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Sorry We Play Vinyl are once again not at all sorry to play vinyl and good, frankly, because what they serve up on wax is always going to be well received. 'EDIT7' kicks off this latest with a tightly worked 90s sample woven into a loopy groove that is going to get crowds into a funky lather. 'EDIT8' follows with retro-slanted raver era breakbeats and opulent synth oozing, the odd bleep and a bubbling bass thrown in for good measure. 'EDIT9' completes a varied EP with some smooth and succulent deep house with a US warmth to it. The soulful vocals are smeared through soft drums and it's a perfect late-night tool.

There is an abruptness to waking up to the sight of the other person’s back, a quiet violence hidden in the impression of intimacy, that’s leaving an aftertaste of emptiness. The feeling of losing oneself completely in a love that is given but never returned. Or the slower, less immediate one - the gradual disintegration of a world into which so much was once invested.

Love, Diskito is like a worn out overdubbed cassette found in a drawer, with its underlying tracks flickering between contrasting emotional states. Written, produced and mixed by GbClifford, the release follows up on the elusive, multifaceted output of the Prague-based experimental artist, who dresses fleeting glimpses of youthful yearning, sentiment and fragility in the blunt apparel of distortion and immediacy.

Drawing from their idiosyncratic, collage-like approach to music production, GbClifford condenses on Love, Diskito a varied palette of field recordings, samples, distorted instruments and ambient sounds. They resemble doodles in the corner of a school notebook, tightly overlapping with the evocative, minimalistic artwork by Czech artist Kateřina Šípová.

The guidance of GbClifford’s personless, at times highly decomposed vocals modulates the emotional urgency of the recording and reflects on the past. “I’m so close to relapsing, I’m here for you, closer than ever,” echoes in the elusive track So Only Yours, carrying the undercurrents of surrendering to the sole necessity of caring, even at the cost of individual ache. While the album does not forgo its earthbound, bare setting, there is something deeply pastoral and sky-gazing in the layered, multi-pitched vocals, horn-like tones and sense of space that Love, Diskito evokes.

Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo's hypnotic interplay. This is the sound of two of Chicago's most vibrant instrumental voices listening deeply, communing in sound.

Recorded in Laurenzi's attic studio, Devotional Fade emerged from a series of weekly sessions over the course of a single month. The duo kept the tape rolling continuously each day and selected a number of immersive sonic worlds to present, oscillating between patient, sacred minimalism and wild, dancefloor-worthy combustion.

The pair set two parameters to heighten the sessions' stakes: editing would be kept to a minimum, and a rule of "no pitched overdubs" was put in place – ensuring that all melodic and harmonic gestures would have to be committed in real time. Laurenzi and Gold held true, only sparingly adding a stray shaker or brush to these already largely complete improvisations. Devotional Fade is imbued with quiet propulsion and ecstatic repetition.

Matt Gold is a guitarist, multi-instrumentalist, songwriter, and producer based in Chicago, IL. His work pulls from diverse traditions of electric and acoustic music. Matt has performed across six continents and contributed to over fifty recordings as a collaborator and instrumentalist, garnering critical praise from Pitchfork for playing "one of the most exhilarating guitar solos of recent memory, in any genre." Gold has several long-running collaborative bands spanning jazz, folk, experimental, and chamber music including Sun Speak, Storm Jameson, and Tin. He performs and records with an array of creative artists including Makaya McCraven, Marquis Hill, Jamila Woods, Natalie Merchant, and Greg Ward. Gold co-curates the record label and concert series Flood Music.

Chicago saxophonist/multi-instrumentalist Dustin Laurenzi has developed a personal approach to improvisation and composition that has garnered the attention of the city's creative music community. Laurenzi's music is inspired and informed by jazz, folk, and improvised music. His inventive improvisational sensibilities have made him a sought-after musician in many circles of Chicago's vibrant music scene and beyond. Laurenzi has toured extensively with songwriter Bill Callahan and is featured on Callahan's 2024 release Resuscitate! He has toured with Grammy award-winning artist Bon Iver and appears on the band's critically lauded 2016 release 22, A Million. Laurenzi has also performed with Jeff Parker & The New Breed, Marquis Hill, Makaya McCraven, Matt Ulery, Japanese Breakfast, and This Is The Kit.

Loukeman is a Toronto-based producer, DJ, and songwriter. His music pulls from folk, pop, rap, and R&B, creating his own warped yet familiar forms. He’s earned support from the likes of a wide range of artists including Fred again.., Obongjayar, Aminé, Skin on Skin, Ecco2k, and more. He’s delivered official remixes for PinkPantheress, Vegyn, and Obongjayar, and he’s shared stages with some of the most exciting acts in the underground. Most recently, he's produced 5 tracks on ASAP Rocky's long awaited record, 'Don't Be Dumb.' Having garnered praise for his self-released Sd-1, Loukeman followed up with Sd-2, which established his cultural and critical presence.

Sd-2 — the second of a planned trilogy -- continued his display of range as one of the most exciting producers in recent years. Following the release, praise followed from the likes of Pitchfork, Resident Advisor, Mixmag, and numerous others. He launched a series of club nights titled BRXZN WXRLD in 2024, which sold out across London, Los Angeles, Toronto, and NYC. A recent guest mix on Rinse.fm provides a glimpse into his eclectic mix style and range of edits. His music has been used by a multitude of brands from Burberry, and Stussy to Nike and Apple. With a forthcoming album in 2026, he's also caught the attention of several pop acts as a producer and co-writer.

In 1978, Muddy Waters released one of his most essential works towards the end of his career.

Titled I'm Ready, the album was produced by Johnny Winter and followed Hard Again, their first collaboration.

It was immediately hailed as a blues classic.

The collaboration between Winters and Waters resulted in three albums, which blues fans describe as a unique combination
that showcased Muddy Waters' rawness and years of experience to perfection. The impressive roster of featured artists included
“Pine Top” Perkins on piano and Walter Horton on the harmonica, making it a dream late-career collaboration.

I’m Ready won the Grammy Award for Best Ethnic or Traditional Folk Recording.

I’m Ready is available as a limited edition of 1500 individually numbered copies on pink coloured vinyl.

Darwin Chamber is a veteran of the prog game, and now that sound is very much back en vogue, it's no wonder new generations are falling for the American's sounds. Back in March, he dropped this EP which was inspired by a San Fran acid trip, and it became an instant classic that meant the initial translucent yellow vinyl edition, limited to 303 copies, soon sold out. Now it reappears on black wax and obviously it still bangs. 'The Acid Test (DJ Spun mix)' is a heavy, raw jam with plenty of trippy details, warped pads and vocals that come and go so subtly you can't really be sure they're there. 'Never Coming Down' is a deep and dark workout with cold analogue hits and paranoid vocals, then '25th Century Acid Cat' is a little brighter with its synths but no less of a mind-fuck. 'Get Down' is gurgling, coruscated, sleazy and mid-tempo acid techno for the freaks. Brilliant.

‘Tippex in My Eye’, Roman Flügel’s third single with Erol Alkan’s Phantasy Sound, nonetheless charts exciting new territory for the prolific German producer, finding him in collaboration with London-based vocalist and songwriter, PYTKO. Already established as a member of Phantasy’s creative family following her cultishly received 2022 debut LP ‘The Way We Blush’, PYTKO searching, surrealist lyrics and performance provide perfect synthesis for Flügel’s first ever vocal collaboration.

Somewhere between digital dub and avant garde shades of electro-pop, ‘Tippex in My Eye’ slowly works a strange and spacious magic, meditating on bassweight while moving ever-forward with sparse piano and distinctly Flugelesque synthesis. Throughout, PYTKO’s enigmatic vocals intertwine with this ambitious arrangement, acting as an incantation for a brief but refreshingly strange journey.

Each of these elements are repurposed with hypnotic, psychedelic impact on an alternate ‘Dance Mix’. Immediately tapping into Flügel’s well-established nous for turning minimalism into euphoria, PYTKO herself becomes a guiding force for the dancefloor, as the track builds thrillingly toward a cosmic breakdown and dramatic release.

Roman Flügel’s ‘Tippex in My Eye (ft. PYTKO)’ will be released on Phantasy on May 15th 2026, available on limited-edition vinyl and streaming.

Constructive is pleased to announce, 'Utopia or Oblivion', a new compilation featuring ten artists inspired by the pioneering work of R. Buckminster Fuller, with each track inspired and in response to Fuller's work specifically Utopia or Oblivion', first published in 1963.

From the irregular glitch pop scintillation of 'How Would I Be? What Would I Do' by German artist & founding member of To Rococo Rot, Robert Lippok, to the heartfelt ambient and seraphic voices of 'Afterimage' by Japanese artist Tujiko Noriko (Editions Mego, PAN, Room40), through to the tensile, eruptive, dub-contoured emittances of 'Tensegrity Rhythms' by Peruvian experimental composer Ale Hop (Karlrecords).

Elsewhere, there are appearances from the Bafta-nominated composer Adam Janota Bjowski (Saint Maud OST), musician & Constructive co-founder Adrian Corker, London-based experimentalist No Home, Italian artist & NTS Radio resident Silvia Kastel (Blackest Ever Black, Palto Flats, Youth), British sound artist David Prior, and a unique collaboration between the British DIY experimental musician Richard Skelton & Corey Fuller, a descendant of R. Buckminster Fuller.

In a Secret Room is a retrospective that reopens the sonic and visual archive of KKD, bringing back to light a trajectory that long remained underground within the history of Italian new wave. The tracks, recorded between 1979 and 1986, reflect a constantly evolving process shaped by experimentation, improvisation, and a drive toward new languages. The project takes shape inside a former hotel in Italy’s Po Valley, transformed into a studio, rehearsal space, and visual lab.

Here, among analog synthesizers, homemade electronics, and multitrack recorders, Kriminal Killer Division experimented with and pushed their available technology to its limits, developing a hybrid language: sounds captured from radio and the street, synthetic voices, guitars, and electronic sequences intertwine in compositions that move between art rock, minimal wave, and more industrial directions. This collection aims precisely to reactivate that imaginary. The vinyl is accompanied by a risograph fanzine that restores the project’s visual dimension: collages, photographs, and graphic materials reflecting the same experimental attitude found in the recordings. Sound and image move together, as parts of a single expressive device. In a Secret Room offers access to a hidden space where interference, noise, and intuition take form without mediation. Not a nostalgic operation, but a re-emergence: a living archive that continues to generate meaning in the present.

In Sheep’s Clothing announces the long-awaited vinyl pressing of Marc Leclair’s beloved 2005 album Musique pour 3 femmes enceintes. The album will also be available on streaming for the first time via Community Music Group.

For years after Marc Leclair released Musique pour 3 femmes enceintes, he heard from listeners who had lived with the record in an unusually intimate way. Many described how the music became part of the emotional landscape of the months leading to birth. “I never expected that,” Leclair says. “Many women told me they listened to the record throughout their pregnancies. They said it made a real difference, that it helped them. It became more than just a record.”

First issued on CD in the early 2000s, Musique pour 3 femmes enceintes (Music for Three Pregnant Women) now returns in a new edition from In Sheep’s Clothing Hi-Fi, appearing on vinyl for the first time as a double LP. The record is being pressed in Detroit at Archer Record Pressing, the historic plant behind deep-groove classics by Juan Atkins, Kevin Saunderson, Underground Resistance, UR’s Jeff Mills, and J Dilla.

Listeners who know the Montreal-based Leclair through his better-known work as Akufen might be surprised by the tone here. During the same years he was shaping the intricate micro-sampling tracks that made Akufen a cult figure on labels including Perlon, Force Inc. and Trapez, Leclair was quietly developing this far more personal project. The meticulous craftsmanship remained the same, though the focus shifted from the hyper-detailed cut-up rhythms of his dance records toward something slower and more atmospheric. “I always compare my work to a jeweler,” Leclair says. “It’s really very precise. I’m a bit of a detail freak. I can spend hours or days on just one phrase in one song. Everything has to be perfectly put together.”

The project began almost accidentally. A few members of Leclair’s circle became pregnant nearly simultaneously, including one who had long believed she couldn’t conceive. The first track he recorded for the project wasn’t meant to advance a larger concept, he says. “It was meant to highlight the fact that three of my closest friends became pregnant at exactly the same time.”

Leclair was already a father with a three-year-old daughter, so the emotional terrain of early parenthood was familiar. Gradually the idea expanded. “I began thinking, why not make a whole album that celebrates this and also follows the entire pregnancy, the nine months,” he says. The music developed piece by piece, including a track originally commissioned by the Berlin experimental duo Rechenzentrum that would later become the album’s opening movement.

Nearly seven years passed between the first composition and the finished album, and the music mirrors the strange arithmetic of pregnancy itself. What begins as a single idea multiplies outward, sounds layering and branching until the album feels less like a sequence of compositions than a living process unfolding in time. “I work very slowly,” Leclair says. “Everything has to be something I’m completely behind. I never want to rush anything. I want things to come naturally.” Across its 72 minutes, the album blossoms with the patience of a long meditation on time, growth and emergence.

When Musique pour 3 femmes enceintes first appeared via Mutek, it circulated quietly but steadily. Critics who discovered it later recognized its unusual scope. In a 2006 Pitchfork review, Mark Richardson gave the record an 8.1, calling “150e Jour” “an unfailingly gorgeous and tightly sequenced quilt of guitar and piano samples reminiscent of Tangerine Dream,” and describing “85e Jour” as infused with “viscous pop ambient drift, the gauzy synth pads ebbing and flowing with rhythm.” Boomkat described the album as “a majestic opus from a producer that's always promised so much — here delving into a panoramic construction of almost visibly radiant music that works so beautifully through each and every second of its 72 minute lifespan.”

The new In Sheep’s Clothing Hi-Fi edition finally presents the record in the format Leclair long imagined. “I always thought that record deserved a vinyl edition,” he says. Spread across two LPs, the music now has room to unfold at its natural pace. More than twenty years after it first appeared, Musique pour 3 femmes enceintes remains what it was from the start: a carefully shaped meditation on transformation and the quiet miracle of life beginning.

Solid Red Vinyl Edition - 10@ Mini album. Originally release in 2025 in a painfully limited 2x7" + Book edition.

"Dream of the Egg" is the debut solo album by Tomo Katsurada, known for his work with the Japanese psychedelic band Kikagaku Moyo. This project is a unique fusion of music and visual art, inspired by the Japanese 1920s children's book “Yume No Tamago (Dream of the Egg)”. It reveals a deeply personal journey, reflecting Tomo's dreams and the numerous rebirths experienced in 2024—a year marked by profound new beginnings in every facet of his life.

This mini album was driven by a passion for raw and immediate expression. Every song was crafted and recorded with only the materials available to him at the time, embracing an organic and handmade atmosphere. By eschewing rhythm clicks and standard instrumental tunings, a spontaneous sound emerged, capturing the essence of both uncertainty and immediacy. Adding to this distinctive sonic landscape, guest musician Jonny Nash (UK) contributed ethereal guitar sounds on the first and final tracks, enriching the record's dream-like quality.

The journey begins with the opening track, "Moshimo," which means "If..." in Japanese. Here, Jonny's guitar weaves seamlessly with the vocal melody, creating a harmonious dialogue. The first half of the album concludes with "Zen Bungalow" a cover of Gabriel Yared's “Bungalow Zen” from the soundtrack of the film “Betty Blue 37°2 Le Matin”. This particular track is his partner’s favourite song to listen to every morning and left a profound impression on him. One day, he heard a song in his dream that combined both of these tracks and loved how they blended together. This experience inspired him to create a new arrangement, "Zen Bungalow," which has become a central piece of the “Dream of the Egg” album.

The third track serves as an interlude, printed on a flexi disk attached to the middle of a picture book. This interlude transitions the listener into"Inner Garden," a bittersweet folk song that explores themes of love. The EP's narrative spans 20 minutes, culminating in the final title track “Dream of the Egg”. This piece features a delicate session between Tomo & Jonny, combining cello and guitar to create a spectrum of tones that evoke the imagery of a rainbow. The focus on smooth dynamics and meticulous play reflects an intent to convey a sense of physical trembling. This track sounds like the beginning of a new dream; as if the egg of one’s dream is about to hatch, bringing a sense of anticipation and wonder to the listener. Throughout the album, a variety of instruments come into play, drifting between notes and embracing the beauty of imperfection. By incorporating free-form sounds in a highly technological age, the record aims to reconnect listeners with the tangible, human-made quality of sound.

Special Thanks
Jonny Nash – Guitar

JoeyStarr is the co-founder of the famous French rap duo Suprême NTM. Originally starting out as breakdancers and graffiti writers, the duo is known for representing the perspective of minorities residing in the underprivileged neighbourhoods of Paris and beyond through dark, gritty, politically-conscious lyrics. Despite achieving record sales with their four albums, they split in 1998.

After a few detours away from the music business, in 2006 JoeyStarr dropped his first solo album. Egomaniac, released in 2011, is his second album and includes some high-profile collaborations; on "Mamy..." he works together with Nicoletta on a rework of her 1971 hit single "Mamy Blue" and the interlude "Appel À La Resistance" features a speech by leading left-wing politician Olivier Besancenot. After its initial release, the vinyl edition went out of print so we're happy we can finally make it available again.

Egomaniac is available as 15th anniversary edition of 1000 individually numbered copies on orange vinyl and includes an 8-page booklet.

Zusammenfassung:
SLAYERs zweites Studioalbum Hell Awaits erscheint kommenden Frühling als 40th-Anniversary-Edition über Metal Blade Records. Die 1981 gegründete Band definierte mit ihrem extremen Mix aus Metal und Punk nicht nur ein Genre, sondern auch eine kompromisslose Haltung. Laut Gitarrist Kerry King ist Hell Awaits das Album, "auf dem SLAYER zu SLAYER wurden". Im Vergleich zum Debüt Show No Mercy zeigt sich die Band hier deutlich ausgereifter: komplexer, progressiver und aggressiver. Veröffentlicht 1985, war Hell Awaits ein Höhepunkt eines Thrash-Metal-Jahres voller wichtiger Debüts (u. a. Megadeth, Exodus, Kreator). Stark beeinflusst von Mercyful Fate experimentierten SLAYER mit längeren, anspruchsvolleren Songstrukturen - ein für sie einmaliger kreativer Ansatz.

Pressetext:
SLAYERs ikonisches zweites Studioalbum Hell Awaits wird nächsten Frühling von Metal Blade Records als 40-Jahre-Jubiläumsedition neu aufgelegt!
Gegründet 1981, überfielen SLAYER die Welt mit einer neuen Mischung aus Metal und Punk - schwerer, schneller und dunkler als alles andere - und setzten damit einen neuen Standard, der nicht nur ein Genre, sondern auch eine Haltung definierte. In ihrer gesamten Geschichte zögerte die Band nie, ihren extremen, fokussierten Klangangriff loszulassen. Versuchungen zum Trotz entschieden sich SLAYER immer dafür, kompromisslos brutal zu bleiben und sich dem Mainstream zu verweigern.
"Es ist die Platte, auf der SLAYER zu SLAYER wurden." So beschreibt Kerry King Hell Awaits. Und er weiß, wovon er spricht. Als Gitarrist, Co-Songwriter und Co-Texter war er gemeinsam mit Sänger/Bassist Tom Araya, Gitarrist Jeff Hanneman (R.I.P.) und Drummer Dave Lombardo im kreativen Prozess dabei und erschuf eines der größten Metal-Alben überhaupt.
Eine deutliche Abkehr von SLAYERs Debüt Show No Mercy von 1983 - und auch von allen späteren SLAYER-Alben - ist Hell Awaits zugleich ein Außenseiter und eine Festigung der Bandform. Show No Mercy war das Mission Statement, aber He

D: Das mit Spannung erwartete neue Album von Kungs, ”Out Loud”, verspricht ein bedeutendes und
vielseitiges Werk zu werden. Es verbindet Rock-, Disco- und elektronische Klänge, genau wie die erste
Single ”Light Me Up”. Dieses Album mit 10 Titeln enthält überraschende Kollaborationen und präsentiert
den einzigartigen Stil des Künstlers.
F: Le nouvel album très attendu de Kungs, Out Loud, s’annonce comme une sortie majeure et éclectique. Il mêle rock, disco et sons électroniques, à l’image du premier single Light Me Up. Cet album de
10 titres réserve des collaborations surprises et met en valeur le style unique de l’artiste. Pour les collectionneurs, l’édition vinyle est une véritable œuvre d’art : son artwork exclusif est imprimé sur du papier
métallisé miroir, avec le titre de l’album en relief. ”Out Loud” est également disponible en CD dans une
édition collector qui est présentée dans un digisleeve 3 volets haut de gamme. Son artwork exclusif, imprimé
sur du papier métallisé miroir et estampillé du titre de l’album, en fait un véritable bijou, tout comme le
vinyle.

'Lookaftering' von Vashti Bunyan wird 20 Jahre alt. Aus diesem Anlass und zum 80. Geburtstag der Künstlerin erscheint eine erweiterte Ausgabe. Neben dem Original-Studioalbum auf Disc 1 enthält die Expanded Edition auf Disc 2 Demoversionen, alternative Takes und Live-Aufnahmen aller Original-Tracks des Albums. Außerdem begleitende Kommentare von Vashti Bunyan höchstpersönlich, Produzent Max Richter und Devendra Banhart sowie ein 16-seitiges Textheft mit einer Sammlung von Gemälden von Vashtis Tochter Whyn Lewis - Gemälde, die zufällig die Texte des Albums widerspiegeln.

Die Demos stammen aus den Jahren 2001 bis 2005 und wurden von Vashti zu Hause aufgenommen, wobei sie sich selbst auf akustischer und elektrischer Gitarre begleitete und mit Synthesizern experimentierte. Der Sound ist im Vergleich zum fertigen Album natürlich etwas zurückgenommen, doch die Live-Version von Lately, aufgenommen bei einem frühen 'Comeback'-Konzert in Los Angeles im Jahr 2006, mit der gleichen Instrumentierung wie auf dem Album, ist absolut perfekt.

Es ist eine wunderbare Erfahrung, die Demos und die endgültigen Versionen nebeneinander zu hören, während man die Sleeve Notes liest. Man erfährt und hört, wie sich die Songs und das Album entwickelt haben, und Vashti und Max Richter (der das Album produziert und auch darauf gespielt hat) erklären, wie alle beteiligten Künstler (Devendra Banhart, Johanna Newson, Adem Ilhan, Robert Kirby und Mitglieder der Band Vetiver), die von Vashtis Originalalbum 'Just Another Diamond Day' von 1970 berührt waren, die Gelegenheit ergriffen, dabei zu sein.

Mit "Folklore" vertiefen 16 Horsepower ihre unverwechselbare, düster-spirituelle Interpretation amerikanischer und osteuropäischer Traditionals. Das Album verbindet eigene Songs mit radikal neu gedeuteten Klassikern, die die Band in rituelle, minimalistische und zugleich kraftvoll aufgeladene Klanglandschaften verwandelt. Banjo, Cello, Hurdy-Gurdy und Bandoneon bilden ein archaisches Fundament, das David Eugene Edwards" intensiven Gesang eindrucksvoll trägt. Die Oxblood Vinyl Edition bringt diesen Meilenstein in besonderer Form zurück - passend zur Reunion-Tour 2026, bei der die Band erstmals seit zwei Jahrzehnten in ihrer Originalbesetzung auf europäischen Bühnen steht. Folklore bleibt eines der charakteristischsten und atmosphärisch dichtesten Werke der Band: dunkel, entrückt, hypnotisch - ein Album, das die Grenzen zwischen Tradition, Mythos und moderner Alternativkultur auflöst.

Experience ‘stardust’ like never before with this stunning limited edition coloured vinyl. Spin Freya Skye's sensational vibe, including her viral anthem "silent treatment", and let every note shimmer with starry energy! Each vinyl comes with an exclusive Freya Skye poster for every fan to enjoy! Available on translucent cobalt blue vinyl.

Single Lock Records feiert das 10-jährige Jubiläum von Dylan LeBlancs hochgelobtem drittem Album ,Cautionary Tale" mit einer limitierten Auflage auf gelbem Vinyl. Er kehrte nach Muscle Shoals zurück, um seine Wunden zu lecken und sein drittes Album zu schreiben, mit den Produzenten Ben Tanner (Alabama Shakes) und John Paul White (Civil Wars) an der Spitze. ,Bei diesem Album geht es darum, dass ich ehrlich zu mir selbst bin", sagt Dylan. ,Ich musste die Schuldgefühle über die Vergangenheit loslassen und eine neue Wahrheit in mir selbst finden. Dieses Mal hatte ich das Gefühl, dass ich wirklich etwas zu sagen hatte."

First ever vinyl release of this massive classic psychedelic black rock funk compilation. Lovingly reproduced for audiophiles on black vinyl and packaged in a fully artworked sleeve and labels and shrinkwrapped. Limited edition vinyl press! “One of the best compilations of formerly released material ever made. A classic” “The whole compilation is pretty damn sweet, but anything dug up by Iron Knowledge is essential listening”!

Mit "Yours, Truly" veröffentlichen 16 Horsepower eine Sammlung, die tiefer in das Herz der Band führt als jedes reguläre Album. Die Doppel-Compilation vereint auf LP1 eine von Fans weltweit kuratierte Best-Of-Auswahl - ein Querschnitt durch die intensivsten Stücke der Bandgeschichte. LP2 ergänzt das Bild um 13 rare Aufnahmen, die bis dahin auf keinem offiziellen Album erschienen waren: B-Seiten, Demos und Radiomitschnitte, die die rohe, unmittelbare Kraft der frühen Phase festhalten. Inmitten der Oxblood-Vinyl-Reissues und begleitet von der Reunion-Tour 2026 in Originalbesetzung wird Yours, Truly zu einem zentralen Dokument der Band: authentisch, emotional und ein unverzichtbares Archiv für neue wie langjährige Fans des "Denver Sound".

Canadian-born Alexander 'Skip' Spence was the co-founder of Moby Grape, and played guitar with them until 1969. In the same year he released his only solo album: Oar.

The album was recorded after Spence had spent six months in a mental institution following a delusion-driven attempt to attack his Moby Grape band mates with a fire axe, after having ingested LSD. As the urban myth goes, on the day of his release he drove a motorcycle - dressed in only his pyjamas - directly to Nashville to record his only solo album. Fact is that he recorded this album in seven days, playing all the instruments himself, and that the end result is now considered to be a classic psychedelic folk album. After this album Spence largely withdrew from the music industry.

Original copies of Oar fetch quite the sum nowadays, so Music On Vinyl teamed up with Columbia/Sony to make this psychedelic folk gem available for everybody to enjoy.

Oar is available as a limited edition of 1000 individually numbered copies on transparent vinyl.

Sélection naturelle is the fourth studio album by the French rapper Nessbeal, released on CD in the fall of 2011. A self-professed fan of National Geographic, he named the record "Natural Selection" after developing a fascination for the evolutionary idea that only the strongest survive.

This ferocious attitude to life is present throughout the whole record, with Nessbeal presenting us with 14 serious tunes about persisting in the urban jungle such as "Je Suis Un Salaud", "Force Et Honneur", and "Là Où Les Vents Nous Mènent".

Sélection naturelle is available as a 15th anniversary edition of 1000 individually numbered copies on silver vinyl, and includes a 12-page booklet.

America’s Volume Dealer is the sixth studio album by Corrosion of Conformity. On this album the band's Southern tinge is more pronounced than ever. Warren Haynes (Allman Brothers, Gov't Mule) lends his slide guitar to the Skynyrd-ish acoustic-driven ballad "Stare Too Long." What's most immediately obvious, though, is that this is COC's most radio-friendly record yet- the production is more polished, but the record still has that typical COC sound.

America’s Volume Dealer is available as a limited edition of 750 individually numbered copies on black & white splatter vinyl and includes an insert.

Uncle Slam, featuring former members of Suicidal Tendencies and Warrior, was a politically-minded thrash act from the 90's. Their list of influences shouldn’t surprise anyone with a passing familiarity of the genre: early Corrosion of Conformity, Dark Angel, Testament, Megadeth and of course Suicidal Tendencies.

Will Work for Food, originally released in 1993 by Roadrunner Records in Europe, with cover art by the legendary Ed Repka, will now be a available on vinyl for the first time ever.

This album features an iconoclastic take on Led Zeppelin’s “Dazed and Confused” which is one of the record’s highlights, These guys are turning that song’s proto-punk into actual punk. The rest of the album is a blast of antigovernment aggression, and is ready to be rediscovered 30-odd years later!

Will Work For Food is for the first time available on vinyl as a limited edition of 750 individually numbered copies on purple vinyl and includes an insert.

On their fourth proper studio album Ruckus, Galactic wholeheartedly move not so much away from their past as a bad-ass New Orleans jazz & roll band, as they move toward another of its traditions: Voodoo funk.

Not merely content to stick to Mardi Gras or Dr. John esthetics, Galactic points firmly toward the technological present with their primordial groove machine music. Bass, bass, and more bass is the order of the day, and strange keyboard sounds come bubbling under like some lost Lee Perry session gone digital. Ruckus is a spooky ride to the other side of midnight. That moment in time when anything is possible.

This is musical rebirth of a band. Galactic was made all the better for its brave new direction. Ruckus is a album packed with ass-burning grooves and was produced by Dan The Automator.

Ruckus has not been available on vinyl more than 2 decades, and now it's finally out again as a limited edition of 750 individually numbered copies on yellow & green marble vinyl, and includes an insert.

The Wings of War (2019) finds Overkill at the peak of their thrash metal power. The album blends aggressive riffs, driving drums, and Bobby “Blitz” Ellsworth’s unmistakable vocals with melodic hooks. Each track delivers energy, precision, and raw intensity, from rapid-fire assaults to grooving mid-tempo songs. A relentless, powerful release honoring the band’s legacy while sounding fresh and modern. Now reissued as Ltd. Edition Vinyl. Pressed on clear Vinyl with crushed black and green splatter, housed in a gatefold sleeve.

Soulbound with their new album "Addicted To Hell" from 2020 stand for urban, end-time Industrial Metal. They don't renounce their roots from Alternative Metal and keep their trademark despite all harshness: catchy melodies with dystopian and socially critical lyrics. Stomping beats combine heavy guitars and aggressive synths to an apocalyptic mix of Gothic, Metal and Industrial which in this form is still unparalleled. Here comes the album for the first time as a limited edition vinyl neon orange/black dust gatefold.

Since first meeting as midwestern high-schoolers in 2009, Citizen have emerged as one of the most promising young bands in the alternative underground today. The band signed to Run For Cover Records in early 2012, releasing their EP Young States that year as well as a split with labelmates Turnover. In February of 2013, Citizen entered Studio 4 with producer Will Yip (Title Fight, Circa Survive, Daylight) to record Youth, their debut full-length. From the first note of album opener "Roam The Room", the fuzzy, guitar-driven rock songs bleed emotion straight through to closer "Drawn Out". Citizen have called on the ghosts of Brand New and early Nirvana, creating a sound that is familiar but immediately all its own.

RATTUS' furious sophomore album from 1984 reissued in May Rattus is one of the most legendary Finnish hardcore punk bands. Formed in 1978 and split up in 1988, Rattus returned in 2001 and are setting venues ablaze to this day. Uskonto on vaara was originally released on Poko Rekords in 1984. It's a furious album with nine killer songs; an aggressive and intense ride, a true classic in its genre. Svart Records reissued the album in 2012 and after fourteen years it's about time to bring it back to the streets with black and limited color vinyl editions. "RATTUS combustion, startling adrenaline speed and hammerhead blows of power. Featuring the new high-velocity rasping vocals of Annikki, RATTUS virtually sweep forth with sharp-edged earloads of riveting force and disorderly rapidity. Brilliant Finnish hardcore, unhesitant and explosive assaults of raw nitro energy." -Pushead, Maximum Rocknroll #7, July/August 1983

RATTUS' furious sophomore album from 1984 reissued in May Rattus is one of the most legendary Finnish hardcore punk bands. Formed in 1978 and split up in 1988, Rattus returned in 2001 and are setting venues ablaze to this day. Uskonto on vaara was originally released on Poko Rekords in 1984. It's a furious album with nine killer songs; an aggressive and intense ride, a true classic in its genre. Svart Records reissued the album in 2012 and after fourteen years it's about time to bring it back to the streets with black and limited color vinyl editions. "RATTUS combustion, startling adrenaline speed and hammerhead blows of power. Featuring the new high-velocity rasping vocals of Annikki, RATTUS virtually sweep forth with sharp-edged earloads of riveting force and disorderly rapidity. Brilliant Finnish hardcore, unhesitant and explosive assaults of raw nitro energy." -Pushead, Maximum Rocknroll #7, July/August 1983

Stephen Houghs vier Klavierkonzerte von Sergei Rachmaninoff gelten seit Langem als Maßstab für dieses
bedeutende Repertoire. Unterstützt vom Dallas Symphony Orchestra unter Andrew Litton kehrte Hough
bewusst zur raschen und schlanken Aufführungstradition des Komponisten selbst zurück. Damit vermeidet
er den sentimentalen „Hollywood“-Ansatz, der für diesen preisgekrönten Rachmaninoff-Zyklus weit verbreitet ist.
Der Titel erscheint als limitierte Edition auf drei 180-g-LPs in einer vollfarbigen Gatefold-Hülle und enthält umfangreiche Begleittexte. Erstmals innerhalb dieser Reihe wurden die Aufnahmen von Sidney Claire
Meyer in den Emil Berliner Studios (EBS) gemastert – dem renommierten Team hinter den Serien „Original
Source“ (DG) und „Pure Analogue“ (Decca).

From dancefloor anthems to deep, soulful grooves-pure contemporary fire - a stunning fusion of soul, jazz, hip hop, and funk from Spain's most exciting artists presented in volume 5 of Sampladelia series. The Groove Family kicks off the compilation, Sampladelia 2025, with a dancefloor banger, while Carlos Abril takes us on a soulful journey, and producer Blunted Soul dives into instrumental hip hop infused with funk. From Jerez, Maestro Mutante delivers a distinctive sound full of contemporary soul, while Sr. Zambrana blends jazz, hip hop, and Japanese influences. Smart K., from Vigo, brings his signature Spanish-sung R&B, and guitarist Juanma Montoya proves that soul-funk and flamenco accents are a perfect match. Karmasound mixes jazz with electronic textures, MrFoxMad pays an elegant tribute to Roy Ayers, and Malage delivers a killer track for the dancefloor. Laboca joins Flavia Beaká with experimental, conscious hip hop, and to close the compilation, Pablo Torti represents the new wave of Spanish contemporary jazz. Enjoy this new volume of Sampladelia series!

The resurrection of the originators of Black Industrial. The limited edition 10" 'Ulvens Broder' is taken and adapted from the forthcoming album and features a very special B-side with Tomas from Ordo Rosarius Equilibrio.

Coinciding with the band’s European tour in June 2026, High Roller Records re-releases “Rat God” (2021), “Fearsick” (2022), and the “Panic Prayer” EP (2023) by US death metal powerhouse Inhuman Condition.
Formed in late 2020, Inhuman Condition unites three seasoned veterans of the genre: Jeramie Kling (Overkill, ex-Venom Inc., ex-Massacre) on vocals and drums, guitarist Taylor Nordberg (Deicide, Umbilicus, ex-Massacre), and Terry Butler (Obituary, ex-Death, ex-Six Feet Under, ex-Massacre) on bass. With roots deeply embedded in the legacy of classic Florida death metal, the trio quickly established a reputation for delivering relentless, and unapologetically old-school extremity infused with modern precision and songwriting clarity.
The group’s debut full-length “Rat God” introduced their signature blend of crushing mid-tempo grooves, razor-edged riffing, and commanding vocal presence. Praised for its clear and powerful production, dynamic guitar work, and unmistakable homage to early 90s death metal, the album delivered headbanging anthems such as ‘Euphoriphobia’, ‘Crown of Mediocrity’, and ‘Planetary Paroxysm’, marking Inhuman Condition as a veritable force carrying the tradition forward.
With “Fearsick” (2022), the band sharpened their attack while staying true to their core identity. Featuring artwork by Dan Goldsworthy and produced by Jeramie Kling, the album expanded the sonic palette with atmospheric touches, crushing riff sequences, and memorable hooks, thus cementing the band’s status.
The “Panic Prayer” EP (2023) showcased three new tracks and a cover of Blue Öyster Cults ‘Godzilla’ alongside raw live recordings capturing the band’s ferocious stage energy.
High Roller Records’ 2026 re-issue campaign offers fans the chance to rediscover the early catalog in premium physical editions, celebrating the recordings that established Inhuman Condition as a modern standard-bearer of classic death metal intensity.

Die 10-Jahre-Jubiläumsausgabe mit zwei Bonustracks. Das selbstbetitelte Debütalbum von Palms (2013) vereint Chino Moreno von den Deftones mit ehemaligen Mitgliedern der Post-Metal-Ikonen ISIS. Das Ergebnis verbindet schimmernde Atmosphären, weitläufige Gitarrenklänge und Morenos hochfliegenden Gesang zu einer traumhaften Fusion aus Shoegaze, Post-Rock und Metal. Stimmungsvoll und filmisch erweitert das Album das Vokabular der Heavy-Musik in ätherische Gefilde.

Fika Recordings are pleased to present Bring On The Apathy, the third solo record from Scottish songwriter Adam Ross. Adam Ross is an indie-folk songwriter based in north-east Scotland. He is a solo artist and has also led the cult indie band Randolph's Leap for over a decade, releasing music with legendary Fence Records and Lost Map as well as Olive Grove Records and Fika Recordings. He is known for his unique brand of articulate lyricism which blends humour, poignancy, wordplay and offbeat stories.. “Bring On The Apathy” was recorded onto tape, using traditional analogue techniques at Glasgow’s Green Door Studio with Samuel J. Smith. It showcases some of the most emotionally open, lyrically deft and characterful songwriting so far from one of Scotland’s most accomplished writers. The vintage recording approach brings a warmth and intimacy to a record which is in equal parts raw and organic while also beautifully arranged and performed as Adam is joined by a raft of excellent collaborators. The album itself is a reaction. Whether it be in the title, the lyrical content or the method in which the sounds were captured. “I was feeling fairly down and uninspired about the musical landscape” Adam explains. “The risk with digital recording where every instrument is overdubbed separately is that it can end up sounding metronomic, sterile and lacking personality.

I also started to get a bit freaked out by the topic of AI-generated music and the insidious, creeping impact it’s already having. I therefore decided that, as a bit of a protest, I wanted to make something that sounded extra-specially human and hand-crafted, where you could hopefully hear the interplay between musicians.” For this reason, Adam decided to record the majority of the album live, as a band, playing together in the same room without a click track. “I’d put a band together to tour my last album, Littoral Zone, and I really enjoyed the way we all worked together. Green Door Studio was chosen as the destination as it specialises in analogue sound production but it had an extra significance for Adam. “Green Door was the first studio I ever recorded in, back in 2009. This time around, the “unforgiving” nature of tape recording became an inspiration. “The musicians on the record are such great players that they rarely make mistakes, so there was a confidence there that we wouldn’t need to rely on copious amounts of editing or post-production, which isn’t always possible with tape anyway. The core band consisted of Owen Curtis-Williams on drums, Cameron Maxwell on bass, Pedro Cameron on violin, Gillian Fleetwood on harp and (long-time collaborator with Randolph’s Leap) Pete MacDonald on piano. Mercury Prize-nominated artist C Duncan was drafted in to write and perform backing vocal arrangements along with Amanda Nizich and Gillian Fleetwood. Adam says “I’d been listening to a lot of Bob Dylan, Karen Dalton and Bill Callahan records and I thought it might be interesting to apply those sorts of influences to my brand of Scottish quirk-pop”.

Newskool banging italian Pumpin Tribe.

Repress of one of the best French hardcore from 97 with this meticulously remastered edition.
A all time classic with the iconic West Coast-inspired track, it blends ferocious energy.

The second volume of this series is as good as the first with more finely tuned twilight dubs and Balearic chuggers, expertly curated by a master of this form in Pete Herbert. Across two sides, the comp flows between low-slung grooves, deep synth atmospheres and sun-kissed dancefloor moments. Highlights include Statues' warming 'Andromeda' and a powerful synth-driven turn from Imogen Soundsystem, while side two leans further into Balearic romance, from Herbert's nostalgic 'At Zuka to Kasper Bjorke's proto-dancefloor elegance. Cohesive, tasteful sunset music with real substance.

DJ Feedback

Phil Mison/Cantoma/Ambala:
"Great tunes as always , full support. Lovingthe Zuka tune!"

Sean Johnston/ALFOS:
"Killer Petey! Next few ALFOS sets sorted"

Conrad/Idjut Boys:
"Nice selection, totem project rmx has it for me"

Sally Rogers/A Man Called Adam:
"Excellent, dependable DJ fodder from Pete and Co. Thanks for the consistency :) "

Camilo Miranda/Ibiza:
"Nice combo of tracks here ! loving these!!"

Dream Chimney/Blog:
"SF vol 2 is 10/10 every track a winner on here"

Logan Fisher/Try Outs:
"Superb comp. full of goodies"

4Trepanado/Selvagem/Brazil:
"Great compilation! the Pete Herbert Remix for Time is a great weapon to flip the switch at the dancefloor"

Simon Lee/Faze Action:
"Stunning compilation, hard to pick a winner but I'm heading for Pete Herbert - Zuka"

Marco Gallerani/Hell Yeah:
"Beautiful selection!!! loving it. Can't wait for summer now"

Dicky Trisco/File Under Disco:
"Classy release. All winners. Giselle is my fave. Nice one Pedro xxx"

Felix Joy/Rinse FM:
"Sounding great!"

Jaime Fiorito/Ibiza:
"Some cool bits! Time is my favorite!"

Ltd. Edition

The acclaimed collaboration between IranianCanadian brothers Saint Abdullah (previous releases on Planet Mu, The Trilogy Tapes and Room40) with in-demand jazz drummer Jason Nazary (International Anthem, 4AD, We Jazz) continues on their second album for ‘Disciples’, a sequel to the 2023’s ‘Evicted In The Morning’.

Saint Abdullah & Jason Nazary continue to blend dreamlike collage, snatches of radio, free jazz, Sufi chants and improvisational chops to impressive effect.

A ‘Freedom Now Suite’ for a new era of anti-war marches and state oppression.

Features guest appearances from Patrick Shiroishi and Ryan Easter.