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Ora Cogans ,Formless", veröffentlicht am 25. August 2023, ist ein Album, das Schönheit, Absurdität, Humor und unerwartete Freude in den düstersten Zeiten findet. ,Formless" entstand inmitten von Trauer und pandemiebedingter Isolation. ,Ich habe viel Zeit damit verbracht, mit meinem Hund ziellos durch den Wald zu streifen", sagte Cogan. Das Ergebnis ist eine Flut von Gedanken über ungeschickte Liebe, Schmerz, innere Kämpfe und den Kampf, Wege zu finden, sich gut zu fühlen, wenn alles schlecht läuft. Das Album wurde größtenteils in Live-Takes mit der Rhythmusgruppe David Proctor und Finn Smith auf Analogband im Risque Disque Studio auf Vancouver Island aufgenommen und von Cogan und David Parry von Loving co-produziert. Mit dabei sind internationale Gaststars wie Cormac Mac Diarmada von Lankum, der ,Feel Life" auf der Saitengitarre spielt, und Y La Bamba, die ,Ways of Losing" im Duett singt. Das Album ist thematisch sehr vielfältig: ,Katie Cruel" mit seinem ätherischen Gesang, einer schlurfenden Snare und einer sitarähnlichen Gitarre ist eine tragische Ballade über eine Sexarbeiterin, die mit Soldaten der leichten Infanterie unterwegs ist. ,Cowgirl" ist ein psychedelischer, langsamer Country-Jam, der sich mit sozialer Isolation in Trauer auseinandersetzt; und ,Feel Life" ist ein Track, der durch den Wahnsinn des alltäglichen Tumults und epische, lebensverändernde Verluste tanzt. Mit einer einzigartigen Stimme, die ebenso sensationell wie klangvoll ist, sucht Ora Cogan nach neuen Realitäten im Labyrinth aus Rauch und Spiegeln unserer grausamen Gesellschaft.

Spaceous and oblivious FM-synthesizer based New-Age & Dark-Ambient LP collaboration by Vera Dvale & Psykovarius. Dusty cosmic sonics interfere with slow growing pads, one-hit-percussions, metalic clanks, synth-flutes, psychedelic-SPA-melodies, dark long driven drones with monophonic bass drops, deep church organs and arpeggios. Execute time to listen to fog and space.

Madlib’s WLIB AM: King of the Wigflip Returns on Double Vinyl via BBE Music BBE Music is thrilled to announce the long-awaited rerelease of WLIB AM: King of the Wigflip, the final installment in the legendary Beat Generation series from none other than Madlib. Originally released in 2008, this masterful collage of dusty loops, raw beats, and left-field soundscapes remains a high-water mark in the Stones Throw producer’s sprawling discography.

Now, for the first time in years, fans can experience the album in all its analog glory with this deluxe double vinyl edition, carefully remastered to preserve Madlib’s signature warmth and grit. A tribute to pirate radio culture and late-night airwaves, WLIB AM weaves together a rich tapestry of hip-hop, jazz, and soul, featuring an all-star cas t of collaborators, including Talib Kweli, Guilty Simpson, MED, and Oh No. Each track showcases Madlib’s uncanny ability to blur the lines between genres, effortlessly flipping obscure samples into hypnotic, off-kilter rhythms. From the hypnotic bounce of “Blow the Horns on ‘Em” to the smoked-out groove of “The Plan Pt. 1,” this is Madlib at his most playful, unpredictable, and inspired.

This special double vinyl edition, released exclusively via BBE Music, brings one of the Beat Generation series’ most celebrated albums back into circulation for crate-diggers and collectors alike. With original artwork and a high-quality pressing, this rerelease is a must-have for Madlib aficionados and vinyl lovers who appreciate raw, unfiltered beat craftsmanship. Don’t miss your chance to own a piece of hip-hop history—WLIB AM: King of the Wigflip is back and sounding better than ever.

odh Teri is back with a brand-new chapter.
The Return of Neela Devi kicks off a vinyl-only series where the iconic characters from Deep In India finally take center stage. With the Sampadan era behind us, a bold new sound is rising.
Leading the way is Neela Devi herself, across three genre-spanning tracks that cover everything from vintage disco to spaced-out synths and slow-burning indie dance. There’s something here for every kind of listener – the groover, the dreamer, and the deep digger.
We open with “Maalgaadi 54” – a relentless disco heater drenched in ’70s glam, trippy layers, and hands-in-the-air energy.
Next comes “Cosmic Dirt” – dusty, mysterious, and dripping with attitude. Think desert synths, dark disco grooves, and a mood straight out of an Indian spaghetti western.
Closing the record is “Beauty Blues” – a dubby slow-burner that gently builds before locking into a bouncing, blissed-out groove. A cheeky take on a classic that’ll leave you smiling from start to finish.Those who dig a little deeper into the wax will uncover a secret locked groove Visually, the record is a stunner. The artwork is helmed by Soju Aduckathil, with creative direction by Manoj Kurian, the visionary behind Masala Movement.
Marking the sixth release on the Masala Movement label, this vinyl-only beauty is just the beginning – with plenty more surprises lined up for 2025.
The new era has arrived. Ready to dive in?

Following on from 2018's "Wires" LP, their first studio album in over 25 years, and following up with "Humbucker" in 2020, and "in the Dust" in 2023, "Red Eyes" is the latest highly anticipated instalment in the reborn band that even a global pandemic couldn't stop , MOVING TARGETS! MT in the 21st century is a powerhouse, having toured US, Europe and Japan extensively since their reformation, and their latest album couples the next-level songwriting craft of Kenny Chambers with the cast-iron rhythm section of Yves and Emilien in arguably their most complete offering since reforming, "RED EYES" manages to sound reassuringly familiar and new and dynamic at the same time , and is everything you would want and expect from a MOVING TARGETS record, and more. Recorded with J ROBBINS (JAWBOX) at the helm (who also adds some percussion and backing vocals) "RED EYES" continues the MOVING TARGETS rebirth!

Vinyl reissue of the legendary soundtrack to Forbidden Planet by Bebe and Louis Barron, an absolute milestone for Electronic Music. Recorded in 1956 by Bebe and Louis Barron, the soundtrack to the cult film Forbidden Planet is without a doubt one of the most suggestive and astounding examples of early Electronica, bringing the extraterrestrial experience of the movie to new levels with the help of the stunning sounds created by the couple through of a myriad of vintage artifacts, including loop FX and amazing modular synths. An absolute masterpiece of the genre, bringing proto electronica, sci-fi and abstract music together for an unforgettable aural experience. Includes a foldout insert with a Bebe Barron interview.

Hedvig Mollestad Thomassen ist die Gitarrenheldin unserer Zeit. Ihr geschmolzener Gitarrensound stammt aus den gleichen Hochöfen wie der von HENDRIX, TONY IOMMI und JIMMY PAGE und wird zum Abkühlen in ein dampfendes Fass aus Free Jazz im Sinne von SONNY SHARROCK und FRED FRITH geworfen. Aus Tracks wie ,The Rex" und ,Lake Acid" spricht die riesengroße Riff-Wissenschaft von LED ZEPPELINs ,Kashmir" und ,Rock'N'Roll", doch angereichert mit einer Flexibilität und Intensität, die so typisch für die düsteren nördlichen Regionen ist, aus der sie und ihre Bandkollegen stammen. ,All Of Them Witches" folgt auf den 2011 Rune Grammofon Release ,Shoot!" und präsentiert das HEDVIG MOLLESTAD TRIO als Mitstreiter der neuen Welle von norwegischem Avant Rock bzw. Free Metal. Dieser letzte Batzen elektrifizierender Instrumentalstücke wurde live in der Inselumgebung des Ocean Sound Studios aufgenommen, einer hölzernen Scheune mit Grasdach am Rand des norwegischen Meers. Dort konnte das HEDVIG MOLLESTAD TRIO vor dem Frühstück im eiskalten Wasser schwimmen und mitten in der Aufnahme den Blick schweifen lassen. Es ist keine Überraschung, das solch weiten Ausblicke zu epischen Konzepten führen, so dass der erste Track ,Sing, Goddess" seinen Namen aus der ersten Zeile von Homers ,Ilias" erhält. Inspiriert vom weiten Himmel sind ,Shawshank" und ,Ghrá Rúnda" mehr nach innen gerichtet und baden im kontrollierten Feedback. Line-Up: Hedvig Mollestad Thomassen -Gitarre, Ellen Brekken - Bass, Ivar Loe Bjornstad - Schlagzeug

This one is very special! Last time the Dusty Donuts DJ Squad got invited down to play in Skopje/ North-Macedonia we all got together in the Studio of the undisputed South Balkan King to cook up some magic. DJ Goce had the whole team including his DJ brother Chvare in the control room and ideas were sparking. Marc came up with a very unique twist on this def joint. Straight Brown Sugar Brooklyn flavours on this one to make bootys shake around the world. The flip stays in Brooklyn, DJ Chvare hooked us up with this special masala as the notorious combination and arrangement of spaced out US-Indian Funk combined with heavy weight Brooklyn Beats will make it into any 45 DJs box.

This one is very special! Last time the Dusty Donuts DJ Squad got invited down to play in Skopje/ North-Macedonia we all got together in the Studio of the undisputed South Balkan King to cook up some magic. DJ Goce had the whole team including his DJ brother Chvare in the control room and ideas were sparking. Marc came up with a very unique twist on this def joint. Straight Brown Sugar Brooklyn flavours on this one to make bootys shake around the world. The flip stays in Brooklyn, DJ Chvare hooked us up with this special masala as the notorious combination and arrangement of spaced out US-Indian Funk combined with heavy weight Brooklyn Beats will make it into any 45 DJs box.

DJ Haram's debut album “Beside Myself” is about the survival of the spirit in day to day struggle. Following on from her collaboration with Moor Mother as 700 Bliss on “Nothing to Declare”, here she is joined by a swarm of collaborators, collectively navigating pain and rage, and in occasional moments of joyful respite, mocking the strife. Haram describes herself as a “multidisciplinary propagandist, contemporary anti-authoritarian Arab, gendered labor class, god fearing atheist” who makes “anti-format, audio propaganda, anti-lifestyle, immersive sonics”. Her music attests to this, as she brings in friends and collaborators, from MC's Armand Hammer, Bbymutha, SHA RAY, Moor Mother, and Dakn, through to co-producers August Fanon, Egyptian producer El Kontessa, and Jersey Club producer Kay Drizz, trumpeter Aquiles Navarro, and guitarist Abdul Hakim Bilal. It's immediately identifiable as her work, but simultaneously unclassifiable, finding equal space in its dusty live production for Jersey Club, punk noise, Central Asian and Middle Eastern Percussion, synths, 808's and lurking, rumbling bass. Often central to this is her own performance of unflinching sorrowful verses, comparable to the poets Audrey Lorde or Ai in tone and Kim Gordon in context, examining the material and the abstract in equal measure. Her grungy futurism offers no easy resolutions, yet the drama and catharsis it presents is rarely so defiantly delivered.

Auf weltweit 1.000 Boxen limitiert, remastert sowie mit bearbeitetem Artwork ausgestattet - diese Boxset-Edition beinhaltet 5 farbige 180g-Doppel-Vinyle (inklusive D-Seiten Etching)!

Masterpeace (1999): Dieses Album markiert die triumphale Rückkehr von David Wayne am Gesang und verbindet den kultigen Metal Church-Sound mit einer modernen Produktion. Tracks wie "Sleeps With Thunder" und "Into Dust" strahlen rohe Kraft aus und machen dieses Album zu einem Meilenstein für Fans des traditionellen Heavy Metal.

The Weight Of The World (2004): Nach einer langen Pause meldete sich Metal Church mit Ronny Munroe am Ruder zurück. Songs wie "Leave Them Behind" und "Madman's Overture" unterstreichen die Unverwüstlichkeit der Band und zeigen eine neu belebte Energie, die ihren Platz im Pantheon des Metal bestätigt.

A Light In The Dark (2006): Dieses Album ist eine Hommage an die Vergangenheit und ein Schritt in die Zukunft. Es enthält Hymnen wie "Mirror Of Lies" und eine gefühlvolle Neuaufnahme von "Watch The Children Pray" Es fängt die Essenz von Metal Churchs Fähigkeit ein, ihre Wurzeln zu ehren und gleichzeitig neues klangliches Terrain zu erkunden.

This Present Wasteland (2008): Ein sehr nachdenkliches und intensives Album mit Tracks wie "Deeds Of A Dead Soul" und "Breathe Again", das persönliche und gesellschaftliche Themen mit eindringlichen Melodien und treibenden Rhythmen verbindet. Es ist ein herausragendes Kapitel in ihrer Karriere.

Generation Nothing (2013): Dieses Album ist eine Rückkehr zu den Heavy-Metal-Ursprüngen der Band und liefert modernisierte epische Hymnen. Songs wie "Scream" und der kraftvolle Titeltrack "Generation Nothing" spiegeln eine Band wider, die tief mit ihrer Vergangenheit verbunden ist, sich aber gleichzeitig entschlossen nach vorne bewegt.

Masterpeace (1999): Dieses Album markiert die triumphale Rückkehr von David Wayne am Gesang und verbindet den kultigen Metal Church-Sound mit einer modernen Produktion. Tracks wie "Sleeps With Thunder" und "Into Dust" strahlen rohe Kraft aus und machen dieses Album zu einem Meilenstein für Fans des traditionellen Heavy Metal.

The Weight Of The World (2004): Nach einer langen Pause meldete sich Metal Church mit Ronny Munroe am Ruder zurück. Songs wie "Leave Them Behind" und "Madman's Overture" unterstreichen die Unverwüstlichkeit der Band und zeigen eine neu belebte Energie, die ihren Platz im Pantheon des Metal bestätigt.

A Light In The Dark (2006): Dieses Album ist eine Hommage an die Vergangenheit und ein Schritt in die Zukunft. Es enthält Hymnen wie "Mirror Of Lies" und eine gefühlvolle Neuaufnahme von "Watch The Children Pray" Es fängt die Essenz von Metal Churchs Fähigkeit ein, ihre Wurzeln zu ehren und gleichzeitig neues klangliches Terrain zu erkunden.

This Present Wasteland (2008): Ein sehr nachdenkliches und intensives Album mit Tracks wie "Deeds Of A Dead Soul" und "Breathe Again", das persönliche und gesellschaftliche Themen mit eindringlichen Melodien und treibenden Rhythmen verbindet. Es ist ein herausragendes Kapitel in ihrer Karriere.

Generation Nothing (2013): Dieses Album ist eine Rückkehr zu den Heavy-Metal-Ursprüngen der Band und liefert modernisierte epische Hymnen. Songs wie "Scream" und der kraftvolle Titeltrack "Generation Nothing" spiegeln eine Band wider, die tief mit ihrer Vergangenheit verbunden ist, sich aber gleichzeitig entschlossen nach vorne bewegt.

When the hypnotic groove of Berlin band Onom Agemo & The Disco Jumpers meets the pulsating riffs of Malian guitarist and singer Ahmed Ag Kaedy, new horizons open up.


At the centre of 'Common Stars' is Ahmed Ag Kaedy's distinctive vocals - always with poetic urgency. His lyrics, deeply rooted in the political and cultural realities of his homeland, deal with freedom, home and the search for identity. They deal with the ongoing conflict of the Tuareg in Mali, who are caught between the desire for cultural self-determination and political tensions with the central government. They also address the threat posed by Islamist groups, which have controlled parts of northern Mali and banned music since 2012. Ahmed Ag Kaedy had to flee his home country due to this repression. With his band Amanar, he shaped modern Tuareg rock and toured internationally. The collaboration with Onom Agemo began after he came to Berlin for the premiere of the film 'Mali Blues', in which he is one of the protagonists, and led to joint concerts throughout Europe.

'Common Stars' is a musical meeting of cultures that unites sounds from the Sahara to Berlin. Music that creates connections and makes different perspectives audible. The tracks are characterised by trance-like rhythms, hypnotic bass lines and shimmering saxophone and flute sounds. Pulsating synthesizers, dry-as-dust guitar riffs and improvisational outbursts interweave to create a soundscape that is sometimes driving, sometimes floating and creates a very unique, captivating atmosphere. Ahmed Ag Kaedy describes it aptly: 'Space jazz meets the rhythm of the camel.'

The band has shared bills with Billy Strings, Sierra Hull, Sarah Jaroz, Della Mae, Tony
Trischka, Michael Daves, earned spotlights from The Bluegrass Situation, Bluegrass
Today, Folk Alley, WFUV, American Songwriter, and spent fve weeks atop the Roots
Music Report Traditional Bluegrass Song Chart. Their frst album in four years,
Homegrown features three Woody Guthrie songs (including Woody's iconic "Pastures
of Plenty"), a Woody Guthrie/ Arlo Guthrie cowrite, and songs by Peter Rowan and
John Hartford."

Jugoton Funk is back with a second instalment gone funkier and crazier than before - now capturing even the early 80s disco and folk decadence occurring after Tito’s death. Jugoton, the Yugoslavian discography leader by all standards, still incites our inspiration and keeps our fingers dusty for more beats, soul and jazz presented here in equal proportion. From unreleased Jugoton associated numbers by Spektar and breakbeat bombshell classics like Zlatokosa to early Yugoslavian Soul Finger renditions and groovy jazz infusions from Josipa Lisac - this compilation rounds it all up. Enjoy it while we take another 5 years to get to Vol.3.