Tucked away in a corner of northwestern Europe and so small you could drive through it in minutes without noticing you were ever there, Luxembourg is often overlooked. This is also true for Luxembourg’s music scene, and even more so in the early 1980s. Aside from a string of victories at the annual Eurovision song contest or the mighty Radio Luxembourg that had for decades been blasting jazz, rock and other modern music into stolid Western European ears, very little else seemed to be going on. But even in a country of barely 350,000 people, musical adventurers had picked up on the spaced-out jazz-funk of bands like Return to Forever, Herbie Hancock’s Mwandishi, Weather Report, George Duke, and the electric Miles Davis. Under the leadership of trumpet player Gast Waltzing, a handful of them put together a band called “Atmosphere” and used the sound of their inspirations as a launchpad for their own musical exploration.
What you hold in your hands is a “best of” the Atmosphere band, which released two albums and a 7” single between 1981 and 1986. Privately pressed and long out of print, with original copies very hard to come by even in their country of origin, these records have for years been unheard by anyone outside hardcore collector circles. With no master tapes available, it was a real labor of love to track down the best quality vinyl copies and to reissue a selection of our favorite tracks in professionally remastered form.
Editions de Lux is a new label dedicated to unearthing and releasing records we love and believe deserve more attention, with a focus on Luxembourg and the surrounding countries. We are just the latest in a long line of immigrants who have come to work in Luxembourg and who are trying to find our own path into the heart of this mysterious little country that has much more to it than dark forests, medieval castles, rusting steel mills, and shadowy banks.
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- A1: Motor City 1
- A10: Motor City 10
- A2: Motor City 2
- A3: Motor City 3
- A4: Motor City 4
- A5: Motor City 5
- A6: Motor City 6
- A7: Motor City 7
- A8: Motor City 8
- A9: Motor City 9
- B1: Motor City 11
- B10: J Rocc Mix
- B2: Motor City 12
- B3: Motor City 13
- B4: Motor City 14
- B5: Motor City 15
- B6: Motor City 16
- B7: Motor City 17
- B8: Motor City 18
- B9: Motor City 19
2024 Repress
The late, great J Dilla is widely regarded as one of the greatest hiphop producers of all time. An innovator who pushed the genre in new sonic directions, the Detroit native born James Yancey crafted timeless soundscapes for the likes of Slum Village, Busta Rhymes, Common, Erykah Badu, A Tribe Called Quest, The Roots, and many more. Since his death in 2006, Dilla’s mother Maureen “Ma Dukes” Yancey has worked tirelessly to further her son’s legacy, and her latest effort is the new posthumous album Motor City. Inspired by Dilla’s beloved hometown, Motor City is a collection of rare and unreleased Jay Dee instrumentals, hand-selected and sequenced by Ma Dukes. Conceived as a “letter” to her son, Motor City is packaged in a limited-edition mailing envelope, complete with a handwritten message from Ma Dukes to J Dilla inside. Both CD and vinyl formats also include access to an exclusive mix of the album by Dilla’s close friend J Rocc, a world-renown DJ and founder of the Beat Junkies.
- A1: Jiving Juniors Sweet As An Angel
- A2: Alton & Eddie My Heaven
- A3: Higgs & Wilson When You Tell Me Baby
- A4: Lloyd Adams I Wish Your Picture Was You
- A5: The Moonlighters Don't You Know
- A6: Ricketts & Rowe Dream Girl
- A7: Annette & Shenley The First Time We Met
- B1: Belltones I'll Always Call Your Name
- B2: Ruddy & Sketto Little Schoolgirl
- B3: Derrick & Patsy Crying In The Chapel
- B4: The Blues Busters I've Done You Wrong
- B5: Jiving Juniors My Sweet Angel
- B6: Higgs & Wilson Change Of Mind
- B7: Wilfred Jackie Edwards Never Go Away
Repress
A third and final volume of Jamaican doo wop & R&B records taken from the late 50s and early 60s.
These records represent a period in which sound-systems were beginning to dominate the island, with Duke Reid and Sir Coxsone Dodd stepping up their rivalry by beginning to make and release their own records rather than rely on US imports for use in their dances. Many of these records are definitely more-or-less imitations of the American records, as the uniquely Jamaican ska sound was yet to take hold - however many of the future stars of ska, rocksteady and reggae were beginning to cut their teeth in the industry on these records, incl. Alton Ellis, Derrick Morgan, Derrick Harriott and more, and provide a unique view into the fledgling independent record industry culture in Jamaica that would prove to be unbelievably prolific and unparalleled for an island of it's size.
Navy blue vinyl. For fans of Triumph, Rik Emmett, and Classic Rock! Rik Emmett is best known as the guitarist/vocalist for the legendary Canadian hard rock band Triumph. Between its 16 albums and DVDs, they have received 18 gold and nine platinum awards in Canada and the United States. They were nominated for multiple Juno Awards, including the 'Group of the Year Award' in 1979, 1985, 1986, and 1987. It was inducted into the Canadian Music Industry Hall of Fame in 2007, into the Canadian Music Hall of Fame in 2008, and into Canada's Walk of Fame in 2019. Their classic Allied Forces sold over a million copies in the US, while attaining the highest chart positions any Triumph album would attain: No. 23 in the US and No. 13 in Canada. It included the songs "Fight the Good Fight" and "Magic Power". "Magic Power" reached #8 on the Billboard Mainstream Top Rock Tracks chart and #51 on the Hot 100, while "Fight the Good Fight" went to #18 on the Top Rock Tracks chart. "Diamonds" is a brand-new compilation featuring Rik's favorite rock tracks from his Duke Street years. Newly remastered in 2023 at Iguana Studios in Toronto ON with the most up-to-date technology, every track brims with a new crisp presence. Tracks from Absolutely, Ipso Facto and The Spiral Notebook never sounded so good!
- A1: Got A Fire In My Socket
- A2: Matter Vs Matter
- A3 10: 000 Monkeys + An Argument With Time
- A4: No One Wants To Hear It
- A5: Gotta Cold Feeling
- A6: Entangled Entropy
- B1: Call My City, Don't Call My Telephone
- B2: Josephine Says Explode
- B3: Schrödinger's Apocalypse
- B4: The Elasticity Of Knowing
- B5: A Billion Voices Screaming, Hello Void!
Dez Dare ventures further into the void than ever before on his 4th album and the 1st to be released via God Unknown Records, ‘A Billion Goats. A Billion Sparks. Fin.’. On past records Dare has fought beasts and beats alike, waging a fuzz war and tackling the biggest topics the world has to face; Doom scrolling, capitalist demagogues, a passionate dislike of the beach in summer. On this record he leaves the sardonic frustration behind for sarcastic existentialism, zeroing in on the big philosophical questions, and the pedantic shards of nonsense that make up our existence. Piling up the synths, noise boxes and guitar pedals, Dez set about building a soundscape of noise and ideas around the nature of reality, time, and how we interact with them. From the music you would play in your last moments, to the reverse Darwinism of modern society, to arguing with time itself, and very boring people talking at you, all is covered here for the aspiring existentialist. The self-produced Australian has spent over 3 decades producing music, releasing and touring bands, and doing live sound for z-grade metal bands. Growing up in the coastal town of Geelong (Djilang) in Australia, he was introduced to the DIY punk and rock scene at 15 and this community and the ideas rooted in the underground music scene have guided his output and ethics throughout his career. This year Dez will be joining forces with label titans God Unknown (Cassels / Duke Garwood / James Johnston + Steve Gullick / KLÄMP / Oneida / Oneida / Laura Loriga / Monster Magnet / Wellwater Conspiracy Soundgarden + Monster Magnet) and will be producing a deluxe version of the release that will include a 12 page comic illustrated by long time collaborator Mike Keane. Across the drone of noise and washed out guitars of the final track, ‘A Billion Voices Screaming, Hello Void!’, the chant repeats “We all return to where we begun...” which encapsulates the message that Dare delivers. We are all made from the same stardust and we all return to the universe that spat us out, we just need to enjoy the many shards of nonsense on that swift descent into the void...with wizards painted on the side." MAXIMUM ROCKNROLL "Early 90s-inspired take on DEVO punk... high energy sucker punches on your ear." Weirdo Shrine "Sludgey-grungey-fuzzed psychedelic-noiserock... I like the fact that despite all the edgy complexity, catchy songs emerge again and again."
The "Economix" EP is a cherished item among collectors, embodying a golden era of rave. Released in 1992, it's oftencompared to other iconic EPs of the time, like 2-X-Treme's 'X-tremity EP' The tracks "Loop" and "Panic" particularly stand out for many.
"Loop" garners attention for its sampling of The S.O.S. Band and Alexander O'Neal's "The Finest", while "Panic" is notable for its two distinct samples: one from Hijack's "TheBadman Is Robbin'" and another from MC Duke and DJ Leader1's "I'm Riffin".
This hand stamped run of white label red vinyl represses catersto the enduring demand among the oldskool rave aficionados. Each track on the EP showcases a blend of hardcore, jungle,and house vibes, contributing to its revered status within the oldskool rave community.
Reggae and Jamaican music have long embraced a symbiotic relationship with the movies. Rooting back to the island's golden era, countless arrangements have either been direct covers, or inspired by, the musicality and mood found in both cinema and television. These reinterpretations would become part of the backbone of the instrumental sound that accompanied the Jamaican record industry's acceleration from the mid-60s and beyond. Talented young musicians, rising from Alpha Boys School and the early studios of Coxsone, Duke Reid and others, found a showcase for their unique playing style on hundreds of different recordings, while appealing to the country's own love affair with Westerns, James Bond canon, and other rebellious themes and motifs that were projected from Hollywood during this time.
In this same tradition, in a new interval, arrives the debut release of Anant Pradhan and Larry McDonald, the latter a master percussionist with direct participation in some of Jamaica's earliest recordings. McDonald, although often uncredited, was a legitimate influence in helping to bridge the Afro-Caribbean sound from calypso into ska and later reggae with his iconic style on hand drums and percussion. A kindred spirit of McDonald, despite 50 years separating them, Anant Pradhan is a bonafide member of the next generation. Although this is his first "solo" record, the talented saxophonist has already played on dozens of incredible sessions for the likes of Victor Axelrod, The Inversions, Andy Bassford, Channel Tubes, Ralph Weeks and Combo Lulo. As an official member of the current touring group of the legendary Skatalites, Pradhan has honed his musicianship under some of the greats of reggae music. His particular soulful, instrumental arrangements are an homage to that influential era of Jamaican music. Pradhan and his band's performance retain the skill and innovation of the old vanguard, and like the generations before, capture a magic that may only be possible when cinema goes reggae.
A cult favorite from A Nightmare Before Christmas, Danny Elfman's "Sally's Song" was immortalized in Tim Burton's 1993 classic stop-motion film. It's immediately recognizable in all its haunting charm, and now, Pradhan and McDonald have managed to transform it into an irrefutable reggae classic, reinvented with its melancholic lead sax and bombastic percussion. The prolific Henry Mancini is already entrenched in the Jamaican canon, yet nobody has knowingly attempted to recreate one of his most magical numbers, "Meglio Stasera" aka "It Had Better Be Tonight," that of the riveting one-take scene in 1963's The Pink Panther. The galloping percussion of the original is transposed through a cloud of smoke, slow and low in a roots style at the hands of McDonald. Pradhan's sax leads the way over the locked-in rhythm section, both deep and cheeky all at once. These first two productions of Anant Pradhan and Larry McDonald are a deserving entry into the canon of reggae covers, and are equally adept to be heard on the screen and or at the dance alike.
Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.
Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.
Immer works its magic in every way for everyone and now on almost any dance floor.
This was the second studio outing by supergroup Cactus. Existing of ’Vanilla Fudge’ rhythm section Carmine Appice (drums) and Tim Bogert (bass), as well as former Amboy Dukes lead vocalist Rusty Day (vocals/mouth harp), and Jim McCarty (guitar) from Mitch Ryder & the Detroit Wheels and the Buddy Miles Express. The album offers eight tracks of which are six originals and two covers: Little Richard’s ’Long Tall Sally’ and Chuck Willis’ ‘Feel So Bad’.
Dave Brubeck himself received the most acclaim for his work as a composer; his best-known tunes include “The Duke,” “In Your Own Sweet Way,” and “Blue Rondo a la Turk.” The quartet achieved their greatest commercial suc- cess in 1960 with the Desmond composition “Take Five,” a widely acknowled- ged jazz classic and the best-selling jazz single of all time. This 2LP is an overview of the best tracks of Dave Brubeck playing together with Paul Desmond, Norman Bates, Joe Morello, Gene Wright a.o. This is a limited coloured Solid Turquoise Edition.
- A1: Delroy Wilson – I Don't Know Why
- A2: Basil Daley – Hold Me Baby
- A3: Myrna Hague – Touch Me Baby
- A4: John Holt & The Paragons – Darling, I Need Your Loving
- A5: The Sharks – How Could I Live (1St Cut)
- B1: The Mad Lads – Ten To One
- B2: Jackie Mittoo – Reggae Magic (2Nd Cut)
- B3: Larry & Alvin – Your Love
- B4: Freddy & Jenny – Too Long Will Be Too Late
- B5: Alton Ellis – Let Him Try
- C1: Albert Tomlinson – Don't Wait For Me
- C2: Horace Andy – Got To Be Sure
- C3: Carlton & His Shoes – Never Give Your Heart Away
- C4: The Heptones – Ready To Learn
- D1: Bob & Marcia – Really Together (No Strings)
- D2: Ernest Wilson – Undying Love
- D3: Bob Marley & The Wailers – I'm Still Waiting (1St Cut)
- D4: Doreen Schaeffer – We're All Alone
Lovingly compiled, this album features only the finest Lovers from Jamaica’s finest label. From Blues parties in London, Birmingham, Bristol etc Lovers Rock quickly became one of the UK’s finest-ever musical movements.
Sweet harmonies, soulful reggae, love songs – the key ingredients of Lovers Rock - were all based on the revival of many of the classic Rocksteady harmony groups of the late 60's and early 70's, such as The Heptones, Carlton and The Shoes, Larry & Alvin, The Paragons, that Clement "Sir Coxsone" Dodd’s Studio One and rival Duke Reid’s Treasure Isle label produced hit after hit with as they fought for dominance in the dancehalls of Kingston.
As well as these classic harmony groups, this album also features fine contributions from many of the reggae greats – Horace Andy, Alton Ellis, Bob Marley and The Wailers, Delroy Wilson – All artists who became stars at the legendary Studio One Records which Chris Blackwell, founder of Island Records, describes as "The University of Reggae".
- A1: Wrath Of The Lich King (Main Title)
- A2: Dragons' Rest
- A3: Arthas, My Son (Cinematic Intro)
- B1: Path Of Tears
- B2: Crystalsong
- B3: Dalaran
- B4: God Hunters
- B5: Forged In Blood
- C1: Mountains Of Thunder
- C2: Secrets Long Forgotten
- C3: The Kalu'ak
- C4: The Eye Of Eternity
- C5: Garden Of Life
- C6: The Culling
- D1: Howling Fjord
- D2: Rise Of The Vrykul
- D3: Borean Tundra
- D4: Totems Of The Grizzlemaw
- D5: The Wrath Gate
- D6: Angrathar's Shadow
- D7: Assault On New Avalon
- iam8bit Edition - 2xLP on Ice Crown Blue Vinyl - Featuring Music from World of Warcraft: Wrath of the Lich King - Music Composed by Russell Brower, Derek Duke, Glenn Stafford, Jason Hayes, and Neal Acree - Album Design by Ryan Brinkerhoff // Wrath of the Lich King was more than just World of Warcraft's second expansion. For the game's millions of players, its release was a watershed moment in the MMORPG's then-young history, a defining time that rocketed the game into a new stratosphere of popularity and prestige. Northrend may be cold, but we here at iam8bit are feeling the warm and fuzzy embrace of nostalgia, thinking back on fond memories of countless icy raid nights. To commemorate this feeling, we collaborated with the folks at Blizzard Entertainment to create a 2xLP worthy of the Frozen Throne! Inside, you'll find select tracks from Russell Brower, Derek Duke, Glenn Stafford, Jason Hayes, and Neal Acree unforgettable soundtrack, presented across two records and packaged in album design from seasoned talent Ryan Brinkerhoff. This iam8bit version comes on lovely Crown Blue vinyl. Whether you're rolling need or greed, we know you're gonna want this one. Don't miss out on this celebration of one of the greatest expansions of all time!
- A1: Heather Trost - Early Gardens
- A2: Roj - Trip To The Shops
- A3: The Sonic Catering Band - Death Borscht
- A4: The Sonic Catering Band - The Third Gastric Surge Of The Night
- A4: Jeremy Barnes - The Funeral Table
- Side B
- B1: The Sonic Catering Band - Greed
- B2: The Sonic Catering Band - Hla-Dq8
- B3: Heather Trost - Early Gardens (Earlier)
- B4: Roj - Trip To The Shops
- B5: Nurse With Wound - Hindu Monastery Breakfast
- B6: Tim Harrison - Ohmlette?S Law
- Side C
- C1: The Sonic Catering Band - Vegetable Trash
- C2: The Sonic Catering Band - A Sedimental Journey
- C3: The Sonic Catering Band - Baron Von Omelette
- C4: The Sonic Catering Band - Dossier De Canteen
- C5: Cavern Of Anti- Matter - Insufflation Tube
- C6: Jeremy Barnes - The Funeral Table
- C7: The Sonic Catering Band - A Pain I Can?T Hold In
- Side D
- D1: Heather Trost - Early Gardens (Earliest)
- D2: Dan Hayhurst - Monday Service
- D3: Marta Salogni - Cross-Contamination
- D4: Roj - Trip To The Shops (Closing Down)
- D5: Jeremy Barnes - The Funeral Table (Demonstration)
Ba Da Bing is releasing the soundtrack to 2022’s paeon to cuisine prep, Flux Gourmet. A vibrant, four-coursed, 23-track double album, Flux Gourmet includes contributions by Heather Trost, Jeremy Barnes, Marta Salogni, Cavern of Anti-Matter, and Roj (Broadcast), as well as Strickland’s own compositions as part of The Sonic Catering Band. British Director and sonic pioneer, Peter Strickland, known for The Duke of Burgundy (2014), Berberian Sound Studio (2012) and Björk: Biophilia Live (2014), has always pushed visuals and narrative to absurd heights. In Flux Gourmet, performance artists taking part in a residency dedicated to sonic catering combining cooking, sound and theater. Food is amplified, microphones are jammed against blenders, and the sizzling sound of the frier turns becomes an ominous rattle. The film’s soundtrack is equally as process oriented, experimental, and kaleidoscopic as its protagonists’ practice. Contributors are Cavern of Anti-Matter, Jeremy Barnes, Heather Trost, Roj (formerly of Broadcast), Tim Harrison, Dan Hayhurst and Nurse With Wound.
- 1: I Had Too Much To Dream (Last Night) - The Electric Prunes
- 2: Dirty Water - The Standells
- 3: Night Time - The Strangeloves
- 4: Lies - The Knickerbockers
- 5: Respect - The Vagrants
- 6: A Public Execution - Mouse
- 7: No Time Like The Right Time - The Blues Projec
- Side 2
- 8: Oh Yeah - The Shadows Of Night
- 9: Pushin' Too Hard - The Seeds
- 10: Moulty - The Barbarians
- 11: Don't Look Back - The Remains
- 12: An Invitation To Cry - The Magicians
- 13: Liar, Liar - The Castaways
- 14: You're Gonna Miss Me - The 13Th Floor Elevators
- Side 3
- 15: Psychotic Reaction - Count Five
- 16: Hey Joe - The Leaves
- 17: Romeo & Juliet - Michael And The Messengers
- 18: Sugar And Spice - The Cryan' Shames
- 19: Baby Please Don't Go - The Amboy Dukes
- 20: Tobacco Road - Blue Magoos
- 21: Let's Talk About Girls - The Chocolate Watchband
- Side 4
- 24: My World Fell Down - Sagittarius
- 25: Open My Eyes - Nazz
- 26: Farmer John - The Premiers
- 27: It's-A-Happening - The Magic Mushrooms
- 22: Sit Down, I Think I Love You - The Mojo Men
- 23: Run, Run, Run - The Third Rail
Vol[62,98 €]
Buster Shuffle's 2022er 10-Track-Album trägt den Titel "Go Steady". Nach den verheerenden Auswirkungen der Pandemie und anderen Schwierigkeiten auf Tourneen in Großbritannien und Europa, die sich direkt auf britische Künstler auswirkten, haben Buster Shuffle beschlossen, das Album über Crowd Funding zu finanzieren und so die Macht der Fans zu nutzen, um das Shuffle-Evangelium weit und breit zu verbreiten.Jet sagt: "Es waren ein paar harte Jahre mit der Pandemie und deshalb dachten wir, wir bitten unsere treuen Fans, die mit uns über 10 Jahre gewachsen sind, uns zu helfen, das Album zu veröffentlichen. So etwas haben wir noch nie gemacht, aber wir haben gesehen, dass andere Bands erfolgreich mit ihren Fans zusammenarbeiten, um Musik zu veröffentlichen, und wir denken, dass die Zeit für uns jetzt gekommen ist. Auf dem Höhepunkt der Abriegelung wandte sich Jet an andere Punkmusikfans, um eine knallharte AA-Side-7-Inch-Single "Unsung Heroes" für wohltätige Zwecke zu veröffentlichen. Zu den Bands, die Jet zur Seite sprangen, um auf den Songs mitzuwirken, die wichtige Spenden für die Weltgesundheitsorganisation einbrachten, gehörten Mitglieder von Die Toten Hosen, Flogging Molly, Donots, Hepcat, The Mighty Mighty Bosstones, Rhoda Dakar, Toy Dolls, Talco und andere. Nach dieser sehr erfolgreichen Kampagne und der großen Resonanz der Fans haben sich Jet und die Jungs entschlossen, wieder ins Studio zu gehen, um neue Songs für das kommende fünfte Studioalbum zu schreiben, das ihre bisher größten Songs enthalten wird. Go Steady wird 10 Tracks mit Ska-Punk und Rockney-Songs enthalten, darunter die aktuelle Single "New Badge For My Uniform", sowie die sehr erfolgreiche 7"-Single "Sucker Punch Blues", die im Mai 2021 veröffentlicht wurde. "Wir wollten Sucker Punch Blues hinzufügen, da es bei den Fans so ein Hit war. Wir waren alle der Meinung, dass es auf das neue Album gehört, weil es so ein Knaller ist und wir wissen, dass die Leute sich darüber freuen werden", sagt Jet.
cassette[23,11 €]
Upstate NY heavyweights 38 Spesh and Conway The Machine have joined forces for a collaboration album fans did not see coming. Having recorded with each other for well over a decade, these two lyrical powerhousesstyles mesh effortlessly on this 10-track offering. The soundbeds for the illustrious affair are provided by Spesh himself with the help of a producer he has championed for years, Jimmy Dukes. Instead of continuing to mine the '90s like their contemporaries, the duo bring a sound that calls back to early '00s Hip-Hop. On top of verses that will etch themselves in your mind courtesy of Spesh and Conway, the project includes standout bars and hooks by the likes Lloyd Banks, Pharoahe Monch, Benny The Butcher, Che Noir, ElCamino, and Emanny.
LP[28,36 €]
Upstate NY heavyweights 38 Spesh and Conway The Machine have joined forces for a collaboration album fans did not see coming. Having recorded with each other for well over a decade, these two lyrical powerhousesstyles mesh effortlessly on this 10-track offering. The soundbeds for the illustrious affair are provided by Spesh himself with the help of a producer he has championed for years, Jimmy Dukes. Instead of continuing to mine the '90s like their contemporaries, the duo bring a sound that calls back to early '00s Hip-Hop. On top of verses that will etch themselves in your mind courtesy of Spesh and Conway, the project includes standout bars and hooks by the likes Lloyd Banks, Pharoahe Monch, Benny The Butcher, Che Noir, ElCamino, and Emanny.
- A1: Jeito Bom De Sofrer
- A2: Papo Furado (Jive Talking)
- A3: Xibaba (She-Ba-Ba)
- A4: Andei
- A5: Back Streets Of Havana
- B1: Flora's Song
- B2: San Francisco River
- B3: Vera Cruz
- C1: Celebration Suite
- C2: Casa Forte
- C3: From The Lonely Afternoon
- C4: Black Narcissus
- D1: When Angels Cry
- D2: O Sonho (Moon Dreams)
- D3: Summer Night
- E1: A Secret From The Sea
- E2: O Cantador / I Just Want To Be Here
- E3: Light As A Feather
- E4: O Canto Da Sereia
- F1: Open Your Eyes You Can Fly
- F2: Hot Sand
- F3: Parana
- F4: Jump
- G1: Fingers (El Rada)
- H1: Samba De Flora
- H2: Amajour
- H3: The Road Is Hard (But We're Going To Make It)
- I1: Above The Rainbow
- I2: Love Lock
- I3: What Can I Say
- I4: Musikana
- J1: The Happy People
- J2: Peasant Dance
- J3: Dom-Um (A Good Friend)
- J4: Outernational Meltdown - Hungry On Arrival
- G2: Toque De Cuíca
- G3: Romance Of Death
Airto Moreira and Flora Purim, the legendary King and Queen of Brazilian Jazz, have captivated audiences for over six decades with their vibrant albums and exhilarating live performances. With a dedicated global fan base including the UK's jazz funk and jazz dance scene to Japan's concert halls, the power couple continues to make waves in the industry – Flora's 'If You Will' (2022) album was even nominated for a Grammy! The duo met and came together musically in Sambalanço and the Sambrasa Trio. The mixture of Airto's rural Brazilian background and percussion talents and Flora's classical training and involvement in the underground Bossa Nova movement, created a unique blend of sounds that resonates across generations. They have not only collaborated with music legends like Miles Davis and Chick Corea but have also produced ground-breaking music alongside the likes of Hermeto Pascoal. Despite facing numerous challenges, including Flora's arrest and incarceration in 1974, the duo's close connection with friends-musicians like Thelonius Monk and Cannonball Adderley, their persistence and absolute passion for music have propelled them to the pinnacle of success. They worked with renowned musicians like Wayne Shorter, Jaco Pastorius, Herbie Hancock, Joe Henderson, McCoy Tyner, George Duke and producers such as Orin Keepnews and Creed Taylor. Having been a part of numerous prestigious ensembles, including Dizzy Gillespie's United Nations ensemble, Airto and Flora's journey is a testament to their innovation and devotion to their craft. This collection offers a glimpse of that incredible journey, showcasing their extraordinary talent and unique sound and it’s also the first comp scanning their 60 year careers Compiled by Straight No Chaser editor/publisher Paul Bradshaw & Totally Wired Radio presenter Roberta Cutolo. Àṣẹ.
- Louis Armstrong- - When You're Smiling
- Aretha Franklin- - God Bless The Child
- Chet Baker- - I Fall In Love Too Easily
- Chris Connor- - Lullaby Of Birdland
- Ella Fitzgerald- - My Funny Valentine
- Julie London- - Cry Me A River
- Lena Horne- - Stormy Weather
- Esther Phillips- - Release Me
- Billie Holiday- - Blue Moon
- Doris Day- - Keep Smilin', Keep Laughin', Be Happy
- Nat King Cole- - Unforgettable
- Peggy Lee- - Black Coffee
- Della Reese- - Whatever Lola Wants
- Harry Belafonte- - Day O (The Banana Boat Song)
- Frank Sinatra- - The Lady Is A Tramp
- Etta James- - At Last
- Nina Simone- - Stomping At The Savoy
- Dinah Washington- - Mad About The Boy
- Anita O'day- - Sing, Sing, Sing
- The Dave Brubeck Quartet With Carmen Mcrae- - Take Five
- Sarah Vaughan- - All Of Me
- Dakota Staton- - The Song Is Ended
- Miles Davis- - Ascenseur Pour L'échafaud (Générique)
- Duke Ellington, John Coltrane- - In A Sentimental Mood
- Dean Martin- - You're Nobody Till Somebody Loves You
- Charles Mingus- - Boogie Stop Shuffle
- 4: Thelonious Monk- - Monk's Dream
- John Coltrane- - Giant Steps
- Quincy Jones- - Soul Bossa Nova
- Dizzy Gillespie- - Manteca
- Charlie Parker- - Ko Ko
- Gerry Mulligan, Stan Getz- - Anything Goes
- Count Basie Orchestra- - Whirly Bird
- Sidney Bechet- - Twelfth Street Rag
- Bud Powell- - Parisian Thoroughfare
- Erroll Garner- - You Are My Sunshine
- The Horace Silver Trio- - Opus De Funk
- Herbie Hancock- - Watermelon Man
- Django Reinhardt, Quintette Du Hot Club De France- - Mi
- The Bobby Timmons Trio- - This Here
- Al Green - Let's Stay Together
- Etta James - I Just Want To Make Love To You
- The Platters - The Great Pretender
- Screamin' Jay Hawkins - I Put A Spell On You
- The Shirelles - Will You Love Me Tomorrow
- James Brown & The Famous Flames - Think
- Aretha Franklin - Try A Little Tenderness
- Ben E. King - Stand By Me
- Peggy Lee - Fever
- The Clovers - Love Potion No. 9
- Ike & Tina Turner - A Fool In Love
- The Drifters - Save The Last Dance For Me
- The Impressions Feat. Curtis Mayfield - Little Young Lo
- Aretha Franklin - God Bless The Child
- Stevie Wonder - Contract On Love
- Al Jarreau - Ain't No Sunshine
- The Marvelettes - Please Mr. Postman
- Bob & Earl - Harlem Shuffle
- O.v Wright - Let's Straighten In Out
- Esther Phillips - Release Me
- Otis Redding - These Arms Of Mine
- Gladys Knight & The Pips - Every Beat Of My Heart
- The Supremes With Diana Ross - Your Heart Belongs To Me
- Sam Cooke - (What A) Wonderful World
- Betty Wright - Clean Up Woman
- Al Green - Tired Of Being Alone
- Everly Brothers - All I Have To Do Is Dream
- Barry White - Ghetto Letto
- Curtis Mayfield - She Don't Let Nobody (But Me)
- Dionne Warwick - Don't Make Me Over
- Ray Charles - Unchain My Heart
- Ann Peebles - I Can't Stand The Rain
- Galt Macdermot - Coffee Cold
- Aaron Neville - Hercules
- Gwen Mccrae - 90% Of Me Is You
- Ben E. King - Spanish Harlem
- Dinah Washington - Mad About The Boy
- James Brown - Please, Please, Please
- Brenda Lee - I'm Sorry
- Gene Chandler - Duke Of Earl
- Lavern Baker - Love Me Right
- Syl Johnson - I Hate I Walked Away
- Timmy Thomas - Why Can't We Live Together
- Nina Simone - Plain Gold Ring
Re-release Soul entwickelte sich gegen Ende der 1950er Jahre aus Rhythm"n"Blues, Gospel, Blues und Jazz. Im folgenden Jahrzehnt war Soul ein Synonym für schwarze Popmusik. Kennzeichnend dafür waren vor allem die Produktionen von Motown Records, zum Beispiel Diana Ross & The Supremes oder Sam Cooke. Seither sind herzergreifender Gesang und groovige Vibes die größten Stilmerkmale des Soul. Zu den weiteren Ikonen des Soul gehören Curtis Mayfield, James Brown, Aretha Franklin, Barry White, Sam Cooke, Al Green und viele mehr. Deren Erfolg ist eng mit dem Kampf der US-amerikanischen Bürgerrechtsbewegung gegen Rassentrennung und für Gleichberechtigung verbunden. 1969 benannte man die Rhythm"n"Blues- in Soul-Charts um. Der Soul-Orkan, der während der Sechziger in den Charts tobte, ebbte jedoch wieder ab, kam aber runderneuert in den 70ern als Phillysound wieder zu erneuten Hitparadenehren. 1982 änderte man die Chart-Bezeichnung von Soul in Black Music. Die vorliegende Kompilation vereint die legendären Stimmen des Soul mit ihren unvergesslichen Hits.
Upstate NY heavyweights 38 Spesh and Conway The Machine have joined forces for a collaboration album fans did not see coming. Having recorded with each other for well over a decade, these two lyrical powerhouses' styles mesh effortlessly on this 10-track offering. The soundbeds for the illustrious affair are provided by Spesh himself with the help of a producer he has championed for years, Jimmy Dukes. Instead of continuing to mine the '90s like their contemporaries, the duo bring a sound that calls back to early '00s Hip-Hop. On top of verses that will etch themselves in your mind courtesy of Spesh and Conway, the project includes standout bars and hooks by the likes Lloyd Banks, Pharoahe Monch, Benny The Butcher, Che Noir, ElCamino, and Emanny.
- 1: Dilltro (Featuring Dank)
- 2: Fisherman (Featuring J. Rocc, Vice And Detroit Serious)
- 3: Lovin' U (Featuring Eric Roberson)
- 4: Go And Ask The Dj (Featuring Guilty Simpson And J. Rocc
- 5: Jeep Volume (Featuring T3 And C-Minus)
- 6: Flowers (Featuring Niko Gray, Talib Kweli And Rhettmatic)
- 7: Honk Ya Horn (Featuring J. Pinder)
- 8: Slippin' (Featuring Early Mac)
- 9: Without Wings
- 10: Beautiful (Featuring Posdnuos And Botni Applebum)
- 11: Quicksand (Featuring Common And Dezi Paige)
- 12: Rock My World (Featuring Slimkid3 And Niko Gray)
- 13: The Throwaway
- 14: This Evening
Instrumentals[34,87 €]
KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.
Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.
Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.
Through Delicious Vinyl, ‘Sunset Blvd’ and the accompanying instrumentals were both released on wax in 2013, but have not been reissued since, until now. Thankfully, UK based label King Underground (AKA KU) have once again made this seminal record (and instrumentals) available.
- 1: Dilltro (Featuring Dank)
- 2: Fisherman (Featuring J. Rocc, Vice And Detroit Serious)
- 3: Lovin' U (Featuring Eric Roberson)
- 4: Go And Ask The Dj (Featuring Guilty Simpson And J. Rocc
- 5: Jeep Volume (Featuring T3 And C-Minus)
- 6: Flowers (Featuring Niko Gray, Talib Kweli And Rhettmatic)
- 7: Honk Ya Horn (Featuring J. Pinder)
- 8: Slippin' (Featuring Early Mac)
- 9: Without Wings
- 10: Beautiful (Featuring Posdnuos And Botni Applebum)
- 11: Quicksand (Featuring Common And Dezi Paige)
- 12: Rock My World (Featuring Slimkid3 And Niko Gray)
- 13: The Throwaway
- 14: This Evening
Original[34,87 €]
KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.
Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.
Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.
Through Delicious Vinyl, ‘Sunset Blvd’ and the accompanying instrumentals were both released on wax in 2013, but have not been reissued since, until now. Thankfully, UK based label King Underground (AKA KU) have once again made this seminal record (and instrumentals) available.
- A1: Ben E King - Stand By Me
- A2: The Platters - The Great Pretender
- A3: Ella Fitzgerald - Georgia On My Mind
- A4: Barry White - Lady, Sweet Lady
- A5: James Brown & The Famous Flames - Please, Please, Pleas
- A6: Timmy Thomas - Why Can't We Live Together
- B1: Sam Cooke - (What A) Wonderful World
- B2: George Mccrae - Rock Your Baby
- B3: Jimmy "Bo" Horne - Clean Up Man
- B4: Carla Thomas - B-A-B-Y
- B5: Dionne Warwick - Don't Make Me Over
- B6: Mavis John - Use My Body
- B7: Screamin' Jay Hawkins - I Put A Spell On You
- C1: The Isley Brothers - Right Now
- C2: Etta James - At Last
- C3: The Clovers - Love Potion No 9
- C4: Little Willie John - Fever
- C5: The Mar-Keys - Last Night
- C6: Brenda Lee - I'm Sorry
- C7: Aretha Franklin - God Bless The Child
- D1: Gwen Mccrae - 90% Of Me Is You
- D2: Curtis Mayfield & The Impressions - Gypsy Woman
- D3: Booker T & The Mg's - Green Onions
- D4: Bobby Byrd - Back From The Dead
- D7: Nina Simone - Work Song
- E1: Gil Scott-Heron - Lady Day And John Coltrane
- E2: Ray Charles - Unchain My Heart
- E3: Jackie Wilson - Reet Petite
- E4: Jerry Butler - He Will Break Your Heart
- E5: Mary Wells - The One Who Really Loves You
- E6: Smokey Robinson & The Miracles - You Really Got A Hold
- F1: Diana Ross & The Supremes - Your Heart Belongs To Me
- F2: Ike & Tina Turner - I'm Jealous
- F3: Doris Duke - Woman Of The Ghetto
- F4: Solomon Burke - Cry To Me
- F5: The Marvelettes - Please Mr Postman
- F6: Gladys Knight & The Pips - Every Beat Of My Heart
- F7: Dinah Washington - Mad About The Boy
- G1: Quincy Jones - Soul Bossa Nova
- G2: Betty Wright - Clean Up Woman
- G3: Esther Phillips - Release Me
- G4: The Everly Brothers - All I Have To Do Is Dream
- G5: Latimore - Let's Straighten It Out
- G6: Aretha Franklin - Try A Little Tenderness
- G7: Marvin Gaye & The Vandellas - Stubborn Kind Of Fellow
- H1: Otis Redding - These Arms Of Mine
- H2: Aaron Neville - Hercules
- H3: Rufus Thomas - The Dog
- H4: Sir Joe Quaterman & Free Souls - (I Got) So Much Troubl
- H5: Lavern Baker - Love Me Right
- D5: Lonnie Liston Smith & The Cosmic Echoes - Expansions
- H6: Gene Chandler - Duke Of Earl
- H7: Al Jarreau - Ain't No Sunshine
- I1: Ibeyi - River
- I2: Aloe Blacc & King Most - With My Friends
- I3: Kimberose - I'm Sorry
- I4: Terry Callier - Running Around (Fug City Mix)
- I5: Jamie Lidell - Building A Beginning
- I6: Asa - The Beginning
- J1: Selah Sue - This World
- J2: Cunnie Willams Feat Monie Love - Saturday
- J3: Cookin' On 3 Burners Feat Kylie Auldist - This Girl
- J4: Alice Russell & Nostalgia 77 Seven Nation Army
- J5: Greyboy & Quantic Feat Sharon Jones - Got To Be A Love
- D6: Stevie Wonder - Contract On Love
Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists - the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon_but a dream came true when he was offered a permanent job in Duke Ellington's orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960's, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note_and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren't commercially released for over 30 years! On 'Wayfaring Stranger' the listener is treated to no less than nine sublime tracks that document Webster's trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster's quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the FIRST EVER vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g DOUBLE vinyl edition (strictly limited to 1000 copies) with obi strip.
- A1: Maxx Traxx - Don't Touch It! 04 45
- A2: Stylle Band - If You Love Me 03 00
- A3: Home Boy And The C.o.l - I Saw You Dancing 03 12
- A4: Unit Three - Let's Boogie Tonight 05 08
- A5: Steven - Quick 03 19
- B1: Donnell Pitman - Burning Up 04 21
- B2: Duke D - Lady Luck 04 39
- B3: Ronnie Robbins - Contagious 04 49
- B4: Pete & Cheez - You And Me 04 52
- B5: Contrast - Slippin' In The Night 04 19
Purple Pink Vinyl[26,26 €]
180g limited edition on high-definition premium vinyl for super fidelity Made during the first years of the LP era, Harry James in Hi-Fi (1955) comprises some of the greatest hits of the Harry James Orchestra - a unit that by that time had been working unceasingly with few changes since 1939. Recorded in Los Angeles in July of 1955, among the instrumental figures present on the album were trombonist Juan Tizol,who had made a name for himself as part of the Duke Ellington orchestra, and alto saxophonist Willie Smith who was a major force in the swing era. Also present on some of the tracks was singer Helen Forrest, another veteran of the orchestra and other swing bands, and popularly known as "The Voice of the Name Bands." The program was a mix of the orchestra's previously recorded hits, re- recorded here to take advantage of the recently developed Hi-Fidelity recording techniques. The LP was a best seller followed by a sequel, More Harry James In Hi-FI.
Who remembers the UK rapper MC Duke from Music Of Life? That all-time classic ‘Miracles’ as well as being sampled in untold rave tunes in the early 90’s including Prodigy’s ‘Everybody In The Place’ which uses his lyric ‘Can’t beat the system, go with the flow’. Well, did you know that MC Duke and his DJ, Leader One, went on to create jungle a few years later?
This was their first jungle release before they went on and formed Hard Disk where they released the rest of their output. An EP that has the essence of the hip hop sample culture, showcasing how creative you can be with the right record collection at your disposal.
Raw East London jungle from 1993 repressed on limited edition heavyweight royal blue vinyl in a Vinyl Fanatiks housebag. Vinyl only.
Orbiting Human Circus' new album is called Quartet Plus Two. What is Orbiting Human Circus? It is the continuing evolution of Julian Koster (Neutral Milk Hotel, The Music Tapes), whose music and storytelling under this moniker have encompassed immersive theater and a Night Vale Presents podcast, as well as more traditional albums. Central to the album are the "two" referenced in the title: North and Romika, the singing saws, whom Koster doesn't "play" so much as encourage. "I think saws sing like angels," says Koster. "I always have. Since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. It's an honest and real sound." The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Koster's career. While walking through New York's Central Park, he stumbled upon Gauvain Gamon and Kolja Gjoni_a standup bass player and drummer, respectively_playing Gershwin and Mingus, and a musical partnership was born. Pianist Benji Miller rounds out the titular quartet, with Koster's longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contributing to the record. The music they make together is at once familiar and unrecognizable, as Koster and Orbiting Human Circus interpret jazz compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others, alongside Koster's three originals. The use of the term "composition" is intentional and speaks to Koster's relationship with the music of Quartet Plus Two in far more evocative terms than "cover" or "standard." "To me it was always magical that there were these people called `composers' who created symphonies and popular songs for other people to breathe into life and existence all over the world and throughout time," he explains. "They traveled into our homes as sheet music, endless recorded interpretations, or were passed from hand to hand, village to village, like folk tales, changed by every hand that touched them. That music was something that came to life in our own living rooms and lives, songs that our grandmothers might have sung in a choir that we might sing just as earnestly. I just think it's nice, and I would love to share that feeling in any way we can."
Orbiting Human Circus' new album is called Quartet Plus Two. What is Orbiting Human Circus? It is the continuing evolution of Julian Koster (Neutral Milk Hotel, The Music Tapes), whose music and storytelling under this moniker have encompassed immersive theater and a Night Vale Presents podcast, as well as more traditional albums. Central to the album are the "two" referenced in the title: North and Romika, the singing saws, whom Koster doesn't "play" so much as encourage. "I think saws sing like angels," says Koster. "I always have. Since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. It's an honest and real sound." The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Koster's career. While walking through New York's Central Park, he stumbled upon Gauvain Gamon and Kolja Gjoni_a standup bass player and drummer, respectively_playing Gershwin and Mingus, and a musical partnership was born. Pianist Benji Miller rounds out the titular quartet, with Koster's longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contributing to the record. The music they make together is at once familiar and unrecognizable, as Koster and Orbiting Human Circus interpret jazz compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others, alongside Koster's three originals. The use of the term "composition" is intentional and speaks to Koster's relationship with the music of Quartet Plus Two in far more evocative terms than "cover" or "standard." "To me it was always magical that there were these people called `composers' who created symphonies and popular songs for other people to breathe into life and existence all over the world and throughout time," he explains. "They traveled into our homes as sheet music, endless recorded interpretations, or were passed from hand to hand, village to village, like folk tales, changed by every hand that touched them. That music was something that came to life in our own living rooms and lives, songs that our grandmothers might have sung in a choir that we might sing just as earnestly. I just think it's nice, and I would love to share that feeling in any way we can."
The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
- I'm A Ramblin' Man
- Rainy Day Woman
- America
- I May Be Used (But Baby I Ain't Used Up)
- Amanda
- Me And Bobby Mcgee
- Trouble Man
- Mamas Don't Let Your Babies Grow Up To Be Cowboys
- Good Ol' Boys (Theme From Dukes Of Hazard)
- Bob Willis Is Still The King
- Are You Sure Hank Done It This Way
- Suspicious Minds
- Honky Tonk Angels
- Good Hearted Woman
- I've Always Been Crazy
- Luckenbach, Texas (Back To The Basics Of Love)
- I Ain't Living Long Like This
This performance by Waylon Jennings was no April Fool's joke. This was the "new" Waylon, both personally and professionally. He had kicked a 20-year drug habit, split with RCA and signed a new deal with MCA Records. He discovered a passion for songwriting, teamed with legendary producer Jimmy Bowen, and produced some of the best work of his 30-year-plus career. He credited his wife and soul mate, Jessie Colter, for much of his inspiration. This was Waylon's second trip to the ACL stage, but the one that best captures the raw edge and driving urgency that pushed country music way past its Nashville boundaries starting in the mid-1970's. He was described as the leader of the country "Outlaw" movement, which he often dismissed as just another marketing scam, but there's no denying that he turned the music on its head and took it way beyond its rural southern roots. This West Texas boy who worked as a DJ and started his own band at 14, then later played with Buddy Holly, left an indelible mark on the music he loved. He was a class act, this man called Hoss. -Terry Lickona (Producer Austin City Limits®)
- John Holt - Ali Baba
- The Jamaicans - Baba Boom
- The Melodians - You Don’t Need Me
- Alton Ellis - Rock Steady
- The Techniqyues - Queen Majesty
- Justin Hinds - Carry Go Bring Come
- Rolando Alphonso Baba Brooks Band - Nuclear Weapon
- Don Drummond & The Skatalites - Eastern Standard Time
- Eric Monty Morris - Penny Reel
- Starnger Cole & The Skatalites - Rough & Tough
- Phyllis Dillon - Perfidia
- Joya Landis - Angel Of The Morning
- U-Roy & The Pargons - Wear You To The Ball
- Dennis Alcapone - No Onestation (Aka Buttercup)
- U-Roy & The Melodians - Everybody Bawling
- The Paragons - The Tide Is High
Charly Records have done plenty of leg work here thatmeans you can save yourself lots of time and effort and immediately make yourself out to be a font of dub and reggae wisdom. Treasure Isle Solid Gold is a well curated selection of the most vital club hits produced by the legendary Jamaican label owner Arthur ‘Duke’ Reid. You will know plenty of the artists he worked with from the opener John Holt via Rolando Alphonso Baba Brooks Band, Don Drummond & The Skatalites and U-Roy & The Pargons.
The sounds are varied but never less than sensational across both sides of wax.
New Robohands LP 'Palms' is the fifth album from the London based instrumentalist and producer Andy Baxter. Moving towards different genres and arrangements from his previous albums, 'Palms' features duelling harp parts, tape echo, double bass and draws inspiration from artists such as Dorothy Ashby, Azimuth, Alice Coltrane and Toquinho.
In parts tropical and synth drenched, and in others stripped back and acoustic, 'Palms' is a journey back to saturated analog recordings of the late 60s and 70s, with a subtle modern layer of glitch FX and pitch control experimentation in places. The album makes also reference to classic releases from jazz fusion that feature the legendary Arp Odyssey synthesiser, used by artists such as Herbie Hancock and George Duke.
The seventeen track album features performances from multiple session musicians including Jim Piela on saxophone and Marco Cremaschini on Rhodes, with Baxter taking on drums, guitar, bass, keys and also mixing duties. 'Palms' is a new direction for his project and a record that thematically journeys into modern reinterpretations of jazz, downtempo, acoustic and ambient music.
New Robohands LP 'Palms' is the fifth album from the London based instrumentalist and producer Andy Baxter. Moving towards different genres and arrangements from his previous albums, 'Palms' features duelling harp parts, tape echo, double bass and draws inspiration from artists such as Dorothy Ashby, Azimuth, Alice Coltrane and Toquinho.
In parts tropical and synth drenched, and in others stripped back and acoustic, 'Palms' is a journey back to saturated analog recordings of the late 60s and 70s, with a subtle modern layer of glitch FX and pitch control experimentation in places. The album makes also reference to classic releases from jazz fusion that feature the legendary Arp Odyssey synthesiser, used by artists such as Herbie Hancock and George Duke.
The seventeen track album features performances from multiple session musicians including Jim Piela on saxophone and Marco Cremaschini on Rhodes, with Baxter taking on drums, guitar, bass, keys and also mixing duties. 'Palms' is a new direction for his project and a record that thematically journeys into modern reinterpretations of jazz, downtempo, acoustic and ambient music.
George Coleman (born March 8, 1935) is an American jazz saxophonist best known for his work with Miles Davis and Herbie Hancock in the 1960s. Coleman was born in Memphis, Tennessee and learned to play the alto saxophone in his teens. After his work with Ray Charles, George started working with B.B. King in 1953 and switched to playing the tenor saxophone.
George Coleman was a member of legendary outfits such as Max Roach’s quintet, The Slide Hampton Octet, Miles Davis’ Quintet and The Chet Baker Quintet. The list of his collaborations is impressive to say the least, Mr. Coleman recorded and performed with greats such as Freddie Hubbard, Herbie Hancock, Charles Mingus, Ahmad Jamal, Idris Muhammad, Pharoah Sanders, Ornette Coleman, Melvin Sparks, ArtBlakey…and many others.
Coleman was named an NEA Jazz Master, was added to the Memphis Music Hall of Fame in 2015, and received a brass note on the Beale Street Brass Notes Walk of Fame. George Coleman’s performances were included on classic recordings released by prominent labels from the likes of Blue Note, Atlantic, Prestige, Strata-East, Muse, Verve and Impulse!
On the album we are proudly presenting you today: Amsterdam After Dark (Recorded in 1978 at the famous NY Sound Ideas Studio and released on Timeless Records in 1979) the listener is treated to six majestic tracks of the highest caliber and features a remarkable outing of advanced musicianship by jazz-giants in their prime, delivering an inspirational gem of an album.
The all-star line-up includes Sam Jones (Dizzy Gillespie, Duke Ellington, Ben Webster) on bass, Billy Higgins (Donald Byrd, Thelonious Monk, John Coltrane) on drums and Hilton Ruiz (Roy Brooks, Rashaan Roland Kirk, Sonny Rollins) on piano. Most players featured here were also part of the legendary ‘Eastern Rebellion’ collective responsible for releasing multiple ground-breaking albums over several decades.
Amsterdam After Dark shows off George Coleman’s mastery of the sax, his brilliant vintage techniques and deep soulful tones. Coleman plays from the heart and is on top of his game. Expect both original compositions as well as standards, beautiful ballads with elegant (yet fierce) solos alternating between the instruments, growling blues-oriented themes…this is a contemporary sounding Hard Bop & Post-bop crossover album and a must have for any self-respecting jazz fan or collector!





































