Inspired by three movies of avantgarde cinematographer Maya Deren (At Land, Ritual in Transfigured Time and A study in Choreography for Camera), Francesca Bono (vocalist, performer, founder of Ofeliadorme and member of the Donnacirco collective) and Vittoria Burattini (percussionist, multi-faceted drummer and member of influential Italian avant-rock band Massimo Volume) created a dense hypnotic transfixing collection of songs based upon the sole use of the Juno 60 synthesizer and the organic linear pulsating sound of a drum kit.
These apparent limitations set the scene for an incredibly rich and rewarding voyage that immediately establishes a strong identity that oscillates between circular dream soundscapes and psychedelic rhythmic architectures. Bono / Burattini excels in threading magical images where objects transform without warning (Your House Is A Ghost) and collapse into kosmische grooves (La Trama Del Desiderio) or when humming electronics mold into temporal dimensions (Sogno Nel Vigneto). Burattini’s astonishing use of the drum kit and her mallet driven timbre produce space and tension (Dinner Illusion) perfectly complementing Bono’s synthesized realm made of nuance and reflection (Dancing Demons). One of the album’s key elements is the sparse use of Bono’s singing, an intricate mix of measured phrasing, breathing, spiral structures and extrasensorial-like choirs that seem to reference the rich Italian tradition of cosmic jazz, library music and the unmatched work of the RAI engineers in the 70s working with Gruppo Di Improvvisazione Nuova Consonanza, Morricone, Daniela Casa. The driving Can-like pulse of Le Ossa shows force and flow while Stella’s haunting piano recreates a futuristic horror-movie OST.
Suono In Un Tempo Trasfigurato is beautifully recorded and mixed by Italian composer Stefano Pilia, a perfect match for Bono / Burattini’s sonic explorations and for a record that intersects experimental wave, alien grooves, contemporary electronics and futuristic sci-fi. Their blend of analog electronics and organic pulses place them in a time out of joint where dancing remains the one constant ritual.
Cerca:donna
2023 Repress
Sasha continues to make this year his own as he drops his debut EP on Watergate, 'GameOvr'. The EP features two original tracks, including the long-awaited 'Trigonometry', and first class remixes from Cassy and La Fleur. After his recent critically acclaimed sell-out live shows at the Barbican and his 'Out Of Time' EP on Kompakt, not to mention gearing up for his RESISTANCE residency with John Digweed in Ibiza, Sasha officially confirms his debut release on Watergate Records. 'Trigonometry' has been a highlight in Sasha's sets in recent months and has sparked many a heated debate online, from excited pleas for a Track ID, to urgent demands for a release date. The track is as ethereal as it is compelling, constantly building up to the sublime break down and those iconic chords that have left ravers spellbound worldwide. Swedish born Berlin-based La Fleur puts her stamp on the remix, keeping the riff but adding gravitas with a rhythmic bassline. She's fast become a key player on the house and techno circuit, with a string of releases on the likes of Cocoon, Watergate, and Sasha's own Last Night On Earth imprint. 'GameOvr' shows the producer's tougher side; a strong techno track in keeping with Sasha's constant focus on the future, always exploring new directions, though his signature groove is still on board. Revered Panorama Bar resident Cassy, whose stunning album 'Donna' was one of 2016's outstanding releases, turns her hand to remixing the title track, delivering a harder edged driving cut with a heavier kick drum, echoing chords and hypnotic percussion. This EP marks yet another creative landmark in this, one of the most fruitful and exciting phases in Sasha's distinguished career.
Mordisco Records is happy to present the brand new Italoconnection ‚Nordisko‘ The catchiness and sobriety of the songwriting and style of
Scandinavian music is something that keeps attracting us
since many years, so we decided to pay tribute to some of our
favorite artists and songs.
Music coming from the cold, melancholic with a European feel that we always aim to attire in our productions.
Artist and songs coming from different backgrounds that we tried to make ours by adding some of our club friendly sound respecting the original songs attitude.
All the songs were chosen from the repertoire of fairly different
artists, both from the past and present days. Picking from the modern crooner style of Jay-Jay Johanson, past glories like Secret Service and Fake, the early nineties extravaganza of Army Of Lovers, the very unique singer-songwriter flair of Saralunden, the talented duo charm of Carino Cat, the finnish electro disco pioneers Digital Dance and the synthpop innovator‘s Jaakko Eino Kalevi uniqueness, all artists have a special place in our heart.
Available on LP vinyl and CD (including two bonus remixes from On The Radio and Donna Rouge
Let's go back to Italy with the dynamic duo Marvin & Guy aka Alessandro Parlatore and Marcello Giordani.
On their first release for Live At Robert Johnson they team up with another dynamic duo: Hard Ton - and you guessed right, they're Italian too.
So what else to expect than some real cool contemporary Italo Disco just in time for summer? »Save Me« comes in two different mixes: The »Disco Mix« and the »Club Mix« - both featuring the marvelous falsetto voice of Hard Ton's singer Max - himself quite a passionate singer in the field of Heavy Metal - AND Disco - yes, you heard right. But fear not, the Heavy Metal part isn't audible at all. We're talking Hi-NRG sounds galore and of course D.I.S.C.O. - the Munich style disco of someone like Giorgio Moroder doing his thing with Donna Summer or Harvey Fuqua's and Patrick Cowley's work with LGBT legend Sylvester - yes, the »You Make Me Feel (Mighty Real)« Sylvester. Not a bad company to get name-dropped, right?
Especially the »Disco Mix« of »Save Me« features many of those typical sounds of said producers and is a beautiful tribute to the golden disco era. The slightly darker »Club Mix« does a great job too by pulling all dancers straight onto the floor with its drum machine generated bass drum and its euphoric claps.
Marvin & Guy's solo track, the aptly named »Supported By Your Favourite DJ« will surely be supported by everyone of our favourite DJs: It's a happy and positive track which definitely will not fail as a secret weapon in everybody's DJ bag.
Now let's get saved by Marvin & Guy - and let's support the Italian scene - it's mighty real!
- A1: Allegretto For A Lady/Allegretto Per Signora
- A2: Belinda May
- A3: Dream Inside A Dream/In Un Sogno Il Sogno
- A4: Poetry Of A Woman/Poesia Di Una Donna
- A5: Sestriere
- B1: Fashion (No 2)/La Moda (No 2) (No 2)
- B2: Like When It Rains Outside/Come Quandofuori Piove
- B3: A Bit Of An Acid Irony/Un Po' Di Ironia Acida
- B4: Faith/U-Pa-Ni-Sha
- B5: Listen, Let's Make Love/Scusi, Facciamo L'amore? (The Big One)
- C1: Fashion/ La Moda (No 3) (No 3)
- C2: The Alibi/L'alibi (Shake No 2) (Shake No 2)
- C3: Slalom (Un Caffe Sulla Banchina) (Un Caffe Sulla Banchina)
- C4: The Doll/La Bambola
- C5: To Lydia/A Lidia
- D1: The Alibi/L'alibi (Shake No 3) (Shake No 3)
- D2: Slalom (Una Sera In Albergo) (Una Sera In Albergo)
- D3: Steal To Your Next/Ruba Al Prossimo Tuo (Seq 9) (Seq 9)
- D4: Definitive Turning Point/Svolta Definitiva
- D5: Little Cat Lady/La Donna Cattina (#2) (#2)
180 GRAM AUDIOPHILE VINYL
PVC PROTECTIVE SLEEVE
GATEFOLD SLEEVE WITH VELVET SPOT VARNISH ON THE OUTSIDE AND IMAGES OF ICONIC MOVIE POSTERS ON THE INSIDE
4-PAGE INSERT
A SELECTION OF DEFINING MORRICONE SONGS, FEATURED IN CLASSIC MOVIES AND SERIES “VERUSCHKA”, “SLALOM”, “ALIBI”, “VIOLENT CITY”, “MACHINE GUN MCCAIN”, AND MANY MORE
LINER NOTES BY CLAUDIO FUIANO
PART OF THE MORRICONE THEMES COLLECTION
THE SPINES OF THE FIVE TITLES FORM ONE IMAGE TOGETHER
MORE INFORMATION ABOUT THE SERIES ON MORRICONEONVINYL
BLACK VINYL
Lounge is the third in a series of five double vinyl releases that bring together some of Ennio Morricone’s greatest soundtrack music. Each collection centres on a different movie genre, together they allow the listener to rediscover the unmatched genius of the greatest movie composer of all time. The Maestro. This collection was announced before Ennio Morricone passed away on July 6, 2020. We’ll continue to release the series to honour this great composer.
The term Lounge Music is not one that Ennio Morricone would have heard at the time he was composing these pieces for the movies that they enhanced, but it is one has been retrospectively applied to a certain type of music, and it is a style that Morricone has contributed a great deal towards.
Lounge refers to a type of easy listening music that began to be popular in the 1950s and developed right through the 1960s and into the 1970s. This was sophisticated music for an adult audience. Lounge music combined its American influences with music that was popular outside the USA such as Latin, Hawaiian, Polynesian, French , and many others. This was an era that was inspired by new inventions. Lounge mimicked the space-age sound effects of the time and the advent of stereophonic technology allowed spatial audio techniques to be used to full effect.
This collection is not about a specific genre of music for film, it is a celebration of Lounge style pieces by Morricone that are capable of evoking in the listener thoughts of easy living, sophistication, romantic moods, and the excitement of a 1950s cocktail lounge or a 1960s nightclub.
Starting 70 years ago as an arranger for the piece Mamma Bianca, Ennio Morricone is the emperor of scores and soundtracks. Morricone has always been a huge influence for the likes of Hans Zimmer, Danger Mouse, Muse, Metallica and many more musicians. He was one of the most successful composers of all-time, selling over 70 million records and winning dozens of awards.
Lounge on black vinyl includes a 4-page insert with liner notes written by Claudio Fuiano. The gatefold sleeve contains a velvet spot varnish on the outside and images of iconic movie posters on the inside.
- 1: Marvin Gaye & The Vandellas - Stubborn Kind Of Fellow
- 1: 2 Etta James - I Just Want To Make Love To You
- 1: 3 The Isley Brothers - Twist And Shout
- 1: 4 Chubby Checker - Let's Twist Again
- 1: 5 James Brown & The Famous Flames - Think
- 1: 6 Quincy Jones & His Orchestra - Soul Bossa Nova
- 1: 7 Stevie Wonder - Contract On Love
- 1: 8 Ike & Tina Turner - A Fool In Love
- 1: 9 Otis Redding - These Arms Of Mine
- 1: 0 Ben E. King - Stand By Me
- 1: Ray Charles - Unchain My Heart
- 1: 2 Nina Simone - Work Song
- 1: 3 Dionne Warwick - Don't Make Me Over
- 1: 4 The Impressions With Curtis Mayfield - Gipsy Woman
- 1: 5 Sam Cooke - (What A) Wonderful World
- 1: 6 Aretha Franklin - Try A Little Tenderness
- 2: 1 The Beach Boys - Surfin' Safari
- 2: Booker T. & The M.g.'s - Green Onions
- 2: 3 Galt Macdermot - Coffee Cold
- 2: 4 The Seeds - Can't Seem To Make You Mine
- 2: 5 The John Barry Seven & Orchestra - The James Bond Theme
- 2: 6 Del Shannon - Runaway
- 2: 7 Gene Vincent & His Blue Caps - Be-Bop-A-Lula
- 2: 8 Dick Dale & His Del-Tones - Miserlou
- 2: 9 Joan Baez - Donna Donna
- 2: 10 Donovan - Catch The Wind
- 2: 11 The Everly Brothers - When Will I Be Loved
- 2: 1 The Beatles - Love Me Do
- 2: 13 Lee Hazlewood With Duane Eddy & His Orchestra - The Gir
- 2: 14 The Shadows - Apache
- 2: 15 Bob Dylan - House Of The Risin' Sun
The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.
Composed of rhyme-vets Pawz One and Evolve are Random Act Of Violence! The duo's self-titled release is chock-full of grimy bars over bangin' beats for the head-nodders.
Lead single "Sixteen Shots" is a boom-bap bar-brawl set to a crackin' instrumental (produced by EQ) with DJ Eyeball adds cuts to and featuring additional lyrical firepower from none other than Copywrite.
Another track from the project is "Vaultures". Speaking on that track Pawz revealed "the concept of that one was inspired by seeing a lot of these types in the game. The hook was inspired by Mobb Deep, these half-way-crooks bunched up to make each other feel tough and validate themselves."
Hailing from Los Angeles Pawz One has been repping the real and releasing music for the past decade. Most recently he teamed up with 90's West Coast vet Mykill Miers for the aptly named "Double Homicide" album and has also appeared on tracks with such notables as Ruste Juxx, Sadat X, Percee P, Shabaam Sahdeeq and DJ Rhettmatic.
Based out of Donna, Texas, Evolve has released over twenty albums through his Boom Bap Masterpiece Records label. He has collaborated on tracks with such notables as Chino XL, Fatlip (of the Pharcyde), Esoteric, Mickey Factz, Blueprint and many more. Touring the country over the past decade he has also shared stages with the likes of Raekwon, Murs, R.A. The Rugged Man, Masta Ace and Immortal Technique among others.
- 1: Joan Baez - Donna Donna
- 1: 2 Barclay James Harvest - Brother Thrush
- 1: 3 The Seeds - Can't Seem To Make You Mine
- 1: 4 The Winstons - Color Him Father
- 1: 5 The Alan Bown - All Along The Watchtower (Stereo Mix)
- 1: 6 The Move - I Can Hear The Grass Grow (Full Length Mono
- 1: 7 The Moody Blues - Go Now
- 1: 8 Joe Tex - The Love You Save (May Be Your Own)
- 1: 9 The Critters - Mr. Dieingly Sad
- 1: 0 Paul Jones - Love Me
- 1: The Zombies - Time Of The Season
- 1: 2 Flower Pot Men - Let's Go To San Francisco, Pt I
- 1: 3 Consortium - All The Love In The World
- 1: 4 Bob Dylan - Song To Woodylp
- 2: 1 Donovan - Catch The Wind
- 2: The Turtles - Happy Together
- 2: 3 The Foundations - Build Me Up Buttercup
- 2: 4 The Archies - Sugar, Sugar
- 2: 5 Status Quo - Pictures Of Matchstick Men
- 2: 6 Genesis - Where The Sour Turns To Sweet
- 2: 7 Procol Harum - A Whiter Shade Of Pale
- 2: 8 The Beatles - Love Me Do
- 2: 9 The Searchers - Needles And Pins
- 2: 10 Sun Dragon - Green Tambourine
- 2: 13 The Pretty Things - Don't Bring Me Down
- 2: 14 Colosseum - The Kettle
- 2: 11 The Tremeloes - Here Comes My Baby
- 2: 1 Ravi Shankar - Dhun (Folk Airs)
ENG Immerse yourself in the psychedelic and rock universe of Woodstock with this event double vinyl! Find the icons of the counter-culture of the end of the 60"s who marked their generation: Joan Baez, Bob Dylan, The Beatles, Donovan, The Turtles, The Zombies, Status Quo, The Pretty Things, The Foundations, Ravi Shankar
11 track album by Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined 'The San Francisco Sound.' By the mid-70ies, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as 'You Make Me Feel (Mighty Real)', 'Dance Disco Heat' and 'Stars.' This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer's 'I Feel Love'. By 1981 Patrick released a string of dance 12inch singles, like 'Menergy' and 'Megatron Man', creating the soundtrack for a generation. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, 'Do You Wanna Funk' for Sylvester and 'Right On Target' for Paul Parker. In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. 'School Daze' is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on 'School Daze' range from sparse prototechno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Joining techno mainstays Spencer Parker, Leo Pol and label boss Mella Dee among others, BLACK GIRL / WHITE GIRL are the latest artists to come to Warehouse Music serving up an EP of mind-expanding techno rollers.
The Holland-based duo have made a name for themselves producing weighty, no-nonsense techno cuts to reputable labels Super Rhythm Trax, Balkan Vinyl, and more recently, their independent Bandcamp series Dancefloor Destroyers which remade old school classics in the image of jack: acidifying everything from Robyn to Donna Summer, these tools show off the pair’s ability to make a club (re)werk.
Now with their ‘Multiverse EP’, BLACK GIRL / WHITE GIRL take their sound to another plane where kick drums slide over spectral voices, bleeps smudge into cosmic fractals, and minimal hi-hats make way for a slinkier, deeper energy than on previous releases—all without spilling a drop of their signature raw power.
Clear Vinyl[31,05 €]
With Maternity Beat, Hedvig Mollestad has surpassed herself, most significantly as a composer and arranger, and delivered her magnum opus so far. And with Trondheim Jazz Orchestra she found the perfect ensemble to perform it. They have a long tradition for collaborations like this, we can mention Chick Corea, Jason Moran and Marius Neset among many others. And as always, Hedvig truly shines as a guitarist. Maternity Beat is Hedvig’s third “solo” album. It was commissioned by Molde International Jazz Festival and premiered in July 2020, later the same year streamed at London Jazz Festival. The recording took place in Athletic Sound in Halden in October 2021. Since she received the festival’s talent price in 2009 and signed to Rune Grammofon the following year, we have had the great pleasure to release seven albums by her trio as well as two solo albums, all receiving wide international acclaim in both jazz and rock camps. To complete the circle, Hedvig has been chosen as next year’s Artist in Residence at the festival, a most prestigious institution in Norwegian jazz, held by John Zorn this year and initiated by Chick Corea in 2000 and Pat Metheny in 2001. Tracklist, all formats 1. On The Horizon, Part 1 2. On The Horizon, Part 2 3. Do Re Mi Ma Ma 4. Donna Ovis Peppa 5. Little Lucid Demons/Alfons 6. All Flights Cancelled 7. Her Own Shape 8. Maternity Beat 9. Maternity Suite
Black Vinyl[26,01 €]
With Maternity Beat, Hedvig Mollestad has surpassed herself, most significantly as a composer and arranger, and delivered her magnum opus so far. And with Trondheim Jazz Orchestra she found the perfect ensemble to perform it. They have a long tradition for collaborations like this, we can mention Chick Corea, Jason Moran and Marius Neset among many others. And as always, Hedvig truly shines as a guitarist. Maternity Beat is Hedvig’s third “solo” album. It was commissioned by Molde International Jazz Festival and premiered in July 2020, later the same year streamed at London Jazz Festival. The recording took place in Athletic Sound in Halden in October 2021. Since she received the festival’s talent price in 2009 and signed to Rune Grammofon the following year, we have had the great pleasure to release seven albums by her trio as well as two solo albums, all receiving wide international acclaim in both jazz and rock camps. To complete the circle, Hedvig has been chosen as next year’s Artist in Residence at the festival, a most prestigious institution in Norwegian jazz, held by John Zorn this year and initiated by Chick Corea in 2000 and Pat Metheny in 2001. Tracklist, all formats 1. On The Horizon, Part 1 2. On The Horizon, Part 2 3. Do Re Mi Ma Ma 4. Donna Ovis Peppa 5. Little Lucid Demons/Alfons 6. All Flights Cancelled 7. Her Own Shape 8. Maternity Beat 9. Maternity Suite
- A1: New Order - Blue Monday
- A2: Roni Size / Reprazent - Brown Paper Bag
- B1: Laurent Garnier - The Man With The Red Face
- B2: Buraka Som Sistema Feat. Pongolove - Kalemba (Wegue Wegue)
- C1: Kid Cudi - Day 'N' Nite (Crookers Remix)
- C2: Rudimental Feat. John Newman - Feel The Love
- C3: Le Youth - C O O L (Ben Pearce Remix)
- D1: Donna Summer - I Feel Love
- D2: Major Lazer Feat. Afrojack & Vybz Kartel - Pon De Floor
Barbara, die Frau ohne Gedächtnis, irrt durch die malerischen Straßen Hamburgs. Eine zwielichtige Hypnosesitzung und ein nichts ahnender Liebhaber bringen ans Licht, was sich hinter ihrer unschuldigen Schönheit verbirgt. Die Erlösung scheint in greifbarer Nähe, doch der Drang, weiteres Unheil anzurichten, ist unwiderstehlich... Erst der Tag entblößt das wahre Grauen: GIALLO COME IL GIORNO, das fünfte Genre-Album von MONDO SANGUE setzt dort an, wo die vielbeachtete Giallo-LP ROSSO COME LA NOTTE (2021) endete. MONDO SANGUE und ihre Leidenschaft für die Musik und das Kino der italienischen 1960/70er ziehen Kreise. Auf GIALLO COME IL GIORNO sind die Genreliebhaber und Italien(Be)kenner Bela B, Eric Pfeil, Dirk von Lowtzow und Rocko Schamoni auf schwarzem Gold vereint. Die Vinyl 10"-EPs, von Adrian Keindorf illustriert, sind inkl. farbigem Beileger, Texte und Downloadcode auf 444 Stück limitiert und handnummeriert. Über MONDO SANGUE Das Stuttgarter Duo MONDO SANGUE (Christian Bluthardt & Yvy Pop), gegründet 2015, produziert Cinematic Pop in Anlehnung an das italienische Genrekino der 1960/70er. Nach einem Ausflug in den Dschungel (L"ISOLA DEI DANNATI - Die Insel der Verdammten; Soundtrack zu einem fiktiven Kannibalenfilm, 2016), einem Ritt durch den Spaghettiwestern (NO PLACE FOR A MAN - Il Villaggio delle Donne, 2018) und einer Reise ins All mit dem Science?Fiction-Abenteuer VEGA-5 (Avventure nel Cosmo, 2020) feiern MONDO SANGUE das legendärste Italo-Genre, den Giallo, gleich zweifach: mit ROSSO COME LA NOTTE (2021) und GIALLO COME IL GIORNO (2022).
Wu-Tang Clan’s own Cappadonna connects with acclaimed producer Stu Bangas for a lyrically potent, sonically raw new album, 3rd Chamber Grail Bars. The album follows strong 2021 releases from both artists, Donna’s Black Tarrzann and Stu’s Deathwish, and it represents the emcee’s first full-length collaboration with a single producer. The result is a tight, cohesive listen full of sharp verses, neck-snapping instrumentals, and some stellar guest features.
The two first worked together on the Wu rapper’s 2013 album, Eyrth, Wynd & Fyre, when Stu produced a pair of notable cuts (“We Hood Rich Now” and “Chains”). “I knew that he was feeling the beats,” Stu said. “And I saw an opportunity to reach out to him and took it.” They reconnected via industry A&R, M-Eighty, who provided Donna with a folder of instrumentals from the producer. And for the emcee, the timing was perfect because of how the beats “fit my mood and energy in the moment.”
The energy is one of a time-tested lyricist with a lot on his mind—and plenty of clever ways to get his point across. You can hear that on the piano-laced, eerie “Continuous Threat” with Planet Asia, as well as the straight-up dope “Tryna Survive” featuring ILL BILL. Both tracks showcase Donna’s gifts with the pen as well as his talents as a collaborator. Other standouts include the raucous “Bring It Out,” which also happens to be Stu’s favorite cut on the LP. “I love everything about it—the beat, the intro, the subject matter of the verses, the raw hook, all of it,” he explained.
As you’ll hear on the album, it’s clear that it was created not only for the love of the culture, but also out of mutual respect for the other artist. Stu referred to 3rd Chamber Grail Bars as “a life goal of mine that I have checked off,” while Donna had glowing praise for his collaborator. “Stu’s catalog may be as great, iIf not greater, than any producer I can name,” he said.
Sarah Brown releases her debut album ‘Sarah Brown Sings Mahalia Jackson’ on 20th May 2022, preceded by a new single ‘Walk Over God’s Heaven’ on the 6th May. The record sees Sarah offer her interpretations of some of the classic tracks of arguably the most famous gospel singer of the last century who gave Brown hope and sanctuary through hard times faced over the years. Having recently appeared on Radio 4’s Woman’s Hour performing her debut single ‘I’m On My Way’, she is currently on tour with Simple Minds with whom she has been playing with for the last 15 years.
Sarah explains: “For as long as I can remember, Mahalia Jackson with her fever pitched performances have been a soothing note to my tapestry. At 10 years old, I remember hopelessly trying to sing along to her bellowing thunder of a voice. In my bedroom I would become her. I chose these songs because they tell of my story. Growing up in a Caribbean home to parents who were a long way from their home. Anger and fear were the two prominent emotions that I lived with.
The style I was trying to achieve was influenced by early jazz, blues and the spirituals. I am happy with the sound/style of the album. It was always going to be an experiment but I had no idea that it was going to sound as good and as authentic as it does. ‘Didn’t It Rain’ as a jazz feel. ‘Nobody Knows’ as a spiritual feel then it goes into swing jazz. ‘Walk over God’s Heaven’ as a hint of rock & roll with a bit of early swing.”
You may not know Sarah Brown’s name but you’ll definitely have heard her voice. From her collaborations with the likes of George Michael, Stevie Wonder, Duran Duran, Simply Red, Roxy Music, Pink Floyd, Simple Minds … Sarah Brown is one of the most prolific and in-demand vocalists in the world. Jim Kerr from Simple Minds comments: “In a sane world Sarah’s colossal talent would ensure that she would be front of stage every night, so I would be in the front row. Every night. I am her biggest fan after all”
Mahalia Jackson (October 26, 1911 – January 27, 1972) is widely considered as a major influence on Mavis Staple, Little Richard, Aretha Franklin, Sam Cooke, Donna Summer, Ray Charles, and a civil rights icon (Malcolm X noted that Jackson was "the first Negro that Negroes made famous”, Harry Belafonte stated "there’s not a single field hand, a single black worker, a single black intellectual who did not respond to her”, and it was Mahalia who prompted Dr. Martin Luther King, Jr to improvise the ‘I Have a Dream’ speech.
- A1: The Lady Caliph/La Califfa (From "Lady Caliph"/"La Califfa")
- A2: Encounter/Incontro (From "The Master & Margaret"/"Il Maestro E Margherita")
- A3: You Will See Me Coming Back/Mi Vedrai Tornare (From "Mi Vedrai Tornare")
- A4: For Love One Dies/Si Muore D'amore (From "For Love One Dies"/"D'amore Si Muore")
- A5: A Woman To Remember/Una Donna Da Ricordare (From "Maddalena")
- B1: This Kind Of Love/Questa Specie D'amore (From "This Kind Of Love"/"Questa Specie D'amore")
- B2: To Lydia/A Lydia (From "Listen, Let's Make Love"/"Scusi, Facciamo L'amore?")
- B3: Down The Ancient Staircase/Per Le Antiche Scale (From "Down The Ancient Staircase"/"Per Le Antiche Scale")
- B4: Children Ask Us Why/I Bambini Ci Chiedono Perche' (From "Why"/"I Figli Chiedono Perche")
- B5: Lullaby For Adulterers/Ninna Nanna Per Adulteri (From "Mother's Heart"/"Cuore Di Mamma")
- B6: Beyond The Grave Lovers/Amanti D'oltretomba (From "Nightmare Castle"/"Amanti D'oltretomba")
- C1: Reason, Heart, Love/La Ragione, Il Cuore, L'amore (From "Devil In The Brain"/"Il Diavolo Nel Cervello")
- C2: Veruschka (From "Veruschka - Poetry Of A Woman"/"Veruschka - Poesia Di Una Donna")
- C3: For Love/Per Amore (From "For Love"/"Per Amore")
- C4: Lullaby In Blue/Ninna Nanna In Blu (From "Cat O' Nine Tails"/"Il Gatto A Nove Code")
- C5: Trip With Anita/Viaggio Con Anita (From "Lovers & Liars"/"Viaggio Con Anita")
- D1: What Have You Done To Solange?/Cosa Avete Fatto A Solange? (From "What Have You Done To Solange?"/"Cosa Avete Fatto A Solange?")
- D2: The Two Seasons Of Life/Le Due Stagioni Della Vita (From "The Two Seasons Of Life"/"Le Due Stagioni Della Vita")
- D3: Maybe That's Enough/Forse Basta (From "Around The World With Peynet's Lovers"/"Il Giro Del Mondo Degli Innamorati Di Peynet")
- D4: Portrait Of An Author/Ritratto D'autore (From "The Invisible Woman"/"La Donna Invisibile")
- D5: Neighborhood Romance/Romanza Quartiere (From "Neighborhood"/"Quartiere")
- A1: Allegretto For A Lady/Allegretto Per Signora
- A2: Belinda May
- A3: Dream Inside A Dream/In Un Sogno Il Sogno
- A4: Poetry Of A Woman/Poesia Di Una Donna
- A5: Sestriere
- B1: Fashion (No 2)/La Moda (No 2) (No 2)
- B2: Like When It Rains Outside/Come Quandofuori Piove
- B3: A Bit Of An Acid Irony/Un Po' Di Ironia Acida
- B4: Faith/U-Pa-Ni-Sha
- B5: Listen, Let's Make Love/Scusi, Facciamo L'amore? (The Big One) (The Big One)
- C1: Fashion/ La Moda (No 3) (No 3)
- C2: The Alibi/L'alibi (Shake No 2) (Shake No 2)
- C3: Slalom (Un Caffe Sulla Banchina) (Un Caffe Sulla Banchina)
- C4: The Doll/La Bambola
- C5: To Lydia/A Lidia
- D1: The Alibi/L'alibi (Shake No 3) (Shake No 3)
- D2: Slalom (Una Sera In Albergo) (Una Sera In Albergo)
- D3: Steal To Your Next/Ruba Al Prossimo Tuo (Seq 9) (Seq 9)
- D4: Definitive Turning Point/Svolta Definitiva
- D5: Little Cat Lady/La Donna Cattina (#2) (#2)
- A1: Asha Puthli & The Savages - Pain
- A2: Ornette Coleman - Sound Of Silence (With The Surfers)
- A3: Ornette Coleman - Sunny (With The Surfers)
- A4: Charlie Mariano - Fever (With The Surfers)
- A5: What Reason Could I Give
- B1: All My Life
- B2: Mirror
- B3: Right Down Here
- B4: Lies
- B5: Devil Is Loose
- C1: Space Talk
- C2: One Night Affair
- C3: I'm Gonna Dance
- C4: Music Machine (Dedication To Studio 54) (Dedication To Studio 54)
- C5: Peek A Boo Boogie
- D1: Mister Moonlight
- D2: Prism Of The Sun (Song For Dieter) (Song For Dieter)
- D3: 1001 Nights Of Love (Reprise)
- D4: We're Gonna Bury The Rock With The Roll Tonight
- D5: Chipko Chipko
We can't think of many other performers like the singer/songwriter/dancer/actress Asha Puthli who have excelled in such a broad range of genres. From 60s psych, Classical Indian music, Free Jazz, Pop, Soul, Disco, to Rock, the list goes on. A 'best-of' or an 'essential collection' is always going to be a subjective thing, but for what is unbelievably the first official compilation covering the full breadth of Asha's illustrious career, we aimed to provide a snapshot into her ever-evolving musical journey and a tribute to the vast richness of her catalogue.
Some singers want to be famous, others are pop star icons, and some are artists; Asha is the latter. Asha is a true force of nature, regardless of the genre she explores, she fully commits, moves on, and reinvents herself, always progressing. Looking back on Asha's career, it is evident what a trail-blazer she was, opening doors for her contemporaries and those who came later to step through. Whether it was conscious or not, you can recognise Asha’s influence in aspects of Kate Bush's ethereal image and performance, in Donna Summer’s high-smooth vocal sound and disco stylings, and in the gumption and power of Grace Jones.
Kick-starting the compilation is ‘Pain’, the Indian psychedelic garage rock sounds of The Savages featuring Asha. We have to admit, we had to strongarm Asha into letting us include this track at first; also due to its rare nature (and lack of any master tapes) the recording we present here is raw and low-fi. However, we felt its inclusion was important to fully represent the journey of Asha's career, the same consideration was also applied to two of the Asha & The Surfers’ songs that we have included in this collection.
Asha saw a link between jazz and classical Indian music "the improvisation, the minor chords, the free form, the liberalness of the art" we showcase her love of jazz here with seminal works with the legendary Ornette Coleman, taken from the revered 'Science Fiction’ album. Asha's 'CBS years' are represented here, how could we not include 'Space Talk' on this collection, and how these years progressed into her amazing disco offerings such as 'I'm Gonna Dance' & 'Music Machine'. The bizarre 'We're Gonna Bury The Rock With The Roll Tonight' from 1980 has also won us over. A pseudo-50s throw-back song that sounds not un-similar to the post-modern, leftfield, pop of an MIA production to come years later. Rounding off the compilation we have Asha's interpretation of a Michael Jackson classic that sat lost on a cassette-only released in India.
- A1: Only Love Can Break A Heart
- A2: (The Man Who Shot) Liberty Valance (The Man Who Shot)
- A3: Every Breath I Take
- A4: Hello Mary Lou
- A5: Today's Teardrops
- A6: Mr Moon, Mr Cupid & I
- A7: If I Didn't Have A Dime
- A8: Half Heaven-Half Heartache
- B1: Town Without Pity
- B2: My Heart, Your Heart
- B3: Louisiana Mama
- B4: (I Wanna) Love My Life Away (I Wanna)
- B5: Dream For Sale
- B6: Take It Like A Man
- B7: A Greater Love
- B8: Donna Means Heartbreak
Gene Pitney was a musician’s musician. Having begun his career as a songwriter, he was not content merely being the faceless pen behind his peers’ success, becoming a singing star in his own right. He did this during a time when America’s shores were being invaded by a wave of British talent led by The Rolling Stones and The Beatles. Pitney turned the tables by finding success in the UK and went on to enjoy a 45- year career. 1962 was Pitney’s breakout year in the US. He shot to Number 4 in April with the Burt Bacharach and Hal Davidpenned hit (The Man Who Shot) Liberty Valance, intended as the theme for the John Wayne
flick of the same name. He followed that up with his highest-charting US single, Only Love Can
Break A Heart. It would go on to be covered by numerous artists, Dionne Warwick attempting
her own version in the late Seventies. He left behind a four-decade career that saw him notch
up 16 US Top 40 singles and 22 in the UK. His legacy is also evident in the hits of others, like
Orbison, Bobby Vee and Ricky Nelson. This collection showcases the best of Pitney’s early
work, and gives an insight into one of America’s most gifted musicians, a man who found his
own voice.
- A1: Gloria Lucas - One Sweet Song
- A2: Lyn Collins - Think (About It)
- A3: Minnie Riperton - Adventures In Paradise
- A4: Ruby Delicious - Rock Steady
- A5: Brenda George - What You See Is What You're Gonna Get
- A6: Jackie Dee - Love You Wholeheartedly
- A7: Gwen Mccrae - All This Love That I'm Givin
- B1: Marva Whitney - What Do I Have To Do To Prove My Love To You
- B2: Ruth Davis - I Need Money
- B3: Millie Jackson - Do What Makes The World Go Round
- B4: Gladys Knight & The Pips - Thank You (Falettin Me Be Mice Elf Agin)
- B5: Spanky Wilson & The Quantic Soul Orchestra - Don't Joke With A Hungry Man
- B6: Ann Peepbles - Slipped, Tripped & Fell In Love
- C1: Betty Wright - Clean Up Woman
- C2: Little Rose Little - Family Tree
- C3: The Quantic Sould Orchestra - Hold It Up
- C4: Jackson Sisters - I Believe In Miracles
- C5: Rose Royce - Car Wash
- C6: Taana Gardner - Heartbeat
- D1: Melba Moore - Mind Up Tonight
- D2: Sisters Love - Gimme Your Love
- D3: Diana Ross - Upside Down
- D4: Donna Summer - Hot Stuff (Single Edit)
- D5: Carrie Lucas - Dance With You
- A1: Alberto Radius - California Bill
- A2: Mario Lavezzi - In Alto Mare
- A3: Beppe Cantarelli - Se Il Mio Canto Sei Tu
- B1: I Ricci - Vienimi A Pigliare
- B2: Eduardo De Crescenzo - Alle Sei Di Sera
- B3: Im Porto - Smettila (Po-Para) (Po-Para)
- B4: Barnaba - Bianco E Nero
- C1: Enzo Cervo - Solo Mo
- C2: Peppino Di Capri - Mo
- C3: Franco Camassa - Non Andar Via
- C4: Stefano Pulga - La Mia Nave
- D1: Massimo Stella - C'e Una Donna Sola
- D2: Gino D'eliso - Ti Ricordi Vienna?
- D3: Enzo Carella - Contatto
- D4: Serafini - Serafini
Between the late 70s and the early 80s, pop music was in a transitional phase. After a return to the roots of punk, rock was morphing into new wave, while disco was rapidly declining and the electronic revolution, already on the rise, was ushering in the transition from analog to digital. This period also saw the emergence and relatively brief flowering of a commercially dominant style that mixed soul influences (especially Stevie Wonder and Ear th Wind & Fi re) , folk/pop songwriting and jazz sensibilities in equal measure, creating a hybrid easy on the ears but also emotionally and musically rich. It was the style represented by artists like Christopher Cross, Michael McDonald, Gino Vannelli and Kenny Loggins, who were all influenced by black music. They belonged to a larger trend that took place in all major music producing countries, including Italy where, like so many other things, the style was not merely imported or copied, but reshaped into a specifically local version based on the nation's tastes and cultural traditions. In Italy, a soulful and sophisticated approach to pop music was embraced not only by established names like Mina, Alan Sorrenti and Loredana Berté, but also, and perhaps most importantly, by an entire generation of writers, arrangers and musicians who had grown up listening to early fusion, to Steely Dan's refined recordings, and to Quincy Jones's productions. So, with this compilation we hope to give new exposure to artists and songs that, despite having moderate or little success when first released, must be regarded as among the creative peaks of Italian pop music. "Paisà Got Soul" features pop veterans Peppino Di Capri, Mario Lavezzi and Alberto Radius alongside atypical singer-songwriters (Enzo Carella, Enzo Cervo, Gino D'Eliso), Italo-disco heroes (Stefano Pulga), international hit composers (Beppe Cantarelli, who has co-written for Aretha Franklin and Mariah Carey), Brazilian-born naturalized Italians (Jim Porto) and complete unknowns (Franco Camassa, I Ricci, Massimo Stella).It brings together little gems that in most cases are no longer available on the market, or only available in their original and now very rare vinyl format. We believe they all deserve to be rediscovered today, partly because of the recently renewed interest in "yacht rock", as this music style has been retrospectively named, and partly because they provide further evidence that Italian artists rework international music styles in creative and original ways.
Compiled and conceived by David Nerattini partnered by Pierpaolo De Sanctis
''The acts Mermaid Chunky call to mind here tend to lean on a blithe naivete: Animal Collective, Peaking Lights, youthful Norfolkians Let’s Eat Grandma and fuckwitted freak-folkers Cocorosie. This isn’t a fashionable sound in 2020 – venture your own sociopolitical reasoning – and I reckon I’ve found the one record of its type I want to hear this year.''
Mermaid Chunky are an audiovisual duo made up of artists Freya Tate and Moina Moin. Bathing in milkmaid serenity and improvised chaos, the duo boast of pumping trance rhythms, sad Easter time chicks and seriously arousing sax solos. Much of their cultivation has come out of the mossy club culture of Stroud's SVA and London's Total Refreshment Centre, collaborating with the likes of Alabaster DePlume, Danalogue, Donna Thompson, Grove, Snapped Ankles (UK tour support) and Yama Warashi.
Their debut Faith and Industry album VEST (produced by Capitol K at Total Refreshment Centre), was birthed last year out of a history of improvised cheek and club dexterity forefronting their live shows and audiovisual solstice celebrations, recently captured by British Vogue's 2021 PRIDE series. Championing this action is the Mermaid Chunky Mothership, a gang of fellow artists and performers, often clad in nauseous satin frills, swamping the stage with french mime and slut drops (Roundhouse 2021, End Of the Road 2021, SVA Solstice always.) The MC gang just scoured their PRS Woman Make Music funding so who knows what they will be stirring up in the heat of summer soup 2022 (the most ducks in a year we will ever experience.) The only way for you to find out is to join the chunklett buffet and dip your wicked, webbed fingers into something mega.
Mermaid Chunky will perform Camp Bestival (Shropshire), Kite Festival (Oxford) and at Orbury Common’s PrahEP launch (a collaborative audiovisual May Day celebration) at the Brunel Goods Shed, SVA, Stroud 30th April - 1st May.
They will aslo be collaborating with Percolate Music on a series of London based audiovisual events this year focused on experimental, electronic womxn performers, visual artists and DJs. More special announcements to be revealed in the present future of your past.
- A1: Rubber Bullets
- A2: Donna
- A3: Dean & I
- A4: Wall Street Shuffle
- A5: Silly Love
- A6: Life Is A Minestrone
- A7: Natural Wonder
- B1: I'm Not In Love
- B2: Art For Art's Sake
- B3: I'm Mandy Fly Me
- B4: The Things We Do For Love
- B5: Good Morning Judge
- B6: Deadlock Holiday
- C1: Under Your Thumb
- C2: Wedding Bells
- C3: Cry
- C4: For Your Love
- C5: Heartful Of Soul
- C6: Bus Stop
- C7: Look Through Any Window
- C8: No Milk Today
- C9: Pamela Pamela
- D1: Donna" (Live)
- D2: The Wall Street Shuffle" (Live)
- D5: The Things We Do For Love" (Live)
- D6: Dreadlock Holiday" (Live)
- D3: I'm Not In Love" (Live)
- D4: I'm Mandy Fly Me" (Live)
A 28 track 2LP release to be released on 20th May longside the 2CD set. This is not the first 10cc Hits collection, but it is definitely the most comprehensive TV Ad package. The CD set has aready been sold in. Promo will feature TV This Morning interview and performance, Radio R2 Johnnie Walker Sound of the 70's, , R4 Front Row, SaturdayLive, Gold, Greatest Hits Radio and a major BBC local radio campaign, plus features in Taboids and Broadsheets (We have already confirmed The Telegraph feature The Story Behind 'I'm Not in Love'). All this will be backed by a National TV campaign.
- A1: Magic (Intro)
- A2: Come Into My World (Interlude)
- A3: I Love It
- A4: In Your Eyes
- A5: Light Years
- A6: Supernova
- A7: Light Years (Reprise)
- A8: I Should Be So Lucky (Interlude)
- A9: Dance Floor Darling
- A10: All The Lovers (With House Gospel Choir)
- A11: Say Something (With House Gospel Choir)
- B1: Real Groove
- B2: Slow/Love To Love You Baby
- B3: Monday Blues
- B4: Where Does The Dj Go?
- B5: Love At First Sight
- B6: Last Chance
- B7: Magic
Fans are invited to return to ‘Infinite Disco’, Kylie’s globally successful live spectacular broadcasted in 2020. Released alongside Kylie’s record-breaking album ‘DISCO’, the 50-minute special performance was met with widespread acclaim and deemed ‘a true joy’ by The i. The ‘Infinite Disco’ vinyl features tracks from DISCO, alongside much loved hits ‘In Your Eyes’, ‘Light Years’, ‘Slow’ (a mash up with Donna Summer’s iconic ‘Love To Love You Baby’) and ‘Say Something’, performed with the House Gospel Choir.
- A1: Althea & Donna - Uptown Top Ranking
- A2: Susan Cadogan - Hurt So Good
- A3: Sophia George - Girlie Girlie
- A4: Judy Mowatt - I Shall Sing
- A5: Marcia Griffiths - Steppin' Out Of Babylon
- A6: Janet Kay & The Kaylets - Lovin You
- B1: Marcia Aitken - I'm Still In Love With You
- B2: Joya Landis - Angel Of The Morning
- B3: Phyllis Dillon - Perfidia
- B4: Sylvia Tella - Spell
- B5: Nora Dean - Barbwire
- B6: Mille Small - Honey Hush
- C1: Phyllis Dillon - Love Was All I Had
- C2: Faye Bennett - Back Wey
- C3: Lorna Bennett - Good Woman
- C4: Sonya Spence - Come With Me
- C5: Sandra Robinson - Sensi For Sale
- C6: Althea - Downtown Thing
- D1: Marcia Griffiths - Give You & Get
- D2: Dawn Penn - I Let You Go
- D3: Paula Clarke - Dynamic
- D4: Susan Cadogan - If
- D5: Hortense Ellis - My Willow Tree
- D6: Doreen Shaeffer - Back In My Arms Again
Trojan have pulled together some of reggae's finest moments here, and importantly they come from some of the genre's most vital female talents, who can often be overlooked in favour of their more visible male counterparts. Across four sides of vinyl the likes of Millie Small, Althea & Donna, Marcia Griffiths, Phyllis Dillon, and Susan Cadogan all deservingly feature and personal sleeve notes from musician Rhoda Dakar also add real value. Big hits, unknown rarities and some brilliantly wonky numbers like Sandra Robinson's "Sensi For Sale" make this an instant NEED!
His first single Come On, Let’s Go was recorded in July 1958 at Studio B of the Gold Star Recording Studios. Phil Spector was also recording To Know Him Is To Love Him with the Teddy Bears, and dropped by Studio B to say hello to Ritchie. Released a couple of weeks later, Ritchie’s debut quickly became a number one in Los Angeles. The record went on to be named ‘Pick Of The Week’ in September’s issue of Billboard, soon reaching #42 on the national charts. Valens’ follow-up was Donna, which went to #2 on the charts in January 1959. Not only was the record a hit, it was almost eclipsed when radio DJs discovered the Bside, La Bamba, which Valens described as “an old Mexican folk song they play at weddings”.
This also became a hit, though it only reached #22 – although when La Bamba, the 1987 biopic of Valens was released, the title song went to Number One. From this point on Valens spent most of his time touring the West Coast and beyond, and also managed time for several TV shows and a movie appearance in Go, Johnny Go! So put this record on right now. Let’s go!
Perfect Location Records in close collaboration with Cherushii’s family is proud to present Nobody’s Fool, Starlight Express, and Manic on vinyl for the first time as 3 EPs. Originally released by Cherushii on her Bandcamp in 2015 and 2016, these 3 EPs encompass the radiant love, fluent creativity, and unapologetic joviality of not only the musical world of Cherushii, but also the person behind the music.
The hand-drawn artwork, which has become iconically synonymous with the Cherushii sound, are original creations by Cherushii’s sister, Sabrina Fox. With this reissue, we offer a continuation of the same visual candy with a new front cover by Sabrina: the nudibranch pattern. Chosen by Sabrina after a dream visitation, the nudibranch is a curious, resilient creature which harnesses its profound coloration to flourish in the oceanic infinity. It can only do so, however, once it sheds its shell.
Inside of 3 EPs you will find the original covers belonging to Nobody’s Fool, Starlight Express, and Manic as gloss sleeves for the respective EP.
3 EPs also features some of Cherushii’s talented friends and mentors, from her production with Golden Donna, lyrics by her longtime friend Kara Marie, and an appearance by her childhood music teacher Marcia Miget, to remixes by 100% SILK all-stars Bobby Browser and Magic Touch.
It is our hope that this vinyl reissue, with its beautiful, large gloss prints of Sabrina’s artwork, will further disseminate the legacy of Cherushii while contributing to the posthumous archive of a musical mastermind, viciously devoted and missed friend, and beloved sister.
In loving memory of Chelsea Faith 1983-2016
i F1 Manic (Magic Touch Mix feat. Colored Craig) Vinyl Edit
i F1 Manic (Magic Touch Mix feat. Colored Craig) Vinyl Edit
Calling all old souls, wild childs & real gone gals, here comes the brand spankin’ new solo debut from Kevin Preston (PrimaDonna/Green Day, etc.)! It’s a hot shot of new-old-stock rock n roll that rolls as much as it rocks; strolls as much as it struts; and shuffles as much as it stomps. Close My Eyes slow-burns like a long drag on a Lucky Strike. I Know Where I Stand channels the spirit of fellow Valley boy, the late Ritchie Valens. Caprice is a slapback-drenched rockabilly rave up that sounds like a rumble between the ghosts of Alan Vega, Vince Taylor & Gene Vincent. Kevin cut his teeth in the early 2000’s as a teenager playing guitar in a revamped lineup of original 70’s-era Los Angeles punks The Skulls. Then he started up the rock group Prima Donna, moving to center stage as lead singer. Prima Donna toured relentlessly, slowing down only to knock out a few records along the way & strike up a band-romance with Green Day who took them on tour a few times. That connection led to Kevin joining forces on guitar with Green Day frontman Billie Joe Armstrong on two side-hustle bands over the years; Foxboro Hot Tubs (in 2008) and The Longshot (in 2018). In 2019, Kevin joined the Green Day band as touring guitarist/backing vocalist. I was at Dodger Stadium the last time I saw Kevin Preston. There he was, that sweet kid from the Valley who I met at the turn of the century when we were on the Warped Tour together, now plying the boards at Chavez Ravine with Green Day. Man, the fuckin’ Beatles played their 2nd to last show ever there back in 1966! But along with all that stadium rock, our boy is now moonlighting as a solo artist & going back to the basics.... So, dig these new numbers & enjoy the ride, baby!
- A1: Sightseeing In The Apocalypse
- A2: War Painted Valentine
- A3: Celebremos Lo Inevitable
- A4: Speed Dating An Arsonist
- A5: Jig Of The Century
- A6: The Sound Of An Unconditional Surrender
- A7: Malign Monologues
- A8: Out Came The Hummingbirds
- A9: Snake Oil Baptism
- A10: Les Invulneables
- A11: Saluting The Reckoning
- A12: The Prima Donna Gauntlet
- A13: Overture To A Ceasefire
Coloured 2LP[27,31 €]
Diablo Swing Orchestra is an Swedish eight-piece ensemble known for pairing elements of jazz, swing, classical, progressive rock with just about everything in between. Since the start in 2003 the band has released four studio albums pushing musical boundaries with humor, creativity and a healthy dose of positive aggression. Together they have dug deep into each genre explored on the 13 tracks on the album and worked hard to find the appealing characteristics within that genre and forged it into their own sound. This approach has resulted in a impressive list of guest musicians and some very interesting clashes between sounds which, at least on paper, shouldn’t work. But listeners with an open mind will be rewarded since there are a lot of goodies to be found on the album ranging from the tribal assault that is “War Painted Valentine” to the Zeppelin gospel infused “Snake Oil Baptism”. The band presents new interesting ways of looking upon rock and metal music while managing to stay quite accessible in spite of the fact they’re often described as avant-garde metal.
- A1: Sightseeing In The Apocalypse
- A2: War Painted Valentine
- A3: Celebremos Lo Inevitable
- A4: Speed Dating An Arsonist
- A5: Jig Of The Century
- A6: The Sound Of An Unconditional Surrender
- A7: Malign Monologues
- A8: Out Came The Hummingbirds
- A9: Snake Oil Baptism
- A10: Les Invulneables
- A11: Saluting The Reckoning
- A12: The Prima Donna Gauntlet
- A13: Overture To A Ceasefire
Black 2LP[27,31 €]
Diablo Swing Orchestra is an Swedish eight-piece ensemble known for pairing elements of jazz, swing, classical, progressive rock with just about everything in between. Since the start in 2003 the band has released four studio albums pushing musical boundaries with humor, creativity and a healthy dose of positive aggression. Together they have dug deep into each genre explored on the 13 tracks on the album and worked hard to find the appealing characteristics within that genre and forged it into their own sound. This approach has resulted in a impressive list of guest musicians and some very interesting clashes between sounds which, at least on paper, shouldn’t work. But listeners with an open mind will be rewarded since there are a lot of goodies to be found on the album ranging from the tribal assault that is “War Painted Valentine” to the Zeppelin gospel infused “Snake Oil Baptism”. The band presents new interesting ways of looking upon rock and metal music while managing to stay quite accessible in spite of the fact they’re often described as avant-garde metal.
- A1: Jessy Lanza - Guess What
- A2: Jessy Lanza - Seven 55 (Feat Loraine James)
- A3: Jessy Lanza - Wet X3 (Feat Taraval)
- A4: Oyubi - 140Yaku
- B1: Jim C Nedd - Maleka
- B2: Jessy Lanza - Heaving (Feat Taraval)
- B3: Dee Jay Nehpets - Na Na Na
- B4: Dj Swisha - If The Shoe Fits
- C1: Cn - Anubis
- C2: Lolina - A Path Of Weeds & Flowers
- C3: Mafia Boyz - Teaspoon La Qoh
- C4: The Raining Heart - Raining Heart
- D1: Michael J Blood - Lip Biter
- D2: Markus Mann - I'm Losing
- D3: Mr Ho - Bail-E
- D4: Golden Donna - Foaming
Jessy Lanza has always made music that perfectly suits the mood - whether it's the heads-down trance of the dancefloor or that hazy, post-club bliss. It's no surprise for an artist that takes electronic music's most intoxicating sensibilities and effortlessly reimagines them as experimental pop and R&B. The Canadian singer, producer and DJ from Hamilton, Ontario, has trodden an inspiring path which led to 2013's boldly minimalist debut Pull My Hair Back, released on revered UK label Hyperdub. Gorgeously complex follow-ups Oh No - shortlisted for Canada's prestigious Polaris Prize - and 2020's All the Time crowned her as a singular talent in the left-of-pop sphere. It's with this genre-bending approach that Jessy Lanza presents her entry for the DJ-Kicks series - a sprawling, club-indebted odyssey that draws you in closer and closer with each listen. Recorded this summer, the mix is an incisive snapshot of her emotional landscape during the past 18 months. In 2020, with nothing but a van, a few personal belongings and her musical gear, Lanza and her partner relocated from New York City to the Bay Area to ride out the pandemic. A change of scenery, buoyed by the slower pace of their new home, gave her a fresh perspective during a worldwide screeching halt. Jessy Lanza's DJ-Kicks mix also arrives as a divine stroke of timing. As the world slowly starts to re-open, it's a portal into the ecstatic energy of the dancefloor; an emblem of genuine healing - both personal and communal - that transports listeners to a state of pure euphoria.
- A1: Elle Cato - I Feel Love
- A2: Ultra Nate - I Can Dream
- A3: Michelle Perera - Never Give Up
- B1: Mr V - Dj Rae - Scott Paynter - The Feels
- B2: Blondewearingblack - What Can I Do
- B3: Blakkat - Second Chance
- C1: Joe Roberts – Easy
- C2: Dj Rae - Come Undone
- C3: Blakkat - Can’t Get Enough
- D1: Michelle Perera - Life Is A Song (Philly Mix)
- D2: Lea Lorien - Never Looking Back
- D3: Michelle Perera – Addicted
There is nothing quite like an evening under the rhythmic spell of the legendary David Morales. Stepping on the dancefloor while he's behind the decks requires full trust and surrender. You agree to hand the reins of your mind, body, and spirit to his intuition and ability to guide you to where you need to be at all times. It will occasionally be cathartic and intense. It will often make the hairs on your body stand on end, and make you sweat more than you ever have before. The endorphin release will be powerful. You will feel like you can touch joy and euphoria it in the air around you. As he gently brings you back down to reality, you will feel renewed and ready for anything life brings your way. This is more than a night of dancing. This is an experience at the hands of a magical maestro of music. How is this possible from a night on the dancefloor? Well, it begins with the brilliant mind of an artist at the peak of his creative power, imbued with the empathy necessary to connect with what has become a global legion of fans. "If there is any secret, it's really simple: I love what I do with all of my heart," Morales says. "I'm a DJ first. I thrive on human interaction. I am always adjusting my sets based on what the people in the room need. Each night, we form an emotional connection that inspires the music as it comes."
For Morales, "working in the studio is important, but it exists as a way of supporting the DJing experience. It's all to inform how it will work on the dancefloor."
To that end, you're reading these words as you dive into a new collection of Morales classics. Ever the collaborator, he has enlisted the input of a wide range of voices and talent. There is the diva power of fellow legend Ultra Nate, who brings her signature sass to "I Can Dream," while Michele Perera's explosive chemistry with David is all over the inspiring "Life is a Song" and "Never Give Up", as well as the impassioned "Addicted."
Morales reminds the listener of his ever-evolving musical scope in collaborations with blondewearingblack ("What Can I Do"), Lea Lorien ("Never Looking Back"), and Blakkat ("Can't Get Enough"). There's the clubland supergroup of David with Mr. V, Scotty P. and DJ Rae on "The Feels." Rounding out the set is a reunion with longtime muses Elle Cato ("I Feel Love") and British soul icon Joe Roberts ("Easy"). Just be sure to listen closely, because there's bound to be a surprise tucked between these grooves to tickle your ears and move your body.
The beauty of this sparkling new foray into electronic music is the heightened intimacy between Morales and the music. What you are hearing here is almost exclusively from the man's own fingertips. "The technology has evolved in the most extraordinary and liberating ways," he says, adding that he is now able to be far more directly hands-on during the building of each track. "Back in the '90s, I had to have more people involved, With the changes and growth in technology, I can now do it, myself. I don't even have to be in the studio anymore. It's smart, financially, but it's also way more fun and creative."
David adds, "I don't have to wait to manifest an idea anymore. I can just build my ideas as they come to me." In fact, he reveals that many of these new tracks were born in unique places, like planes, cars, his bedroom, and a host of other settings. "Music is always spinning around my mind. I no longer worry about losing an idea."
Surviving the highs and lows of an ever-changing world has also brought Morales back to the basic essentials of life and music. "The pandemic has brought things full circle for me," he says. "I love what I do and I still have the passion of a kid who is just getting started"
Yet, we know that Morales has been in the game for longer than a minute. He's a Grammy award-winning producer, remixer, and songwriter. He has lent his skill to countless of records by icons that include Mariah Carey, Madonna, Whitney Houston, Michael Jackson, Aretha Franklin, Donna Summer, Seal, and Jamiroquai. As a turntable artist originally from New York City, he earned his bones of credibility back in the '80s and '90s in clubs like the Paradise Garage, Red Zone, Tunnel, and Club USA. He initiated the concept of DJs touring beyond their hometowns with countless, wildly successful treks that have taken him the farthest-reaching corners of the world. As electronic music thrives on pop radium, David tops the list of every young artist and DJ as a primary influence.
Even with such a staggering legacy, Morales never looks over his shoulder.
"That is how you stumble and fall," he says. "If you get all caught up in the past, you're going to lose sight of what is right in front of you. You lose the excitement of discovery. That is what gets me off; taking what I know and combining it with what I don't know as I learn it. There is nothing better than experiencing how it all comes together. It's different every time."
And that is the ultimate secret to that extraordinary spell that David Morales casts over us all every single time.
- A1: Bob Marley - Sun Is Shining
- A2: Lee "Scratch" Perry & The Upsetters - Soul Fire
- A3: Cornell Campbell - No Good Girl
- A4: Don Carlos - Rivers Of Babylon
- A5: Gregory Isaacs - Oh What A Feeling
- A6: The Wailers - I Shot The Sheriff (Instrumental)
- B1: Ini Kamoze - World A Music
- B2: Barrington Levy - Warm & Sunny Day
- B3: The Tamlins - Baltimore
- B4: Dennis Brown - Revolution
- B5: Sugar Minott - Rub A Dub Sounds
- B6: Horace Andy - Cus Cus
- C1: Freddy Mcgregor - Big Ship
- C2: Michael Rose - Artibella
- C3: Bob Marley & The Wailers - Soul Rebel
- C4: John Holt - I've Got To Get Away
- C5: Jimmy Riley - Sexual Healing
- C6: Yellowman - Zungguzungguguzungguzeng
- D1: Black Uhuru - Sinsemilla
- D2: Clint Eastwood - Love Story
- D3: Jackie Edwards - Let Me Go Girl
- D4: U-Brown - Tu-Sheng-Peng
- D5: Jackie Edwards - Angel Of Love
- D6: The Heptones - Island Woman
- E1: Dillinger - Cool Operator
- E2: Ricky Grant - Rocky Road
- E3: Marcia Griffiths - Come See About Me
- E4: Black Uhuru - I Love King Selassie
- E5: Chaka Demus & Pliers - Murder She Wrote
- E6: Sly & Robbie - Hot You're Hot
- F1: Max Romeo - Material Man
- F2: Wayne Smith - Under Me Sleng Teng
- F3: Derrick Morgan - Sensimella
- F4: Maxi Priest - Only A Smile
- F5: Alton Ellis - I'm Still In Love With You
- F6: Sly & Robbie - Night Nurse (Feat Simply Red)
- G1: Sister Nancy - Bam Bam
- G2: Beres Hammond & Zap Pow - Last War
- G3: Ranking Dread - Fattie Boom Boom
- G4: Mighty Diamonds - I Need A Roof
- G5: Capleton - That Day Will Come
- G6: Errol Dunkley - Ok Fred
- H1: Ken Boothe - Artibella
- H2: Eek-A-Mouse - Ganga Smuggling
- H3: John Holt - Police In Helicopter
- H4: Marcia Aitken - I'm Still In Love With You
- H5: Althea & Donna - Uptown Top Ranking
- H6: Johnny Osbourne - Jahoviah
- I1: Winston Mcanuff & Fixi - Garden Of Love
- I2: Gregory Isaacs - Babylon Too Rough
- I3: Matthew Mcanuff - Be Careful
- I4: Morgan Heritage - The Return
- I5: Inna De Yard - Let The Water Run Dry (Feat Ken Boothe)
- I6: Alborosie - No Cocaine
- J1: Alpha Blondy - Cocody Rock
- J2: Clinton Fearon - This Morning
- J3: Horace Andy - Ain't No Sunshine
- J4: Tom Fire - Brainwash (Feat Matthew Mcanuff)
- J5: Soom T - Politic Man
- J6: Biga Ranx - Liquid Sunshine
- A1: Simon & Garfunkel - Bridge Over Troubled Water
- A2: Bread - Make It With You
- A3: Elvis Presley - Suspicious Minds
- A4: Deep Purple - Black Night
- A5: Free - All Right Now
- A6: Smokey Robinson & The Miracles - The Tears Of A Clown
- A7: The Jackson 5 - I Want You Back
- A8: Stevie Wonder - Signed, Sealed, Delivered (I'm Yours)
- B1: Elton John - Your Song
- B2: Rod Stewart - Maggie May
- B3: Slade - Coz I Luv You
- B4: The Who - Baba O'riley
- B5: Ike & Tina Turner - Proud Mary
- B6: Marvin Gaye - What's Going On
- B7: Diana Ross - I'm Still Waiting
- C1: Don Mclean - American Pie - Pt. 1
- C2: Sly & The Family Stone - Family Affair
- C3: Bill Withers - Lean On Me
- C4: Harry Nilsson - Without You
- C5: Roxy Music - Virginia Plain
- C6: T. Rex - Metal Guru
- C7: Mott The Hoople - All The Young Dudes
- C8: Lou Reed - Perfect Day
- D1: Roberta Flack - Killing Me Softly With His Song
- D4: Sweet - Ballroom Blitz
- D5: Wizzard - See My Baby Jive
- D6: Billy Joel - Piano Man
- D7: Bob Dylan - Knockin' On Heaven's Door
- E1: Queen - Killer Queen
- E2: Paul Mccartney, Wings - Band On The Run
- E3: Mike Oldfield - Tubular Bells
- E4: Suzi Quatro - Devil Gate Drive
- E5: Mud - Tiger Feet
- E6: Sparks - This Town Ain't Big Enough For Both Of Us
- E7: Barry White - You're The First, The Last, My Everything
- E8: The Three Degrees - When Will I See You Again
- F1: John Lennon - Imagine
- F2: 10Cc - I'm Not In Love
- F3: Barry Manilow - Mandy
- F4: Bay City Rollers - Bye Bye Baby
- F5: David Essex - Hold Me Close
- F6: Steve Harley & Cockney Rebel - Make Me Smile (Come Up And See Me)
- F7: The Stylistics - Can't Give You Anything (But My Love)
- F8: Minnie Riperton - Lovin' You
- G1: Abba - Dancing Queen
- G2: Frankie Valli & The Four Seasons - December, 1963 (Oh, What A Night)
- G3: Chicago - If You Leave Me Now
- G4: Joan Armatrading - Love And Affection
- G5: Electric Light Orchestra - Livin' Thing
- G6: Thin Lizzy - The Boys Are Back In Town
- D2: Harold Melvin & The Blue Notes - If You Don't Know Me By Now
- G7: John Miles - Music
- H1: Fleetwood Mac - Don’t Stop
- H2: Meat Loaf - Bat Out Of Hell
- H3: Status Quo - Rockin' All Over The World
- H4: Donna Summer - I Feel Love
- H5: Baccara - Yes Sir, I Can Boogie
- H6: David Soul - Don’t Give Up On Us
- H7: Commodores - Easy
- J1: Kate Bush - Wuthering Heights
- J2: Althea & Donna - Uptown Top Ranking
- J3: Chic - Le Freak
- J4: Boney M. - Rivers Of Babylon
- J5: The Jam - Down In The Tube Station At Midnight
- J6: The Boomtown Rats - Rat Trap
- J7: Siouxsie And The Banshees - Hong Kong Garden
- K1: The Clash - London Calling
- K2: The Police - Message In A Bottle
- K3: Pretenders - Kid
- K4: Blondie - Heart Of Glass
- K5: Earth, Wind & Fire With The Emotions - Boogie Wonderland
- K6: Tubeway Army - Are 'Friends' Electric?
- K7: The Buggles - Video Killed The Radio Star
- D3: Kiki Dee - Amoureuse
Coloured Vinyl[126,01 €]
NOW Music is delighted to introduce our new sub-brand ‘NOW Presents…’. This new series starts with ‘NOW Presents… The 1970s’, the first-ever NOW vinyl boxset featuring 5 LPs uniquely designed to reflect the era.
The boxset is a musical time capsule of the decade that saw so many different genres find chart success. Across its 74 tracks over 10 sides of vinyl, the massive hits sit alongside enduring classics from each year. The set not only includes 5 beautifully designed front covers on the individual albums (that slot into a rigid slip case), but also features track by track annotations with chart positions and facts about the artists and songs.
Each year, 1970-1979 is presented as 1 side of each LP… Kicking off with the iconic ‘Bridge Over Troubled Water’ by Simon & Garfunkel from the biggest selling album of the year, and of the decade. 1970 also includes Motown classics from Stevie Wonder, Smokey Robinson & The Miracles, and the debut hit ‘I Want You Back’ from the Jackson 5.
1971 includes the seminal ‘What’s Going On’ from Marvin Gaye, alongside Elton John’s breakthrough – the timeless ‘Your Song’, Rod Stewart’s breakthrough ‘Maggie May’, and The Who’s defining rock anthem ‘Baba O’Riley’.
The charts in 1972 began to reflect the popularity of ‘Glam Rock’ – and ‘Virginia Plain’ by Roxy Music, and ‘Metal Guru’ by T. Rex are included, as is the David Bowie-produced ‘Perfect Day’ from Lou Reed.
‘Killing Me Softly With His Song’ – one of the most beautiful songs, and vocals ever from Roberta Flack opens 1973’s side – and is joined by, amongst others, Billy Joel’s signature song ‘Piano Man’ and Bob Dylan’s ‘Knockin’ On Heaven’s Door’.
1974 celebrates Queen having their first Top 5 single with ‘Killer Queen’, and title tracks from two of the decades’ biggest selling albums: Paul McCartney & Wings with ‘Band On The Run’, and ‘Tubular Bells’ from Mike Oldfield.
John Lennon released ‘Imagine’ in 1971 – but it became a UK hit in 1975, and so, starts this side… and finds space for some of the year’s perfect pop from Steve Harley & Cockney Rebel, David Essex, 10cc, and the biggest hit ‘Bye Bye Baby’ from Bay City Rollers, at the peak of their popularity.
ABBA enjoyed 7 UK Number 1’s in the 1970s, and their biggest was the enduringly popular ‘Dancing Queen’ which leads into 1976. Electric Light Orchestra had a huge hit with ‘Livin’ Thing’, as did Thin Lizzy with ‘The Boys Are Back In Town’ – plus Joan Armatrading emerged with ‘Love And Affection’.
1977 saw Fleetwood Mac release their mega-selling album ‘Rumours’, and from it ‘Don’t Stop’ is here, as is Donna Summer’s ‘I Feel Love’ – one of the most influential dance tracks of all time – and one of 1977’s favourite TV stars, David Soul, enjoyed a #1 single with ‘Don’t Give Up On Us’.
With ‘Wuthering Heights’, Kate Bush not only had 4 weeks at number 1 in 1978, but became the first female artist to achieve this with a self-written song. The Jam, The Boomtown Rats and Siouxsie And The Banshees all found consistent success as Punk & New Wave established new chart stars.
1979 concludes the set and opens with the iconic ‘London Calling’ from The Clash, and includes two of the biggest bands of the era, The Police and Blondie. A couple of years later the first video played on MTV would be ‘Video Killed The Radio Star’ from The Buggles – and it’s fitting that this is the final track on the collection, a #1 in late 1979 – it signposted the synth-pop wave that would define the early 80s…. (but that’s a different box set).
- A1: Slowly Sinking In (2021 Remaster) 06 48
- A2: Awake On The Fifth Floor (2021 Remaster) 07 12
- A3: In Spite Of Everything (2021 Remaster) 08 35
- B1: Your New God (2021 Remaster) 07 08
- B2: Daydream Belief (2021 Remaster) 06 35
- B3: That Empty Feeling (2021 Remaster) 03 16
- C1: And I Got Left Behind (2021 Remaster) 07 55
- C2: Nothing, Still Nothing (2021 Remaster) 09 28
- D1: Dry Retch (2021 Remaster) 10 45
- D2: Always A Part (2021 Remaster) 08 11
For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form: »Together Is the New Alone« by Donnacha Costello was originally released on Mille Plateaux in 2001 as the second LP under the Irish producer’s given name and firmly established him as one of the leading artists in the field of forward-thinking electronic music after he had primarily made a name for himself with house and techno releases under the Jayrod moniker. This vinyl reissue with an entirely new artwork comprises all ten tracks originally only included on the CD version in their edited and final form in which they were last presented on the digital re-release under the name »Together,« remastered by Stephan Mathieu and self-published by Costello, in 2015.
Truly prescient artists rarely opt for introspective sounds, however that was the case when Costello set out to produce »Together Is the New Alone« during nightly session in his hometown Dublin between April and July in 2001, and it also explains the album’s enduring appeal and unwavering radiance twenty years on. While many of his contemporaries dedicated themselves to explore the musical zeitgeist and notions of the future in conceptual terms, Costello made them emotionally tangible, allowing his audience to feel their underlying ambiguity rather than just reflect on it. »Together Is the New Alone« is an album that wordlessly speaks of the paradoxical sense of social alienation and isolation expressed by its title and thus seems even more topical today than it did at the time of its release.
Working with elements from techno culture, glitch aesthetics, intricate IDM rhythms and lush ambient textures, Costello never once throughout the album adheres to tried and tested formulas and conventions, but holistically moulds complex compositions out of distinct and discrete parts. The result is a record that is at once easily accessible and deeply affecting, but also infinitely rich and stunningly sophisticated in musical terms. A personal record expressing a universal sentiment—a truly timeless statement that will reverberate for decades to come.
(Kristoffer Cornils)
- 1: I Will Wait For You (Les Parapluies De Cherbourg)
- 2: Yesterday When I Was Young (Hier Encore)
- 3: Non Andare Via (Ne Me Quitte Pas)
- 4: Un Uomo Una Donna (Un Homme Et Une Femme)
- 5: Pour Toi (Feelings)
- 6: La Vie En Rose
- 7: Col Tempo Sai (Avec Le Temps)
- 8: Petite Fleur
- 9: Que Reste-T-Il De Nos Amours (I Wish You Love)
- 10: The Goodlife (La Belle Vie)
- 11: What Now My Love (Et Maintenant)
- 12: My Way (Comme D'habitude)
The Italian singer Chiara Civello and the French producer Marc Collin are back together for a second time. After Eclipse, they present « Chansons: Chiara Civello Sings International French Standards ».
A tracklisting of 12 classic songs dating from 1945 to 1975 all by French song writers.
From Michel Legrand to Charles Aznavour, Charles Trénet, Édith Piaf, Jacques Brel or Gilbert Bécaud and Francis Lai. Household names for French music lovers, but not necessarily so for international audiences.








































