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Oliver Rosemann is a DJ and producer from Leipzig, who has been active since the 90’s. During this time, he has made his experience with timeless techno exactly in the time of its creation, which can be seen later in his productions and DJ Sets.
In the Leipzig scene he played numerous live sets in the early 2000s, including at the 1040, one of the legendary clubs of the time. Increasingly, he began to show himself in public not only as a pure live act but also as a track producer. With the collaboration with MasCon called "dualit" he had first big releases on labels like Earwiggle, CLR or Fith Wall Records and also international gigs e.g. in Antwerp.
To date, there are close to 180 tracks and remixes, including 3 LPs, released on labels such as MindTrip, MORD Records, Warm Up Recordings, Pole Group, Stockholm LTD and many more. Pfirter and Oliver started producing together in 2019 and presented their first joint 4 tracker “Alpha EP” in 2020 on MindTrip Music.
Whether as a live act or as a DJ, he knows how to create a dark, driving, ecstatic atmosphere on dance floors. He has already proven this in clubs like Tresor Berlin, Distillery, Institut für Zukunft, About Blanc and also in other countries in Europe. Numerous podcasts recorded by him or live cuts from parties, which were released over the years by renowned crews such as "Reclaim Your City" or "Staub", show this.
And now follows Oliver’s next release on NEXT DOOR with the ND006. The a side is Olivers side with A1-Surface- a track with deep impact and to dance. A2-your highscore- is Olivers remix, grandiosely interpreted to immerse yourself in the universe of patterns. The B side belongs to TC/CM or written out- the computer controlled minds. B1-your highscore- comes in the original danceable and playful at the same time from the turntable. B2-Surface- remix by TC/CM hammers through the PA straight onto the floor.

CHRIS CARTER & COSEY FANNI TUTTI’s remastered limited edition vinyl series continues on 4 August 2023 with the release of Technø Primitiv (1985), Trust (1989) and Pagan Tango (1991) – all available on vinyl for the first time since their original release. The remastered albums will be available on coloured vinyl, each with a printed inner sleeve of archival photos, via CTI. Elemental 7, Muzik Fantastique!, and Feral Vapours of The Silver Ether were released earlier this year, and the series has seen many of Chris & Cosey’s influential albums available on vinyl for the first time, giving listeners a new opportunity to revisit some of their celebrated catalogue.

The remastered releases for August includes 1985’s Technø Primitiv, originally released on Rough Trade, the album is from Chris & Cosey’s whiplash minimal ‘80s icy synth period.

An-i is the alias of Berlin-baseyd Korean-American Doug Lee, an artist with over two decades in the game already under several different monikers. This is the third EP to come under this name since debuting it in 2015 and finds him in an even more bold and adventurous mode than ever. Opener 'Rabble' is controlled techno chaos, a flurry of whirring machines and unrelenting drums that will frazzle your brain. 'Rubble' is just as intense, a big wall of rusted synth work and industrial noise mangled into something rhythmic and futuristic. 'Chapel Perilous' on the flip then offers up a spaced-out journey deep into the inner psyche. A welcome return from a truly singular artist that comes on fluorescent yellow wax.

Welcome to Soul4Real’s second album, a collection of originally unreleased tracks which feature a whole host of soul royalty.

First off are two songs from the inimitable Bobby Bland, both of which hail from his prolific period at Duke Records.

Sandwiched between two stunning Chicago recordings by Etta James is the later “I Never Meant To Love Him”, taken from a Philly session she recorded with Bobby Martin.

Fontella Bass brings this side to a close with a mysterious Chicago recording of which, to this day, hardly anything is known.

Side two transports us to Detroit, when Motown was at the peak of its output. 1966 was not a good year to secure the approval of quality control, as proven in the rejection of this wonderful Velvelettes´ version of “Your Heart Belongs To Me”.

It was in that same year that Ashford and Simpson arrived at Hitsville as both singers and songwriters. Their “Love Woke Me Up This Morning” was recorded by Brenda Holloway and produced by Norman Whitfield. Despite being overlooked at the time, its appeal was undeniable, and it later resurfaced on albums by Marvin & Tammi, Valerie Simpson, and the Temptations.

As an integral member of the Motown family for over 14 years, it is surprising that to date only three songs recorded by Johnny Bristol have surfaced. In collaboration with ‘Mickey’ Stevenson “Tell Me How To Forget A True Love” was completed in May 1964.

“One Lucky Day I Found You” was inexplicably not included in the ‘David’ project. Ruffin´s later work with Van McCoy is also featured on this album.

From almost the start of his career, Marvin Gaye had endeavored to project himself as a great balladeer, and nothing could illustrate this better than his rendition of “I Wish I Didn’t Love You So”, which brings this chapter to a perfect end.

This incredible new release follows a path along the electronic skyways first created by the German/Krautrock electronic pioneers of the 1970s such as Cluster, Ash Ra Tempel, Roedelius and Michael Rother. Hawksmoor is James McKeown.

He first created "Hawksmoor" five years ago as an imaginary hauntological soundtrack, inspired by the six Hawksmoor churches in London. Further releases have followed on Environmental Studies, the cassette-only label "Spun Out of Control", Castles in Space and The Library of The Occult.

For his debut on Soul Jazz Records, Hawksmoor has created a fascinating blend of these two sensibilities - a love of German electronic music of the 1970s alongside the British retrofuturism and cultural memory bank aesthetic of hauntology - Ghost Box, Mount Vernon Arts Lab, Advisory Circle, Focus Group etc.

Using strictly modular synths (Moog Sub37), electronic drum rhythms, and guitars, Hawksmoor creates an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.

With distorted arpeggiated synthesisers and cold metallic drum-machine patterns, William Wiffen from Yorkshire invites you to his sonic warzone. Höga Nord Rekords proudly presents RED (Rapid Ear Damage), a stripped and harsh take on postpunk, motorik and EBM. With haunting and reverbdrenched synthesizers, Wiffen’s new project sometimes resembles acts like Two Lone Swordsmen in their dirtiest moments.

RED is not a wholesome and pleasant experience. Heavily modified vocals, used more like an additional instrument, breaks through the distorted, hard, backbeat, contributing to the feeling of being trapped in a mental slit trench or bomb shelter: no light coming in – only sound. Set the controls for the heart of the void.

New joint artist and label project from 3 underground Hip Hop heavyweights, Dillon (Full Plate) and Tom Caruana (Tea Sea Records) with a little help on turntables on ‘Russshhh!!!’ from Mr Fantastic (AE Productions).
2 different yet perfectly complementary songs – the main cut ‘Russshhh!!!’ is a fast rap burst of adrenaline – a somewhat scarce beast this side of the 1980’s and only the most capable of MC’s have the breath control to do the style justice. The flip-side is a much more introspective and laid-back Jazzy number to bring the listener back down to earth – Duval County, Florida to be exact.
Both artists have released projects with AE previously – Dillon along with Paten Locke on their Rap Safari J-Zone Remix single and Tom Caruana produced Oxygen’s Age-Appropriate album. This one is not from a larger album project (although we did hint to Dillon and Tom Caruana to do some more!) so both tracks are currently exclusive to this 7” release or download.
The sleeve artwork by Mr Krum features striking photography captured by Mr Krum during a taxi ride in Japan which sat waiting for the suitable project until now. The inclusion of the fast forward symbol is a stroke of genius as when flipped it works as the rewind symbol ideal for the B-side – Let’s Go Back, creating a crisp sleeve design.

After 3 LP (MEUH! à la petite cuiller and VU A LA TÉLÉ), INTERIM comes back with TRASH, a 4th beautiful blue vinyl LP with electro pop and dub dancing sounds. Electronics and weirdness of all kinds are once again the signature of the duo.


Agnès Rougier (bass, melodica, electronics, lyrics) and Michel Bazieu (electronics, lyrics) hijack words to play with reality and have fun making the machines sing. Lizard men and climate change (Lizard Man), the French state and chlordecone (CLD Banana Dub), the Trump’s space force (Space force Dub), the Chinese social tyranny (Social Control) or Facebook (Up Sugar Mountain): the 9 tracks of TRASH humorously describe the social and political tragedies and excesses of today’s world.


Recorded and mixed by INTERIM. Mastering by Pete Maher. On the cover, an original drawing by Arthur Junier. TRASH is produced by the label MEUH! Productions.

White Vinyl

Wytch Hazel melden sich fulminant mit einem neuen Album zurück!
Ihre musikalische Ausrichtung wird meistens als Hard Rock mit mittelalterlichen Anklängen beschrieben. Als wichtige Einflüsse werden häufig Thin Lizzy, Wishbone Ash und Jethro Tull genannt. Die drei Vorgänger-Alben erreichten auch bei deutschen Musikkritikern aus der Hardrock- und Metal-Szene gute bis sehr gute Bewertungen, u.a. war das 2020er Album 'III: Pentecost' im renommierten Deaf Forever-Magazin 'Album des Monats'. Mit fieberhafter Kreativität, progressiver Dynamik und beflügelt von charakteristischem Twin Guitar-Salven sucht die englische Band nach dem perfekten Sound - und ihrer ganz eigenen Interpretation von klassischem Hardrock. Und diese glitzernde Schatzkiste von 'IV: Sacrament' erweist sich als überaus würdiger Nachfolger des gefeierten Vorgängers. Ist es nicht nur die beste Produktion des Quartetts aus Lancashire, sondern auch ihre durchgehend stärkste Sammlung von ergreifenden Hooks und zeitlosen Melodien.

Sardinian born E.L.I.A.S is an artist who’s always evolving and producing music that combines hard kicks with distorted synths and mean rumbling grooves in equal heavy measure. His enthusiastic mind grows with each step he takes musically, becoming more and more focused with every fist clenching beat he knocks out.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’re exploiting some other-worldly storming techno here for those club conquering moments in which you’d unconditionally establish full control over the dance floor with a warlike incursion into the bass bins.

Penetration directly into the minds of those who hear this invasive release will inevitably lead to a lack of all self-control as all members of the tribe will involuntarily bust some ferocious moves on their favourite pista da ballo.

WARNING: NOT PLAYING THIS RIOTOUS MUSIC WILL INSTIGATE AN ABOMINABLE SCANDAL