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Edanticonf's music feels perfectly crafted for the brooding atmospheric venues he so often performs in. Both the aforementioned adjectives can be attributed to his style of techno too, one that places the focus less on the technical side and more onthe human one, aiming to reflect his emotions and state of being through the hazy soundscapes that draw influence from the natural scenery around him.His concise back-catalogue features releases on revered labels such as M¦REC LTD, Trolldans, Phorma and Silent Season - the imprint which released his debut LP, 'Forest Echo', in 2012. On each release, Edanticonf's work sonically varies, from the more ambient compositions present on his 'Planet' EP for Silent Season to his dub-infused techno release on Italy's M¦REC LTD, but each offering never compromises on its quality, something which sits at the core of this project.

Kicking off the EP is the title-named track, 'The Mind Power', a hypnotic techno number that blends atmospheric textures and arpeggiated synth patterns with industrial-inducing pad tones, gradually introducing further elements throughout its eight minute duration.

'Interlude' follows, a song that much like the rest of the EP focuses its attention on the refined nuances of the analogue synthesiser, blending this with more delicate synth passages and other shadowy digital effects.

Closing this excellent three-track EP is 'We Dance Together', a dazzling, almost trance-like closer that fuses these soaring atmospheric elements and delicate synths with gritty, lo-fi drums to great effect.

We at Finale Sessions are excited to have French producer Anaxander and Finale Sessions owner Michael Zucker together for this deep house jewel ! We start with Anaxander and his track "Stabs Of Love" One of the best tracks on the Ep with drums from another planet and its stabing chords the permiate the dance floor ! and wicked hi hats that shread through this massive track . Then we move to Anaxander's other track " Heart To Heart" which gives this record a sense of deepness with it's percussions and its rythmatic keys Then we move to Michael Zucker's first track "Greator Is He" another jem off this massive ep and we start with the melodic keys and pads that give this track a very persusive sound and a very potent late night dance floor killer top to bottom. Last but not least we have Michael Zucker's " Missing You" this one is a floor stomper for sure with hard kicking drums and its filtering keys and its punch love dub sound which gives this record the hardness to stand its ground...

Alleviated Records is proud to present another edition of the Larry Heard presents Mr. White sessions. These 2 selections, produced and mixed by Larry Heard somehow both evolved into otherworldly Future-House concepts as they took shape. First up, ''Virtual Emotion'' (main & dub versions) features Mr. White vocals over an ''Electro-Funk'' flavored percolating Deep-House track. Then ''Supernova'' (main & dub versions) features Mr. White vocals taking us to a Darker, almost ''Tech-Rocky'' mood off-world adventure. The two very different flavors should make this 12'' one that can be played in many settings!! As always with Alleviated Records releases, created to be timeless so that you can enjoy it for many years to come. This special vinyl 12'' will be another great addition to any collection! ENJOY! And thanks for your continued support!!

On EP5, legendary German musician Burnt Friedman makes his Dekmantel Records debut with 'Monsun'. The Berlin based artist, who built a reputation for himself through his explorations into obscure, finely-tuned, experimental dub through his label Nonplace, alongside his collaborative relationship with the late Can drummer Jaki Liebezeit, is one of the crucial, sonic manipulators of our time. 'Monsun' finds Friedman crafting flowing, percussive, dub techno that is both esoteric, and progressive. Befitting of a Dekmantel release. Alongside Friedman sits legendary Detroit act Ectomorph, aka. BMG & Erika, also making their Dekmantel inauguration, with a record that surmises' the group's anologue, style of Motor City beats.
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There would be no Dekmantel celebration without longtime family members, JuJu & Jordash. With three LPs and countless EPs released on the imprint to date, alongside a sleuth of festival, and party appearances, the improvisational duo have become masters of off-kilter, and poly-rhytmic electronic funk, of which 'Neon Swing' -a fast-paced and extremely invigorative cut- is of prime example. And then there's Dekmantel favourite Fatima Yamaha - an artist who has a keen ear for gentle, analogue hooks that have gone to become ample festival fodder. The Dutchman maintains an ear for the serene with the track 'Platforms', a sullen, yet beautiful ambient track, the drives deep into the emotive world of soft, tender, heartfelt music.

Lossless' Outbound.2 comes with 6 tracks that gonna make everyone happy. All the labels key artists come together on this fantastic bargain, also in some new alliances. Buy one record and get a bunch of hits!

Limited repress of the desperately cool super hip post punk mega rarity. With different label so it's different from the first pressing.

The first trunk repress of this classic lost post punk single was way back in 2010. They all sold very fast. The original 7' then shot to £500+ if you can ever find one. And the Trunk 12' repress is now about £50. Three record companies approached Trunk in the last month to repress it, but it was easier just to repress this classic 12' with the original version, a radio edit and three further edits from various underground superstars.

Jive baby On A Sturday Night' is incredibly hooky. It was originally played by John Peel back in the day, but as a privately pressed record with no distribution apart from being carried about ina sprts holdall, it sold just 30 copies.

Rediscovered by Thurston Moore in 2009, this super hip single is now back out with the full original version plus edits and mixes by Lemon Jelly's Fred Deakin, Tommy Stupid and Georges Vert, AKA the Advisory Circle.

Mental Groove Records is thrilled and honored to announce the follow up to last year Water Vein EP (MG115) by Asian Psilocybe Foundation & Dj Yogurt. Entitled 'Daikaku", a Buddhist term for one who has achieved enlightenment. This second installment smiles on Geinoh Yamashirogumi Akira's Soundtrack. APF is an eccentric Japanese musician who raised attention from the Detroit. Remixed by Jon Dixon of Underground Resistance's Timeline, APF first EP was released by once legendary producer Orlando Voorn (Fix, Game One, Baruka). On the A side he achieves to capture Akira's spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside Dj Yogurt, a regular figure of Tokyo's nightlife who worked at Cisco Records, delivers two straight percussive numbers fueled with traditional Japanese flavor to take the most discerning floors to a Tetsuo state-of-mind. Mastered by Music Matters Mastering and cut at Emil Berliner Studios, Berlin.

12" with printed sleeve, Artwork by Albrecht Gaebel

DJ bwin follow up Leibniz's inaugural release for the newly-founded hundert imprint with a three-track EP. »Trinity« draws on feverish breakbeats, hardcore influences and about 2,3 gigatonnes of bass. Having released a split EP with DJ OK on Ireland's First Second Label, »Trinity« sees the production duo venture into the realm of the ancient and the mystical, the inexplicable and the possibly made-up. Conceived as a triangle with one foot deep in the past and the other one in a future yet to explore, »Trinity« points all gunfingaz to the startling revelation that, hey, we're all living in a computer simulation anyhow. Informed by the ancient knowledge of the Dubstep elders and Jungle's relentless search for a grain of truth amongst the lies fed to us by the Lo-Fi House empire, DJ bwin bring together the unholy trinity of paranoid hoover chords, melancholic textures and piercing synth notes for an EP that henceforth shall be known as »banging atmospheric Hardcore Continuum derivatives for late-night hours«. This is not a pyramid scheme - or is it

Emotional Rescue and Jamwax come together to present the first of three essential 12's from NY/Jamaican label Capo Disco, all officially licensed and remastered for the first time. The brainchild of reggae vocalist, musician, producer and label owner Glen Adams, the label married disco with his Caribbean roots to perfection. TIP! Born and raised in Jamaica, Adams story is a similar one to the performers of the golden period post-Independence. Initially discovered as a vocalist by Coxsone Dodd, he went on to work with such luminaries as Ken Boothe and Stranger Cole before co-founding The Heptones and working Duke Reid, Bunny Lee and Lloyd Charmers.
As a session organist he worked for The Hippy Boys, The Reggae Boys and later with Lee Perry's The Upsetters. Here he came in to the orbit of The Wailors, touring England with them in the early 70s and with Perry co-wrote Mr Brown. When most of The Upsetters became Marley's rhythm section, Adams stayed with Perry before making the move to Brooklyn in 1975.
There he started Capo Records, running it and it's sub-labels, successfully until the mid-80s. During these later years he ventured in to mixing Reggae with Boogie and Disco rhythms and released just four 12's under Capo Disco as well as recording boogie and hip-hop influenced releases with T Ski Valley and as Glen Adams Affair for SAM and Moonglow Records.
Here then the spotlight is on Adam's nascent disco releases and the series starts with the wonderful, uplifting A Beat For You. Actually appearing on a one off sister-label, Top Secret, this is a beautiful 'Lovers' anthem from Adams over a laidback dub-bass riddim. Backed with a simple instrumental Version, the space and interplay of the keys and guitar over drum and bass is superlative. 'There is a beat in my heart, just for you...just for you.'

eRRe has been doing damage on dub for some time already and is proving to be a deadly dj weapon.Robotic bleeps meet percussive beats as the intro announces the shape of things to come.The instantly recognizable "Play with us" sample gives way to a massive bassline which kicks in with the impact of a head on collision and works perfectly alongside the technoid elements.This cut succeeds in not only frying your brain with its acid synthwork but its pure bassbin pressure will also get your body shaking!

Vengeanze "T.M.A.C" starts off in outer space, gradually gathering energy as it comes closer, swirling, twisting and haunting the listener with shuddery sound effects and vocals.The massive build up finally unleashes an even bigger drop as a huge drum rollout rides over a squelching bassline.Crafty edits and techy effects manage to maintain an urgency about this track, driving it relentlessly through the system and leaving the ravers weak in the knees.Don't sleep on this one!

Emotional Rescue starts its 5th year by shining a light on one of Europe's best underground 80s' label in Spain's Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K's esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother "response" to Laurie Anderson's Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of's closer, Angels .

This is a journey into sound. A series of journeys across the globe, in-fact. This time with Don Leisure from Darkhouse Family. Let us tell you a story. Firstly, we first need to answer a question. Who is Shaboo

It began in Africa. Nasser Barwani was the son of Shabudin. At the age of 15, Nasser (Don's Uncle) left Kenya and hitch-hiked his way to London. Nasser entered the movie business, occasionally finding himself in front of the camera, acting in Bollywood films. It was then that Nasser changed his surname to adopt a screen name - Shaboo.

According to Don, "Shaboo was the most colourful character in my family. I have fond memories of him playing tabla at family parties. When I was about 17, I was on a journey with my Uncle. Whilst Shaboo drove me around, he was playing the steering wheel as if it were a tabla. It was then I nervously asked "do you think, one day, I'd be able to make music too...". Shaboo was so furious he nearly crashed the car, slamming his hand hard against the wheel. He screamed "OF COURSE YOU WILL!! IT IS IN YOUR BLOOOOOD!!!"...

A week later, inspired by the creative energy of my Uncle, I acquired some music software, and began an all new journey. A journey through the beats..."

Long family car journeys were a constant in Don Leisure's life growing up. "We'd take frequent trips from Wales to London to visit family in the late 80s / early 90s. There I'd mainline into my cousin's record collections, and make full use of the signal radiance to the M4, searching the airwaves for pirate radio stations. However, I wasn't the only one to make use of this. Every trip, my parents would routinely tune their dial into Sunrise Radio - the only Asian radio station around back then.

The soundtrack of these road trips were somewhat unique. Whilst I tried to learn the lyrics to 90s hip hop songs taped off my cousins, my Mum would constantly interrupt, interspersing my boom bap with bonkers Indian radio ads. And here we have the premise of this album. An attempt to recreate this sonic mix, with sounds pulled in from dusty crates and breaks dug from all over the globe."

25 instrumental Hip Hop tracks, linked together in a truly unique style and fashion, this is much more than a beat tape. This is a journey into sound. For real.

Dedicated to Nasser 'Shaboo' Bharwani.

The enigmatic label from Berlin, Schakal Recordings is back with its fifth release and young DJ Lorenz Lepus is next in line. The Lepus project has gone through many guises, finally Lorenz settled on making music as a solo artist under the Lorenz Lepus alias in 2014. While still studying at school Lorenz became a resident at Chalet's Tuesday sound Department parties, cutting his teeth in the cities clubs he has played in venues including Hoppetosse, Sisyphos, Arena and many more. This dedication to his music was not without some confusion, being aware of the melan- cholic minimal tendencies of his productions he has always been loathe to pin himself to a particular genre.What with the success of his career so far.. perhaps this isn't a bad thing.
'Feral Child' is made up of two original tracks and two remixes.The title track's melody swells until it breaks down into a pulsing and rolling rhythm. 'Lost' is more immediate in its dance-floor compatibly, maintaining the rolling style Lorenz imbues his take on deep house with an emotional poignancy rarely heard. Floyd Lavine steps up for the first remix on the EP, Floyd is a resident at the legendary RISE par- ties at Watergate, with one foot in Berlin and the other in his native Cape Town Floyd delivers a beauti- fully loopy and oddball twist on 'Feral Child' adding crunching static sounds. Providing a harder take on 'Feral Child', Italies VII Circle change the rolling melody into a slow techno heater.

ae Recordings the infamous sublabel of Thule Records was responsible for some of the finest techno releases from Iceland in the early 2000s. With the motherlabel on full throttle it was ideal to revive the enigmatic junior label as well. The label was known for bringing in fresh winds into the scene and this release doesn't stray away from the concept at all.The veteran Icelandic producer Cold has been missing from the scene since his legendary release Strobe Light Network in 1995 a track that kickstarted the Thule franchise and was at one point the closing track for the epic Love Parade festival in Berlin. After more than 20 years of hiatus, we are happy to announce that he is back and with a vengeance. Exiles EP is a hard-hitter & should be essential for DJs who aren't afraid to venture into the unknown. ae Recordings/Thule Records is considered by many to be a pioneers in the field of dub-influenced techno music and was a starting point for many of Iceland's most renowned electronic musicians"

Electric Rescue, one of the made-in-France masterpieces of the electronic music and also REX CLUB Resident with his 'skryptom' label is making his debut on Rex Club Music with this 'Melancholic Enchantment' ep. With 3 albums and many ep's on labels like Bedrock, Cocoon Harthouse, Virgo etc to name the essential, Electric Rescue has proved since his debut, 25 years ago, his experience and skills as a confirmed artist in the techno scene.With this new release, 'Melancholic enchantment' Electric Rescue is bringing you to a mindtrip excursions.
Melancholic enchantment & Pavdo, enchant you and carry away in a hypnotic furrow, full of moody and atmospheric sounds. "Subway", in a harder style than the previous ones, with his saturated dub chords mixed with chattered hihat, is an unstoppable hit for big rooms that smiled to make its effect.
And what an honor to entrust to the excellent French producer, Marcelus, to remix PAVDO.
This prominent producer has already appeared on labels like Deeply Rooted, Tresor or Singular Records his label. Also resident for the Tresor in Berlin, Marcelus is a complete artist, excellent DJ, he is also a genie producer with a unique Paw , that you can find in this Pavdo remix.
It takes t he original in deeper and mental regions, with Bell textures and jumbled perc sounding like a ghost train in action. It's definitely a peak time weapon designed for plenty of destruction.

With a career spanning over 20 years worth of Djing, production and label work, Shlomi Aber has gradually cemented his position as one of the scene's cornerstones. His first outing for Figure sees the now Barcelona-based artist drawing on his many influences to deliver a tastefully rounded three- tracker. ‚Under two Worlds' grooves sublty aong a funky acid riff, while anthemic synths longilgy recall bygone moments of grandeur. This unique Aber-ability, creating a composition that is as elegantly understated as it is undoubtedly epic, also comes through on the record's B-side. Paced only at half-time and drenched in dubby reverb, the weighing beats of ‚Rumbles' engage with delicately shapedhead sounds for some seriously spaced-out head nods. ‚Matrix' is an tightly woven mesh of machinery insides, which Aber nevertheless manages to channel into a fairly straight- forward kinetic energy.

This grouping of audio recordings is for aural use only. Any emotional content perceived herein is borne of its listener, and is in no way intended by its author. Any sounds resembling speech are not intended to convey meaning.

Several Shades Of The Same Color is Patricia's first album for Spectral Sound — produced in conjunction with his own label Active Cultures.

Tips for listeners: consider the moment in which you exist; pay attention to how these sounds evoke physiological (rather than cognitive) responses. Listeners may find themselves deriving immense physical pleasure from exposure to these sounds. Inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification.

Each of Shades' three LPs features suites of tracks that, considered alone, comprise their own distinct, unique worlds. Disc One opens with "I Know The Face, But Not The Name," an unabashedly plaintive trip through classic electro rhythms; flip it over for "The Words Are Only Sounds," a haunting affair for synthesizer and voice. Disc Two's "The Electric Eye is Upon Me" swirls endlessly, while "Shiba Inu Dub" is cut for the floor and coy as its namesake. Disc Three's jackin' "Feel Your Body" will cause you to do just that; "German Friendship" sounds like D.A.F. on dissociatives.

Any emotional associations incurred while listening come at the listener's discretion. Furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener's experience. This body of work is not intended to generate ideas; rather, its goal is to produce physical sensations in the listener.   
Taken altogether, Several Shades Of The Same Color is kaleidoscopic, a multi-faceted techno trip. Listen in full, or listen in part. And if you consider only one of these intermittent listening notes, make it this one: Don't think; just hear.

* Over the past six years, Dimensions has become a leading name in the underground, with its festival, International Series, DJ Directory and Dimensions Soundsystem. Now, Dimensions extends its influence with the start of its label - Dimensions Recordings. The label launches with a 12-track compilation across three separate discs. 'An Introduction' makes a huge statement in setting out the label's intent and breadth. With artists established and new stepping up to present 12 exclusive tracks.

* An Introduction Part 2 turns the heat up with more dance floor leaning contributions from four American artists. From long established names such as Lady Blacktronika to relative newcomer Byron The Aquarius, each artist delivers a different but equally powerful piece. Marcos Cabral's 'Prochainement' is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst Byron The Aquarius drops his signature dose of funk into 'Full Moon'. One of the standout breakthrough artists of last year, the Atlanta producer has been part of the Dimensions team for some time. Queen of Beatdown, Lady Blacktronika steps up with a timeless, tripped-out house classic for her contribution 'Can We Still Be Friends', her vocal oozing melancholy. Rounding up is DJ Aakmael with 'Transit'; a raw, flexing cut that we've come to expect via his massively impressive output and his own superb imprint, UnXpozd Entertainment.

Here comes Argoman, the antihero of disco music. Inspired by the 1960s b movie super hero Argoman, the name literally means lazy man, however it's also a combination of three Italian producers' names, who started the project about one year ago. The track Chimicalissimo merges the vibrant rhythms of disco with the emotional approach of modern electronic music. It's a peak-time dancefloor banger completely produced with analog synths and drum machines. The tune is a proper voyage between syncopated rhythms and heavy basslines soaked with synth melodies that often recall IDM progressions. The dub version gives more space to a melancholic piano melody that culminates through analog arpeggios to an unstoppable build. Black Spuma remix finally turns the track into a slow burning disco monster.