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Repress

The multi-faceted producer and DJ, and one of electronic music's most respected, Calibre releases his brand new record 'Planet Hearth' on November 29th. An album featuring exclusively new material, and dedicated to a very close friend who passed away last year, this is by far the most personal and poignant record he has ever made.

First coined in 2015, the album has taken four years to complete and in his own words 'part of a slow metamorphosis that I have wanted to do for a long time'. Escaping to Valentia on the West Coast of Ireland, he sought solace away from the grind of modern living to write music and draw inspiration from his surroundings. It was during this time that he experienced great personal loss, which can be felt throughout the record, forming an emotional narrative that will make even the hardest of hearts shed a tear upon listening.

The title track 'Planet Hearth' was made in Belfast a few weeks before losing his close friend, and in his own words: "I remember this one feeling very automatic and emotionally engaging, the timing for me has great meaning". Whilst the track 'Five Minute Flame' was written in five minutes one morning in Valentia with the sun streaming in and the coffee being made, showing just how he can draw inspirations at any moment of the day, "I love the immediacy of writing music very much" he states. Largely ambient, there is a nod to his drum and bass roots with 'Walking in Circles', a track that can, and has been played in one of his dnb set. Whilst the album has been playing throughout the year in different club settings, opening the night with the sound that he so loves, the record wasn't made for the club as such, 'originally the idea was to put music together that didn't need to be played in a club, that it could be whatever I wanted.'

This is an honest and pure record that steps away from Calibre's drum and bass persona that he's so synonymous with. A somewhat melancholic and atmospheric piece of work, it still has that signature Calibre sound, attesting to incredible diversity of the man. A true master of his craft, his ability to constantly create and consistently deliver with such honest expression is staggering. A chameleonic creator in the purest form - as a painter, fine artist, multi-instrumentalist, writer and producer - he has a career stretching over two decades with over fifteen albums of varying genres.

To coincide with the release of the album on November 29th, it's perhaps fitting that he makes his return to XOYO - the London venue he resided in for 10 weeks from July through to September - as he plays on the Dekmantel Soundsystem residency, who he passed the baton onto for the Autumn Winter season.

This is Calibre in his rawest, purest and exposed form, delivering a body of work that he cares about the most.

(gatefold 2LP with spot gloss finishing) Regal's debut album! His staunch productions have garnered support from techno's well-established vanguard, including noted collaborations, projects and remixes with Amelie Lens, Hadone, Nina Kraviz, Ellen Allien, Emmanuel Top and Len Faki. "Remember Why You Started is meant to be a message for everyone, including myself, to look back to your roots -where anything you do is influenced by nothing but passion" -Regal

Harald Björk follow up his recent releases on Cocoon Recordings, Traum Schallplatten etc. with the four track 12" Sketch On A Feeling. A record featuring German legends Extrawelt, no introduction needed and Swedish Teenage crime star Adrian Lux who we recently have gotten to re-known beyond his EDM stardom through his band Off The Meds (Studio Barnhus) and 90's techno banger alias Luxxy.

The record wears two original's written and played entirely on Roland MC-202 and TB-303 by the label head himself, Mr. Björk.

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Kranglan Broadcast, established in 2009, is the record label of Swedish artist Harald Björk (Cocoon Recordings/Traum Schallplatten/Studio Barnhus). The shifting genres and gaps between releases might seem confusing? But… the core seems to be quality releases by good friends who have crossed each others lanes and teamed up in creativity, and there are some friends!!! Axel boman, Nathan Fake, Popnoname, Kate Wax (Aisha Devi), Fairmont, Anton Kubikov (SCSI-9), LOKATT and many more. Electronic music as it used to be before the "business era", friends sending files and pressing vinyl!!!

In 2021 Kranglan Broadcast have some fine gems coming up and Sketch On A Feeling is the first one to get public.

Harald Björk follow up a weird and packed year of 2020 with guest shows on John Digweed's Transition Show and releases on Cocoon Recordings,Traum Schallplatten, Studio Banrhus, Internasjonal and many more! The record features German legends Extrawelt, no introduction needed and Swedish Teenage crime star Adrian Lux who we recently have gotten to re-known beyond his EDM stardom through his band Off The Meds (Studio Barnhus) and 90's techno banger alias Luxxy. Dense stardom in a perfect blended EP with all modes included!

Long Story short Harald got in contact with Extrawelt over an old unreleased remix of Björk's that got to see release light on Traum in the summer of 2020. Similiar Harald reworked Teenage Crime duo Lux and Lune same year… What follows of great connection is often friendship and Kranglan Broadcast is all about friendship, quality and fun… Perfect soil for electronic music to grow organic and full of energy.

The record wears two original's written and played entirely on Roland MC-202 and TB-303 by the label head himself, Mr. Björk.

Artwork by Lukas Nystrand von Unge and mastered and cut by maestro himself LUPO!

Enjoy electronic music on vinyl at best!

Mr. K takes on two different disco moods in the latest in his long-running series of edits on 45.

Danny Krivit’s edit of Tony Orlando’s “Don’t Let Go” was released in Japan in 2012 and immediately became a sought-after, impossible to find rarity. Orlando’s version of “Don’t Let Go” was released at the height of the disco era, but the song itself was already a well-worn pop standard, having been covered by numerous artists before the pop singer tried his hand at it, switching things up with a percolating disco groove. “I never expected to rave about a Tony Orlando record,” wrote Vince Aletti in his Record World column in June of 1978, “but this one’s really terrific… My pick for a summer refresher.” The Jimmy Simpson mix on the original 12-inch follows the vocals with a long instrumental section that teases the various elements provided by the Muscle Shoals band (guitar, vibes, strings, and above all a sinuous synth) back in over the relentless bass and drums. Danny’s edit, which he’s trimmed down for its debut on 7-inch, works with this instrumental break and more than lives up to Aletti’s description as an addictive warm weather jam.

From the moody instrumental sound of “Don’t Let Go” we move to the bright uptempo vocal track "I Fall In Love Everyday." In spite of the relative obscurity of this fabulous but lesser-known cut, it comes with a sparkling pedigree. “I Fall In Love Everyday” was written by Jay Graydon (whose credits also include “Turn Your Love Around” for George Benson and “Breakin’ Away” for Al Jarreau), produced by Motown ace Mickey Stevenson (who wrote “Dancing In the Street”) and arranged by David Foster, who was just making the transition from session keyboardist to the superstar songwriter/arranger he’d become. The backing track was first used for singer/TV personality Jaye P. Morgan’s version of the song a year earlier, but you certainly can’t blame the team for reusing the music when the band included studio heavyweights like Harvey Mason, Lee Ritenour, Ray Parker Jr., and Kenny Loggins. Danny’s creative edit fashions a clean, DJ-friendly instrumental intro where none existed on the original, and gives new life to a track that’s sure to bring some sunshine to dancefloors.

As always, these unique selections from Mr. K’s personal stash are cut on a loud, club-ready 7-inch pressing.

Following up to Rob Belleville's inaugural delivery, Fluid Electronics returns in 2021 with a new collaborative EP courtesy of Dutch veteran Jarno, the man behind Trouw's infamous Below evenings, and Fluid Electronics' co-founder and owner Shirazi, back in full swing after a ten-year break from production. The EP features remixes from Amsterdam's Love Over Entropy and seminal Rotterdam-based duo, Duplex.

The A-side finds Shirazi and Jarno dishing out a vaporous dub with the focus track, "Late Night Thoughts". Engineering a mix of reverb-drenched atmospheric techno laced with hedonistic house accents and mystique-imbued melodies on a dreamy tip. Upping the tempo and overall vibe of the track, Love Over Entropy's remix propels its listener in a blazing corridor of synth arpeggios and luminous chords.

The flip side sees Shirazi go solo on the ethereal "Continue Learning", all in evocative spaciousness and textural finesse, as it merges the immersive depth of Basic Channel-esque envelopes with further straightforward floor dynamics. Clone-affiliated duo Duplex provides a tighter, jacking match to the original's vaster headspace, tweaking it into a proper clinical club-ready weapon.

This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire-Wea. “Problèmes d’amour” went on to become a “cult track” of the disco scene. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork.

"Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. - Maurizio Dami

Repress

Its been more than 2 years since I did an original release on my own label. Its been 9 months since I had an original NOIR release.I wanted some time without releases. Some time to breathe, to think and most importantly time to be creative and to experiment.I have picked 2 productions I felt sounded different to everything else out here. Eruption was already made in the fall 2017 and I have been road-testing it since ADE17 and changed it quite a lot over the 6 months period from when I thought it was finished to what it actually sounds like now. I wanted the track to be brutal like a volcano erupting but at the same time have beautiful and peaceful elements. Hence the breakdown lava sliding into the middle of the track before it all erupts again. I have spent many hours trying to make it sound raw and unpolished. Disruption is build around a super simple sequence loop I played by hand while jamming with new pluck sounds. As the sequence got layered and washed in effects it became a quite haunting loop and that led me to add a boys choir to give that feel bigger impact.This track sounds simpler than Eruption but its actually stacked with layers. Disruption is meant to make you close your eyes, follow the rhythm, the simple sequenced loop and get hypnotized.

The Architect is an artist that travels through styles: Swing, Jazz, Electro, Soul, Funk and Hip Hop... A real digger of hidden samples, he is also beatmaker for the famous collective L'Entourloop! 2019 marks its big comeback, with the announcement of a new album and a new immersive live under the name of The Architect & the Unique Orchestra. The 1st EP of the beatmaker The Architect entitled "Foundations" is finally available on vinyl more than 6 years after its original release in 2013 !

In the late ‘80s, a wave of British musicians raised on ‘70s UK pop, Caribbean sound system culture, reggae, lovers rock and Motown/Philly soul music fell in love with synthesisers, drum machines and 8-track recorders. The street soul generation had arrived.

Originally released as a white label 12” in 1989, ‘You’ve Gone’ is the sole release from Bassline, the studio project of Southeast London-raised musician Tony Henry, not to be confused with Tony Henry from Manchester jazz-funk/R&B band 52nd Street. Featuring the singer Lorraine Chambers, it’s one of the true jewels of the UK Street Soul scene. As Lorraine’s heartsick soul vocal glides over sunrise synths, dusty drums, elegant electric piano figures and a reggae indebted bassline, ‘You’ve Gone’ captures the optimism and strength of the era perfectly.

‘You’ve Gone’ was championed by Choice FM UK (now Capital XTRA), Kiss FM, and DJ Trevor Nelson. Tony went from selling white labels out the trunk to booking in Live PAs for Lorraine with London sound systems like Rampage and up north in the street soul loving cities of Manchester and Birmingham. “When Lorraine did PAs up there, she went out on stage like she was Beyoncé.”

The son of a Jamaican father and an English mother, Tony grew up around the London sound system scene. He taught himself bass guitar, keyboards, and production, before playing in the reggae band Chakwanza (Swahili for “the first”). In Chakwanza, Tony rubbed shoulders with Aswad, Barry Boom, Steel Pulse, Maxi Priest, Gregory Issacs, Dennis Brown, Ghettotone and Saxon Sound, before focusing on a career in banking over music. “Music was my first love, but it couldn’t have afforded me the sort of level of - let’s be blunt and pragmatic about it - financial success that would have allowed me to support my family.”

Outside of office hours, Tony continued to work on music at home, sometimes serving as a session bassist with local bands. In the late 80s, a work colleague mentioned her sister Lorraine Chambers was a singer. Tony and Lorraine recorded “You’ve Gone” over two sessions. “Lorraine went into the booth, put her headphones on and got into the song. My daughter turned to me and said, ‘Daddy, she can really sing!’”

Despite the success of ‘You’ve Gone’, they never recorded together again. “The world changed, and for me, it changed as well. My younger kids were born, and work started getting more intense. I got a bit more successful and was living a mad, kind of crazy life.”

Thirty-two years on, ‘You’ve Gone’ finally receives an official reissue comprising the lauded original mix, an alternate version and Tony’s Back to Bass-ics remix. Fittingly, in recent months, Tony and Lorraine have re-connected in the studio writing new material.

Rhythm Section welcomes Nicola Cruz to the fold with his debut EP on the imprint - “Subtropique”. Inspired by an Ecuadorian upbringing, percussion is at the heart of how Nicola operates. His rhythmic style finds a natural home on the London label - which presents 5 expansive efforts equally indebted to traditional drumming as they are to contemporary club sounds. Remaining sonically cohesive without feeling the need to settle into a definable style - the tracks are tied together by a lucid psychedelic thread which, despite challenging the expectations and fundamentals of electronic dance music - demand movement at a time where we yearn for it.

Spirit Of House’ is a jackin' 90’s Chicago inspired groove. It’s an uplifting, dance floor ready track from two of House music's finest. Those unmissable vocals from the legendary Gene Farris add a stamp of old authenticity – he’s a bonafide Chicago legend, who’s contributions to the House music scene are undebatable. He’s been pushing musical boundaries for close to three decades, working with world-leading labels and artists such as Relief, Dirtybird, ViVa Music and Defected.

ATFC is a longstanding label favourite and household name in the scene. He has 3 UK top 40 hits under his belt and has remixed tracks for the likes of P Diddy, Missy Elliot, Simply Red, Faithless and Dido. He’s entered Pete Tong’s Essential Mix hall of fame - and the BBC Radio 1 tastemaker himself described ATFC’s productions as ‘verging on genius’. This collaboration is a match made in heaven.

‘Spirit Of House’ is a deeply playable, feel-good House record from two of the most established producers in the scene.

‘R U’ features a catchy piano hook, tough drums and that deep, powerful vocal from Gene Farris himself. It’s a stripped back, gritty house cut and we're proud to be giving it a home on Toolroom.

Whilst sampling can be a sticky subject in dance music, 'Tech House Kinda Thing' is a fine example of how digging deep and being creative can be hugely rewarding. The vocal sample on this record is from another house titan; Harry Romero. This was taken from an event promo video that Harry recorded himself and posted on his Instagram page. Being the creative soul he is, ATFC heard it, sampled it, brought the idea to a Toolroom writing camp last November, and voila, this record was born! The record itself is an energetic club workout, produced with the detail and finesse you'd expect from such a legendary producer such as ATFC. With driving rhythms, off beat quirky stabs and that unique, spoken vocal, this really is a special record!

‘Not Enough’ is an uplifting, funky, feel-good tune. It oozes that ATFC warmth and the vocals from Mia Mendez add some serious sunshine vibes! Her voice is super powerful and within seconds of hitting play on this record you're whisked away to a sun drenched terrace!

With „Time Machine EP“ Next Door launches a new motto vinyl record.

Dark, driving, Acid!

On the first track on “Eloi-side” you will find a completely astounded inhabitant of a far future world, who has no answers to the questions of a time-traveler. The second track takes place during a rapid trip - plunging into two worlds.

On the “Morlock-side” machines are working monotonically with the inhabitants in dark caves below the earth’s surface in a far future. Track two is a serious call for a wild dance in a driving ¾ beat.
Have you ever heard anything like it?

The Computer Controlled Minds deliver four remarkable tracks on vinyl. You must experience this!


Mit der Time Machine EP bringt Next Door eine weitere Mottoplatte an den Start.

Dunkel, treibend, Acid !

Auf der Eloi Seite findet Ihr im ersten Track eine völlig verblüffte Bewohnerin einer fernen Zukunft, die auf die Fragen des Zeitreisenden keinerlei Antworten hat. Der zweite Track spielt sich während der rasanten Reise beim Eintauchen zwischen den Welten ab.

Auf der Morlock Seite hingegen arbeiten im ersten Track die Maschinen monoton, in einer fernen Zukunft, unterhalb der Erdoberfläche in dunkeln Höhlen mit ihren Bewohnern. Track zwei dieser Seite ist ein eindringlicher Aufruf zum wilden Tanz im treibenden ¾ Takt!

Habt Ihr so etwas schon mal gehört?

The Computer Controlled Minds bringen hier vier vollkommen krasse Tracks auf Vinyl, das solltet Ihr euch unbedingt geben!

Informed by a highly influential early 1980s electronic music classic, the title track literally mind-sets the theme of Llewellyn’s latest release, kicking off with a euphoric vibe and drums shimmering with digital artifacts. At times almost dreamy cinematic pads, upfront with energetic Moroder-esque propelling bass lines, are the sound signatures of Llewellyn’s journey through a warm and synthesizer laden EP, reviving the sound aesthetics of both the post-discoid VHS and today’s club era with a contemporary touch. Finishing off with a laid-back facet, this four track EP contains enough warmth and drive to get you safely through the cold months, into a warm and promising future.

Llewellyn is one of Martin Enke’s producer’s monikers, who is closely associated with the Riotvan crew and also known as Lake People. Past releases can be found on labels like Riotvan, Uncanny Valley, Permanent Vacation, Mule Musiq and others.

Nick Beringer debuts on INFUSE to open the label’s 2021 schedule, offering up his stellar ‘Blue Blood’ EP.

A rising DJ and producer at the heart of Berlin’s minimal house scene, Rubisco boss Nick Beringer has formed a growing reputation as a ‘go-to’ artist for quality productions across the genre in recent years, with his diverse
discography welcoming material via the likes of Raum…Musik, Taverna Tracks, Mulen Records and Berg Audio to name just a few. With a sound fusing classic Detroit house and techno with more modern shades, ranging from electro-tinged elements through to more dubby textures, the German talent kickstarts 2021 with an impressive debut outing on FUSE sister imprint INFUSE as he delivers his four-track ‘Blue Blood’ EP.

Lead cut ‘Concave’ is a perfect example of Beringer’s ability to fuse genres and nuances with ease and fluidity as skipping percussion licks guide skittering sci-fi electronics and sweeping atmospherics throughout an up-front EP opener, whilst vinyl only cut ‘Aint Got Nobody’ delves into deeper realms as squelching basslines merge with icy hats and infectious vocal iterations. The lively title cut ‘Blue Blood’ opens the B-Side in style as warping synths weave amongst aquatic melodies and deep sub-bass, before closing out proceedings via the dynamic, off-kilter tones of final production ‘Second Hand Emotion’.

Freedom Dance presents the first 12inch release served by Gigi Testa with Earth on Faya EP: On Side A the aforementioned "Earth on Faya" is another crescendo track with the well know Gigi Testa's sound imprint mixing live instruments with eletronic analog sounds. Side B includes
"Is this the Future ?" arranged and produced at Gigi's Home studio during the lockdown and already introduced by Antal (Rush Hour) on his Worldwide fm radio show and Fred P on NTS radio .
Play B-side till the end to translate a message of freedom and hope waiting for the time when we can finally dance all together once again.
Power to the People Always !

Finally available on Vinyl – high volume Remix Pack for the latest single from Underher & Just Emma. Ranging fom Melodic House & Techno over Downtempo to Afro House.

It’s 2020, the year Pop Ambient turns twenty-one years old, a spritely young adult waltzing out of its teenage joys and tears. Pop Ambient has always stood for a certain classicism and elegance, a kind of beatless music that’s diaphanous and hazy, gossamer and glittering. It’s a music that’s no less inviting for its slow pace and becalmed nature, with a different kind of tension bubbling under the surface. For twenty-one years, KOMPAKT co-founder Wolfgang Voigt has curated a series of peerless compilations that repeatedly find refreshing answers to a simple question – What happens when the dancefloor is empty, and everyone’s home to drift away?

As with many other Pop Ambient compilations, Pop Ambient 2021 offers a welcome platform to contributions from both old friends and new faces. It opens with the gorgeous, slo-mo drift of “Of A Vessel”, from new Kompakt signings Blank Gloss. Sending their music out into the world from their home in Sacramento, this duo makes music that’s featherlight and luscious, the muted chime of a guitar over here, the steady hum of a halatial drone over there; everything in its right place, and nothing overdone. The poise is all. Neozaïre (Tobias Sawitzki aka Noorden) and Seventh World (Juho Hietala aka Blamstrain) are our other two new voices, the latter closing (the CD version of) Pop Ambient 2021 with a long, lambent dreamsong, Neozaïre offering us two gaseous, morphing driftworks, “Vor den Toren Europas” and “In Verschwenderischer Fülle” (CD only), etched across with bell-like arpeggios.

Pop Ambient has always felt like a field for play for the KOMPAKT cognoscenti, and 2021 is no different, with Joachim Spieth collaborating with Pepo Galán on the sidereal visions of “Libration”, while Leandro Fresco teams up with Thore Pfeiffer on the lovely “Abejorro”. Pfeiffer also contributes two lovely solo miniatures of abstract longing. Yui Onodera calls in again, long distance, for their fourth Pop Ambient running, with the refracted, glinting lightscapes of “Cromo 5” and “Monochrome”, while there are also star turns from Max Würden, both solo and in Reich & Würden (with Luis Reichard), and Morgen Wurde, who drops by with the ‘ethereal drama’ of “Mittsommer”.

Pop Ambient gets the balance right: visions and soundscapes, long-distance communications and intimate asides, sweetness and light, drama and dreaming, all wrapped up in floral abstractions – a most beautiful distraction.

Wir schreiben das Jahr 2020, das Jahr, in dem Pop Ambient einundzwanzig Jahre alt wird – das entspricht etwa einem lebenshungrigen jungen Erwachsenen, der gerade aus den letzten Teenager-Freuden und Leiden herausgewachsen ist. Pop Ambient steht seit jeher für eine gewisse Klassik und Eleganz, beatfreie Musik, die, transparent und leicht verschwommen, zart und glitzernd leuchtet. Musik, die trotz ihrer Langsamkeit und ihrer sanften Natur unter Spannung steht, weil hier immer etwas unter der scheinbar ruhigen Oberfläche brodelt.

Einundzwanzig Jahre lang hat KOMPAKT-Mitbegründer Wolfgang Voigt diese einzigartige Compilation-Reihe kuratiert, die immer wieder neue Antworten auf eine einfache Frage findet: Wie füllt man die Leere nach dem Club?

Wie viele andere Pop Ambient-Compilations bietet auch Pop Ambient 2021 eine Plattform für die musikalischen Beiträge von alten Freunden und einigen neuen Gesichtern. Es beginnt mit dem wunderbaren Slo-Mo-Drift von "Of A Vessel" von Blank Gloss, einem neuen Kompakt Signing. Das Duo stammt aus Sacramento in Kalifornien und sendet von dort seine überaus leichte und sinnliche Musik in die Welt hinaus – ein zartes Zupfen an einer Gitarresaite hier, das gleichmäßige Dröhnen eines prunkvollen Soundscapes hier; alles ist hier am richtigen Platz und passiert ohne übertriebene Betonung. Gelassenheit ist alles. Neozaïre und Seventh World sind zwei weitere Neuzugänge. Hinter Seventh World steckt der finnische Produzent Juho Hietala aka Blamstrain, der (die CD Version von) Pop Ambient 2021 mit einem epischen, flackernden Traum names “Light The Waves Before Dawn“ beschließt, während Neozaïre, ein Seitenprojekt von Tobias Sawitzki aka Noorden, zwei gasförmige, sich immer wieder morphende und abdriftende Tracks abliefert: "In Verschwenderischer Fülle" (CD only) mit seinen glockenartigen Arpeggios und “Vor Den Toren Europas“.

Pop Ambient fühlte sich immer schon an wie ein Experimentierfeld für eingefleischte KOMPAKT-Künstler, und auch 2021 ist das nicht anders: zum Beispiel Joachim Spieth’s Kooperation mit Pepo Galán ("Libration") oder Leandro Fresco, der mit Thore Pfeiffer das liebevolle "Abejorro" produzierte. Pfeiffer steuert mit “Grape“ und “Center“ zwei weitere Solo-Miniaturen voller abstrakter Sehnsucht bei. Der japanische Klangkünstler Yui Onodera meldet sich mit den gebrochen-glitzernden Lichtlandschaften von "Cromo 5" und "Monochrome" bereits zum vierten Mal auf Pop Ambient zu Wort, während Max Würden sowohl solo, als auch als Teil von Reich & Würden (mit Luis Reichard) ebenso wie Morgen Wurde schon zu den Stars dieser Compilation gehört.