Der Sänger und Multiinstrumentalist Nad Sylvan kehrt mit seinem fünften Studioalbum "Monumentata" zurück. Die 8 Tracks zei-gen Sylvan von seiner verletzlichsten und persönlichsten Seite, mit einer Sammlung, die ein breites Spektrum an Themen und Stilen abdeckt, von dunklem und schwerem Prog bis hin zu Pop und R&B. Auf dem Album wird Nad von einer hochkarätigen Band unterstützt, darunter Tony Levin (King Crimson), Randy McStine (Steven Wilson), Nick Beggs (Steven Wilson), Jonas Rein-gold (Steve Hackett), Lalle Larsson (The Flower Kings), Mirko De Maio (The Flower Kings), Joe Deninzon (Kansas), Marco Min-nemann (The Aristocrats), Felix Lehrmann (ex-The Flower Kings), David Kollar (Steven Wilson), Sheona Urquhart, Jade Ell & Neil Whitford. Das Album wird als Ltd CD Digipak, Gatefold LP in transparent-grünem Vinyl sowie als Digital Album erhältlich sein.
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Moments of Solace is the introspective new EP from London-based artist, musical director, and producer Amane, released via Música Macondo.
Across six beautifully crafted tracks, Amane distills elements of ambient electronica, IDM, and jazz, creating music that evokes a deeply emotional journey through sound.
From the outset, Moments of Solace is contemplative and hypnotic, weaving together the pulse of electronic percussion, the glow of nocturnal pads, and the calming resonance of synths. Echoes fade and return like tides — forming ecstatic waves of sound that invite the listener into a space of reflection and emotional release.
For Amane, this collection serves as a creative response to a world that feels increasingly chaotic and dark — offering listeners a sonic refuge. The EP channels the ambient excursions of Boards of Canada, the rhythmic urgency of a Floating Points club set, and the cinematic sweep of night drives along the Pacific Coast Highway or meditative rides on Japan’s Shinkansen.
Despite an intense touring schedule, Amane found the time to craft this personal and globally resonant work. Moments of Solace mirrors his life experience as a nonstop traveling artist — soundtracking late nights, contemplative moments, and euphoric dance floors alike.
- Amane combines ambient textures, IDM structures, jazz influences, and club sonics into a cohesive sound.
- Inspired by artists like Boards of Canada and Floating Points.
- Reflects a global journey: from London nightlife to Pacific coastlines to Tokyo train rides.
- Released via Música Macondo, a label known for global, genre-blending innovation.
Amane is an East London-based musician, producer, and musical director whose career spans an eclectic range of genres and high-profile collaborations.
He has served as Musical Director for Little Simz, Jorja Smith, Amaarae, Ego Ella May, and Maverick Sabre; performed alongside global stars such as Ed Sheeran, Elton John, Anne-Marie, Sigrid, Dermot Kennedy, King Krule, and Ata Kak; and was a key member of the acclaimed London ensemble Maisha, whose debut was released via Gilles Peterson’s Brownswood label as part of the landmark We Out Here compilation.
In his solo work, Amane channels his deep musicality into soundscapes that reflect on the state of the world, offering listeners spaces for reflection, calmness, and emotional connection.
- A1: Expanding The Head Of Zed
- A2: The Triumph Of King Freak (A Crypt Of Preservation And Superstition)
- A3: The Ballad Of Sleazy Rider
- A4: Hovering Over The Dull Earth
- A5: Shadow Of The Cemetery Man
- A6: A Brief Static Hum And Then The Radio Blared
- A7: 18Th Century Cannibals, Excitable Morlocks And A One-Way Ticket On The Ghost Train
- A8: The Eternal Struggles Of The Howling Man
- A9: The Much Talked Of Metamorphosis
- B1: The Satanic Rites Of Blacula
- B2: Shower Of Stones
- B3: Shake Your Ass-Smoke Your Grass
- B4: Boom-Boom-Boom
- B5: What You Gonna Do With That Gun Mama?
- B6: Get Loose
- B7: The Serenity Of Witches
- B8: Crow Killer Blues
Re-Release auf transparent gelbem Vinyl
- The Yankee Fellow . Sonny
- Gray Skies
- They Called Him Django
- Lo Ammazzò Come Un Cane...ma Lui Rideva Ancora
- Cuando Se Muere El Sol
- Concerto Per Un Killer
- That Man
- A Gringo Like Me
- Find A Man
- Arizona Colt
- Il Cammino Di Ogni Speranza
- Era Un Cow-Boy Ballata Per Un Pistolero
Deluxe[115,92 €]
Die mit Sicherheit coolste Spaghetti-Western-Compilation aller Zeiten kommt vom legendären SoundtrackLabel CAM Sugar. Niemand geringeres als der Brite Jeymes Samuel, Regisseur des modernen NetflixWesterns „The Harder They Fall“ und anderer Erfolgsfilme, sowie Singer-Songwriter (The Bullits), kennt sich mit der Musik italienischer Kult-Western bestens aus. Aus den CAM-Sugar-Archiven hat er jetzt 20 mitreißende Tracks aus der Feder von Ennio Morricone, Piero Umiliani, Nico Fidenco und anderen Legenden zusammengestellt. Diese Themen voll wilder Rhythmen, donnernder Gitarren und entfesselter Orchester sorgen für Action auch auf dem Plattenteller.
Drei der von den Originalbändern remasterten Tracks sind bislang auf Vinyl unveröffentlicht. Multi-Talent Jeymes Samuel hat auch das Cover-Artwork von Hand gemalt, im beiliegenden Booklet interviewt er die beiden Stars seines Westerns “The Harder They Fall”, Regina King und David Oleyowo, außerdem sind Original-Notenblätter und Filmposter abgebildet.
- A1: You’ll Lose A Good Thing
- B1: Love Me Tonight
This is the very first reissue on 7” single of these super rare and gorgeous early Reggae tracks by one of the most underrated voice of Jamaica. Both these tracks were produced by Dandy Livingstone and released in 1969 on the Downtown label, a Trojan sublabel, on two separate singles:
- DT-436: Audrey "You'll Lose A Good Thing" with Desmond Riley "If I Had Wings" on the flip.
- DT-414: Audrey "Love Me Tonight" with Brother Dan All Stars "Shoot Them Amigo" on the B side.
NOTE: Desmond Riley "If I Had Wings" is featured on our companion single also to be released on June 21, 2025.
This reissue brings these two rare gems together for the first time on a 7” single allowing enthusiasts and collectors to experience their gorgeous sound.
The original pressings have become highly collectible, with copies fetching big sums in the collectors' market.
This exceptional release will be available on our website and in select record shops worldwide from June 21, 2025.
Audrey Hall, aka Audrey was born in Kingston in 1948, sister to Pam, Trevor & Raymond Hall, all Reggae artists. She began her career as a duo, Dandy & Audrey with Dandy Livingstone. She recorded two albums with Dandy as a duo in 1968 and 1969.
She also recorded a handful of solo singles on the Down Town label with Livingstone as a producer. Dandy was a key producer shaping Jamaican sounds in Britain at that time. Although these tracks are actually all quite nice, two tracks really standout: “You’ ll Lose A Good Thing” and “Love Me Tonight” both released together for the first time on this single.
After the Skinheads craze subsided in Britain, Audrey moved to New York. During much of the 1970s and early 1980s, she worked as a backing singer alongside her sister Pam Hall. She made a real come-back as a solo artist in 1985 with producer Donovan Germain and scored many hits in the U.K.including “One Dance Won’t Do”, "Smile" and "The Best Thing For Me".
While she gained wider success in the 1980s with lovers rock hits, she did not quite get the recognition her outstanding singing skills deserved and she remains one of the most underrated voice of Jamaica…
- A1: Intro
- A2: Back Then
- A3: Flossin' (Feat. Big Moe)
- A4: Still Tippin' (Feat. Slim Thug And Paul Wall)
- B1: Got It Sewed Up (Remix) (Feat. Juicy J And Dj Paul)
- B2: Scandalous Hoes (Feat. Lil Bran)
- B3: Screw Dat
- B4: Turning Lane
- C1: Laws Patrolling (Feat. Cj Mellow And Lil Bran)
- C2: 5 Years From Now (Feat. Lil Bran)
- C3: Cuttin' (Remix)
- C4: What Ya Know About... (Feat. Paul Wall And Killa Kyleon)
- D1: Know What I'm Sayin' (Feat. Bun B And Lil Keke)
- D2: Type Of N**Ga U Need (Feat. Brighteyes) D3. Grandma
It takes grindin' to be a king and Houston's Mike Jones' work ethic of "You Don't Work, You Don't Eat, You Don't Grind, You Don't Shine" had his phone blowing up in 2005 with the release of his major label debut Who is Mike Jones? on Asylum/Swisha House/Warner Records. Mike Jones started rapping in the early 2000s and he released a couple of independent albums on his own label Ice Age Entertainment before linking up with Michael "5000" Watts of Swisha House. He recorded the underground single "Still Tippin" with Texas contemporaries Paul Wall and Slim Thug, which appeared on the Swisha House compilation The Day Hell Broke Loose 2. The song, full of southern hip-hop slang and braggadocio, was an ode to the classic car culture in Houston, Texas, and could be heard bumpin' out the trunks of cars nationwide with its heavy bass and classical string loops. Before the release of Who Is Mike Jones? girls would ignore him, but after the release of "Still Tippin" they were all up on him, which led to the release of the single "Back Then" where he shouted out his real cell phone number that played a major part in the marketing and promotion of the album.You could call 281-330-8004 and get his voicemail and leave a message, but sometimes he would answer, which led to spreading the word of Mike Jones' debut album. "Back Then" was also a top-selling ringtone because (back then) you had to buy and download ringtones, unlike today. Mike truly went viral before going viral was even a thing. After dropping the two hit singles, Who Is Mike Jones? was released on April 19th, 2005, and would sell over a million copies that year, leading to certified platinum status. Twenty years later, this Texas Rap classic still holds up with features from other H-Town legends including S.U.C.'s Big Moe (RIP),Bun B, Paul Wall and Lil Keke. Juicy J & DJ Paul of Three 6 Mafia added their Memphis touch to the "Got It Sewed Up Remix" and the album ends with a heartfelt dedication to Mike Jones' late Grandmother on "Grandma". Get On Down is proud to present the first vinyl reissue of Who Is Mike Jones? in a limited edition silver and red color-in-color pressing packaged with a full color printed insert tocommemorate the 20th anniversary of this H-Town classic
Far above the skylark sings And beats the air with joyful wings Till all the sky with music rings At high noon of the day With 2022's critically acclaimed album Ghosts, enigmatic Shropshire group HARESS markedout their own place in a growing landscape of artists navigating the world of the traditional and the rural in new ways. Ghosts led to the normally reclusive Haress venturing out from their base in the Shropshire Hills for live performances with the likes of Godspeed You! Black Emperor, Shovel Dance Collective, Big Brave, Steve Von Till and appearances at Supersonic and Krankenhaus Festivals - not to mention making fans of everyone from Kevin Martin to James Holden in the process. Skylarks is perhaps the natural conclusion of these past few years for the group. Whereas previous Haress recordings have embraced something of the unknown in the process of their making, Skylarks sees a well-travelled group of musicians carefully craft long and expressive pieces of music in a powerful and instinctual way. The music here might be long, but it never sprawls out of control. The telepathy present in live performance has been harnessed and used to carefully compose and arrange these four pieces, narrating a journey through landscape and time that is as powerful as it is beautiful. Inspired by found folk songs, the power of nature and the power of community and Ben Myers' brutal tale of resistance The Gallows Pole, Haress have created a genuinely epic soundtrack to a world both past and future, real and imagined. The ambience and atmosphere of the recording (expertly captured by Phil Booth of JT Soar Studio on location in the group's hometown of Bishop's Castle) is entirely natural, the sound of an ensemble playing live in the room around you. The only vocal interjection this time comes from a choir of voices, replicating the communal singing that has been the centrepiece of Haress live performances. When the voices emerge, it feels truly euphoric and heavy. Not heavy as in metal, but heavy as in the Earth itself - a primal, joyful gut punch to the system. "This blissed-out psychedelia is not quite pastoral – there’s nothing twee about these unwinding grooves – yet evokes water and wood, light and shadow, a place of forgotten labour and the absent human form with a beguiling grace" - Luke Turner on Ghosts, The Quietus Albums Of The Year 2022 "That timelessness of the old sounds but with an added tripped out modernity and dissonance hooked into the past by the power of drone is magical and exhilarating stuff – they are truly spellbinding – ancient and modern like British ragas or a damp searching for the soul of England take on the desert blues of a Tinariwen" - Jon Robb reviews Krankenhaus Festival 2023, Louder Than War
- A1: How About A Little Fanfare
- A2: I Think You Know
- A3: The Spark Of Life
- A4: An Elpee's Worth Of Toons
- A5: A Dream Goes On Forever
- A6: Lord Chancellor's Nightmare Song, Arranged By – Todd Rundgren, Written-By – Gilbert & Sullivan
- B1: Drunken Blue Rooster
- B2: The Last Ride
- B3: Everybody's Going To Heaven / King Kong Reggae
- C1: Number 1 Lowest Common Denominator
- C2: Useless Begging
- C3: Sidewalk Cafe
- C4: Izzat Love ?
- C5: Heavy Metal Kids
- D1: In And Out The Chakras We Go (Formerly: Shaft Goes To Outer Space)
- D2: Don't You Ever Learn
- D3: Sons Of 1984
- My Blue Heaven
- I'm An Errand Boy For Rhythm
- It Could Happen To You
- Lady Be Good
- The Touch Of Your Lips
- Take My Smile
- Stray Horn
- Oh Me, Oh My, Oh Gosh
- Don't Get Around Much Anymore
- Gee Baby Ain't I Good To You
- Candy
Recorded in 1990 for the noted New York audiophile label Chesky Records, My Blue Heaven was John Pizzarelli's frst signifcant album release, heralding the arrival of a major talent and future Grammy- winning star
Supported by a dream team line- up of veteran jazz stars - including Pizzarelli's guitarplaying father, Bucky, together with trumpeter Clark Terry , bass supremo Milt Hinton, and drummer extraordinaire Connie Kay - the New Jersey- born singer and virtuoso of the seven- string guitar serves up a swinging cache of evergreen jazz standards. With the album's highlights ranging from spirited revamps of the Nat King Cole Trio's 'Candy,' and Dave Frishberg's 'Can't Take You Nowhere,' the impeccably recorded My Blue Heaven represented a signifcant step in Pizzarelli's early musical journey, helping to introduce him to a wider audience. The album is reissued on 180g One Step Pressing Vinyl LP.
- A1: Empty Hearted Town
- A2: Steady Rain
- A3: Join Me In L.a
- A4: Hasten Down The Wind
- A5: Werewolves Of London; Written-By – Leroy Marinell*, Waddy Wachtel, Warren Zevon
- A6: Tule's Blues
- A7: The French Inhaler
- B1: Going All The Way
- B2: Poor Poor Pitiful Me
- B3: Studebaker
- B4: Accidentally Like A Martyr
- B5: Carmelita
- B6: I Used To Ride So High
- B7: Stop Rainin' Lord
- B8: Back In The Highlife; Producer, Engineer – Paul Q. Kolderie, Sean Slade; Written-By
- C1: The Rosarita Beach Café
- C2: Desperados Under The Eaves
- C3: Workin' Man's Pay
- C4: Frozen Notes
- C5: Some Kind Of Rider
- C6: I Was In The House When The House Burned Down; Producer, Engineer – Paul Q. Kolderie, Sean Slade
- C7: Don't Let Us Get Sick (Solo Acoustic); Engineer – Bill Johnson (8)
- D1: Warren Speaks On Songwriting And The Early Days Of His Career
- D2: Musings On Mortality, Song Noir, Religion In His Music And The King Of Rock N' Roll
- D3: A Chat About The Producers Of "Life'll Kill Ya," The Album's Stark Sound And Other Singers Covering His Songs
- D4: His Take On Steve Winwood's Classic, The Split Personality, Images And Inspirations In His Compositions
- D5: Talk Of Tv, Movies, Acting And Performing
- A1: The Honey Drippers– Impeach The President
- A2: Eddie Bo– If It's Good To You (It's Good For You)
- A3: The Gaturs– Gatur Bait
- A4: Johnson* & The Lucky Hearts– Get It
- A5: Sonny Jones– Sissy Walk
- B1: Mary Jane Hooper– Don't Change Nothing
- B2: Herbie Thompson– Keep On Stepping
- B3: The Black Nasty*– Party On 4Th Street
- B4: Lynn Day– Bit Off More (Than I Can Chew)
- B5: Ike Turner & The Kings Of Rhythm*– Funky Mule
- C1: Billy The Baron & His Smokin Challengers*– Communications Is Where It's At
- C2: City Council Ltd.– When You Git Through Wit It Put It Back
- C3: Bobo Mr. Soul– H.l.i.c
- C4: The Chosen Few (8)– We Are The Chosen Few
- C5: Georgianna Mccoy & The Classetts– I've Got To Space
- D1: Johnny Mae Matthews*– My Momma Didn't Lie
- D2: Glenda Dove– It's Gotta Be Something Else
- D3: City Council Ltd.– You Got It All, Ain't No More
- D4: Dennis Lee & Notables– Funky Penguin
- D5: James Black– There's A Storm In The Gulf
- A1: Intro
- A2: Arrival In Nara; Violin – Kirsty Mangan
- A3: Nara; Violin – Kirsty Mangan
- A4: Every Other Freckle
- B1: Left Hand Free
- B2: ❦ (Garden Of England - Interlude); Arranged By – Will Gardner (5)
- B3: Choice Kingdom
- C1: Hunger Of The Pine
- C2: Warm Foothills; Lyrics By – John Bayley; Violin – Kirsty Mangan; Vocals – Conor Oberst, Marika Hackman
- C3: The Gospel Of John Hurt; Guitar – Brett Cox; Marimba – Beth Higham-Edwards
- D1: Pusher
- D2: Bloodflood Pt.ii; Cello – Rachael Lander; Trombone – Trevor Mires; Violin – Kirsty Mangan
- D3: Leaving Nara
- D4: Lovely Day
- A1: Echo Of My Shadow
- A2: To Be Alright
- A3: Your Blood
- A4: The Conflict Of The Mind
- B1: Some Type Of Skin
- B2: The Essence
- B3: Earthly Delights
- B4: The Dark Dresses Lightly
- C1: Soul With No King
- C2: Dreams
- C3: My Name Feat. Ane Brun
- Featuring – Ane Brun
- C4: Do You Feel?
- D1: Starvation
- D2: The Blade
- D3: My Body Is Not Mine
- D4: Invisible Wounds
- A1: Yen Sleep
- A2: Concrete Cancer
- A3: Peckerwood Stomp
- A4: Inside Looking Out
- A5: Mental Kingdom
- B1: Sodden Jackal
- B2: Iron & Stone
- B3: Indestroy
- B4: Mourning
- B5: Spirit Caravan
- B6: Skybone
- C1: On The Hunt
- C2: No Blame
- C3: Neatz Brigade
- C4: Hiding Mask
- C5: Endless Circle (Live)
- D1: Streetside
- D2: Climate Of Despair
- D3: Decimation
- D4: Fears Machine
- D5: Field Of Hours
- A1: The Shimmer Band– Freedom
- A2: Firewoodisland– Dearest Brøther
- A3: Dr Meaker– Deep In My Heart (Ft. Lorna King)
- A4: Celestine (3)– Driving Away
- A5: Michel Padron– Moon Street
- B1: Patrick Duff– Brian Jones
- B2: Laid Blak– Bristol Love
- B3: Lice (6)– Gentleman's Magazine
- B4: Oliver Wilde– You're So Kool-Aid
- B5: Gary Clail Sound System*– Electric Skies (Edit)
- A1: Return To The River Ganges (Distant Green Shore Dub)
- A2: Mediolana (Ambrosirus Dub)
- A3: The Galicians Of Asia Minor
- B1: Indika Keltika (Fiery Pharoah Mix)
- B2: Dhaka Corinthia
- B3: Delfic Tongue (Hercynian Forest Dub)
- C1: Voyage Of The Pytheas (Pagan Dub)
- C2: Benares Eternal City (Eryri Dub)
- C3: Sumerian Odyssey
- D1: King Of The Faeries (Demnoriax ‘King Of The Lower World’ Dub)
- D2: Deer Hunter (Aeduan Druid Odyssey Mix)
- D3: Atmabodha (Ritual Focus Dub)
Coloured[32,73 €]
OVERVIEW: DUB TREES is one of Youth’s most revered dub projects, it helped define the Liquid Sound Design sound that fans around the world hold dear. This project is the third in a triptych of albums Youth has made with a specific Celtic / Hindu fusion. Starting out with the classic Celtic Cross ‘Hicksville’ 20 years ago, featuring the mythical Simon Posford (Shpongle) through to ‘East of the River Ganges’ (ft Klaus Shultz / Tangerine Dream amongst many others) in 2004 followed by the last piece of this mystical puzzle ‘Celtic Vedic’ ,released on compact disc only in 2016 , which charts the journey of the Celt from Northern India to Snowdonia. The idea stems from Youth’s firm belief that there is a strong correlation between Celtic and Vedic cultures and their Northern Indian roots. Youth has assembled a host of collaborators to weave their labrynthine magic on ‘Celtic Vedic’: Jah Wobble (PiL) on bass, Matt Black/Coldcut (Ninja Tunes) on warped soundscaping duties, Galician Celtic pipe and flute player Daniel Romar, Bollywood contemporary Indian singer Shridevi Keshavan and Elfic Circle. It features many field recordings made by Youth on his various Indian odysseys and is all harnessed together with cutting-edge electronica that the Liquid Sound Design team pioneered 20 years ago. The team today are still pioneering new directions within ‘Downtempo Electronica Music’ and beats that create 3 dimensional landscapes for the helioscopic imagination to explore and psychoactive maps for the inner astronaut in all of us. ‘Celtic Vedic’ promises unchartered bass annihilation and heliotropic soundscapes, pounding basslines overlayed on 3D holographic beats and wrestles with serpentine melodies and psychedelic textures.
- A1: Bulldog; Written-By – G. Tomsco*
- A2: Kami-Kaze; Written-By – P. Johnson*
- A3: Let's Go Trippin'; Written-By – D. Dale*
- A4: Ramrod; Written-By – A. Casey*
- A5: Mr. Moto; Written-By – P. Johnson*, R. Delvy*
- A6: Red River Rock; Written-By – Mendelsohn*, Mack*, King*
- B1: Miserlou; Written-By – Tauber*, Leeds*, Roubanis*
- B2: Latin'ia; Written-By – M. Hilder*, T. Nunes*
- B3: Surfin' Safari; Written-By – B. Wilson*, M. Love*
- B4: Movin' & Groovin'; Written-By – Eddy*, Hazelwood*
- B5: Vampire; Written-By – P. Johnson*, R. Delvy*
- B6: Torquay; Written-By – G. Tomsco*




















