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Turman first came onto the industrial scene in the late 70’s as the ominous ‘other half’ of legendary noise outfit NON. Shortly after recording the classic 1977 single Mode of Infection, Turman went on to pursue his own unique vision as a solo artist. Fusing every possible influence at his disposal while laying his ideas down on self-released cassettes like Flux (1981), Spirals of Everlasting Change (1987), Way Down (1987) and the massive Chapter Eleven cassette box set (1988). After a hiatus Turman resurfaced in 2005 to team up with seminal noise musician Aaron Dilloway. Since then, he has been gradually adding new titled to his already impressive discography.

For this archival release Turman selected 7 tracks that were recorded between 1980 and 1984. A welcome supplement to his library of avantgarde music that was released in the 80s. This album fits in nicely between the early industrial noise, the long-form minimalism of Flux and the rhythmic industrial of Way Down. Focusing on slowly shifting hypnotic loop-based layers of sound, it covers a specific side of Turman. It feels like there’s a direct link to his earliest works but it’s also a precursor to some pieces that were recorded much later. A missing link that finally gives us the opportunity of a complete overview of his early audio work.

All 7 tracks on this album have a connection to the written word in the form of a poem. Scans of the original typewriter poems are included together with collages and drawings from this specific time frame to create an essential and singular piece of art.

ehind Dosage there is Sayoko, a Japanese woman living in Paris, who works with a rich, organic, yet destabilized musical style, but with a pulsating life that makes her pieces fascinating.

His songs - since they are songs here - on the edge of pop music, are made for re-listening; each passage revealing new secrets hidden in the complex mechanics of his compositions. Evidence is never at the rendezvous, and yet the pleasure of listening, the joy of being carried away by texts that border the surreal without ever complacent, grooves that always seem on the verge of "collapse without ever poking the nose, this pleasure and this joy, unique, do not leave us from one end to the other of this theory of the pink, UFO album, for those who seek this, and to surprise the others too.

Sayoko: voice, piano, bass, electronics;
Buz: battery; Franca Mai: poems;
Dirty_Pink: guitar;
Gaspar Claus: cello;
Vincent Epplay: electronics;
Nicolas Laffererie: guitar;
BN Würtz: electronics, bass, composition;
Simon Takahashi: electronics, composition

BRIAN ELLIS may be best known as the instrumentalist producer behind STAR CREATURE's BIRDBONE UNLIMITED. Here, he returns to the Chicago label with a heavy dosage of west coast italo slap reimagining BOBBY O's RONI GRIFFITH's 1982 classic hit. On clear orange vinyl.

– Meow, Doc! Are you serious?!
– Hopefully, now we'll be able to program the cognitive processes of different creatures.
– The intranasal mutagen?
– With consciousness, too!

Spacelunch devoted all of his spare time to developing the virus. Once in the body, its molecules activate: they replace the configuration of neurotransmitters and start evolving independently. A small dosage of vapours reactivates brain navigation, whereas readings are taken from a nano-oscilloscope and sent to a tablet for further analysis. Augmented reality has long gone beyond virtuality, ladies and gentlemen!

The simulation of the collective mind has undergone a series of public tests initiated by enthusiasts from the Venus Biomolecular Institute. After a data leak from the lab's journal, the dangerous technology could have fallen into the hands of Aerospace Corporation, but luckily was intercepted by the Meta-Warp operational unit. Putting the development on pause, they shut down access to any information about the project. It remained unexplored, but the Professor's inquisitive mind wanted to understand the discovery that could change the future.

An album Maximum Rock 'N' Roll deemed not punk enough to review, Unwound's 1994 sophomore effort was a lethal depth charge aimed at major label grunge and independent hardcore alike. From the off-kilter, vertiginous rhythm of "Entirely Different Matters" to the neck-snapping velocity of "What Was Wound" to the relentless pounding at the end of "All Souls Day," New Plastic Ideas is the Sonic Youth-loving older sister to Fake Train's postpunk- obsessed little brother.

South London live dub outfit SLICKnBOBBY return with their second dosage of deep dub and steppers sonics on this double single with Liam Bailey.

Fresh from supporting Greentea Peng at her largest London show, and playing Glastonbury and Notting Hill Carnival, the South London live dub outfit return to Touching Bass with "Dance Affi Nice/Juicy Bubble". SLICKnBOBBY and soul troubadour Liam Bailey fuse modern ragga and steppers dub with deep effect.

Hailing from Amsterdam via Barcelona, Will & Ink label head Yaleesa Hall kickstarts Timedance’s 2025 run with a hefty arsenal of sound system artillery, expertly sprinkled with rude UKG and electro-laden pulses

Infused with the perfect dosage of driving grooves and earth-shattering low frequencies, these four big and bad cuts are sure to shake the bodies and eyeballs of bass-weight maniacs, breakbeat explorers, adventurous DJs and dancers alike.

2024 Reissue

The syndicate manifests its sonic potential in full glory. Giving rise to this collection of colossal heavyweights, Sentry demonstrates its spotless record of selecting certified heavyweights for the discography once again, twenty-fold. Stepping into the ring are some of the scene's most prolific artists alongside a plethora of promising, choice newcomers.

Boasting more than an hour of supercharged sound system pressure with names like Caspa, Truth, Bukez Finezt, Nomine and Youngsta himself on the controls - the subsequent inferno proves to be an authoritative display of quality bass music, that is sure to reach roaring stacks of speakers all around the globe for years to come."

"Vintage flavours transmute into fiery low-end excursions in 'Sun Ra' as Onhell reigns with fire and brimstone and makes way for what's to come. Rolling on, Taso lays waste with dimly lit half-time flows as we enter the smoke-filled mansion of Argo's meticulously crafted 'Since Then' - a prime cut of hip-hop infused breakbeats and bass.

Abstrakt Sonance & Substance set the heater into overdrive and blunts aflame as we proceed into the shelling of 207's 'Gypsy Dub' - then promptly being crunched to bits by 'Crocodile' - encapsulating Dayzero's cold-blooded dance floor armaments. Brace yourself for battle as we step to the drums of Caspa's tribal warfare, full-frontal assault engineered for the club.

Unrestrained power surges propelling us onwards in Coltcut & Ourman's decidedly high-grade collaboration as listeners march through Khiva's haunting sound system belter 'Teeth' and a zealous dosage of Dubstep as envisioned by Truth. Led through eerie alleys and pressure-ridden environments with LSN on the buttons, the onslaught proceeds with the relentlessly driving 'R U Broke' in Mr. K's signature style.

Opus merciless injects straight fury in an auditory form in the spiked 'Lime Pickle' - Bukez Finezt keeping pace with a murderous Cembalo-ridden thug anthem, lunacy! Minimal instrumentation to its fullest effect, Sukh Knight's 'Modulate' keeps it spicy - as does the claustrophobic sub-bass chiming by Leftlow. Thanom ignites what's left of the residual air in 'Tumble It' - dangerous goods.

The subsequent time bomb armed by A:Grade & Feonix, cast into the abyss that is Nomine's space-bending 'Judas' - big speaker business. The clock strikes its final hour - Youngsta & Cimm finish off the survivors with a no-holds-barred showdown, the 'Last Judgement' executing its massive verdict.

L.D. 50 is the debut studio album by Mudvayne, the American heavy metal band that is known for their sonic experimentation and horror-styled appearances. The album was co-produced by none other than Garth Richardson and Shawn ""Clown"" Crahan of Slipnot. For the album, they experimented with a ragged, dissonant sound; a sound collage prepared specially for the album that was used as a series of interludes. It spawned three singles, ""Death Blooms"", ""Nothing To Gein"", and one of their biggest hits to date: ""Dig"". In the year of its release, the album peaked at #1 on the Billboard Top Heatseekers chart and #85 on the Billboard 200. It gained more critical praise over time and was named one of the twenty best metal albums of 2000 by Metal Hammer magazine. L.D. 50 is available as a limited edition of 3000 individually numbered copies on yellow and black marbled vinyl. This 2LP is housed in a gatefold sleeve and includes a 4-page booklet.

Early Moods’ sophomore album A Sinner’s Past is the ultimate dosage of classic early 70s proto-metal, 90s grunge riffing and timeless songwriting delivered with an explosive youthful energy. The Los Angeles area quartet burst onto the scene fully formed with a sound that somehow simultaneously merged gritty underground Street Doom with slick “big box” Heavy Metal melodies on their self-titled RidingEasy debut album in 2022. And it’s the band’s highly skilled musicianship paired with exquisite aesthetic taste — in addition to their killer live show — that has made them an immediate popular favorite. A Sinner’s Past takes those elements several steps higher with a nod to Soundgarden’s huge sonic depth, the low-mid fuzz drenched tones of Sabotage and classic 70s melodies and structures of Ulli Roth-era Scorpions. The latter in particular inspiring the album’s intricate tonal shifts and shimmering twin leads. “I’m very proud of these songs,” says guitarist Eddie Andrade. “We did a lot of different things, took a lot of chances and show a lot of growth, and I think people will pick up on it. I was trying to use more open chords, not the typical styles. We came off touring with Candlemass and Pentagram, sharing those shows with our heroes really pumped us up. We went into the studio just hungry to record.” The album was recorded near the band’s home base in Pico Rivera, CA by Allen Falcon of Birdcage Studios, who also mixed their debut album. “He’s a good friend of the band and we wanted to be more comfortable, in a relaxed environment for this,” Andrade says. “He had a lot of input and his ideas made a lot of impact on this recording.” The band started recording in May 2023, then worked on the album on and off for 3 months between tours, which also lends to its very refined sound. Early Moods was founded in 2015 by Andrade and vocalist/keyboardist Alberto Alcaraz after a few years of playing in thrash and death metal projects before the two realized that the classic doom that they’d grown up with was what they really wanted to explore. Going through a few lineup changes while delving deeper into the diverging influences that were calling, Early Moods arrived at the sound and lineup that grew their fanbase locally. The band released their debut EP Spellbound in 2020 on German label Dying Victim Productions, followed by their self-titled debut full length on RidingEasy Records in 2023. Early Moods is Oscar Hernandez on lead guitar, Chris Flores on drums, Elix Felciano on bass, Alcaraz on vocals/synth and Andrade on guitar.

The "Punctual Problems" EP is the first solo release of Paul Prier, who has already accompanied artists such as Charlotte Gainsbourg, Christine & The Queen or Woodkid on stage or in the studio.

The record is in perpetual balance between a learned music, inspired harmonies and an impeccable production and the desire to propose a pop record accessible to all.

Ex-member of the electro-pop duo Toys and decisive stage man on the keyboard for Charlotte Gainsbourg, Christine & The Queens and Woodkid, Paul Prier is the brand new signature of the Research and Development house (Jacques, Miel de Montagne, PPJ). With his first EP "Punctual Problems", the Parisian finally presents himself alone, with the audacity to turn his phobias into strengths and the elegance to make them light.

We can better appreciate what Punctal Problems means - and what drives its engine. All the technique (his classical and jazz training), the hard work (an obsession with detail that is the lot of arrangers), the erudition (always ready to talk about harmonies with Stevie Wonder or choruses with Thundercat), are here only to serve the beauty of simple and limpid melodies, that we will hum everywhere. Inner dialogues, self-critical and tender at the same time, disguised as love songs so that everyone can project themselves into them. "It's harder to make a really good, sophisticated pop song that speaks to everyone than an ultra-codified jazz song reserved for a niche. In pop, anything goes, so it's all a matter of dosage. That's why Paul Prier can do a hundred versions of a song before he finds the right one... and too bad if it's the first.

Tape

The next issue in the on-going Mastermix series features a centerpiece of Frankfurt’s club history: Wild Pitch Club.

A predecessor to the esteemed Robert Johnson and a stepping stone for Panorama Bar’s very own nd_baumecker.

Founded by Playhouse masterminds Ata and the late Heiko M/S/O it was a Thursday club night that heavily featured house music as a prescription to the ongoing techno fever. Enamored with the US-American roots of it and all things deep, it not only presented the right records, but also their creators and protagonists. With a string of guest DJs from Robert Hood and Claude Young to Kerri Chandler and Theo Parrish as well as talent from the UK and Europe, it was one of the culture’s hubs at the time.

Here you have its testimony. Selected and mixed by Ata and nd_baumecker, it’s an authentic snapshot of the club’s vibe and spirit, spread over a collectable tape (download included) and a pleasant streaming version, it’s the full dosage. Like Roach Motel confessed: Wild Pitch, I love you.

The next issue in the on-going Mastermix series features a centerpiece of Frankfurt’s club history: Wild Pitch Club.

A predecessor to the esteemed Robert Johnson and a stepping stone for Panorama Bar’s very own nd_baumecker.

Founded by Playhouse masterminds Ata and the late Heiko M/S/O it was a Thursday club night that heavily featured house music as a prescription to the ongoing techno fever. Enamored with the US-American roots of it and all things deep, it not only presented the right records, but also their creators and protagonists. With a string of guest DJs from Robert Hood and Claude Young to Kerri Chandler and Theo Parrish as well as talent from the UK and Europe, it was one of the culture’s hubs at the time.

Here you have its testimony. Selected and mixed by Ata and nd_baumecker, it’s an authentic snapshot of the club’s vibe and spirit, spread over two 2x12” volumes, a collectable tape (download included) and a pleasant streaming version, it’s the full dosage. Like Roach Motel confessed: Wild Pitch, I love you.

The next issue in the on-going Mastermix series features a centerpiece of Frankfurt’s club history: Wild Pitch Club.

A predecessor to the esteemed Robert Johnson and a stepping stone for Panorama Bar’s very own nd_baumecker.

Founded by Playhouse masterminds Ata and the late Heiko M/S/O it was a Thursday club night that heavily featured house music as a prescription to the ongoing techno fever. Enamored with the US-American roots of it and all things deep, it not only presented the right records, but also their creators and protagonists. With a string of guest DJs from Robert Hood and Claude Young to Kerri Chandler and Theo Parrish as well as talent from the UK and Europe, it was one of the culture’s hubs at the time.

Here you have its testimony. Selected and mixed by Ata and nd_baumecker, it’s an authentic snapshot of the club’s vibe and spirit, spread over two 2x12” volumes, a collectable tape (download included) and a pleasant streaming version, it’s the full dosage. Like Roach Motel confessed: Wild Pitch, I love you.

Svart Records unleashes a heady brew of nocturnal Post-Punk atmosphere and avant-garde Metal from Swedish Goth-tinged Doom Rock band Shaam Larein. The new album, “Sticka en kniv i världen” literally meaning: “stick a knife into the world”, is a ravishing, cut-throat statement of Shaam Larein’s heavy intent, that casts a new shadow of stunning darkness. Formed in 2018, Shaam Larein released their debut album “Sculpture” in 2020 to raptured underground praise, earning them an instant booking to the prestigious Roskilde Festival and planting them on the radar of cult artists such as Chelsea Wolfe. Now signed to Finland’s Svart Records, whose reputation has been forged on bringing new heavy rock artists such as Messa, Green Lung and Beastmilk from the underground into the limelight, Shaam Larein is soon to be hot on the tongues of the cult grapevine. Named after their auteur-like visionary singer Shaam Lerein, who was brought up on Russian classical art and the cinema of Tarkovsky, composes and visualizes their dark materials, cementing Sticka En Kniv I Världen” as an utterly unique take on bat-winged heavy rock. With a devout appreciation of the mystic powers inherent in heavy music, Shaam Larein will ignite memories of Swedish Metal artists such as In Solitude, who swayed towards the eclectic and gothic atmospheres Shaam’s music touches on in their later days. With artist friends from back home in Uppsala, Pelle Åhman making the Album cover and his brother Gottfrid Åhman, both of In Solitude fame, making four videos for Shaam Larein, the links weave closer, but it is to artists like Chelsea Wolfe, Ruth Rundle & Marissa Nadler that you can imagine fans drawing parallels and opening their heart to the enigmatic sound of “Sticka En Kniv I Världen”. Shaam describes her music as “a touch of aggression mixed with passion” and “Sticka En Kniv I Världen” for her is about finding the light through a sea of darkness “accepting the melancholy and seeing the beauty of what lies underneath our mysterious sound”. For a world of heavy rock hungry for a new wave of something dark and mysterious, Shaam Larein has it all in unparalleled dosage, just waiting to be discovered. “Sticka En Kniv I Världen” is released on December 9th by Svart Records.

Svart Records unleashes a heady brew of nocturnal Post-Punk atmosphere and avant-garde Metal from Swedish Goth-tinged Doom Rock band Shaam Larein. The new album, “Sticka en kniv i världen” literally meaning: “stick a knife into the world”, is a ravishing, cut-throat statement of Shaam Larein’s heavy intent, that casts a new shadow of stunning darkness. Formed in 2018, Shaam Larein released their debut album “Sculpture” in 2020 to raptured underground praise, earning them an instant booking to the prestigious Roskilde Festival and planting them on the radar of cult artists such as Chelsea Wolfe. Now signed to Finland’s Svart Records, whose reputation has been forged on bringing new heavy rock artists such as Messa, Green Lung and Beastmilk from the underground into the limelight, Shaam Larein is soon to be hot on the tongues of the cult grapevine. Named after their auteur-like visionary singer Shaam Lerein, who was brought up on Russian classical art and the cinema of Tarkovsky, composes and visualizes their dark materials, cementing Sticka En Kniv I Världen” as an utterly unique take on bat-winged heavy rock. With a devout appreciation of the mystic powers inherent in heavy music, Shaam Larein will ignite memories of Swedish Metal artists such as In Solitude, who swayed towards the eclectic and gothic atmospheres Shaam’s music touches on in their later days. With artist friends from back home in Uppsala, Pelle Åhman making the Album cover and his brother Gottfrid Åhman, both of In Solitude fame, making four videos for Shaam Larein, the links weave closer, but it is to artists like Chelsea Wolfe, Ruth Rundle & Marissa Nadler that you can imagine fans drawing parallels and opening their heart to the enigmatic sound of “Sticka En Kniv I Världen”. Shaam describes her music as “a touch of aggression mixed with passion” and “Sticka En Kniv I Världen” for her is about finding the light through a sea of darkness “accepting the melancholy and seeing the beauty of what lies underneath our mysterious sound”. For a world of heavy rock hungry for a new wave of something dark and mysterious, Shaam Larein has it all in unparalleled dosage, just waiting to be discovered. “Sticka En Kniv I Världen” is released on December 9th by Svart Records.

Inspiration Information Is Presented In An Opaque Metalic Silver Pressing. Well before Shuggie Otis cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. Despite only moderate success upon its initial release, Shuggie Otis' third album Inspiration Information turned into underground smash decades later and has since maintained a level of cult status normally reserved for mysterious, unearthed legends like Sixto Rodriguez or Lee Fields. Inspiration Information is also noteworthy among Shuggie's other releases, as it was entirely self-produced, as opposed to being overseen by his father Johnny Otis. Shuggie's signature blend of baroque funk is on full display, but with a heavy dosage of psychedelic soul blended in, resulting in an album that's equally swarthy, lush, funky, and emotional; gathering all the best bits of Marvin Gaye, Love, Miles Davis, and even Os Mutantes. Inspiration Information is more than worthy of all acclaim awarded to it, despite the delayed reverence. Track Listing: A1. Inspiration / Information A2. Island Letter A3. Sparkle City A4. Aht Uh Mi Hed B1. Happy House B2. Rainy Day B3. XL-30 B4. Pling! B5. Not Available

Produced by David Chazam (Jean-Jacques Perrey, Monique Sonique) "Psychosomnia" by Müholos is a powerful kind of audio synths therapy. Follow the dosage to the letter or be subject to permanent electronic ecstasy!

Psychic Graveyard return with 'Veins Feel Strange', their second album for Deathbomb Arc. Throbbing electronics, heavy percussion, and vocals like a riddle winding their around everything - but not a guitar in sight. Former members of Arab on Radar, Some Girls, All Leather, Chinese Stars and more come together to curse the land once again. Catch them on tour with METZ in Spring 2022.