Cerca:drag

Mit “ZYX Italo Disco Spacesynth Part 4” setzen wir die Vinyl – Compilation-Serie mit den größten Spacesynth Klassikern der 80er Jahre fort.

Alle Spacesynth- und Schallplatten Fans können sich auf die legendären und unvergessenen Hits von Koto, Laserdance, Hypnosis, Wish Key uva. freuen.

Danza Tribale — the visionary label founded and curated by Adiel — presents Connessioni, the new release from Tamburi Neri, a two-part sonic exploration of connection, vibration, and ritual. Rooted in the spirit of tribal modernism, Danza Tribale has become a platform for artists who transcend genre boundaries — channeling raw energy, rhythm, and emotion into sound. With Connessioni, this philosophy deepens further, inviting listeners into a realm where body, city, and earth speak the same language. Connessioni is the reflection of water moving with the melody, the breath of air between intertwining lungs, the intersection of glances and voices that speak. It is an invisible map — cables carrying frequencies to speakers, amplifying not only sounds but also stories, emotions, and encounters. The release unfolds across two EPs that resonate on different frequencies yet share a single voice: that of the body, the city, and the earth.

Fourth release of the label is a boundless sonic trip. "Light and illusion" is a psychedelic journey where Enri blends hypnotic rhythms and surreal soundscapes with acid liquid textures. An intense experience that sparks the imagination and drags you to other dimensions.

"Guerra Total Na Boca Do Lixo" is CAVEIRAS' new album, to be released on February 13, 2026. The album will include 12 brand new tracks, displaying the usual mix of punk aggression, batucada rhythms, industrial / noise bravado and bass music.

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CAVEIRAS deal in obsessive rhythms and low frequencies, infusing punk with Afro-Brazilian vibes. Their spiritual birth can be traced back to a visit to Favela Rocinha: while watching two young boys improvise a batucada with a bucket and a bin, band members became obsessed with the possibility of an occult alliance between Rio de Janeiro and Einstürzende Neubauten’s Berlin. Back home, Caveiras made a blood oath, vowing to channel the dark side of samba. Armed with an electric bass, scrap percussions and a machine-gunning sampler, they began to butcher Brazilian standards with a wild and iconoclastic attitude. Claves and rhythms of the Brazilian tradition are heavily treated through electro-acoustic techniques, dub-oriented bass lines strip melody down to the bone, while screams cross the line separating punk’s rants from Quimbanda’s curses.

The world tour, including Hungary's OZORA Festival, has culminated in the completion of a new album packed with all the experiences and energy gathered
along the way － a masterpiece vibrating at the highest frequency!
A collaborative work created by KENTA HAYASHI, who plays high-vibration instruments, and Dragon Sound's inventive equipment that supports music by adding
the energy of meteorites and crystals to electricity.

Lyndon John X, AKA LJX, is a Canadian reggae musician. He is most noted for his album The Warning Track, which won the Juno Award for Reggae Recording of the Year at the Juno Awards of 2020.

Travelling By Dragonfly see's LJX link with French reggae virtuoso, Karigan, resulting in 5 tracks (and as many versions) of rootical bliss.

ASMR for Suicidal Thoughts' marks Varg2™ back in collaboration with Chatline, an enigmatic figure long in orbit of Northern Electronics. Recorded live to tape, the record resists comfort. Contained within are two harrowing demonstrations that drag on emptiness, anxiety, and abject pleasure. And though terse and severe, that very void becomes the vessel for its mottled meaning.

Unopen to exploration, 'ASMR for Suicidal Thoughts' locks the listener into its own saturated atmosphere. Stripped back and unchanging, and suffocatingly cold at the best of times, funereal melodies pepper cyclical noise so brittle it can barely repeat itself. Disturbingly intimate glints of memories are passed over out of reach, yet with the alarming immediacy of déjà vu. The sensation amounts to no more than this.

Recorded live to tape in Västra Skogen, Sweden 2023–2024
Mastered by Giuseppe Tillieci at EnissLab, Rome

Jillian Jacqueline aus Nashville kehrt auf „MotherDaughterSisterWife“ mit einem intimen Album zurück, dass sich den vielen unterschiedlichen Rollen verschreibt, die Frauen in der heutigen Zeit verkörpern. Mit ihrer charakteristischen Mischung aus poetischer Lyrik, gefühlvollem Gesang und genreübergreifender Produktion liefert Jacqueline 13 neue SongsSongs, die roh, ehrlich und zutiefst menschlich sind. Das ist mehr als Musik – "MotherDaughterSisterWife" ist eine Hommage an Frauen auf der ganzen Welt, die mit dem Spagat zwischen all diesen Rollen zu kämpfen haben.

Cintura Interna is João Hã’s new release for Sucata Tapes, a work shaped by accident, drift, and unlikely connections. Its guiding notion comes from “Música Careca” (Bald Music) — a strange term apparently used by Jean Dubuffet to describe his own sound experiments. Dubuffet wasn’t a musician, but he was bald; the phrase lingers as an apt description for music that is naïve without innocence: amateur bruitism, soft sound, raw and direct, where intention is left exposed to errancy.
The piece itself came together without project or plan, eventually forming what Hã calls an “accidental Frankenstein” — or perhaps Frankenoise. Built from recordings made more than 15 years ago on cassette and obsolete equipment, mixed with more recent material, Cintura Interna bridges time and decay, refusing diaristic or documentary framing.
As an unexpected detour, the release also includes a version of the garage classic Louie Louie.

GO:OD AM (10th Anniversary) 3LP vinyl by Mac Miller. Includes 3 bonus songs from the GO:OD AM sessions.

Originally released in 2015, the album, hailed by the likes of Billboard and Rolling Stone as the best of his career upon its release, marked Mac Miller's first for a major label and was regaled as "one of the most musically appealing hip-hop LPs of the year" by The New York Times. After surprising fans and critics alike with his second full length Watching Movies with the Sound Off, Mac returned with another adventurous album in GO:OD AM that marked the beginning of a rapid artistic evolution that unfolded across 2016's The Divine Feminine and 2018's Swimming.

Each 3LP package includes a special triple gatefold jacket printed on silver mirror board with die cut, two inner sleeves with photos printed on silver mirror board and a yellow bonus vinyl with a custom etching on the back.

Red vinyl, limited to 1200 copies worldwide. In late November 2024 Brutus performed three sold-out shows at the legendary Ancienne Belgique venue is Brussels. A year later sees the band celebrate these shows with the release of a complete live concert movie and album from the third of these shows; sixteen songs, ninety-two minutes, this is Brutus 'Live in Brussels'. That run of three shows in Brussels marked the end of the band's touring cycle for latest studio album, 2022's Unison Life: "'Live in Brussels' is what we want to leave behind after three years of touring 'Unison Life' across more than 20 countries and almost 200 shows. We made it together with our close live crew, the same people who were with us on every step of the tour. For us those three nights in Brussels were intense but beautiful. We're proud we managed to capture it like this; a live document where picture and sound work together to put you inside that night".

Cindy Lee, the performance and songwriting vehicle of Canadian artist Patrick Flegel (who fronted influential indie group Women earlier), previously stunned listeners with Act Of Tenderness, a heart-wrenching statement informed by the noirish core of celebrity, and has continued to enchant with every album, including the startling What's Tonight To Eternity released earlier this year.

Model Express originally appeared as a self-released edition of 100 gold cassettes. The arch, filmic drama of Cindy Lee's songwriting – realized with keyboards, guitars, aching voice and collaged, lo-fi production – traverses a wide range of emotional and sonic terrain. The red velvet psych-pop of "What Can I Do" gives way to the fluid "Diamond Ring" like radio bursts from space. Model Express finds Flegel at both their most experimental and immediately melodic, and this first-time vinyl release recognizes the collected tracks as a pillar in the Cindy Lee catalogue.

Cindy Lee (who uses the gender neutral pronoun they) is a drag persona drawing on suburban closet queens and mid-century divas. In keeping with Flegel's interest in the faultlines of identity, gender expression, performance and media, Model Express delivers an intense and diverse set of unforgettable songs.

Karen Willems is a Belgian drummer/percussionist active in various fields. Started as a drummer in rock and pop bands. With a number of musicians she built up a tradition within improvised music and sound art. Since 2020, with ‘TERRE SOL’ Willems is searching for personal modifications within her play of instruments and objects, with the focus on solo work and compositions.

"When I make music, there’s no plan. I draw my inspiration from everyday life. Small encounters, people, and the greatest source, of course, is nature. There we find all the beauty, all the sounds we need. With my solo work I try to stay far away from my familiar drum set. Only then I can create a special universe. Eccentricity and playfulness go hand in hand with exercises in tension and release, and calls for connection in antisocial times. It's difficult in this world obsessed with productivity and results, and you really have to be crazy to release music these days. So ‘A Fool’s Guide to Reality’ is a fitting title." Karen Willems

All music performed by Karen Willems using citer, casio, fieldrecordings, tambourin, mikado, xylophon, pots, bells, kindergarten instruments, snare, noisebox, crispy shakers, synths, effects...

A new release from Fox & His Friends Records, Chapters (Screen & Stage Dancefloor Jazz from Yugoslavia 1971-1984) by Ozren Depolo brings to light a trove of previously unreleased music spanning more than a decade of his work in film, theater and television. This gatefold audiophile 180g LP, including a 12-page booklet with archival photos and detailed liner notes, offers for the first time a full album composed exclusively of Depolo's own authorship, drawn from master tapes held in private and institutional archives. Mastering and cutting was done by Frank Merritt from The Carvery Ozren Depolo rarely pursued opportunities to record original material, in part due to a general lack of interest among local publishers in jazz discography. Yet he was more than a gifted composer: he was also an accomplished saxophonist, clarinettist, flutist, pianist, arranger and occasionally, a jazz journalist who contributed articles to specialized programs on Radio Zagreb. Depolo also played in international big bands alongside jazz greats such as Clark Terry, Oliver Nelson and Gerry Mulligan, as well as in formations led by Bosko Petrovic, including the Nonconvertible All Stars and the B.P. Convention Big Band. He was a member of ensembles including The Alfi Kabiljo Orchestra, The Dragutin Diklic Ensemble, Jugoslovenska Pop Selekcija, The Stipica Kalogjera Octet, Vaclav Zahradnik & His East All Stars Band and the Zagreb Jazz Quintet. As both composer and arranger, he produced a significant body of work for large jazz orchestras and small ensembles. He was deeply engaged in jazz improvisation and avant-garde classical music, recording numerous chamber pieces for saxophone. A long-standing member of Acezantez, Zagreb's renowned contemporary music ensemble, he also collaborated with international figures such as Ted Curson, John Lewis, Johnny Griffin, Art Farmer, Leo Wright, Art Taylor, Slide Hampton and Lucky Thompson. This selection also includes his collaboration with Igor Savin and jazz vocalist Zdenka Kovacicek who were played on Karl Lagerfeld's fashion shows. The release demonstrates how Depolo was able to shift fluidly between idioms: from driving big-band passages to intimate chamber-like arrangements, from funk-tinged motifs to lyrical, impressionistic soundscapes. This stylistic breadth, always anchored in his deep jazz and funk sensibility, gave his music an adaptability perfectly suited to the hybrid world of stage and screen. The LP highlights that versatility while also presenting the coherence of his artistic voice, one that had gone unrecognized precisely because it was dispersed across so many contexts.