Cerca:early l a

Little John is one of the most loved and prolific 80s dancehall artists. He started as a child artist in 1979 and by the mid 1980s had recorded for every major producer. In 1984 at age 14 he already knew the ropes of the business and started to produce 45s on his own Romantic label, which he continued sporadically releasing tunes on up until 1993. For us this is one of the coolest looking labels of the latter 1980s, and has a handful of hard to find killer 45s, mostly obscure and mostly slept on. So naturally we needed to corral these for another all killer no filler compilation. True to his own roots, Little John’s label mostly features fresh youthman artists, though a handful of veterans, like Frankie Paul and Early B who are both featured here, also recorded for him. The ten songs on this comp are our favorites from the label, featuring a selection of killer rhythms spanning the heavy mid 80s style, the proper late 80s digital style, and the more uptempo early 90s style. Hardcore DKR heads take note - this features three cuts on that most hallowed 1987 digi rhythm.

Early support from Priku, Arapu, Sepp, Nu Zau, Mihai Popoviciu, Iuly.B, Vern and many others

- Channel Tres releases his debut album Head Rush via RCA Records.

The album, which features the previously-released singles "Berghain" featuring Barney Bones and "Cactus Water" is the culmination of Channel's steady ascent since he first broke through to public consciousness with his cult-classic debut single "Controller." Head Rush features all of the sounds that have come to be hallmarks of Channel Tres songs, but finds him incorporating musical influences not heard in his prior catalog, as evidenced by "Berghain" and other songs from the album including the Ty Dolla $ign-featuring “Holy Moly,” a visualizer for which is out now. The album arrives on the heels of two recent head-turning Channel Tres collaborations as well -- his contribution to KAYTRANADA's "Drip Sweat" and Jay Worthy, DāM FunK & ATrak's "105 West" alongside fellow LA legends Ty Dolla $ignand DJ Quik exemplify his versatility. Head Rush is a richly layered record, but one that feels totally intuitive, without a trace of doubt or self-consciousness.

The way “I’m Him” shimmers is balanced by the Estelle-featuring “We Hungry,” which nearly growls; the spare, percussion-forward Ravyn Lenaeduet “Need U 2 Know” (the stylization of its title a nod to Prince, one of Tres’s major influences) at delightful odds with the easy ride of “Gold Daytonas.” Head Rush shows the staggering array of styles Channel Tres can evoke. But that versatility is not the point in and of itself—the point is that all these component parts can be reassembled into something that feels uniquely personal, and honest. Through his career, Tres has blended recognizable genres, textures, and points of view into a truly singular form all his own. Longtime listeners will recognize in Head Rush the hallmarks of a Channel Tres record: a mastery of rhythm, the rare ability to make songs sinister and fluorescent at once.

But this LP also opens a new sonic world, one rife with unexpected terrain and hairpin turns—see the way “Type” takes what sounds at first to be a simple romantic boundary and stretches it out into an alien landscape. Or take “Berghain,” a song that nods to the kinetic live shows that became must-see events—a crescendo of interest that included his momentous Coachella 2022 performance and culminated, at least symbolically, with his early 2023 set at Berghain, the legendary Berlin club that has long been a musical hub of the Western world. “Berghain” is delirious but thumps almost impossibly hard, in line with the album as a whole—always molting, always ready to turn from the claustrophobic to the communal, as the pivot on “Joyful Noise” accomplishes so seamlessly. Head Rush also features some of Tres’s most deeply felt vocals to date, like the veritable bloodletting on “Two Ways.” And so the record, which also features Ty Dolla $ign, Thundercat, Teezo Touchdown, Watr, Barney Bones and Toro y Moi, marks a new era for Channel Tres, personally as well as artistically. “I’m older now, and the things that I’ve accomplished tell me I’m ready to do this,” he says. “You’ve worked your whole life for this, you’ve been able to do these shows and walk into these rooms and make these songs. There’s no reason you have to live by the same insecurity that you had to use in years past.” Shedding that baggage accomplished exactly what it was meant to—lightening the load so we’re free to get heavier than ever

After a string of celebrated releases for labels like Eglo, Neroli, and Sounds Familiar, Patrick Gibin unveils his debut album on his own Mother Tongue imprint, showcasing his signature dedication to all things deep and soulful.


Standout collaborations include tracks with Kaidi Tatham, such as “Gear Up Rudi!” and “Let It Go,” with Kaidi also delivering a rare vocal performance on the title track. Patrick’s early house and acid influences shine on “No Matter What” and “Joint Purpose (Alternative Mix),” while his notorious love for boogie is on full display in “Team Spirit” and the Sandra St. Victor collaboration, “Come Mornin’.”


Sandra, best known as the powerhouse voice of The Family Stand, brings her unmistakable vocal brilliance to the album, enhancing its emotional depth and soulful energy. The album closes with the mellow outro “In This Together,” another title that shows the mindframe and ethic behind Mother Tongue in all its endeavours. This collective spirit is further reflected in the contributions of Italian talents Edoardo della Bitta and Alberto Lincetto, whose musical artistry added a vital dimension to the album’s rich and soulful sound.
It’s all about Strength in Numbers!

Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.

KingCats are a German Show Band from West Germany, formed in 1972 first as AristoCats. They became KingCats in 1976. The lineup was Peter "Pit" Kurz and Norbert "Knox" Rieger on vocals and guitar, Theo Wild (and later, Hans-Jörg Koch) on keyboards and vocals, Eberhardt "Lupp" Krieg on bass and vocals, and Rolf Knauss on drums and vocals. French drummer/singer Patrick Buchmann, alias "Sdinganuff", joined the band in 1980 upon recommandation from Claus Backhaus (Studio 2000, Mannheim, Germany) and saxophone superstar Peter Drischel, alias « Pete Tex ». Before Buchmann’s departure to Los Angeles to study at Musicians Institute, he suggested they record an LP to document some of the band’s compositions which led to the original self titled "KingCats" album in January of 1983.

This rare album was recorded and mixed in Strasbourg, France at Omega Studio by sound engineer Francis Adam, the LP showcases a variety of 80’s unique compositions by Buchmann, Kurz and Rieger. The song "Down In California" gently made its way to the public ear since. Luckily, Francis Adam found the original 16 track, 1 inch tape in early 2024 and saved the original project from desintegration. This long awaited discovery led to this freshly edited, remixed and remastered 2024 version of "KingCats". Produced by Francis Adam, Patrick Buchmann and Peter Kurz, no instruments or vocals were added, and no animals or vegetables were harmed during this process. We hope you will like this new limited edition of "KingCats" !

Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.

“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.

West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.

Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.

“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing

'La Quinqui' / 'Llora' is Gipsy Power Band's debut single, where they merge flamenco rumba, rock and funk astonishingly, evoking a unique era of Spanish music.

Formed in Madrid in 2022, Gipsy Power Band was originally conceived to pay live tribute to the music of the Spanish exploitation film genre known as "cine quinqui", performing tracks from those movies and many other foundational songs: hits, some flops and hidden gems released in Spain from the mid-70s to the early 80s. Rock, funk, disco and flamenco rumba productions by Los Chichos, Las Grecas, Los Chunguitos and Los Chorbos, among others.

After two years setting the Madrid stages on fire and making the public dance to this vintage repertoire, the time has come to move to the next level. The band has evolved and now they are releasing their first own songs: a dramatic love story told from two points of view worthy of a period "cine quinqui" movie, the spirit of which inspires the compositions.

For their eleventh release, Cedesciu Wax features three tracks from Germany's Eame as the Based on Earth EP. Featuring mpeg's remix on the title track.

Early support by Sepp, Gescu, Truly Madly, Lumieux, Nu Zau, Cosmjn, Miroloja, Sublee, Per Hammar, Mihai Pol, Gene On Earth, Alex Font, Iuly B, Direkt.

Mastering by: Marco Pellegrino

Art by: Camila Carini

Starting life as the most asked about ‘ID’ in Maur’s DJ sets during the Summer, to now finally being released on Toolroom, this stone-cold classic from 2006 gets an update from Maur. Maintaining much of the original vibe but adding their trademark big room melodic twist with bundles of energy. Already causing a huge stir at club level with Gorgon City, Danny Howard, Adam Beyer and Nicky Romero all providing early support. On the flip is the 2006 original in all its glory.

We are fired up to bring you House music icon Nail of Robsoul, Classic and Diy fame. The Fleng Ep is the first release of the soon to be sought after Nail Series. Get it while ya can as we have numerous Nail EP’s to follow.

Starting off with Late At Night, Nail hits it hard with this funky stomper that’ll spank any dance floor.

Follow up the A Side with Hey! and we stay moving and shaking with a catchy monologue over a driving baseline that bobs and weaves with solid energy.

Kicking off the B Side we have grinding, dirty low-end on Peanuts 3 with complimentary vocal chants that’ll surely have dance floors strutting to the tune.

U Know What 2 Do closes us out and whoa, does it ever. Deep, funky, House music with a dash of r&b delight. Don’t sleep!

Early plays from DJ Sneak and Austin Ato.

2025 repress

Mastering by Paul Mac @ Hardgroove Mastering.

Early support by Alderaan, Charlotte de Witte, Dave Miller (Abstract Division), Dimi Angelis, Dj Almelo, Dustin Zahn, Forkowski, Gareth Wild, Gotshell, Hector Oaks, Joton, Kwartz, Kessell, Kaiser, Lewis Fautzi, Nez, Norman Nodge, Norbak, Phara, Ryuji Takeuchi, Stranger, Takaaki Itoh, Tensal.

he initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the victims of human rights violations during the military dictatorship led by Augusto Pinochet between 1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a 24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5 months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.

the debut release of women’s brightest hope “polygonia” on mule musiq.

our friend&label artist “simone de kunovich” introduced her and she sent us
an excellent unique house music.

she sung,wrote the lyric, playing violin and flute.

a1 “upside down” reminds us bit early herbert style.unique melody and vocal.

a2 “eyes between letters” is kind of excentric afro brazilian deep house.we love this deep house.

b1 “beyond light and shade is like electronic version of midori takada or mkwaju ensemble.
it reminds us japanese 80’s kankyo ongaku.

b2 “complementary senses” is highlight of the release.very playful organic psychedelic mini-mal deep house.we think this kind of music is very rare these days.

so polygonia´s new 12nch is definitely on of the highlights on mule musiq in this year.
we love it so much!

Club U Nite Records presents a Split EP you don’t want to miss!

Two labels. One vinyl. Maximum vibes. Club U Nite Records (Cat. No. CUNT035) and Theory Of Swing come together for a split EP that’s dripping in deep, oldschool energy. Strictly for the heads, this limited-edition wax is pure heat – and it’s not gonna last long.

On the Theory Of Swing side, Italy’s rising DJ & Producer St. David sets the tone.
"Undagroov" is a secret weapon, ready to ignite any underground set with its deep female vocals and hypnotic house piano. It’s a straight-up vibe.
Follow it up with "Get On Dance" – a filthy swing groove with jazzy keys that keeps things raw and real. St. David doesn’t miss.

Flip to the Club U Nite side, and it’s all about Mellow Man.
"Club U Nite Is In The House" is a straight-up club slammer – dirty, heavy, and designed to make the system shake.
Then, Mellow closes things out with "Favourite Song" – another brilliant throwback to the golden era of house. Early ‘90s feels, soulful vox, and infectious piano riffs that will have the floor in a frenzy.

Don’t sleep on this one – this limited vinyl is flying fast!

• Laser engraved, transparent red tinted single cassette.
• Full colour double-sided printed 4 panel J-Card.
• Super Ferro Normal-bias music grade tape.
• 43 minutes per side minutes (A- 42:55 / B- 42:52). (The mixtape totals 71 tracks at 1 hour and 15 minutes.)
• Not available since 2019 and reissued to celebrate the 5-year anniversary of its release in June 2019.
London-based producer and musician Vegyn unveils the reprint of his debut mixtape, "Text While Driving If You Want To Meet God!", a 71-track project originally launched in June 2019, now available again on cassette format. This time, featuring a transparent red tinted cassette chassis, this reissue offers fans a nostalgic journey through Vegyn's early experimental soundscapes. Crafted with Super Ferro Normal-bias music grade tape, each cassette boasts 43 minutes per side, meticulously duplicated in real-time for optimal sound quality. With clear front and back cassette cases, alongside laser engraving, and a double-sided full colour printed 4 panel J-Card. This reissue is set to captivate listeners once again. The cassette repress is scheduled to hit shelves in June 2024.

a A1 4 Year Break 126 Bpm
b A2 80's Nihtmare Setup [127.136 Bpm]
[c] A3 100 Leagues V2 [142 Bpm]
[d] A4 201886 002 _ [145 Bpm]
[e] A5 A Thousand 500 Apr V2 [149.287 Bpm]
[f] A6 All In Me All Of It - [124 Bpm]
[g] A7 Anothher Time Anothher Place [150 Bpm]
[h] A8 B... Arp Forever V3 [109.613 Bpm]
[i] A9 Bedtime Again V2 [130 Bpm]
[j] A10 Big Shoes Big Hands V3 [120 Bpm]
[k] A11 Buddy Lent Me The Pen Again V006 [218.814 Bpm]
[l] A12 Ch---- Pa------- V2 [169.706 Bpm]
[m] A13 Chords To Fix 002 [126 Bpm]
[n] A14 Country Song Without [187.089 Bpm]
[o] A15 Dean Told Me! [132 Bpm]
[p] A16 Deep Throwaway 003 [100 Bpm]
[q] A17 Desktop Speaker 003 [130 Bpm]
[r] A18 Dumb To Everythhing V2 [140 Bpm]
[s] A19 Evil Man Two V2 [120 Bpm]
[t] A20 Feet Too Tough 005 [128 Bpm]
[u] A21 Find Hihs Password 003 [96 Bpm]
[v] A22 First Of 2018 002 [140 Bpm]
[w] A23 Get This Thang Right Here 003 [170 Bpm]
[x] A24 Gnot Up! V2 [109 Bpm]
[y] A25 Go Tow Work [134 Bpm]
[z] A26 Gsc Cbd V1 [98.995 Bpm]
[xa] A27 27.Gsc Cbd V2 [98.995 Bpm]
[xb] A28 Happy Birthday Friendo! [154 Bpm]
[xc] A29 Here We Are - Chords Again [137 Bpm]
[xd] A30 I Only Play Games I Know [160 Bpm]
[xe] a31 If Not Someone Then Somewhere 004 [89.797 Bpm]
[xf] A32 Infinite Freeze Frame [96.532 Bpm]
[xg] A33 Iphone Speakerz [112 Bpm]
[xh] A34 Is It Rough Is It Tough [154 Bpm]
[xi] A35 It's All In The Eyes Of [124 Bpm]
[xj] A36 Its Okay Its Just Okay 002 [145 Bpm]
[xk] B1 Last Pieces Of The Year [120 Bpm]
[xl] B2 Less So More So [140 Bpm]
[xm] B3 Life Feels Good [91.71 Bpm]
[xn] B4 Malibu Hillside - [155 Bpm]
[xo] B5 Maybe Inspired [145 Bpm]
[xp] B6 Midday Sun [124 Bpm]
[xq] B7 Milk Dudz 006 [140 Bpm]
[xr] B8 Mistakes Were Made Risks Were Taken [155 Bpm]
[xs] B9 Monét Monét [135 Bpm]
[xt] B10 Nobody's Business [148 Bpm]
[xu] B11 Noise Making Problem [100 Bpm]
[xv] B12 Ns10 + Sub Combo Classic V2 [120 Bpm]
[xw] B13 Nuish [103.181 Bpm]
[xx] B14 Olbass All Bass 004 [140 Bpm]
[xy] B15 Once A Smoker - Always A Smoker [108.065 Bpm]
[xz] B16 52.One More For The Homies [115.203 Bpm]
[ya] B17 Picnic B_st_rd [112.380 Bpm]
[yb] B18 Picnic Trajegdy [142 Bpm]
[yc] B19 Positive Nightmare [134 Bpm]
[yd] B20 Post Thought Of Knowing Nothing [152 Bpm]
[ye] B21 Pull Shark [127 Bpm]
[yf] B22 Right Noww [150 Bpm]
[yg] B23Sadly Does It [123 Bpm]
[yh] B24 Safety At Night [99.226 Bpm]
[yi] B25 Save Yall Ready Know What It Is 003 [138 Bpm]
[yj] B26 Snslo Modem [135 Bpm]
[yk] B27 Thouhtless Thouhts [155 Bpm]
[yl] B28 To All The Photos Going Up Online Rn [118 Bpm]
[ym] B29 Try And Do A Cd After That [132 Bpm]
[yn] B30 Try Towards Overtime [140 Bpm]
[yo] B31 Veggie Burritotu [120 Bpm]
[yp] B32 Waitin On An Ambulance 002 [205.367 Bpm]
[yq] B33 What Goody In The Back [138.089 Bpm]
[yr] B34 Whhat The Fuck Did I Buy_ 002 [123 Bpm]
[ys] B35 Yo This Is The Next Tune Yah Get Me [124 Bpm]

Nearly two decades after it was first released, Norken’s sleek cult classic album ‘Our Memories Of Winter’ is being reissued on vinyl via Hydrogen Dukebox on 6th December 2024.

With its unique sonic blueprint of early 2000s electronica, ‘Our Memories Of Winter’ is a record that is at once both deeply reminiscent of a particular era and place, yet remains a timeless invocation of Norken’s idiosyncratic palette of minimal, techno, house and British IDM.

This vinyl reissue presents all 12 tracks from the original release, with the inclusion of 'Df23' and 'Flirt' making this the first time that ‘Our Memories Of Winter’ is available on vinyl with the complete album tracklisting.

Norken is one of the many pseudonyms of Lee Norris, a producer who is considered by those in the know as one of the unsung heroes of UK electronica. With a slew of releases throughout the years as Man-Q-Neon, Nacht Plank, Norken, Tone Language and Metamatics, this reissue shines a light on his soulful, immersive output under the Norken name.

As Norris explains, “The release of ‘Our Memories Of Winter’ has a nostalgic, warm feeling for me. I made his album in a garden shed with a wood burner, an Atari computer and a few synths in the depths of an English winter. I still had the thought process of making emotional style techno that would warm any soul on a cold day.”

First released in 2005, ‘Our Memories Of Winter’ carries the echoes of electronic luminaries such as the Detroit ambient techno of John Beltran, through to the immersive atmospherics of Biosphere and the innovative IDM of fellow British outfits Autechre and The Black Dog. Yet as Norken, Norris retains a distinctive musical voice that has continued to deepen in stature over the years since the album’s initial release.

Opening with the brief intro cut ‘Fern 2’, the album slides into the dreamlike groove of ‘Memories’, where rich, resonant chords wrap around cool, galactic-sounding synths and a compelling bass undertow.

On ‘It Might Have Been Rain’, that signature bass texture again propels a luxuriant mid-tempo rhythm, while Norken layers in hypnotic washes of string-like synths, gentle electronic pulses and the brief murmur of a vocal, across seven-plus immersive minutes.

Vocal textures, often subtly looped and distorted, also add a distinctive depth and personality to tracks like ‘Eastern Soul’ and ‘Here’. Throughout the album, there’s a feeling of intricate microcosms unfurling, as Norken coaxes a myriad of contemplative moods and emotions from his machines.

Whether shaping the smooth, lulling ambient gauze of ‘Ty Canol’, or letting the kaleidoscopic, dancefloor-leaning drive of ‘Audic Strable’ loose like a coiled spring, ‘Our Memories Of Winter’ presents the singular voice of an artist whose innovative contribution to UK electronic music has only become heightened with the passing of time.

KNTXT, Charlotte de Witte’s label imprint, has the pleasure to introduce Alignment’s upcoming Time EP that will be released in April. After Monoloc’s “Left The Planet EP”, Alignment is the third artist to appear on the label aside Charlotte de Witte, that debuted with the Chris Liebing collaboration EP “Liquid Slow”.

“Alignment is easily one of the most promising artists that I’ve encountered in a long time, so it feels incredibly good to welcome him to the KNTXT family!” de Witte says. KNTXT has always aimed to be a breeding ground and safe haven for the unique talent’s that it loves and respects. With this upcoming Alignment release, we hope to further introduce the world to this unique talent and create a platform for his boundless creativity.

“Charlotte started supporting my music from very early on, so it feels great to be making my debut on KNTXT so early on.” Fancesco Pierfelici a.k.a Alignment says. “It took me some time to find the right spin on these tracks, but now I feel really confident about the result.”

“With the this EP I wanted to make recordings on the subject of time and space” Alignment explains. “I’m a firm supporter of Alignment’s unique ravey sound, flanked by deep bass lines and pumping kicks. We’re very eager to share this upcoming release with you all, feel like this is going to be a big one!” - Charlotte concludes

Second instalment in the series, featuring reissues of Eddie Richard’s early unmissable tracks.

3 unreleased tracks recorded in the early 90's on tape cassette by Benjamin Wetherill under the moniker Amethyst Moon…First Volume appearing on this mysterious label from the UK called MoonVoid Records.

Silvil is excited to announce its third vinyl release, featuring a standout new EP from the talented Brizman. This collection offers three finely tuned tracks that push the boundaries of minimal house.

Renowned for his intricate soundscapes and deep, hypnotic grooves, Brizman has earned a respected place in the underground scene. His latest EP highlights his skill in crafting immersive atmospheres and driving rhythms, seamlessly blending subtle textures with layered precision.

The release kicks off with “Extended Life”, a captivating journey through pulsating basslines, delicate percussion, and a vocal sample that’s sure to uplift any dancefloor. Next is “Milly”, a special collaboration with gifted bass guitarist Lea Hart. This heartfelt track serves as a love letter to Roy’s daughter, Milly, adding a personal touch to the EP.

The final track “Tokyo Nights” brings peak-time energy with dynamic shifts and an irresistible rhythm, designed to keep the crowd moving into the early hours.

This EP showcases Brizman’s knack for creating music that resonates both on and off the dancefloor, making it a must-have addition to Silvil’s growing catalog.

Join El Maquinista Hypnotica on a sonic voyage to the bygone era of electronic dance music with his latest release, "Chakra EP". This 4-track collection encapsulates the spirit of the late 80's and early 90's, drawing inspiration from New Beat, Techno, and Acid House.

Infused with the universal energies and the golden ratio concept, each track corresponds to the seven chakras, tapping into the ancient wisdom woven into the fabric of our being.

Utilizing genuine vintage hardware, El Maquinista Hypnotica brings four unadulterated techno sounds, embracing the origins of sonic creation with these timeless and potent machines, delivering a raw energy that echoes the purity of the original techno movement.

Chakra's EP visual approach serve as a testament to the fusion of technology and art. P2T has created an immersive experience that reflects the 'trippy', otherworldly artwork of the era using Bryce 3D (version 2.0), a program that was first commercially available in 1995. This antiquated tool was brought back to life via emulation technology, creating a universe that both musically and visually symbolizes the seven chakras and realigns the human body with it's ideal golden ratio.

El Maquinista Hypnotica is not only a producer, he's a magician, who hypnotically manipulates frequencies to light up dance floors. Every song combines the cosmic with the physical in an audio journey that is an alchemical fusion of the past, present, and future.

Get ready to be enthralled and invigorated by the mystical power of El Maquinista Hypnotica and his Chakra EP.

Hooj present Warehouse Tools EP with a spread of tempos, but keeping the energy levels up across the 4 tracks.

Fast rising Brighton bod Jamie Unknown takes Farayen & Liam Parkin's Where Do We Go ‘, and strips it all back into a big floor bassline banger.

Young South Wales / Valleys producer Dan Newman makes his debut with 'Moving' with it's rolling piano's, spacey pads and fat housey rhythms treading the line between Italo scream up and Dream-House journey. Early doors, or first light starting to appear through the cracks in the grimey Warehouse windows, we're here for it..

On the flip we have Dutch duo Dean & Di After’s ‘Wicked Dreams’ keeps it steady paced, subtly bouncy with a crafted, Italo '90 old school feel.

Rounding off the EP we have the South West’s premier MDMA Marxist, Shade Guevara goes mid tempo maximalist piano slammer on 'Ted or Dead'.

After his fantastic debut "Posture EP" early this year, we proudly present you "Eclosion EP".
A beautiful deep and driving House release which will be out early December.
Highly recommended!

Japanese producer Boogie Mason pays homage to the LA Beat Scene with slooped samples, swung grooves, and MPC cuts that will make head-nodders out of rhythm skeptics. These 10 instrumental tracks weave a tale of reverence for the no rules, unquantized ethos that took Los Angeles beatmakers by storm in the early 2010s. Geared toward the inquisitive listener, Bonsai is the perfect companion to a smoked-out sunrise or a solo walk through Tokyo’s back alleyways.

Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.

Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.

Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.

(Limited to 500 copies, 12”, 33RPM, High-quality Picture Disc, in high-quality PVC-sleeve) In October, a picture disc of 2 Flying Stones was released and sold out in under 24 hours. As a result, we chose not to repress it but to create a picture disc with a new image.



2 Flying Stones are undeniably one of the leading names in early trance music. Their tracks, including "MAYBE TOMORROW", "KALYPSIA", "NUCLEAR JESUS IN PARADISE", and "A GREAT DAY", possess a timeless quality.

RAWAX proudly welcomes Zoo Brazic to the artist Family!

We are very happy to have such a heavy weight of music with us now!
The first strike will be the outstanding release on HOUSEWAX called "Stand Alone EP".

It's expected early September. stay tuned for more!

“Raggamuffin Soldier” was recorded at Channel One Recording Studio in 1983 with Soldgie as engineer and a rhythm track played by Jolly Stewart and Daniel “Axeman” Thompson. Growing up in the Waterhouse neighborhood of Kingston, Jolly Stewart obviously developed this singing style and gave us a killer early digital dancehall missile with pure conscious lyrics “Raggamuffin soldier, big ina your area...me no deal with badness, me nah deal inna war, me is a raggamuffin soldier...mi raggamuffin ina foreign, raggamuffin sit down pon di riddim...how you know the raggamuffin? Me no wear no gold chain, me no wear no gold ring...”. “Raggamuffin Soldier” was produced by Fitzroy Peterkin who also produced the digital lover tune "Angie".
The Waterhouse style is a particular style of singing that emerged in the late seventies and early eighties within the Jamaican reggae scene. The Waterhouse style is commonly described as a plaintive, groaning and fluctuating vocal style, often nasal and strident, characteristics that will give it a sound that is distinct from the rest of the reggae singers. The commonly recognized founders of the Waterhouse style are the singers Michael "Mykal" Rose, Junior Reid and Don Carlos. The name derives from the famous neighborhood of the same name in Kingston, the capital of Jamaica, the place where the three pioneers were born and emerged. The Waterhouse style influenced many dancehall reggae artists of the eightiesvsuch as Tenor Saw, Half Pint, Nitty Gritty, Anthony Red Rose, King Kong, Yami Bolo, Andrew Bees...
Vincent Stewart aka “Jolly Man” is a reggae singer from Kingston 11, born december 16 1960 at Hunts Bay Lane, 4 Miles, Jamaica. Jolly started singing at age 13, he was placed in an approve School for 3 years and at the age of 16 he was released.
He started his musical career in the late 70's with Ossie Thomas, Phllip Morgan and Tristan Palmer from Black Solidarity label. Jolly Stewart recorded his first song entitled "Money Pyaka" on the classic "Pretty Looks" riddim which was recorded for Oswald Thomas on Ganja Farm label and released in 1979. Tristan Palmer who has another tune "Disappointed Lover" on the same riddim backed by The Soul Syndicate made the link with Jolly Stewart because he liked his style of song writting.
Jolly Stewart wrote three songs for Black Solidarity label: "Collie Man", "Bad Minded" and "Symbol Of Justice". All three tracks were covered by Triston Palmer. As a song writter, Jolly Stewart is behind Yami Bolo's hit on Stalag riddim “When A Man Is In Love” released on Winston Riley's label Techniques.
Jolly Stewart then decided to move on with his singjay career. He ventured to Tuff Gong studio where he met two producers. One was Prince Jazzbo from Ujama label, and the other was John John who owned the Bun Fi Bun label. He recorded "Praise jah" for Ujama and "Poverty Rush" for Bun Fi Bun. Still not satisfied with how his career was heading, he moved on to Lannaman's Preparatory School. There he learned to play guitar from a man named Fred McMurray aka Faf and Donald Jackson. Later he learned to play the keyboards by watching other musicians.
In the late 80's and early 90's, Jolly Stewart recorded many songs for various labels such as “Do Me Like So” for Bunny Gemini's label “Bun Gem Records” in 1987, “Late Last Night” and “War” for producer Zelma Rust and his label Myotta Ruff.
He also recorded for Augustus Pablo on his label Rockers International just before he died in the late 90's but we never heard about this release so probably Addis Pablo have it on old master tapes in the Rockers International archives....only Jah knows!

Panavision was born from the shared passion for music of Akaj, Pierro, and Brassac. After years of playing as DJs, they came together in 2023 to create a space that goes beyond dance music — a platform where producers and artists can explore creativity, freedom, and in novation.

Rooted in a diverse range of genres, we are committed to discovering and nurturing talent, both from the past and present. Our mission with this label is to bring stories to life through music that is authentic and dedicated. For our first releas e, we are thrilled to present a mini - album from S evered Heads titledOp5.

This record marks the official launch of our label, which operates between Brussels and Ljubljana — two cities that embody our ambition to explore diverse creative landscapes and push the boundaries of contemporary music. This first release is a t ribute to one of the pioneering forces in electronic music. The OP Series is one of many innovative projects S evered Heads h as produced since the late1970s.

For this special release, we’ve carefu lly selected six original tracks out of fifty from the Op Series releases of the early 2000s and curated them into a thoughtful sequence to form this mini - album

Nummer Music are proud to present the first reissue of Paul Mahoux’s seminal BùLù project.

The Parisian (now Okinawa-based) producer released “Silicon-Shepherd / Senegalese-Sharpshooter” 30 years ago today on the french label Virtual.
Both cuts give a unique insight into the sound of the early Trance scene and travel beyond the boundaries of Techno & House. Whether you’re revisiting the past or experiencing them for the first time, they still stand as a testament to the free spirit of the early ‘90s.

On side A, the bouncy Silicon-Shepherd shows off BùLù’s singular sampling techniques: chopped up vocals, tripped out synths and a touch of M1 slap bass take you into unexpected peak-time territories, where euphoria meets deep mind-travelling (i.e. DMT).

On the flip, Senegalese-Sharpshooter unveils another facet of BùLù’s buoyant universe. The french producer slows down the pace and invites the listener on a magical meditative journey, the lullaby-like theme tune shacks up with ancient traditional instruments and mystical choirs, again freed from any sort of constraint of style or genre.

On remix duties, Nummer’s very own E-Talking gives Silicon-Shepherd a club lift while our beloved Caldera injects Senegalese-Sharpshooter with a heavy dose of his signature swampiness.

“I've collaborated with Polychrome for quite some time. I performed at their one-year anniversary at Sexyland and, along with Eversines, played at their ADE 2022 party. Additionally, I contributed to their recent "Reflection EP." Throughout this collaboration, we became friends. Hervé, one of the core members of the group, asked me numerous times to create an EP together. It wasn't until his wedding that I finally said yes (how fitting!).

The first track of the EP is "Laak," a tune I created the day after playing at the club in Den Haag. I thoroughly enjoyed DJing at this venue with its impressive sound system. It inspired me to work on the low reese-bass that forms the core foundation of the track. Hervé and I decided to dedicate the entire A-side to this tune, as we had discussed how nice it would be to have a 45-side on this EP.

The second side focuses more on the emotional aspects we appreciate. "Underwater (Dream Mix)" opens this side with an uptempo techno-ish foundation and trancy melodies, fitting the label's aesthetic perfectly. The track's name stems from my unintentional creation of very "underwater" sounding pads during the recording session (note to self: next time double-check if the mix is alright). The EP concludes with "Reassociate," a tune heavily inspired by the early 2000s IDM gems we adore.”

Rein

This is another classic EP from The Brothers Grimm, but where Exodus achieved almost instant fame and acclaim upon release, this EP grew in status slowly over time.

Once again, it is an innovative slice of early 90's jungle, pushing boundaries and inadvertently laying the path for all future jungle releases to tread...

We are excited to announce the release of the Complete James Brown Christmas Collection, a three-LP set featuring music from 1966-1970.

You absolutely don’t need to be a holiday music lover to fall in love with the music spilling out over these James Brown records, as most of the tracks are original compositions that hold their own against many of the grooves that Brown was recording during this high-water mark of his career.

With bonus tracks galore and fantastic liner notes by Alan Leeds (former James Brown publicist and tour manager), and mastered/cut by legendary mastering engineer Kevin Gray, this is a must-have even if you have to give yourself a well-earned, early musical present this year!

DJ support: Gilles Peterson, Zakia Sewell, Heels & Souls, Sam Don, Nonna Fab

Dangerous Goods return to I Travel to You with Wish, two Street Soul inspired versions of a 2001 R&B hit.

Both synth-driven takes were recorded over the summer. The A side grooves over a popping Juno bassline, tight 808 drums, and a fresh vocal. The Deepest Dub mix was re-recorded then cut to tape and pitched down, influenced by the breaks and bass heavy productions of the late 80s and early 90s.

Peppermint Jam is proud to present Mellow Man’s latest release, 'In A Flow', an EP that takes you on a sonic journey through time. With three distinct tracks, this release captures the essence of three different eras of groove: the 70s, the 90s, and today.

Mellow Man has been with us since our founding days in 1994 and is a master of THAT old school sound.

First up, 'In A Flow' throws you straight into the golden age of 90s house music. With its smooth grooves, uplifting melodies, and driving bassline, this track embodies everything we love about classic house.

Next, 'Rumpshaker' brings you right back to the present. This track is all about today’s sound—fat beats, tight production, and a bass to die for, designed to keep the dancefloor moving.

Finally, 'Ghettoblaster' takes you even further back to the early 70s. Featuring the soulful sounds of Artist Locmelis on the tenor sax, this track is a nod to the funk-infused, boombox culture of the era.

Mellow Man produced these tracks using a mix of vintage and modern gear, including the Korg MS 20, Akai samplers, and a Rode NT1000, to name just a few. The result is a rich, textured sound that honors the past while still feeling fresh and relevant today.

With its blend of eras and styles, "In A Flow" is a must-listen for anyone who appreciates the evolution of house music.

Sublee is back on RAWAX !
4 years after his great "We Meet Again" EP , we are delighted to present you another fantastic release. "What Goes Around" EP will be out early November.
Highly recommended!

As the tenth candle flickers atop the torta alla panna, Archeo Recordings play the Uno reverse card, breaking with tradition to give us a gift in celebration of its birthday: the first in a series of exquisite EPs on which the label's favourite contemporaries pay homage to past masters. Each re-polished gem is plucked either directly from the beatific back catalogue of the fine Florentine label or is at least Archeo-adjacent, perhaps a sign of future wonders to come. Like a musical version of Janus, who can be found at the heart of Bertoldo di Giovanni's frieze in the Medici villa, Archeo Recordings will continue to look forwards and backwards to provide sublime sounds for us all.
Pepe Maina officially joined the Archeo family in 2019 with the much-needed reissue of his 1979 masterpiece Scerizza (AR015), but his astounding music has been a constant companion to label head Manu for much longer. An inter-dimensional, multi-instrumental maverick, Maina weaves the frayed edges of prog rock, new age, organic jazz and global minimalism into a shimmering tapestry all of his own. The results are spread across fifty years and almost as many albums, largely self-released and always absolutely untarnished by commercial concerns.
Based in a small village in the hills of Brianza, just north of Milan, Maina translates the beauty of his surroundings into transformative tone poems, and the folkloric fusion of "The Infinite", originally released on his 2014 CD Tales From The Hill, is the perfect example of his practice. It opens with a recitation of Giacomo Leopardi's 1825s poem "L'Infinito" by famed Italian actor Vittorio Gassman. A leading figure in the romantic movement, Leopardi explores the idea of time and space within the natural world, and the peace that comes with an appreciation of the immensity of eternity. Manu, longtime digger and now a burgeoning producer, expands upon the original with tribal percussion, chirping electronics and a spheric bassline, folding Maina's elegant strings and gossamer pads into a new arrangement suited for a slow dance under the stars.
Unless you had a well-trained ear tuned to Italy's avant-jazz scene, chances are your first encounter with innovative flautist Roberto Aglieri came via the 2017 Archeo reissue of hisalmost untraceable LP Ragapadani (AR011). It's a true testament to Manu's digging credentials that he snatched this masterpiece out of the esoteric atmosphere and brought it attention it so richly deserved. A delicate union of digital synthesis and versatile flute - be it soft and silvery or
brilliant and clear - the 1987 album was a shapeshifting masterpiece, replaying scenes from Virgil, Verdi, Visconti and Pasolini with a neon glow. Quintessentially Italian, but uncanny and previously unimagined - Penthouse and Portico perhaps. Powered by a percolating prototechno sequence, cascading keys, hallucinogenic vocal snippets and a variety of tonal timbres from Roberto's reed, "Danza N. 1" long deserved the praise reserved for Jean-Luc Ponty's pinnacle, so many thanks to Manu for our collective introduction. The tall task of reinterpreting this particular paragon falls to Perugian polymath Daniele Tomassini AKA Feel Fly, whose peerless skills as both producer and musician have delighted DJs and dancers alike. Hot on the heels of his diverse and definitive remixes of Tony Esposito for AR027, Daniele delivers a radical rework of "Danza N. 1" perfect for both day rave sunshine and full moon party alike. Enhanced by snapping breaks and a rattling kick, the bassline gurgle emerges as a progressive powerhouse, laying the foundation for the trilling flute and circular keys to cast a psychedelic spell. As the slow-Goa revival picks up pace, this one is way ahead of the pack.
Archeo take us all the way back to the start of its story here - well almost. Though it bore the stamp AR001 (2015), this Radio Band reissue actually hit shelves months after Tony Esposito's "Je-Na' / Pagaia"; a false start perhaps but a true classic all the same. Radio Band were a group of DJs from Florence who all sailed the airways of Radio Fantasy in 1984 and whose one and only release was this super groovy slice of Italo-boogie. Following the example of Milanese DJs Band of Jocks but far surpassing their formulaic funk fizzle, Radio Band employed an intergalactic bassline, cosmic keys and that undeniably Italian style of rapping to deliver a sophisticated party-starter which even found its way to disco deity Ron Hardy. Back to the here and now, and if you've found yourself pumping an ecstatic fist to a supercharged Italian epic of late, chances are its from the mind of the mysterious Radiomarc. Operating on the ascendent Popcorn Groove imprint, this shadowy figure steers his country's lost classics into peaktime territories, finding a sweet spot between late Italo-disco, early Italo-house and contemporary cool. Pushing the tempo with a club-ready 4/4, setting the sequencer to stun and supplementing the original melodies with a series of synth riffs, the mystery producer send this one into orbit. Radio Band - Radio Rap - Radiomarc, the circle is complete.
Few have done more to develop cross-cultural musical exchange than Futuro Antico. A collaborative venture from musician, archeologist and ethnomusicologist Walter Maioli, keyboardist and tonal theoretician Riccardo Sinigaglia and multi-disciplinary artist and composer Gabin Dabiré, Futuro Antico formed in Milan in 1979, combining ancient international folkloric traditions with otherworldly electronics. The result is an arresting melange of Mediterranean, African and Asian instrumentation, mimicked by esoteric synth tones and hypnotic minimalism, which the group perfected on their acclaimed 1990 LP Dai Primitivi All'Elettronica. The meditative and transportive "Pan Tuning" belongs to their largely overlooked 2005 CD only release Intonazioni Archetipe, and has been amongst Manu's most loved tracks from the first moment he heard it. Who else is better placed to reshape this evocative opus into an immersive, transcendental dance floor journey than label favourites Mushrooms Project? The duo sows the original elements into a sprawling fifteen minute fusion of séance and science, at times propulsive with a ritualist rhythm of tuned percussion and crunching drum machine at others drifting off into ethereal ambience. Mushrooms Project continue to push the boundaries of the Afro-cosmic style, and this remix marks a new zenith.

Gospel melts into Soul in this dazzling collection of sides originally released by the Chess subsidiary.


Devised by the same team supporting the likes of Muddy Waters and Etta James at Chess, the vintage of Checker Gospel celebrated here is distinguished by its expertly raw, rugged, live feel — thumping bass and pounding drums, bluesy guitar and horns — and its keen engagement with contemporary realities and politics, with an underlying, unwavering commitment to the Civil Rights movement. Not forgetting its sheer, startling, richly diverse soulfulness.

Key architects of the Chicago Sound and Motown are amongst the scores of contributors: Charles Stepney, Gene Barge, Eddie Kendricks, and Leonard Caston Jr. are in the house… Morris Jennings, drummer on Curtis’ Superfly and Terry Callier’s What Color Is Love… Louis Satterfield from The Pharaohs and Earth Wind & Fire… Ramsey Lewis’ guitarist Byron Gregory… Phil Upchurch… Laura Lee…

Producer Monk Higgins joined Checker in 1967, bringing his experience of R&B and Gospel hit-making for the labels One-derful and Satellite, together with a loyal cohort of musicians. A protege of Willie Dixon, engineer Malcolm Chisholm set up the Ter Mar studio as if preparing for a live gig, carefully teasing measures of bleed into the microphones. With Ralph Bass from King Records running A&R, they knew exactly what they were after. ‘I’m using horns and an R&B sound in gospel recordings,’ said Bass. ‘We have no charts. All the musicians are given the chord changes. I want the cats to think when we’re cutting. I want spontaneity, and that’s what we’re getting.’ And: ‘There is more to gospel than just finding solace in the church. This follows the same message of Martin King, who was fighting for a new way of life. Kids are tired of hearing Jesus Give Us Help. They want a positive message.’

Focussed on the late sixties and early seventies, the twenty-five recordings here are all killer no filler, but try these four, random entry points: the heavy funk ostinato of the Violinaires’ Groovin’ With Jesus, working itself up into a post-James-Brown brass frenzy, sure to knock your socks off; Cleo Jackson Randle’s title track, for those who like their Gospel straight-up and hard-core; Eddie Kendricks’ achingly timely choral call-to-arms, Stand Up America, Don’t Be Afraid; the East St Louis Gospelettes’ heart-stopping, fathoms-deep rendition of Bobby Bland’s I’ll Take Care Of You.
A beautiful gatefold sleeve; a full-colour booklet with excellent notes by Robert Marovich; top-notch sound. Another knockout selection by Greg Belson and David Hill.

A shoo-in for soul compilation of the year.