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Limited Gray Marble Vinyl. This vinyl edition includes two EPs, one on each side: 'By the Ash Tree' and 'Upstream Dream', originally recorded and released in 2020 and 2021 respectively. To connect these compositions, Matt Kidd (Slow Meadow) composed new segues/crossfades from song to song, allowing the pieces to be experienced in one cohesive and harmonious flow. From Marc Weidenbaum's 'Disquiet' review: "Slow Meadow's new album, 'By the Ash Tree', opens with cascades of delays and proceeds through three tracks of reflective piano". The title track of 'By the Ash Tree' is one of Slow Meadow's most popular and enduring compositions. 'Upstream Dream' was composed around the time of 2019's Happy Occident. Soft electronics, bearing otherworldly tones and, at times, a sense of playful mischief, subtly shift expectations and bring discovery and wonder at every turn. It bookends a period of creative output that introduced Kidd's vision of calming and meditative ambient music. With a foundation of piano, string orchestration, and an ever-evolving electronic palette, Slow Meadow traverses the borders of neoclassical and minimalist electronics and delivers a deeply personal and transportive experience that speaks directly to the ebbs and flows and mundanity and marvels of life.

Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in NCAA History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "DT" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships.

Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!

Additionally, "Shake and Bake Pt.1&2" will be featured on the forthcoming "Movements Vol.12" compilation album, due September this year.

Key selling points:

- limited to 500 copies!

- deluxe picture sleeve edition!

- official re-issue, done in cooperation with Glenn Doughty!

- Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

A dance floor sensation from DJ Agent 86, now finally gets a vinyl release thanks to DJ DSK and the DNA Edits crew. This well respected Melbourne producer and DJ brings a blend of funky 70s disco samples and hip-hop snippets to 7” vinyl, ensuring a guaranteed party starter. As a special treat, the B-side features a fresh edit of the disco classic "Rapture."

Suburban Base legend Mark XTC is back! Starting out at The Hacienda, and working in the mighty Eastern Bloc record store at the height of the rave scene, DJ XTC was on every major Rave flyer nationwide throughout the period. Going on to form Da Intalex with partner Marcus Intalex, releasing incredibly influential Drum & Bass during the earliest stages of its evolution. Mark XTC is currently a resident on Kool FM continuing to bring cutting edge music to a worldwide audience.

Collectors that have his Subbase releases Intalex Productions presents The X, and Ill Figure can now grab the next instalment! A four track EP of banging tunes celebrating the golden eras of Rave and Drum & Bass!

Genuine uncovered unreleased DATs from the period, Mark breaks down some info on these hidden gems!

'Unite' - Mark made this in the mid/ late 90s after working with vocalist Charmaine. Big distorted bass, 'Amen' drums and his trusty EMU sampler.

'To The Beginning' - Another late 90s creation, adding some P-Funk to the Amen drums with a Sub Bass filling the tune with heavy vibes.

'Oldskool Massive' - A more recently made dedication to the classic Belgium techno of early rave, with heavy 4/4, acid riffs and of course those distorted stabs and hoovers.

'Taking It Back' - Mark made this in 1998, and even then was taking you back to that classic 94 Jungle sound and loops.

LRK are excited to announce their latest limited edition 45 (LRK-28) release:

Dylan Chambers - I Can Never Get Enough/Comin' Up

Dylan Chambers is a vintage pop/R&B/soul singer, songwriter and guitar player from Arlington, TX. After graduating high school, Dylan got accepted to the Berklee College of Music in Boston but ended up moving to LA to work on his music career. He has since shared the stage and worked with numerous artists such as Haley Reinhart, Brett Young, Sabrina Carpenter, Gavin DeGraw, Dave Koz, Three Dog Night, etc. and toured around the country with ABC's hit television show "Dancing With The Stars" as a featured singer/guitarist on their 2014-15 National Winter Tour. For the past five years, Dylan has traveled around the world as a guest artist aboard the "Dave Koz and Friends" Live at Sea Jazz Cruise. As a songwriter, Dylan co-wrote jazz legend Herb Alpert's first single "Skinny Dip" off of his album, "Slow Down Turbo" for Indonesian rapper Rich Brian as well as country star, Brett Young's "Kiss by Kiss". Live TV appearances include the Radio Disney Music Awards, Access Hollywood, Hallmark's Home and Family, and The Today Show.
Since 2020, he has released over a dozen singles as a solo artist which he co-produced with longtime friend and musical collaborator, Stefan Lit (Lil Nas X, One Direction, Andy Grammer). Throughout the years, he has shared the stage with Flatland Cavalry, Charley Crockett, Molly Tuttle, Haley Reinhart, Sabrina Carpenter, Delvon Lamar Organ Trio, and Prep. As a songwriter, Dylan has written tracks for UMI and Rich Brian, and he's also collaborated on singles with Cory Wong from Vulfpeck, G. Love and Special Sauce, and Alex Lambert

Die größten internationalen Hits der 80er, 90er und 2000er Jahre in einer exklusiven Doppel-Vinyl-Kollektion! Entdecken Sie die wichtigsten Künstler, die ihre Jahrzehnte geprägt haben!

Music taken from the Carte Blanche performance »Monument 0.10 : The Living Monument« by Eszter Salamon. This album contains selections from Carmen Villain's score for the two-and-a-half hour performance, most of them edited down from the long-form versions that accompanied the ultra-slow scenes of the performance. These are Carmen Villain's first compositions for dance.

Acclaimed Choreographer Eszter Salamon’s dance performance The Living Monument is built on still life, slowness and the presence of the body. In the performance, the theatrical elements are equal and interdependent, and it develops into an installation of sound, movement and figures. Each tableau is bound together by Carmen Villain’s hypnotic score in which the audience is taken on a meditative journey through vibrant tableaus in a dreamlike universe. Carmen Villain's score is a suspension of time where her music is seeking a new form of slow-moving minimalism. credits

Die größten internationalen Hits der 80er, 90er und 2000er Jahre in einer exklusiven Doppel-Vinyl-Kollektion! Entdecken Sie die wichtigsten Künstler, die ihre Jahrzehnte geprägt haben!

DDS presents the debut EP from unknown entity NZO, whomever she may be, dancing in the gaps between amapiano, Afrobeats, broken beat and R&B with a rare guile and flavour.

The 4th in the DDS 12” series, NZO helps stake the label’s 15th year of operations with a typically Janus-faced approach to classic >< contemporary club ruffage. Tune to tune, she decimates and distills familiar tropes in singular, whirring syncopations designed to prompt bodies to move in fresh new ways. It’s all primed for proper animist magick, bound to snag rhythm fiends with its shape-cutting manoeuvres.

Working deep in the hardcore ’nuum’s 30 odd year tradition of concrète sampler chicanery, the four tracks find fractured vocals and echoes of club classics revitalised and reset with advanced drum ingenuity. 160BPM opener ‘Concentrate’ appears like Hessle Audio’s Joe stripped for parts, whilst ‘Mallet’ swivels like SND remodelling Afrobeats’ palette of tuned percussions, next to what could almost be a lost Various Production edit in the sublime tension of syrupy R&B and frothing drums on ‘Come Alive’.

The EP ends with its standout, ‘Body & Soul’, an undulating ama simmer punctuated by dub chords like some lost Basic Channel production re-cast for the lovers.

DJ Support: Craig Smith (Yoruba Affil), Hot Toddy, Timo Garcia / Nolan, Severino - Horse Meat Disco, Bill Brewster, Groove Assassin, Lars Behrenroth, Emma Ryalls, Dj Pope, Ian Friday, DJ Moni, Mathieu Schreyer, Henri Kohn, Jonny Alexander, Sebastian Davidson, Jason Pulaski, Hippie Torrales, Robert, Superfly FM, Makossa, and DJ Harri

Riot records return with the next installment of their Balearic Headspace compilation here we have a sampler featuring some of the biggest tracks.

Entdecken Sie zum ersten Mal auf Vinyl, das 4. Album der großartigen Crew von Yellow Productions: Africanism All Stars. Unter der Leitung von Bob Sinclar und mit dJ Spen, Federico Scavo, Roger Sanchez, Eddie Amador, Bt&Baker, Martin Solveig, DJ Gregory...

Domenico Niki is the man charged with the curation of the Echoes From Disco label and it will all be with a focus on rediscovering and re-editing disco, boogie and jazz from across the world. The inaugural outing features four re-edits that cover a wide array of styles. 'Through That Door' is jazz-funk with twanging guitars and sunny piano keys while 'African Horns' is a deep Afro-funk cut with fluid rhythms soon getting under your skin. 'Copacabana' is a busy, relentless and sax-laced funk banger and 'Follow Me' then slows things down with a more 80s-sounding downtempo soul vibe perfect for early evening sessions.

Since first splashing on to the Southern California circuit in the mid-aughts, Geneva Jacuzzi (née Garvin) quickly cemented herself as the queen of the Los Angeles underground. Her immersive and unhinged multimedia performances are the stuff of legend, a psychotropic gallery of masks, costumes, confrontation, and massive art installations. Jacuzzi’s recordings are equally revered, catchy hooks and cryptic moods dusted in 4-track grit. The arrival of her third official full-length, and Dais Records debut, is cause for such celebration. Triple Fire vividly expands and crystallizes Jacuzzi’s signature fusion of midnight melody and mutant aerobics across a 12-track hit parade of wildcard synth-pop and sly post-apocalyptic camp. Her enthusiasm for the album is as bold as her body of work: “Halfway through, we started calling this the record of the prophecy, the record that’s going to save mankind.”



Opener “Laps of Luxury” sets the template – a strobe-lit dreamer’s delight of swaggering synth bass, Haçienda drum machinery, and sultry vocal spellcasting (“Tragic mysteries I’ve known for centuries / I burned all memories and turned to fantasy”). The collection burns through shades of sardonic strut (“Art Is Dangerous,” “Nu2U,” “Keep It Secret”), coldwave kiss off (“Speed Of Light,” co-produced by Andrew Clinco of Drab Majesty), retro-futurist body music (“Dry,” “Scene Ballerina,” “Bow Tie Eater”), and cheeky glitterball pop (“Take It Or Leave It,” “Heart Full Of Poison” co-produced by Roderick Edens and Andrew Briggs). She likens the eclectic spectrum of moods to the continuum of human emotions: “Funny, sexy, sad, scary, witty, hopeful, menacing. Eventually it deconstructs, turns into a party, and then ends sweet and soft.”



Taken as a whole, Triple Fire comes as close as any document yet to capturing Jacuzzi’s kaleidoscopic alchemy of pop sugar and chaos energy, flickering between icy and ironic, chic and surreal, hungry and heartsick. Hers is a muse as rare as it is regenerative, forever reborn at the precipice of the next chorus: “Someone said that Alcatraz had fallen into the sea / Almost sounded like an angel calling me in a dream / I felt an electric shock when I picked up the microphone.”

A collection of scene-shattering singles from some of the most heavyweight names in drum and bass, Elevations Vol.1 brings together four of the biggest tracks from the Elevate Records catalogue on vinyl for the first time.

Packed with solidified fan favourites that have continuously shut down raves worldwide, this limited-edition vinyl is a must for any drum and bass fan who loves their music packed full of energy...

Features music from Friction, Turno, Kanine, Emily Makis, SOTA, Freaks & Geeks, Circadian and Mila Falls.

VDR Remixes: Beyond Music

The concept for this remix album evolved gradually through various encounters and exchanges. Despite its complexity, the project would not have come to fruition without the firm dedication of each artist involved.

Artists were given the freedom to select any track from my discography for their remix. With no directives, the LP's magic emerged from their unique styles and creative visions, resulting in a diverse palette of tones and rhythms.

The first record opens with Stephen Brown's electrifying remix of Blunt's "Later For It," originally released on Bright Sounds. Stephen's reinterpretation infuses the track with dark, captivating techno.

On the B-side, Markus Suckut presents his masterful adaptation of "Thrust It," a track marking my first release. Following this, Sawlin transforms "The Venue" from The Cruiser series, infusing it with his signature 'Made by Sawlin' style.

The second record continues with two compelling versions of "Moon, Sea and Waves" by Alek S. These reinterpretations—one dub techno and the other Detroit-oriented—offer a unique and immersive vision of the B+A+D tracks, originally released on Newmont.

On the flip side, Joe Metzenmacher delivers a daring electro remix of "1NON1" on D1, followed by Sicaa's bass music rendition of "Archensweet" on D2.

The third record is entirely dedicated to remixes of the Ashppe series, which I hold dear. Drexl provides a powerful breakbeat cut of "Flexit," a true bomb. Simon Ferdinand from Polycarp Records, with whom I had the pleasure of working, captures the punch and melancholy of "Fudge It". The LP concludes with two Dub 3.0 adaptations of "Let's do it" by Anthony Cacharron, using the aliases Alpha GPC and Redrop, ending on an exploratory high note.

A heartfelt thank you to all the remixers for their boundless creativity and commitment to this project

Composed in the aftermath of family tragedy, NY Graffiti’s Burden is an album full of peace anthems, psalms, dirges, and confessionals. In the pursuit of consolation, the tectonics of techno, dub, and post-club aesthetics are pushed past their margins onto new emotional plateaus.

Like the series of EP’s that NY Graffiti has released in recent years – including a split with Subtext affiliate UCC Harlo – Burden is an amalgam of dub-informed club music, acoustic emulations, and doom-scroll sourced social media chatter, filtered through the artist’s unique sonic palette that has developed over years on the fringes of New York’s contemporary club scene.

From the largely-improvised opener (and closer) “Approximation”, to the discord of the steppa-inflected track “98 Prayers”, and the dystopian ambiance of “Reach” (evoking early Hype Williams), Burden constantly reconfigures itself in search of catharsis. The album's seven tracks are dense and claustrophobic yet unexpectedly grounding. Amid the weight of grief, and the bleakness of our shared geopolitical realities, the NYC-based artist provides moments of solace that are intimate, direct, and revelatory.

Burden was initially released as a digital album earlier this year and is now available on vinyl through NY Graffiti’s own Peace Anthem Records and Switzerland-based Präsens Editionen. While the former has primarily focused on releasing NY Graffiti’s own projects, the latter is the publishing house of zweikommasieben Magazin and has released music and sound works by artists such as Anom Vitruv, Red On, Belia Winnewisser, Martina Lussi, Samuel Reinhard, and Magda Drozd

Repress of Still House Plants’ second LP FAST EDIT on frosted clear vinyl with microtene inners. Cultivated over the course of 2019, the album switches the combativeness of previous releases for bare intimacy. FAST EDIT is a palette of qualities and curdled headspaces. Now living far apart and coming together only for intense periods of shows and touring, the band have come to rely on an archive of mp3s (quick recall overtakes stable long-term memory). Written on mobile phones, dictaphones, and laptops, FAST EDIT cuts rehearsals and schemas with tight, raucous tracks. This is most tenderly at play on ‘Shy Song’ – a cut'n’chase piece, in which all sounds are ghosts of another. ‘PredikateD’ is a phone on the ground: the voice is air, the guitar and drums meld with the plywood and sand-bag structure, the seams exposed.

New one-off pressing coloured vinyl 18th anniversary edition of the long-out-of-print Studio One Soul 2, the long-awaited second volume of one of the largest selling Soul Jazz Records’ Studio One collections.

Studio One Soul 2 takes us deep into Jamaica’s long-standing fascination with American Soul and Funk music.

Featuring a host of seminal Reggae artists who all first established their careers at Studio One before finding worldwide success. Featured artists include Horace Andy, The Heptones, Cornell Campbell, Ken Boothe, Jackie Mittoo, Jacob Miller and many more A-Class Studio One legends interpreting both classic and littleknown American Soul and Funk tunes by the likes of Curtis Mayfield, Bill Withers, The Five Stairsteps, Marvin Gaye, The Stylistics, Lee Dorsey, Al Green, Syl Johnson and more.

Curtis Mayfield is without a doubt the main soul influence for many reggae groups in the 1960s and 70s. Cornell Campbell’s ‘Ten to One’ featured here is a stunning recut of the original Studio One single by The Mad Lads who first covered this Curtis-penned hit for the Impressions. Another great Curtis Mayfield production, The Five Stairsteps and Cubie’s ‘Don’t Change’, is interpreted by Studio One soul man Winston Francis. Similarly, Devon Russell’s superb ‘Make Me Believe in You’ is, if anything, superior to Curtis Mayfield’s ground-breaking original.

While American Soul and Funk remain a constant source of inspiration on this album, classic DJs such as Prince Jazzbo and Little Joe also used these rhythms to ride vocal toasts over to serious effect. This selection features a mixture of classics, super-rare and unreleased tracks from Studio One all lovingly digitally re-mastered for this release. The vinyl edition also comes on super-loud double vinyl housed in gatefold sleeve and with download code. The new CD edition comes as digipack plus booklet. Another essential Studio One release.

Im Jahr 1998 standen Alanis Morissette und Co-Produzent Glen Ballard vor der herausfordernden Aufgabe, ein Album zu kreieren, das dem riesigen Erfolg von "Jagged Little Pill" gerecht werden konnte. Doch die beeindruckende und vielfältige Mischung auf "Supposed Former Infatuation Junkie" lässt "Jagged" fast zahm erscheinen. Das Album bietet eine bunte Palette an Stilen und Themen und erfüllte die Aufgabe, Alanis' Ruf nach dem großen Durchbruch ihres ebütalbums zu festigen, mit Bravour.


Anlässlich des 25. Jubiläums des Albums bringt die neue 'Thank U Edition' eine 2LP-Wiederveröffentlichung mit neu gestalteten Artworks sowie eine digitale Deluxe-Edition heraus, die seltene B-Seiten und Demos enthält. Zu den Hits zählen „Thank U“, „Unsent“ und „That I Would Be Good“.




[a] a1. FRONT ROW [4:12]
[b] a2. BABA [4:28]
[c] a3. THANK U [4:17]
[d] a4. ARE YOU STILL MAD [4:03]
[e] b1. SYMPATHETIC CHARACTER [5:11]
[f] b2.. THAT I WOULD BE GOOD [4:16]
[g] b3. THE COUCH [5:23]
[h] b4. CAN’T NOT [4:35]
[i] c1. UR [3:30]
[j] c2. I WAS HOPING [3:49]
[k] c3. ONE [4:39]
[l] c4. WOULD NOT COME [4:04]
[m] d1. UNSENT [4:09]
[n] d2. SO PURE [2:50]
[o] d3. JOINING YOU [4:24]
[p] d4. HEART OF THE HOUSE [3:45]
[q] d5. YOUR CONGRATULATIONS [3:54]