Search:dynamite

Die Arbeit an TNT wurde über drei Jahre geheim gehalten. Dynamite Deluxe weihte nur wenige Personen ein, die sich mit dem Musikgenre Hip-Hop beschäftigen. Der Grund für diese Entscheidung war, dass sich die Mitglieder unsicher darüber waren, ob die enge Zusammenarbeit nach der mehrjährigen Pause noch zu zufriedenstellenden Ergebnissen führen würde.

Damit hielt sich die Gruppe die Option offen, die Produktion des Albums abzubrechen. Die Be- kanntgabe, dass Dynamite Deluxe als Gruppe wieder zu- sammenarbeiten, erfolgte 2007 in der September-Ausgabe des Hip-Hop-Magazins Juice.

Darin wurde eine zweiseitige Anzeige abgedruckt, die das Dynamite Deluxe-Logo und einen Hinweis auf Januar 2008 zeigt. Am 15. September 2007 trat die Hamburger Gruppe schließlich im Rahmen der Feier zum zehnten Jubiläum der Juice in München erstmals wieder gemeinsam auf.

This incredible trio of poets, were not only musicians but Civil Rights Activists, rising up in the early 1960’s. They formed the group whilst in prison where they began performing the “spoken word” to rhythm and percussion. The last poets where born! None of this prolific music has been issued as a 7” before, great music for all good music lovers

A - “It’s a trip” - Vocal ACID JAZZ / dance gem!
Killer Track. Percussive vocals; addictive and funky. Acid jazz club classic. Dare you to keep up. Once you start, you can’t stop dancing. Such vibes. Environmental and racism-alerts messages chorused as early as 1977. You gotta listen to the words. Zeitgeist extraordinaire.

B - “Blessed are those who struggle” - Exclusive 7” cut for this vinyl release. The super funky drums of Mr Bernard Purdie, one of the best drummers in the World, if I may say so myself. Stunning.

Dynamite Cuts is proud to be able to press, for the first time on 7” vinyl; the superb, original, Brit-Funk cut, taken from the rare and highly collectable 1977 self-entitled album FBI. Our A side, “Keep on Running”, is an uplifting vocal groove written by Mr. Stevie Wonder, delivered by F.B.I. Awesome: a heavy so groove, driving vocals, and a funky clav groove makes this a perfect vibe and an essential track.
On the flip is our part two version, a breakdown from the original master tape, giving a moving and up-tempo feel; a supreme funky instrumental cut, edited. Heavy groove, including a massive DJ drum break.

Dynamite Cuts is proud to release this mighty afro funk 7” double by the mighty MATATA band. Both tracks taken from the Mega rare and collectable “Independence” LP. On the A side is “I Feel funky” the perfect club dancer, with its up-tempo groove and catch chorus, win, winner. On the flip is the hidden treasure, and for the first time on 7” vinyl the massive!! “Talkin’ Talkin”, a killer afro funk mid-tempo groove with a great lyric plus an almighty old school drum break, just perfect.

Das sechste Album von Jamiroquai aus dem Jahr 2005, "Dynamite", ist ein weiterer Schritt in Richtung Disco-Funk der 70er Jahre, der mit einigen modernen Elektroklängen aktualisiert wurde. Mit den Hits "Dynamite", "(Don't) Give Hate A Chance". Schwarzes Doppelvinyl, Gatefold-Cover.6eme album de Jamiroquai sorti en 2005, "Dynamite" creuse encore le sillon du disco-funk 70's en le réactualisant avec quelques sonorités électro efficaces et de bon gout. Avec les tubes "Dynamite", "(Don't) Give Hate A Chance". Double vinyle noir, pochette gatefold.

Dynamite Cuts is proud to reissue these amazing super funky grooves from this iconic funk & soul legend Carl Sherlock Holmes. This release is a 7” gatefold version, with a Q&A with Mr. Holmes on the inner sleever, about this iconic band.

Includes Breaks, rare groove clubs’ classics and a wonderful little soul gem.

Dynamite Cuts is proud to be able to press for the first time on 7” vinyl, two killer soul cuts. “Ride your pony” the Lee Dorsey classic gets a seductive twist by The Moments, this just oozes sexy soul vibes with a tough groove. On the flip it’s just gets better, “Sugar, Sugar” is the one for me, great soul track, a right singalong, classic club track!! Both are first time on 7” vinyl in true Dynamite Cuts fashion, essential for all good music lovers, need I say more?

Dynamite Cuts takes a different move from the funk & soul and is proud to be able to press for the first time on 7” vinyl, two killer rock club tracks. Our A side is the powerful up-tempo “Elegy” a funky love song, with steaming guitars and heavy groove, massive club track back in the day! On the flip is the “The Kettle” heavy rock groove sampled by Fat boy slim for “Ya Mama”
Perfect for all good music collectors

Dynamite Cuts gives you a superb double of the Jazz funk bboy breaks classic “Sweetie Pie” by Stone Alliance.

This heavy, drum-driven sax groove is a Jazz dance floor classic.
Sampled by Showbiz & AG’s – Runaway Slave release.
The B- side is a first time on 7” for this version that was recorded in 2004 and only released as a CD.

The INCREDIIBLE trio is:
Drums Don Alias
Bass Gene Perla,
Sax Steve Grossman

Dynamite Cuts gives you a superb double of the Jazz funk bboy breaks classic “Sweetie Pie” by Stone Alliance.

This heavy, drum-driven sax groove is a Jazz dance floor classic.
Sampled by Showbiz & AG’s – Runaway Slave release.
The B- side is a first time on 7” for this version that was recorded in 2004 and only released as a CD.

The INCREDIIBLE trio is:
Drums Don Alias
Bass Gene Perla,
Sax Steve Grossman

Dynamite Cuts is proud to be able to press for the first time on 7” vinyl the explosive and super funky “I’ll say it again”. With it super funky cover art work. This heavy funk rock Groove and the powerful uplifting vocal from the wonderful Linda Tillery aka Sweet Linda Divine. This track is the back-bone groove for the Black sheep hip hop bands classic “Choice is yours”

Dynamite Cuts is proud to be able to press for the first time on 7” vinyl the explosive and super funky “I’ll say it again”. With it super funky cover art work. This heavy funk rock Groove and the powerful uplifting vocal from the wonderful Linda Tillery aka Sweet Linda Divine. This track is the back-bone groove for the Black sheep hip hop bands classic “Choice is yours”

150 copies

Wow, I thank you all from the bottom of my heart for the support with Dynamite Cuts since 2017 when I opened a Pandora’s box of 7” gems. When I thought about starting DC, I had a list of around 100 album tracks I wished I had as a 7” 45. Now 5 years (2022) later my list of 7” delights have become true. In the late 80s, I picked up the Frank Strazzeri “After the Rain” LP, which totally blew me away. Now, all these years later, these three magical choons have the honour of being my 100th release.

These titles are first time on 7” vinyl and all cut @ 45 rpm. An unmissable, perfect Jazz funk release

Jon Lucien is one of the most amazing vocal soul singers, nicknamed ‘the man with the golden throat’; he also had his own percussive style, and was prolific in the 70’s writing many timeless classics over the years. Dynamite Cuts take four of these wonderful songs from the Mind’s Eye LP – these titles are first time on 7” vinyl and all cut @ 45 rpm. A perfect Soul Jazz funk release, don’t miss out

Dynamite Cuts are proud to add these two wicked bangers to the Dynamite Cuts 45s series. The Legendary ‘Larry Young’s Fuel’, club classic “Turn of the Lights” mega rare 7” version, which was issued back in the 70’s on the dreaded Styrene (which always snapped so easily). Now for the first time on vinyl with its iconic sleeve. Plus, a quirky, funky vocal track “People do be funny” first time on 45. Another must-have 45.

Die 2007 gegründete deutsche Heavy-Metal-Formation KISSIN DYNAMITE hat sich mehr als nur einen
Namen in der Szene gemacht: Mit sechs Studioalben und diversen Chart Erfolgen (#7 in den GERAlbumcharts mit dem 2018er Full-Length Ecstasy) etablierte die Band ihren Trademark-Stil - geprägt
von modernen Sounds, wuchtigen Hymnen und eingängigen Hooks, gepaart mit 80er-Jahre-StadionrockAttitüde und einem außergewöhnlichen Look. Nun steht die Kombo in den Startlöchern bereit, ihr Napalm
Records-Debüt Not The End Of The Road zu veröffentlichen und mit 12 kraftvollen Tracks den Weg des
Metal im Jahr 2022 zu ebnen.
Produziert, aufgenommen und gemischt wurde das neue Studioalbum von Sänger Hannes Braun selbst, der
auch schon mit Bands wie SANTIANO, THE KELLY FAMILY oder BEYOND THE BLACK gearbeitet hat.
Das Mastering übernahm Jacob Hansen in den Hansen Studios, der Grammy Award nominierte Produzent
ist bekannt für seine Arbeit mit Bands wie VOLBEAT und vielen mehr.

Back in the 80s I became a big funk, jazz, and soul vinyl collector; which opened the incredible world of the late, great Mr. Weldon Johnathan Irvine. Back in the 90s I was lucky enough to meet him; Mr. Irvine was such a calm and gentle person; he just oozed music. This laidback, kind quality resonates in his music. On this 45, we trip through the jazzy journey of Weldon’s innovative keyboard work through to the double bass, and horns on the A. On the B we’re in a smoky bar, with yer homies,, chillin n grooving, as the melodica and guitar head-nod us along. Sublime.

It is a great honour to be able to release some of his music from his Nodlow music label on to 7” for the first time.

Welcome to the jazz funk world of the late great Mr Weldon Johnathan Irvine. This great man managed to write music that both inspired and in awed 50 years ago, as it still does today. He takes you to another world, with his gentle yet almost crazy energy. He was way ahead of his time producing these monumental, instrumental masterpieces. Mr Irvine was such a calm and kind gentleman, who just oozed music. He sadly passed away in 2002. It is a great honour to be able to release some of his music from his Nodlow music label on to 7” for the first time.

In 1974 Weldon released his “In Harmony” LP. The two tracks we chose are, “Fat Mouth” which, as expected, features the signature Weldon rift. This Clavinet-heavy groove is backed up with the mighty Joe Jones on Hammond organ; and is all held steady with the pumping drums from Napoleon Revels
“Turkish Bath” is a laid-back jazz groove, with Weldon laying down a superb lead Rhodes story and melody. Backed up with Joe Jones on the piano. Weldon’s keyboard echoes throughout his music with such simplicity.

Released 40 years ago in 1977 ''Rhythm Of Life '' by James Mason was possibly one of the greatest vocal Jazz fusion releases of all time . New vinyl imprint Dynamite Cuts releases a quality limited edition double pack release showcasing the highlights from that album plus two additional incredibly rare versions of the most in-demand tracks.

Dynamite Cuts is incredibly proud to be releasing this soulful, hip hop, gem by the wonderful group; Whatnauts.
“Why Can’t People Be Colors Too?” (first released 1972) is a powerful, soulful vocal with a story to tell; one that is, sadly, still so relevant today. It’s laid-back feel, with its bassy vibe; and sassy, sultry vocals takes you on the perfect mid-tempo ride. Half way through, you’ve got the superb sample vibe; already sampled by ‘A Tribe Called Quest’ (& many others).
A must-have 45
First on the flip, is “Souling with the Whatnauts”; this is a mid-tempo, essential DJ tool. Backed up with the classic “Message from a black man”. Another emotionally powerful, soul song.

Dynamite cuts 45s series is proud to release two more Jazz fusion gems by the wonderful Judy Roberts. With her amazing jazz fusion keyboard skills and dreamy vocals this single is a must. Both tracks are first time on 45. First released back in 1980 on the Inner City label over 42 years ago.

Dirty Dynamite is the seventeenth studio album from Swiss melodic hard rock/heavy metal band Krokus. The album was well received by critics, partly due to the surprising element of their Beatles cover of “Help”. The band origins from the seventies, and have since sold over 15 million records, toured the world and received gold and platinum discs in the US and Canada. The legendary English journalist Malcolm Dome quite rightly said: “If you look at the long-term output of this band, Krokus is clearly one of the best hard rock bands of the last 40 years”.

Dirty Dynamite is available as a limited edition of 1500 individually numbered copies on transparent red vinyl. The records are housed in a gatefold sleeve with lyrics.”

Dynamite Cuts 45s series is proud to release another double-pack; loaded with jazz funk 7” wonders. F.B.I. (Funk Band Inc) was the UK’s original Jazz-funk band. Four tracks from this timeless LP are now on 7” for the first time. Originally released in 1977, this LP is now massive with the collectors, and is in the ‘must-have’ category. The incredible ‘Bad Deal’ (my personal favorite), and, yes, the outstanding, “Talkin about love”, are both on there. This Dynamite Cuts release is a gatefold edition; with some previously unseen photos of the band. Unmissable

DYNAMITE CUTS and its series of amazing 45s have unleashed another Gem for RSD. This Rare groove club classic has now been shrunk down to a stunning 7”, for the first time. The LP was first released in 1981 along with a single.- which is now a mega-rare collector’s items; selling for £200 plus.
Steve Parks’ big song on this LP is the epitome of Rare groove music in the 90s. almost every club and radio would play this every night – it would be banging out of The Mud Club, Astoria, The Wag and all the other hot, sweaty, but very brilliant, clubs of the 80’s and 90’s. This is definitely on the ultimate soundtrack to that funky era.
This one-off LP and it iconic cover by Steve Parks has been reissued before but never as a 7” and never with a full colour sleeve, Dynamite Cuts’ mini version does both, delivering op-point artwork and finely tuned mastering. Steve Parks is a very private man; this iconic cover only happened because his friend Rico, who coerce him into wearing the shirt as Steve didn’t like it at all. The only way to do it was to take him to Leon’s BBQ by the beach and buy them both a bucket of tips and corn bread.
Don’t miss out!!! - Must have vinyl release – record store day release!

DYNAMITE CUTS and its series of amazing 45s have unleashed another Gem for RSD. This Rare groove club classic has now been shrunk down to a stunning 7”, for the first time. The LP was first released in 1981 along with a single.- which is now a mega-rare collector’s items; selling for £200 plus.
Steve Parks’ big song on this LP is the epitome of Rare groove music in the 90s. almost every club and radio would play this every night – it would be banging out of The Mud Club, Astoria, The Wag and all the other hot, sweaty, but very brilliant, clubs of the 80’s and 90’s. This is definitely on the ultimate soundtrack to that funky era.
This one-off LP and it iconic cover by Steve Parks has been reissued before but never as a 7” and never with a full colour sleeve, Dynamite Cuts’ mini version does both, delivering op-point artwork and finely tuned mastering. Steve Parks is a very private man; this iconic cover only happened because his friend Rico, who coerce him into wearing the shirt as Steve didn’t like it at all. The only way to do it was to take him to Leon’s BBQ by the beach and buy them both a bucket of tips and corn bread.
Don’t miss out!!! - Must have vinyl release – record store day release!

Dynamite Cuts are proud to have the opportunity of presenting this amazing Dj dance floor diamond, by the legendary funk n soul band S.O.U.L. “Burning Spear” is an upbeat Drum and Bass groove with a super funky flute and all time classic sample. Sampled by hip greats like Pete rock & C.L Smooth & Organized Konfusion to name a few, a pure rare-groove club anthem, I remember those nights, funky-ing down to this awesome rhythm.
Dynamite Cuts’ issue of this monster, is a double-sider of the ultimate versions of “Burning Spear”. The A side cut is taken from the superb “What it is?” LP. On the B-side is the rare and more collectable version; slightly different, more percussive recording which was released on 7” in 1971 on the Musicor record label, but sadly on the hissing, breakable styrene, and not on the lovely VINYL. You’d be lucky to find a copy that doesn’t hiss, pop and crackle. But with thanks to; Mr Simon Watson, who had a mint stock copy almost un-played; and to the A-Lister Dynamite Cuts’ mastering magicians - Andy Pearce (de-noises) and Stuart Hawkes (remastering to get that full-on funk effect). Now what are the chances of that!!!
The name S.O.U.L means Sounds Of Unity and Love, consists of four men from Cleveland, Ohio USA, the band was formed around 1970.
Lee Lovett, a Libra - Lead singer, Bass and Baritone;
Gus Hawkins, a Scorpio - Vocals, Saxophone, Flute
Paul Stubblefield, an Aquarius - Vocals, Drums
Walter Winston, a Pisces - Guitar.

Dynamite cuts 45s series is proud to release another timeless classic. This is a rare groove dancer floor monster. Original LP sells for big money these days, TOMMY STEWART EP, which includes the classic iconic Love heart sleeve.

Dynamite cuts 45s series is proud to release two Jazz gems by the wonderful Nanette Natal – she ain’t shy! What a voice!
“It’s Over” b/w “Love Signs both taken from the mega rare private press and incredibly hard to find LP “My song of something”. Both were part of the original Jazz dance vibe in the 90s.

Dynamite cuts 45s series is proud to be able to repress these two gems from the Perception label both First time on 7” vinyl. One killer track by the legendary Fatback band – “Fatbackin” is a rare groove classic and a b-boy special. Part of the original breaks and dj tools from back in the early days. On the flip is the monster “Matrix” by Dizzy Gillespie, a massive hip hop sample and club dancer. two bangers on one 7” – What, more do you need!!

These two pivotal figures, who have stood at the forefront of drum & bass for over two decades, have now teamed up with an array of globally respected producers including Calibre, Roni Size, Nu:Tone, S.P.Y, DJ Zinc, Chimpo and DJ Marky, to create an uncharted 16-track LP. Following on from the success of the pair's first single 'Fix It All (feat. London Elektricity)', sit back and get ready to embark on the lyrical journey of a lifetime.

DRS first came across Dynamite during his time in Roni Size's Bristol collective Reprazent, the winners of the 1997 Mercury Prize 'Album Of The Year', now showing full circle movements in 2020. 'Playing In The Dark' pays respect to this collaboration and the combination of styles which is signalled so clearly throughout DRS and Dynamite's sound. As Dynamite explains that "the producers brought their pallets" for himself and DRS "to paint on", the duo were able to convey their message, history and wisdom in one of the most boundary pushing
projects that drum & bass has seen.

This classic funky blaxploitation soundtrack rarity is one of the toughest soundtracks to come from the early '70s' Black action cinema movement.

Produced by the legendary Johnny Pate a master of Funky score.

Dynamite Cuts unleashes 4 gems culled from the original album, and now for the first Time on the 45-vinyl format.

Club classic "You Can't Even Walk In The Park", “Shaft in Africa “, “Truck stop” and El Jardia.

This is one of the most blistering jazz funk soundtrack cuts around.! A frenzy of horn stabs, with percussion and wah wah guitar

...all topped off with everlasting classic drum breaks!

Mega rare and collection Ben and Platano group is for me another Long awaiting 45s release. Massive B-boy dance “Platano split is worth it's weight in Gold! And Castle Battle – just gets me every time. Hammond groove!!!

Teddy Mike is back! After the success achieved with his previous album “On Point”, Teddy Mike returns with a new album entitled “Dynamite” - It's a 8-track masterpiece returning to the sound of the 80's funk. ... Don’t miss it, grab yours!

A limited edition 7” release by Roy Ayers – taken for the first time from the Change up the groove LP.

DYNAMITE CUTS give you a super fresh loud 45 cuts of these wonderful jazz and funk dancer First time on 45, don’t miss out x500 only.

A) “Fikisha” (to help some one arrive) another monster from the Roy ayers Ubiquity camp, vibe tastic - BANGER!!!!
B) Boogie back (breaks and samples, Djs tools) deep vibes groove, classic

Acclaimed by many as one of the greatest and rarest library LPs of all time, the album 'FEELINGS' by Jay Richford & Gary Stevan aka Stefan Torossi. With its iconic 'naked lady in the wild' cover, has been coveted for many years by collectors of all musical genres. This album showcases some outstanding compositions & arrangements that explore the exciting connections between rhythmic funk and orchestral jazz - and are now for the first time issued on 7" 45 vinyl double pack!

We open with the uplifting “Running Fast” - a driving, pulsating groove laden with Fender Rhodes and swept along by lush strings. If you're not feeling it - book an appointment to see your doctor! Next follows a B-Boy dancer filled with battle floor emotion - “Fearing Much” - this one packs a heavy bass and syncopated drum groove with dramatic, stirring strings. A must have 45 DJs fave! The opening drum break to “Feeling Tense” gives way to mellow vibes with a deep bass, silky strings and charged horns that deliver the perfect slick, down-tempo groove. Last one is another down-tempo vibe heavy on the bass and strings, “Walking in the dark”. 
All in all yet another MUST HAVE Dynamite Cuts 45!

A limited edition 7” DOUBLE PACK release by TARIKA BLUE, this outstanding band release two LPs back in 1976 & 1977 on the Chiriucuro, label. Here are four of the best tracks from the second LP self titled “Tarika Blue”.

DYNAMITE CUTS give you a super fresh cuts of these wonderful jazz fusion classics. Loved and collected by all good music collector around the world. This LP has become sort after and sells for the original around £350. Dynamite cuts has reissued the best four songs from the LP to give you a wonderful limited edition vinyl pack, don’t miss out x600 only

This score is pound-for-pound the funkiest with its heavy bass and drum groove throughout each movement of the score. Most of the pieces from this soundtrack also include killer samples and breaks, my favourites being 'The Diamond Fortress' with Ronnie Scott on solo sax and Chris Karan on Drums and 'Thief On The Prowl' featuring Tubby Hayes and Daryl Runswick on Bass. This release also has an exclusive edit. The Main Theme (vocal by The Three Degrees) and instrumental scores have been combined to deliver an unforgettable version of this great title theme. Now for the first time, Dynamite Cuts brings you yet another exclusive 2x7' 45 collection featuring some of Roy Budd's finest work.

DIAMONDS Musicians

Roy Budd Key boards - Harpsichord, Clavinet, Electric Piano

Paul Fishman - ARP 2600, Electronic programmed

Daryl Runswick - Bass & Double bass

Brain Daly & Judd Proctor - Guitar

Ronnie Verrell - Drums,

Tristian Fry - Percussion

Frank Riccotti - Vibraphone

Ronnie Scott - Alto Sax

Tubby Hayes - Baritone & Flute

The Three Degrees - vocals on 'Diamonds theme'

String orchestral parts led by violinist Sidney Sax: 1974 The National philharmonic

Recorded at CTS Wembley

Roy Budd - Arranger

This outstanding UK film score by Mr Roy Budd has been a treasure amongst music collectors for as long as I've known. Now, for the first time, Dynamite Cuts is making a 2x7' 45 collection of the musical gems form the 'Get Carter' Film using the original first pressing sleeve which was Japan only mega rare. His masterful chords and textures are a joy to listen to alongside killer bass and drum grooves that make for a cinematic musical heaven. Amongst my personal favourite Roy Budd compositions, 'Getting nowhere in a hurry,' is an easy listening gem with killer harpsichord lead lines and 'Hallucinations' (I love the deep groove in this song!) features his trade mark lush vocal production. Both cuts are sure to become favourites of yours too!

The music was play by the same following member of Roy's trusted crew.

GET CARTER Musicians

Roy Budd - Harpsichord, Piano, EMS AKS

Jeff Clyne - Electric Bass & Double bass

Chris Karan - Drums, percussion and Tabla

Brain Daly & Judd Proctor - Guitar

Lesley Cline, Johnny Turnbull & Mickey Gallagher Vocals on

'Hallucinations' & 'Getting nowhere in a hurry'

Lesley Cline - Lead Vocal on 'Love is a four letter word'

Recorded at the Olympic studios

Jack fishman - Producer

Roy Budd - Arranger

Keith Grant - Engineered

A limited edition 7' release this time by Port Authority, DYANMITE CUTS give you a super fresh loud 45 cuts of this Monster Psycadelic horn driven funk jazz theme. With one of the best Drum breaks that gives you everything. 10/10
Including a wonderful re-production of the original sleeve x500

Bazza Ranks & Dynamite MC return with another two track golden nugget for the Vinyl heads. After the last outing the pair notched up plays from Radio Royalty such as David Rodigan, Don Letts, Melody Kane and many more. Don't Let is pass is good advice as the last 7" sold out FAST. Available from Irish Moss Records Feb 2019.

Two all time Jazz dancers: Nancy Ames release two great album back in the late 60s Latin Pulse' was first & Spiced with Brazil was second, both Dynamite Cuts is releasing one track from each album to make this limited edition 7' 45 x500 only
club classics
DYNAM7009
Track A - Carcara' Boom, this just jumps right out at you. An amazing Latin dancer. Which also has Dynamite Vocals that just drag you into the song. Nothing but Explosive Jazz vocals, FIRST TIME ON 7'
Track B - Pow, Pow, Pow' a masterful version of this dance floor anthem. Nancy yet again delivers a superb vocal. Perfect sound of the day.
never before on 7' 45 vinyl must have track

Stop the press yes its happened... one of the biggest Rare Jazz club dancers is now on 7' for the first time Clarence Wheeler & the Enforcers both tracks taken from the Atlantic 1970 album 'Doin what we wanna'

Another outstanding Jazz fusion release for Dynamite cuts. limited edition 7" release of 2 masterpieces by Alice Babs and Nils Lindberg's Orchestra. Both tracks  taken from the Music With A Jazz Flavour LP,

This holly grail album has been transformed into a 45s collection. Dynamite Cuts releases a high quality limited edition 1000 copies double pack 2x7' release which gives you 4 of those masterpieces from that album. two never before on 7' vinyl all of the most in-demand tracks.

Track A1 - windy C' This Amazing Track That Delivers A Funky Melodic Bass Groove And Great Arrangement - Full Length Version
Track B2 - puppet On A Chain' First Time On 7' This Under Rated Soul Track, Gets Me Every Time.
Track A1 - no More City, No More Country' This Track Has Been Edits To Fit For The First Time On 7', Another Funky Gem, Fav
Track B2 - hole In My Shoes' My Favorite Track From The Album. Killer Groove And Vocals So Happy It's A 7' Now For The First Time

Rockabilly twin-spinner winners!

double pack 7"

This is the new digitally remastered 2015 expanded edition of Soul Jazz Records' biggest ever selling release, 100% Dynamite! Ska, Soul, Rocksteady and Funk in Jamaica.
Since the album's original release nearly twenty years ago, 100% Dynamite has become a cornerstone of reggae: eighteen killer tracks that show the influence that American Jazz, Funk and Soul music had on Jamaican Reggae.
The proximity of the West Indies to the USA meant that many Jamaican musicians were influenced by American styles of music whilst at the same time defining new styles of their own such as Ska, Rocksteady and Dub.
100% Dynamite features some serious Jamaican funk by Jackie Mittoo, The Upsetters and Toots & The Maytals, the cream of Jamaica's jazz musicians such as Tommy McCook, Cedric Brooks and Lennie Hibbert. Also included here are heavyweight Reggae versions to Soul classics by Marlena Shaw's 'Woman of the Ghetto', Aretha Franklin's 'Rocksteady', Syl Johnson's 'Is It Because I'm Black', William DeVaughan's seminal 'Be Thankful' and more.
100% Dynamite also features revolutionary tunes such as Johnny Osbourne's 'We Need Love', Sound Dimension's 'Drum Song' and Lloyd Robinson's 'Cuss Cuss', songs that helped define a unique sound for Jamaican music in the sixties and seventies. These influences went both ways - check Brentford All Stars massive 'Greedy G', the basis for Boogie Down Productions' 'Jack of Spades', or Willie Williams' 'Armageddon Time', later covered by The Clash.
This new expanded edition features seminal tracks from the greatest Jamaican producers - Clement Dodd, Lee Perry, Winston Riley (Techniques) and many more.
The album is available as CD, heavyweight double vinyl (+download), plus digital.

Soldier is Iggy Pop's fourth solo studio album, released in
1980. For the album Iggy collaborated with ex-Sex Pistols bassist Glen Matlock.

David Bowie and Simple Minds provide backing vocals on 'Play It Safe'. Videos were made for the songs 'Loco Mosquito', 'Knocking 'Em Down (In the City)' and 'Dog Food'.

File under : Dub / Reggea / Electro. Chinese Man records celebrate its 10 years anniversary and release a new volume of the Groove sessions. Featuring Tumi, La Yegros, Johnny Osbourne, Lush One among others... Video 1st Single: Once Upton the Time feat Tumi:

140 gram black vinyl, Double sided record sleeve, Double sided photo insert

In 2013, a 16-year-old LORDE quietly, yet confidently asserted herself as the voice of a generation with her full-length debut, Pure Heroine. The album would go triple-platinum, selling over 4 Million worldwide, win two GRAMMY® Awards, a BRIT and spawned the seven-times platinum record-breaking international juggernaut single, Royals,' and quadruple-platinum follow up Team.'

She also curated the official soundtrack for The Hunger Games: Mockingjay - Part 1 and recorded Yellow Flicker Beat' as the lead single. Her last trip to the UK was when she was personally asked by David Bowie's family to perform her spellbinding tribute to the late artist at 2016 BRIT AWARDS. Having once been described by David Bowie himself as "the future of music', Lorde is proving to be that and much more.

Following LORDE's triumphant return with comeback single Green Light,' the singer released her second full-length album Melodrama on June 16.

Melodrama will now be released on standard & deluxe vinyl this April

"phantom Dancehall" Is The Exploration Of The Greensleeves / Vp Records Catalogue By Dj Spooky Aka Paul Miller. The Musical Tapestry Is Built On Samples From Familiar (and Not So Familiar) Reggae Tracks Over Electronic Beats And Melodies Produced By Miller And Protégé Stephen Levitin (stage Name Apple Juice Kid). Selected Tracks Include The Keyboard Work Of Alex Thompson Aka Fourth Shift. Guest Vocals From Walshy Fire (major Lazer) And Dancehall Newcomer Sanjay Added To Vocal Samples Of Busy Signal, Lady Saw And Garnett Silk Give The Project An Eclectic, Modern Dancehall Flavor!

Paul Miller, Better Known By His Stage Name Dj Spooky Is A Music Producer, Arranger, Dj, Author And Performance Artist. His Unique Brand Of Experimental Hip-hop, Dubbed 'illbient' Has Resulted In Collaborations With A Diverse Range Of Artists Including Ryuichi Sakamoto, Kronos Quartet, Lee "scratch" Perry And Killa Priest. With Remix Projects For Trojan Records, Manifold Records And Six Degrees Among Others To His Credit, Miller Created "phantom Dancehall" For His Exploration Of The Greensleeves/ Vp Records Reggae Catalogue.

For Fans Of: Major Lazer, Dj Shadow, Kevin Yost

Officially reissued at last! Considered by many to be a genuine 'holy grail' of soul & funk. Featuring 'Miracles' as sampled by Public Enemy, Basement Jaxx, Arrested Development and many more.

Originally from Compton, Los Angeles, the Jackson Sisters were one-hit wonders who briefly shone and made some noise in the early 1970s before quickly fading into obscurity. Their only US chart entry was 'I Believe In Miracles,' a funky slice of bubblegum soul with a catchy, sing-along chorus released on the Prophesy label that briefly saw them make the lower reaches of the R&B charts in September 1973.

Bazza Ranks from Dirty Dubsters created a 2018 Reggae / Dancehall / Jungle Revision of the Pete Rock and CL Smooth Classic "They Reminisce Over You" and enlists UK Microphone Controller Dynamite MC to give us a melodic rendition with a few well worded images from memory lane.

Famed actor and resident at the Schaubühne theatre in Berlin Lars Eidinger presents the reissue of his cult record I'll Break Ya Legg. Previously released as a 10' now expanded to a full length including four unreleased tracks.

Brenda Lee became a star while still a child, earning the nickname Little Miss Dynamite thanks to her explosive vocals and fearless

delivery. Blending rock ’n’ roll, pop, and country, her songs are timeless, emotional, and instantly recognizable. From fiery up-tempo classics

to heartfelt ballads, this compilation captures the sound that made her a legend, and still resonates today. Including her classics

“I’m Sorry,” “Emotions,” “If You Love Me (Really Love Me),””Sweet Nothin’s,” “Break It To Me Gently,” and “Rockin’ Around The Christmas Tree”.

Acid Jazz has been releasing Kevin Fingier’s productions on group label Fingier Records for the past 5 years, and there’s always that unmistakable Latin touch. It all started with ‘Latin Dynamite’, which sold out 15 days before its release. Then came ‘Cocktail de Medianoche’, another instant sellout, followed by ‘Why Don’t You Go Home’ (making them the best-selling 7” singles on Acid Jazz since Paul Weller and ‘Andy Smith’s Are You Trying to Be Lonely’).

For the second pressing of ‘Latin Dynamite’ (which, again, sold out), Fingier added a fiery Latin take on the R&B classic ‘It’s Your Voodoo Working’. And when he released his first album, ‘Not Strictly Soul’, he hid a Latin gem within it: ‘El Popcorn’—now available on 7” for the first time, ready to ignite Northern Soul and R&B all-nighters. Now, for the first time, these four Latin Soul monsters come together in one explosive Boogaloo EP! Presented on a beautiful graphic picture sleeve with signature Fingier labels

- 2026 repress / hot foil printed sleeve -

Limited Edition: Box with holographic hot foil logo print and five printed inner sleeves - No Repress

SHDW's label, Mutual Rytm hits a notable milestone at the start of 2024 as it turns two years old and hits its 20th release. To mark the occasion, the carefully curated compilation 'Federation Of Rytm III' arrives on February 2nd with a 30-track 5 x 12" boxset vinyl release and a further 6 digital bonus tracks.

Mutual Rytm is synonymous with serious, no-frills techno. It is a go-to for the world's most influential DJs and a home to some of the scene's most innovative producers. Over the last two years, it has explored several shades of sound, always with high-quality production and forward-thinking styles. A fine balance has always been struck between new and emerging talents and established names with plenty more to say, and that is the case on this collection which features the legendary likes of Blawan, Gary Beck, Colin Benders, The Advent and Dax J next to ANNE, Alarico, JakoJako, Chlar, LDS and many more.

Founder SHDW says, "I've poured my heart into curating a compilation of 36 tracks, a reflection of my deepest musical passions. The lineup is stacked with incredible artists, and it captures the label's essence - a fusion of artists spanning generations, united by a shared spirit and aesthetic, creating a seamless 'mutual rhythm'."

Although all 36 tracks stand alone as high-grade and club-ready dynamite, they also collectively form a versatile listening experience thanks to how they've been carefully assembled into a perfectly sequenced journey.

Each one dives into a different nuance within the world of techno and there is a range of moods from dark and driving to more energising and uplifting. The collection not only shows how far Mutual Rytm has come in a short space of time but also that it remains in a constant state of evolution and has a bright future ahead in 2024 and beyond.

SHDW's vision at Mutual Rytm was always to present a cohesive yet varied musical experience, and Federation Of Rytm III does exactly that.

What"s new for the first time in over a decade? Squirrel Bait"s self-titled 12" EP and Skag Heaven in the black. In "85-"87, their screamin" teenage psycho dilemmas stood way out in the emerging field of metal damaged hardcore punk. "Kid Dynamite" would ring in your head like a #1 single that had just unseated "Sun God" from the vaunted top spot. Every week. Anthems for the freaks! It happened fast. After a couple of records, guitarists David Grubbs and Brian McMahan split for Bastro and Slint (and Gastr del Sol and The For Carnation, respectively) With Grubbs went bassist Clark Johnson, original Bait batterie mate Britt Walford joined McMahan in Slint. Leaving only the stuff of legend: records eternally exploding with youthful feels through all the endless winters and summers of hearts and minds. Repressed, Squirrel Bait can now continue to dialogue with the young in the creation of new useful and unforgettable experiences. For the children of tomorrow as well as your own damn selves, get copies now.

What"s new for the first time in over a decade? Squirrel Bait"s self-titled 12" EP and Skag Heaven in the black. In "85-"87, their screamin" teenage psycho dilemmas stood way out in the emerging field of metal damaged hardcore punk. "Kid Dynamite" would ring in your head like a #1 single that had just unseated "Sun God" from the vaunted top spot. Every week. Anthems for the freaks! It happened fast. After a couple of records, guitarists David Grubbs and Brian McMahan split for Bastro and Slint (and Gastr del Sol and The For Carnation, respectively) With Grubbs went bassist Clark Johnson, original Bait batterie mate Britt Walford joined McMahan in Slint. Leaving only the stuff of legend: records eternally exploding with youthful feels through all the endless winters and summers of hearts and minds. Repressed, Squirrel Bait can now continue to dialogue with the young in the creation of new useful and unforgettable experiences. For the children of tomorrow as well as your own damn selves, get copies now.

n a career spanning over 50 years James Brown became known as a progenitor of funk music and influencing the development of many other genres. All his hit songs, hidden gems and collaborations are now bundled on Collected. It contains 29 songs, including music from his early days with the Famous Flames, the J.B.’s and a wide collection of tracks from his solo career.

Brown began his career as a gospel singer and joined a rhythm and blues vocal group, the Famous Flames, as the lead singer in the 1950s. Later on he formed his own band and released successful singles as "Papa's Got a Brand New Bag", "I Got You (I Feel Good)" and "It's a Man's Man's Man's World". While developing the funk to a new level he created the J.B.’s, with which he scored hits like "Get Up (I Feel Like Being a) Sex Machine" and "The Payback". Brown was inducted into 1st class of the Rhythm & Blues Music Hall of Fame, the Rock and Roll Hall of Fame and Songwriters Hall of Fame. During the years he gained different honorific nicknames including "Godfather of Soul", "Mr. Dynamite", "The Hardest Working Man in Show Business" and "Soul Brother No. 1".

Music On Vinyl proudly presents a special coloured edition of the James Brown Collected compilation, which is available as a limited edition of 7.500 individually numbered copies on gold vinyl, and includes an insert with liner notes.

One of the UK’s rising talents in recent times, J6 continues his upward trajectory with an enormous four-tracker on underground fan favourites, Locked In Dam. The party starting crew go hand in hand with the refined J6 ethos, as he delivers a dynamite selection of tracks for your record bag. His familiar low end driven sound, combined with tinges of acid and futuristic textures moving between house and modern electro, shapes the ‘Devil Baby’ EP into a cohesive and powerful statement.

The title track is built upon powerful drums and squelchy, spaced-out tones, combined with trippy vocal stabs from Martina, who features on the record. This is prime J6 territory and not to be underestimated. Next up, ‘Biohazard’ introduces mysterious synths that create a transcending atmosphere, shifting the dance floor into the next gear with further twisted acid movements. On the flip side, the Manchester based beatmaker teams up with Ben Gough for ‘Time Capsule’, delivering pacey energy that never lets up, driven by nostalgic tech house drums and icy hi-hats. Rounding off the EP, ‘Emergence’ simmers with an emotive dark energy throughout; if we weren’t dancing with the devil before, we certainly are now.

A certain tip for the tastemakers amongst us, these are four dynamic dance floor cuts to be shared deep within the dark realms of the night.

DJ support – Jamie Jones, Seth Troxler Damian Lazarus, Marco Corola, Joseph Capriati, The Martinez Brothers and Rey Colino

S.A.M. returns to Up The Stuss this summer with the third release in the UTSOFF series, delivering a potent double-header that’s been rattling dancefl oors for months. Titled ‘Hit You With My Phone’, the release arrives on 4th July and features two dynamic cuts that further cement the Danish talent’s place in the label’s core family.

A mainstay in Chris Stussy’s recent sets and one of the most talked-about IDs in recent months, title track ‘Hit You With My Phone’ is pure dancefloor dynamite — a helter-skelter ride through organised chaos, laced with warped vocals, frenetic percussion and a relentless groove that grabs you and doesn’t let go. It’s bold, it’s unpredictable, and it’s quickly become one of the most commanding tracks in the Dutch label boss’s arsenal.

On the flip, ‘Got Me Down’ offers a skippy contrast — a low-slung groover that channels tension and release with tightly wound drums and rolling bass, keeping things locked for deeper moments on the floor.

Marking S.A.M.’s third outing on Up The Stuss following their collaborative ‘Get Together’ project with Stussy and the solo ‘Check It Out’ EP, ‘Hit You With My Phone’ sees them explore new ground while staying true to the raw, club-focused ethos of the label. As the UTSOFF series continues to shine a light on uncompromising, forward-facing club music, this latest instalment delivers two cuts built for impact and ready to cause damage.

Estus & Lester Patterson’s ‘Gonna Find A True Love’ is one of the greatest ‘70s southern soul dancers. A sublime three minutes of smooth, shuffling, dance floor dynamite, that has been reissued before and will no doubt be reissued again. It’s a record that has been in demand since it was championed by UK DJs, as Northern Soul began its wonderful offshoot into Modern Soul in the early '80s. It’s one that should be permanently in print for those who feel the need to add it to their DJ set, juke box, or home-listening/dancing pile… and Acid Jazz Records has obliged.
Nearly seven years since group label Miles Away pressed 500 copies, this new pressing is on Acid Jazz. To add to the fun, the Deep Soul ballad ‘How Long Must The Show Got On’ is on the flip, which has, until now, been an album-only gem, just sitting there waiting for someone to shine the spotlight on it.

2026 Repress

If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.

Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.

This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.

The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.

The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.

This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

2026 Repress

WOW. Released on Valentine's Day 2025, we're deeply honoured to present the first time reissue of the first *ever* heart-shaped red vinyl 45. Extremely limited!

The smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over.

Here we present two timeless masterpieces of sophisticated jazzy soul brilliance that are strictly canonical.

The originals of these red heart-shaped vinyl records go for stupid money - if you can find one in good condition. Here's your chance to snag a real collectors item for fans of Bobby and, well, LOVE, the world over.

The eternal "What You Won't Do for Love" became a national anthem. It remains that way - perhaps even more so in the past year or two. It perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy.

A perennial favourite, it has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Bobby's dynamite "Open Your Eyes" was immortalised by the eternal J Dilla in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023,

Housewives, househusbands, ladies, gentlemen, and everyone in between… Avril A is ready for relaunch.

A - V - R - I - L

Never released Hi-NRG, synth-pop, wonky rock n' roll from a queer Manchester underground icon of the 80s and 90s.

By day, Avril Eventhal was a housewife in North Manchester's Orthodox Jewish community. By night, she was the fabulous Avril A, a larger than life cabaret performer who found a loyal audience in gay venues across the country and was adored for her outrageous live shows.

With her signature leopard print dress and feather duster in hand she delivered an unforgettable song and dance routine - as it was billed, “an audio-visual assault on the audience”.

She celebrated her unconventional style, finding joy and space for creative reinvention with the queer community.

Avril died in 2017, leaving behind a massive archive of material documenting every aspect of her career in songwriting and performance. For two years, Memory Dance has been working with Avril's niece and family on a digitisation and restoration project bringing these audio recordings back to life.

Ring The Alarm! Nach der Neuauflage von Sister Nancys „Bam Bam“, die eine reißenden Absatz fand, folgt nun der nächste unverzichtbare Track auf dem Stalag Riddim vom verstorbenen, großartigen Tenor Saw. Dies ist die ultimative Soundsystem-Waffe und ein Muss für jeden Selector, der etwas auf sich hält. Zurück mit dem entscheidenden Original-Keyboard-Workout von Ansell Collins Stalag 17, aufgenommen für Techniques, ist Stalag einer der Eckpfeiler der Reggae-Musik, der von einer ganzen Galaxie von Superstars der Musikwelt verwendet und genutzt wird, darunter Big Audio Dynamite, Public Enemy, Run DMC, Alicia Keys, Kanye West, Sublime usw. Ein Original Twin-Killer-Doppelsider – limitierte Auflage in illustrierter Hülle. Verpassen Sie es nicht!

The time has come for hip-hop’s favourite superheroes to unleash their highly anticipated album. The industry’s most recognisable voice, Chali 2na, and turntable wizard Krafty Kuts have been not-so-secretly preparing this project since 2017 through over 150 live shows and countless studio sessions. The time has finally come to grab your capes, don a pair of tights and load up the turntable ready for the show to begin. This is ‘Adventures Of A Reluctant Super Hero’ – prepare for the Purple Assassin and the Scratchman as they come and save your city, the scene and hip-hop as we know it.

Featuring a who’s-who of collabs and guest appearances from hip-hop royalty, this 14-track record takes you to just about every corner of the genre, leaving no stone unturned. With Lyrics Born and Gift Of Gab joining on ‘Guard The Fort’ to deliver a serious statement of intent to open the LP, the rest of the record is an adventure through funk, breaks, rolling basslines, buckets of groove and everything in-between. Throw in a generous portion of expertly delivered bars and vocals from genre sidekicks like Harry Shotta, Skye (Morcheeba), Omar, Dynamite MC and more, and you’re left with a hip-hop record that not even the comic books could have conceived.

LP version comes with an exclusive 8-page comic-book by official Star Wars illustrator JAKe + full album download.

Daniele Baldelli
Considered one of the first DJs in Italy, Daniele Baldelli began his career in 1969 mixing vinyl at the Tana Club in Cattolica (his hometown),
predating the birth of the modern DJ by several years. In the following years, he solidified his talent and technique at histor such as the Tabù Club, Baia degli Angeli, and Cosmic. From 1979 to 1984, Baldelli created his unique and eclectic style, blendi ic clubs ng seemingly distant sounds and musical styles, complementing them with tempo adjustments (bpm) and deliberately extreme equalization,
creating a truly distinctive sound, known as "Afro Disco." Soundscapes and tribal percussion blend with early electronic music experiments, and Baldelli's sets become truly mystical experiences, where, for the first time, the temples are replaced by the dance floor.
The documentary film "A Cosmic Life" has just been released, starring Daniele Baldelli alongside other illustrious guests from the nightclub scene, recounting the history and formation of this movement from the 1970s to the present.
Gaudi
A producer/musician among the most highly regarded on the international dub/electronic scene, over the past 30 years Gaudi, from his
London studio, has contributed significantly to expanding the boundaries of musical genres with high-profile releases and innovative
music production techniques. Recently nominated for a Grammy Award with 'Mass Manipulation', the album he produced for the reggae
band Steel Pulse, and also nominated for a World Music Award with his album 'Dub Qawwali' with Pakistani singer Nusrat Fateh Ali
Khan, Gaudi has collected a series of number 1s on the international charts: Billboard - with the album 'Heavy Rain' by Lee "Scratch"
Perry, 'Vessel of Love' by singer Hollie Cook and with 'Mass Manipulation' by Steel Pulse -, UK Chart n.1 with the album 'Prism' by the
band The Orb (with whom he has collaborated as a producer and keyboardist since 2008), with 'Blue Monday' - by Gaudi himself with
the band Dub Pistols -, UK Dance Chart n.1 with 'Jus Come rmx' produced with DJ Angelino for Cool Jack. He also reached no. 41 the UK charts with the album ‘Midnight Rocker’ by reggae singer Horace Andy (known to the general public for his hits with Massive in
Attack), no. 13 with the album ‘Dubwise 2’ by the band Dreadzone and no. 5 in the Italian charts with the song ‘Lasciala Andare’, written
by him for Irene Grandi. With 19 solo albums and 350 remixes and productions under his belt, Gaudi, with his artistic versatility, has
worked with Groove Armada, UB40, Simple Minds, Brian Ferry, Devo, Big Audio Dynamite, Damian Marley, Seun Kuti, Mad Professor,
Trentemøller, Grandmaster Flash ft KRS-One, Lamb, Don Letts, The Beat, Deep Forest, African Head Charge (in which Gaudi is a keyboardist and dubmaster), Elisa, Scientist, Dub FX, Roedelius, Caparezza, Caravan Palace, EMF, Sizzla, Jovanotti, Sly & Robbie, Piero Pelù, Youth of Killing Joke, and Maxi Priest, to name just a few. Capleton,
Daniele Baldelli & Gaudi
DJ Daniele Baldelli and producer Gaudi first met three years ago at the Jazz Cafe in London. Mutual respect and an innate need to
create new stylistic fusions were the catalysts for Baldelli and Gaudi, leading to a series of subsequent meetings that inevitably culminated in the need to create music together. The project began at Gaudi's Metatron Studio in London using analog equipment and later
moved to Baldelli's studio in Cattolica, where the two organically defined their sound, also inspired by Baldelli's precious record collection. The duo consolidated a powerful compositional symbiosis, and the project, born from a simple initial groove, later transformed
into an entire EP consisting of four original tracks and a highly innovative sound, featuring fusions of psychedelic-funk, tribal-dub,
electronic-disco, and, of course, "Afro-Cosmic"! Daniele Baldelli and Gaudi began their sonic collaboration without setting any stylistic
direction and with the intention of not creating pre-established goals to achieve; it is a project of pure artistic freedom guided by their
compositional instinct and their experience. Constantly active with their evenings and live concerts, Baldelli and Gaudi have performed
individually in many of the best international clubs and festivals.

Sigma proudly present DAY ONE - their highly anticipated fourth studio album and their first as independent artists. 2025 has seen Sigma embark on a bold new chapter in their career, starting their own label and embracing the freedom to create on their own terms. With the duo now fully independent, they are taking back control and taking it back to DAY ONE, making the music they love.

DAY ONE embodies this ethos and is inspired by their love of the underground. The gritty jungle beats and anthemic soundscapes of early rave culture that form the foundation of their artistry can all be heard in these 12 songs. From hard-hitting tracks like Chargie and Soundboy, to dancefloor weapons like Magnetic and Outtaspace, all the way through to the orchestral Back To Life, Sigma demonstrates an impressive diversity and quality that showcases their exceptional production skills and studio craft.

DAY ONE is more than an album; it’s a celebration of the duo’s journey and the people who have supported them from the start. Featuring collaborations with legends like Dizzee Rascal and rising stars such as Julia Church, the record balances nostalgia with forward-thinking innovation. “Being independent has brought us back to what it’s all about—making music for the love of it,” the duo says.

"After years of audio exploration and creativity together, Bizarre Trax co-founders B.Love and oliver.r unveil their much-anticipated LOVE.R alias with a dynamite, four-track EP on the ever-vibrant Dias de Campo imprint. This powerhouse pairing has been on the label's radar for a while, and their Dos Cremaet Por Favor EP proves exactly why.

Brimming with intricate textures, playful grooves, and the duo's unmistakable flair for left-field dancefloor energy, each track delivers a heady mix of quirky rhythms and off-kilter beats that define each of their signature sounds. The A-side marks the grand entrance of LOVE.R with two innovative collaborations, while the flip lets each artist shine with a solo cut of their own.

And if that's not enough, you can catch these prolific tastemakers lighting up the decks at this year's festival. See you front left."

Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch


Billy Idol - "Catch My Fall" (From The 1987 Movie 'Some Kind Of Wonderful')
The Association - "Cherish" (From The 1986 Movie 'Pretty In Pink')
Penguin Cafe Orchestra - "Music For A Found Harmonium" (From The 1988 Movie 'She's Having A Baby')
Zapp - "Radio People" (From The 1986 Movie 'Ferris Bueller's Day Off')
Blue Room - "Cry Like This" (From The 1987 Movie 'Some Kind Of Wonderful')
Ray Charles - "Mess Around" (From The 1987 Movie 'Planes, Trains & Automobiles')
Joe Turner - "Lipstick, Powder & Paint" (From The 1989 Movie 'Uncle Buck')
Darlene Love - " (Today I Met) The Boy I'm Gonna Marry" (From The 1984 Movie 'Sixteen Candles')
Marvin Gaye - "How Sweet It Is (To Be Loved By You)" (From The 1988 Movie 'She's Having A Baby')
Perry Como/Mitchell Ayres & His Orchestra/The Ray Charles Singers - "Juke Box Baby" (From The 1989 Movie 'Uncle Buck')
The Chordettes - "Mr Sandman" (From The 1989 Movie 'Uncle Buck')
Ray Anthony & His Orchestra - "The Peter Gunn Theme" (From The 1984 Movie 'Sixteen Candles')
Lindsey Buckingham - "Holiday Road" (From The 1983 Movie 'National Lampoon's Vacation')
Emmylou Harris - "Back In Baby's Arms" (From The 1987 Movie 'Planes, Trains & Automobiles')
Hugh Harris - "Rhythm Of Life" (From The 1989 Movie 'Uncle Buck')
Spandau Ballet - "True" (From The 1984 Movie 'Sixteen Candles')
Propaganda - "Abuse" (From The 1987 Movie 'Some Kind Of Wonderful')
The Dream Academy - "The Edge Of Forever" (From The 1986 Movie 'Ferris Bueller's Day Off')
Yello - "Lost Again" (From The 1987 Movie 'Planes, Trains & Automobiles')
Bryan Ferry - "Crazy Love" (From The 1988 Movie 'She's Having A Baby')
The Rave-Ups - "Positively Lost Me" (From The 1986 Movie 'Pretty In Pink')
Los Lobos - "Don't Worry Baby" (From The 1985 Movie 'Weird Science')
Steve Earle - "Continental Trailways Blues" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Revillos - "Rev Up" (From The 1984 Movie 'Sixteen Candles')
Boston - "More Than A Feeling" (From The 1988 Movie 'She's Having A Baby')
Balaam & The Angel - "I'll Show You Something Special" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Rave-Ups - "Rave Up/Shut Up" (From The 1986 Movie 'Pretty In Pink')
Pop Will Eat Itself - "Beaver Patrol" (From The 1988 Movie 'The Great Outdoors')
The Vapors - "Turning Japanese" (From The 1984 Movie 'Sixteen Candles')
Silicon Teens - "Red River Rock" (From The 1987 Movie 'Planes, Trains & Automobiles')
out

A little background info….



Miss Aranivah was previously released (in 2021) on the Ska Fever vol.1 EP (OGR806). It’s had a slight re-mix / re-master and it’s proved very popular in the live set that I’ve been playing with Junior Dell at Ska and Reggae festivals in Europe.



Likewise, the B-Side has gone down very well live and we re-recorded it with Junior Dell on vocals (he did not appear on the original version which appeared on Reggae Dynamite vol.1 back in 2020).

Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch

A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.

The Extended Mix transcends radio boundaries, diving into a hypnotic, fluid, body-driven dimension: a sonic tide echoing cosmic italo, primitive house, and off-kilter disco, shaping a soundscape for dancefloors from another dimension.

The House Mix, finely edited by Whodamanny, is a manifesto for the floor: pure rhythmic dynamite, made to ignite bodies and let them vibrate freely. A shared and refined vision of house music, where instinct and style fuse into a single voice.

“Go Go Dance” doesn’t aim studio perfection; it craves sensory truth – the kind born of urgency, space, and the pleasure of repetition. An anthem to the most authentic and lived-in club culture, where music becomes sweat, fantasy, and freedom once again.

Galactic Plastic Launches with “Roboto Machine EP” by Bænglund

A new force in underground electronic music emerges: Galactic Plastic. Built on a foundation of raw, unfiltered sound, our label is dedicated to releasing high-quality music regardless of subgenre—if it’s electronic and pushes boundaries, it belongs here.

For our debut release, we welcome Bænglund with his Roboto Machine EP, a fusion of machine-driven grooves, hypnotic textures, and deep, underground energy. Expect forward-thinking sounds that transcend trends and genres, staying true to the essence of the underground.

Galactic Plastic is here to keep the underground alive. Stay tuned for what’s next.