has forged a reputation for anthemic live shows that demand your attention. Now, 2025 is shaping up to be SLEEP THEORY"S defining year. Their highly anticipated debut album, Afterglow, drops May 16th, and it promises to be a revelation. Packed with razor-sharp songwriting, impeccable musicianship, and vocals that will leave you breathless, this is the record fans have been waiting for. With over 230 million streams and listeners devouring their music at a staggering 5 million streams weekly, Sleep Theory is on the verge of transcending rock"s boundaries to become one of the genre"s defining voices. Brace yourselves: Afterglow is more than just an album-it"s a statement of intent from a band destined to shake the foundations of modern rock.
- Almon Memela - Amapoyisa
- Cowboy Superman - Ntombi Kazipheli
- Mfongozi Guitar Players - Marabi Jazz
- Casper Shiki - Ngazula
- Elliot Gumede - Amasoka
- The Play Singer - Imitwalo
- The Play Singer - Kusile Dale
- Enoch Mahlobo And Shezi - Wenzani
- The Blind Man With His Guitar - Isoka Labaleka
- Nongomo Trio - Guga Mzimba
- The Play Singer - Nga Fika Ekaya
- Cowboy Superman - I Lele Insizwa
- Mbaqanga Guitar Trio - Come Again
- Cowboy Sweethearts - Sambamba Lomfana
- Cowboy Superman And Beauty - Kumnandi Kwazulu
- The Blind Guitar Player - Ungakhulumi
- Thoko And Almon - Mandlovu
- Zachariah And His Guitar - Abafana
- Mampondo And Sobantu - Themba Lami
- Baca Boys - Ngiyamqoma
- Dennis Khanyile - Thembile
- The Play Singer - U Ngi Cebe E Poisen
- Mike Khuzwayo And The Playboys - Zibedu
- The Blind Man And His Guitar - Unledo Wabantu
- Almon Memela - Lashona
"Amazing! Like stumbling on a treasure-trove of unheard Charlie Patton and Blind Willie McTell 78s, but imbued with the spirit of Mahlathini and Ladysmith." Joe Boyd
'But for this compilation of rescued songs masterfully restored from rare 78 rpm shellacs, few could imagine the diversely beautiful roots of Zulu Guitar Music emerging during the period 1950 – 1965. Story-tellers and master musicians appropriate outlaw personae, re-purpose country and western, Hawaiian and other styles, to stretch and challenge our notion of “the Zulu guitar”.
Twenty-five songs (18 on vinyl) plunge us into the depths of the migrant experience. Translations in the liner notes offer us glimpses of pugnacity, melancholy and heartache, all coloured by the paternalism that circumscribed the singers’ apartheid-dominated lives.
The early *mbaqanga* undertow in many of the songs subverts the wanderlust of Country and Western music into a fugitivity burdened by nostalgia. Something irretrievable has been lost, prompting a blending of ideas and cultures to make sense through thankless acts of musical divination. Inadvertently they have been thrust into the role of the antihero, where outwitting competition for lovers is as important as evading the Black Jacks (apartheid’s municipal cops) and their informants.
Considering the politically repressive period that this music emerges from, we can surmise that the specificity in the storytelling went a long way towards evading censure. But even when words are absent, there is a narrative arc suggested by the musical expression.
With most of the master tapes wilfully destroyed or lost, modern transcription and restoration techniques from the original shellac discs present the original sound most likely more clearly than ever heard before.'
Produced for reissue by Chris Albertyn and Matt Temple at Matsuli Music and Siemon Allen at Flatinternational.
Artwork design by Siemon Allen.
Liner note and translations by Kwanele Sosibo.
Audio restoration and lacquers by Frank Merritt at The Carvery and pressed at Pallas, Germany.
Original 78rpm recordings sourced from the collections of Chris Albertyn at Matsuli Music, and Siemon Allen at the Flatinternational Archive.
- Hellhound On My Trail (Robert Johnson)
- Fly Away (Lenny Kravitz)
- Rockin' In The Free World (Neil Young)
- (You're The) Devil In Disguise (Elvis Presley)
- In The Air Tonight (Phil Collins)
- Nights In White Satin (The Moody Blues)
- Who Do You Love (Bo Diddley)
- Take What You Want (Post Malone)
- Ramblin' Man (The Allman Brothers)
- Bell Bottom Blues (Derek & The Dominoes)
- Crocodile Rock (Elton John)
- 01: Caju
- 02: Tudo
- 03: Veludo Marrom
- 04: Ao Teu Lado (Feat. Amaro Freitas &Amp; Anavitória)
- 05: Me Ajude A Salvar Os Domingos
- 06: Negona Dos Olhos Terríveis (Feat. Baianasystem)
- 07: Mayonga
- 08: Papo De Edredom (Feat. Melly)
- 09: Popstar
- 10: Febre
- 11: Pote De Ouro (Feat. Priscila Senna)
- 12: Deixa Estar (Feat. Lulu Santos &Amp; Pabllo Vittar)
- 13: So Special (Feat. Tropkillaz)
- 14: Take Your Time E Relaxe
Das Debütalbum des britischen DJs, Produzenten und Multiinstrumentalisten Lawrence Hart.
Harts Stil verbindet seine technisch versierten Fähigkeiten mit emotionalen Vibes und Dancefloor-Treibstoff und schafft so einen Sound, der sowohl für den Club als auch für das Eintauchen in die eigenen vier Wände geeignet ist. Das 12-Track-Album ist emotional ein Garagenalbum, euphorisch und therapeutisch. Es ist eine Reise durch cineastische Melancholie, schwebende Synthies und Momente der Zerbrechlichkeit, gespickt mit Sprachsamples. Tech-Wizard Lawrence Hart, der allein schon durch seinen Großvater, den berühmten Computerpionier Geoff Tootill, eine wissenschaftliche DNA hat, wurde schon als Kind zum klassischen Musiker ausgebildet. Bereits mit 15 Jahren sprach er an einigen der renommiertesten Musikschulen New Yorks vor und studierte dann Jazztrompete am SUNY Purchase College bei berühmten VertreterInnen des Fachs. Er spielte an der Seite von Größen wie Bob Mover (einem ehemaligen Kollegen von Charlie Mingus und Chet Baker) auf den Bühnen der Jazzclubs New Yorks. Bald entdeckte Hart die elektronische Musik und das Clubbing für sich.Seine Fähigkeiten als Produzent entwickelte er während der Zusammenarbeit mit dem Double Six/Domino-Künstler George FitzGerald, mit dem ihn eine langjährige musikalische Beziehung verbindet. Bis heute hat Hart Solo-Singles, EPs und Remixe auf Hotflush, Attack Decay Sweet Release, LG105 und seinem eigenen Label SSEM veröffentlicht.
To celebrate the 10th anniversary of Lost Themes, Sacred Bones are thrilled to present an expanded art edition of the album with art by Greg Ruth. This special release includes an additional 7-inch featuring two previously unreleased tracks from the original recording session _ "Cruisin' With Mr. Scratch" and "Dominator." Upon its initial release, Lost Themes was praised for its evocative soundscapes ranging from horror to science fiction, each track conjuring a distinct atmosphere without the need for accompanying visuals. The expanded edition of Lost Themes not only celebrates a decade of John Carpenter's standalone musical journey but also enriches the album's legacy with new material that captures the spirit of its original sessions. Whether revisiting this masterpiece or experiencing it for the first time, listeners will find themselves immersed in Carpenter's hauntingly beautiful worlds once again.
- 1: Vortex
- 2: Obsidian
- 3: Fallen
- 4: Domain
- 5: Mystery
- 6: Abyss
- 7: Wraith
- 8: Purgatory
- 9: Night
To celebrate the 10th anniversary of Lost Themes, Sacred Bones are thrilled to present an expanded art edition of the album with art by Greg Ruth. This special release includes an additional 7-inch featuring two previously unreleased tracks from the original recording session—“Cruisin’ With Mr. Scratch” and “Dominator.” Upon its initial release, Lost Themes was praised for its evocative soundscapes ranging from horror to science fiction, each track conjuring a distinct atmosphere without the need for accompanying visuals. The expanded edition of Lost Themes not only celebrates a decade of John Carpenter’s standalone musical journey but also enriches the album’s legacy with new material that captures the spirit of its original sessions. Whether revisiting this masterpiece or experiencing it for the first time, listeners will find themselves immersed in Carpenter’s hauntingly beautiful worlds once again.
- A1: The Fate Of The World On Our Shoulders
- A2: Existential Terror
- A3: Necromantic Fantasies
- A4: Crawling King Chaos
- B1: Six Feet Underground
- B2: Black Magic
- B3: Sea Of Lies
- B4: The Sisters Of Fate
- C1: Ashen Mortality
- C2: How Many Tears To Nurture A Rose?
- C3: Suffer Our Dominion
- C4: Us, Dark, Invincible
- D1: Sisters Of The Mist
- D2: Unleash The Hellion
- Annunciation 06:12
- Riel 04:52
- Stone Leaf And Pond 04:11
- Katwijk 04:01
- Dongen 05:20
- Tilburg 03:09
- Maryam 04:51
- Two Wings 04:53
Originally released on Ben Chasny's own Pavilion imprint in 2011.
"I was invited by the Incubate Festival and the city of Tilburg to participate in an artist residency where I would explore the region’s unique chapels built for the Virgin Mary. After writing the music for about six months by drawing on memories of the encounters with the chapels and using techniques inspired by Gaston Bachelard’s Poetics Of Reverie, I flew back to Tilburg to perform the music at the Incubate Festival. We recorded the evening and I released the result on my Pavilion label. Each cover was hand painted white on white in the old Pavilion style. I created a stencil and used graphite powder to make the design that is inspired by the sun imagery in Athanasius Kircher diagrams."
Roadside chapels express the identity of the inhabitants of North Brabant, a Dutch province, bordering on Belgium. Roman Catholicism has been the dominant religion in this southern part of the Netherlands since the eighth century. For about a century and a half this religion was strongly suppressed. Only when the French revolutionaries preached freedom of belief around 1800 could the people of North Brabant exercise their faith again. This was the start of a very strong emancipatory development from which a special form of the Roman Catholic faith arose that fully determined everyday life of the people here. This faith was the determining factor in life and the measure of all things. After the second Vatican Council (1962-1965) the reins of the catholic faith in Brabant were loosened as well. This was the start of a revolutionary process of secularisation. Within a decade hardly anything was left of the almighty influence of the Roman Catholic Church and this situation has lasted up to the present day.
In spite of the almightiness of the official, Vatican ruled, Roman Catholic faith, North Brabant has always and perhaps notoriously fostered an undercurrent of popular belief as well. This is a kind of belief in which elements of the official faith and age-old pre-Christian traditions are combined. Worshipping relics, holding pilgrimages and processions, the use of water from holy wells, popular art, recitations and songs, festivals, rituals, folk traditions, superstition and the like are all examples of popular devotion. These matters have strongly influenced and formed the identity of the present-day population of North Brabant. It is part of their immaterial heritage.
An obvious and still very much visible form of popular devotion are the roadside chapels. In Brabant some 400 can be found, most of which have been devoted to Mary. Chapels are small buildings in which Mary or other saints are worshipped. They can be found within villages or towns or in natural surroundings. Always at the finest spots! The beauty of the environment adds a primary religious or mystical feeling to the visitor. Local people attach great value to their chapels. In spite of the overall secularisation in society they are still at the centre of cultural and social life. Where people in North Brabant can hardly be found in the churches nowadays, this doesn’t mean at all they are no longer religious. On the contrary, religious feelings are perhaps stronger than ever, but now people have to find their own expression of them. That’s why they fall back on the age-old popular belief in which chapels play an important role. We can even witness new forms of popular belief with chapels as their focal point. An example of this is the scattering of ashes of people who have been cremated. Chapels clearly also play a role in the lives of young people. On an average five new chapels are added every year.
I have studied the popular culture and belief and the identity of the inhabitants of North Brabant for over thirty years. I have published over forty books on these subjects. In 2010 I was approached by the organisation of the Incubate Festival in the North Brabant town of Tilburg. Their request was for me to lead the American composer and guitarist Ben Chasny around a number of chapels in the province devoted to Mary. He had been invited to North Brabant to write some new compositions. Ben Chasny then chose to be inspired by these chapels and that’s how we met. I was especially curious how an American would react to something as specific and small as a roadside chapel in North Brabant, since we tend to think here of (people in) America in terms of ‘big-bigger-biggest’. Would an inhabitant of this enormous country with this prevailing culture be able to grasp and respect the identity of some 2.5 million people in North Brabant with their chapels? The answer to this question lies hidden in the compositions he made and that can be listened to on this album. Yes, Ben Chasny has been able to convert the phenomenon of a simple chapel devoted to Mary into music. The physical and the spiritual have found each other. What a beautiful world…just listen! - Paul Spapens
Steve Bicknell returns to KR3, once again unleashing his mastery of power electronics!
Following his two reinterpretations of last year's "JK Flesh Remixes" and four years after his solo EP "A Day In The Life" in 2021, Bicknell takes us deep into the realms of his sonic mysticism, marking a significant milestone in the fifth anniversary of the label.
Several Streams of Thought LP - is an unrelenting and immersive odyssey, presented through nine tracks, seven of which will be available on a double 12-inch vinyl, with two exclusive cuts in a limited 7-inch format.
The album hits hard, straight to the brain, with no warning, across sides A, B, and C. Each side is a raw, untamed techno experience, with Bicknell's unmistakable signature dominating throughout, delivering unwavering intensity and relentless impact.
However, on side D, a transformation takes place: a 15-minute soundscape that turns the embedded waves into breath - a blinding light emerging from the darkness. It's a moment of tribalism and evocative magic, offering a refreshing pause, a return to balance after the intensity of the shadows.
The 7-inch, available in a limited edition under the title "the eye of the invisible world", contains two tracks - one on side E and the other on side F.
The mystical sounds complete this dual experience: one part filled with dark, untamed energy, while the other brings a sense of mental lightness, emphasizing breathwork and emotional self-
healing.
S | B is back, stronger than ever!
- A Token Of My Love
- On Your Video
- Dominator
- London Beach
- War Fever
- Burning Rain
- Fire In The Darkness
- Cracking Up
- Your Haunted Heart
- The Suit
- The Beautiful Bomb
TV Smith's first solo album reissued from the master tapes for the very first time. The Artwork has been professionally restored and packaged in deluxe gatefold gatefold sleeve with in depth liner notes by long-time fan and author Dave Thompson. Comes as a red vinyl pressing! January 1983 saw TV SMITH reunited with ex Advert Tim Cross and David Bowie's ex-guitarist Tim Renwick to record "Channel 5" in Wickham studios in Croydon. 3 weeks later the album was completed and scheduled for a June release. "War Fever" was earmarked as the first single but at the time the country was fighting a General Election with the card of the Falklands war victory played by the ruling Conservative Party, and as a result the single vanished without trace.
- A1: Cáin Chairr
- A2: Fear Liatroime Páirt 1
- A3: Maidin Heinz
- A4: Fear Liatroime Páirt 2
- A5: M'anam Go B'ea
- B1: Teach Tuí Bhearna
- B2: Cé Mo Dhuine Siúl Sa Hi-Vis
- B3: Monty Phádraic Jude
- C1: Ndáiríre Tho, Meastú Cén Fáth Nach Mbíonn Signal Ag An Bhfón Thart Ar Shiopa An Phobail
- C2: Fear Liatroime Páirt 3
- C3: Yung Fella
- C4: Bóthar An Chillín
- D1: Maidin Heinz Athrach
- D2: Cáin Chairr Athrach
- D3: Monty Athrach
'Trá Pháidín are an Irish nine piece collective from Conamara, Galway, a wild coastal region of West Ireland where Gaeilge remains the first language. The group are currently lighting up Ireland's underground with their joyful noise, a unique and unpredictable blend of traditional Irish folk, post-rock, jazz, and Dadaist absurdity. The glorious album An 424 takes us on a psychogeographical journey along the 424 bus route which follows this remote stretch of coastline, introducing us to the landscapes and the characters who depend on the buses. Expect wild improvisational flights filled with brass, woodwinds, harp and fiddles alongside relentless grooves.
Here's what the band themselves have to say about the album:
Psychogeography is a funny aul term......the effect geography and landscape of a certain area has on the psychology, identity and nature of the local people...........I suppose
Notoriously, Conamara is famous place for psychogeoraphy due to the work of the great Tom Robinson. He walked every coastline in every area contemplating the geography, culture, history, Gaelic language, English language and folklore of the area while he was drawing it's best map with great depth and detail.
Right, so I've given context, a few buzzwords and some interesting names, now it's time for the absurd stuff....
"Bóthar Chois Fharraige" (the R336 and whatever anglicized name they call it) is well known by everyone in the South Conamara Gaeltacht (Gaeltacht is an area where Irish/Gaeilge is the dominant language, there aren't many because we were colonized by the British and our government doesn't care about its own language). The people of Conamara travel this road almost every day by car, by bike, on Peadar Óg's buses or of course, through the medium of the 424 (the bus service provided by Bus Éireann, Ireland's public-private bus company). From Bearna to Carna (maybe sometimes a detour in Casla going as far back as an Cheathrú Rua and/or Leitir Mealláin)
Every passenger is well versed of gorgeous views of the landscape that is on offer on this journey. Included are Cuan na Gaillimhe/Galway Bay, An Bhoirinn/the Burren, na hOileáin Árann/the Arann Islands,Aillte an Mhothair/the Cliffs of Moher, Portach Mhaigh Cuilinn/the bogs of Maigh Cuilinn, Bóthar Loch an Iolra/Eagle lake road, Cuan Casla/Casla Harbour, Cuan an Fhir Mhóir/Greatman's Bay, Cnoc Mordáin/Mordáin hill, Sléibhte Mhám Toirc/the Maamturk Mountains and Na Beanna Beola/the twelve pins. Passengers would also be well used the unique character of the bus. Depending on the day, you will get a unique perspective of the "complicated identity" of the Gaels as the bus travels from the Gaeltacht into anglophone Ireland, or maybe going the other way.
This is a topic you could write a PhD about (and maybe someone already has). But, if you are someone who grew up or lives in this region, you have a particular understanding at this stage of how complicated Gaelic psyche is and the kind of spectrum of identity along bóthar Choise Fharraige. With the landscape in mind, this bus journey is a great meditation of the various topics of life.
‘Bhfuil tionchar ag an mbus ar nádúr na ndaoine?
Nó an bhfuil tionchar ag na daoine ar nádúr an bhus?'
'Does the bus effect the nature of the people?
Or do the people affect the nature of the bus?'
Le gach dea-ghuí,
TP.
(translated from Gaeilge by Peadar-Tom Mercier)'
- A1: Dominator (How To Win Friends Version)
- A2: Way Out (How To Win Friends Version)
- A3: Let's Fuck (How To Win Friends Version)
- A4: Anybody Out There (How To Win Friends Version)
- A5: Astroboy (How To Win Friends Version)
- A6: Fuck You Up And Get High (How To Win Friends Version)
- A7: Follow Me
- A8: Saturday Night (How To Win Friends Version)
- A9: Act Like You Know (How To Win Friends Version)
- B1: Speed | Demon (How To Win Friends Version)
- B2: Satan (How To Win Friends Version)
- B3: Fuck 'Em All (How To Win Friends Version)
- B4: Drugstore (How To Win Friends Version)
- B5: Detention Girl (How To Win Friends Version)
- B6: Dairy Queen (How To Win Friends Version)
- B7: Surfing The Intercourse Barn (How To Win Friends Version)
Alternate versions of classic Dwarves songs played live in studio 2000. Hyped frenetic tempos. Standout tracks include Follow Me, Speed Demon, Dominator & Surfing the Intercourse Barn. Originally first released in 2001 on Reptilian Records, new 2025 artwork! 16 tracks (without intro), Surfing the Intercourse Barn taken from the book "Armed To The Teeth With Lipstick" by Blag Dahlia and Marc Rude. The 2000 live in studio DWARVES were Blag Friday, Gregory Pecker, HEWHOCANNOTBENAMED, Rex Everything & The Fresh Prince Of Darkness. Reissue now with new comic sleeve art.
GEP are very excited to announce the release of ‘Dominion’, the longawaited new album from IQ.
Peter Nicholls: “Hot on the heels of ‘Resistance’ six years ago! Yes, it’s been
a long time coming (we couldn’t be accused of rushing these things!) but
we‘re confident this album is really strong and has been worth the wait. To
be releasing a new IQ album in our 44th year feels genuinely exciting”.
Mike Holmes: “We did actually write a lot more material for Dominion, but
this choice of songs (and the running order) feels like a cohesive album to
me. Even in this age of streaming individual songs I still approach a new
album with a ‘side one’ and ‘side two’ thing in my head and the selection and
placement of songs for Dominion just feels like a classic album should (I
know, I’m using ‘old people’ speak!).
The original intention was to have a second disc of other material but that
would have taken a lot longer to put together and we figured six years was
quite enough. It does mean that there’s already quite a bit of stuff ready for
the next one”.
With a 44-year history, IQ are widely regarded as one of the world’s most
highly respected progressive rock bands. 2025 sees the release of
‘Dominion’, IQ’s 13th studio album and one of which the band are justifiably
proud. The year will see them promoting the album by playing an
unprecedented number of live shows around the world, including UK,
Europe, Canada and the prestigious Cruise To The Edge in the USA.
- Speakers' Corner
- Flying With Angels
- Witch
- Chambermaid
- Love Thief
- Lucinda
- Last Train From Mariupol
- Alley
- Rats
- Galway
WHITE COLORED VINYL[21,39 €]
Widely regarded as one of the foremost songwriters of her generation or any other, Suzanne Vega is sharing her first studio album of new songs in eleven years. "Each song on Flying With Angels takes place in an atmosphere of struggle", Vega notes, "struggle to survive, to speak, to dominate, to win, to escape, to help someone else, or just live".




















