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Originally released on CD in 2006, It's A Feedelity Affair marked a formative moment in Hans Peter Lindstrøm's early career, compiling key tracks from his first wave of 12-inch releases between 2003 and 2006. Now, twenty years after the founding of his Feedelity label, the album is presented for the first time as a newly remastered vinyl edition.

"Listening back now, I hear an artist still figuring things out, but with a clear instinct for where I wanted to go. It was a period defined by freedom - no rules, no expectations." - Hans-Peter Lindstrøm

Released at a time when electronic music was shaped by extended runtimes and physical formats, It's A Feedelity Affair captured a club culture rooted in patience, atmosphere, and spatial awareness rather than immediacy. Its long-form approach remains central to the album's lasting appeal and resonates strongly with today's renewed focus on vinyl and immersive listening experiences. The album stands as a document of an era marked by experimentation, expansive club tracks, and an open-ended vision of electronic music.

Upon its original release, the album received widespread international attention, including a Best New Music rating (8.4) from Pitchfork. The track I Feel Space has since become one of Lindstrøm's most enduring and recognizable works. The album also documents some of his earliest collaborations with Prins Thomas and Christabelle, resulting in tracks such as Boney M Down and Lovesick.

Lindstrøm relaunched Feedelity in 2024, with the label returning in 2025 alongside his most recent album Sirius Syntoms and the single Cirkl, marking a full-circle moment for the imprint. A new studio album is currently in progress and expected in autumn 2026.

How better to solidify over a year of meteoric rise than with the release of a debut EP? dublon is both the phenomenon of the moment and one of the most promising prospects for a lasting career in the electronic scene. The Norwegian producer has teamed up with top-tier musicians (saxophonists, pianists) to blend organic craftsmanship with his incredible electronic touch. He has also collaborated with respected and renowned artists like Tour-Maubourg, TABLE, and the incredible American singer Deza to bring this project to life.

The result is Nectar, an EP that balances touching elegance with an insatiable urge to dance to its uplifting rhythms. dublon and his Jazz-House sound are set to keep us moving all year long.

With 'Tangkoa II', Belgian producer and multi-instrumentalist Dijf Sanders invites listeners into a vibrant and immersive sonic world shaped by travel, collaboration and instinct. Released via Unday Records, the album grew out of field recordings captured during a journey through Vietnam, later transformed into rhythmic, colourful compositions that feel both intimate and expansive.

Rather than building tracks piece by piece on a screen, Sanders approaches music as something alive and unfolding. Sounds are performed and reshaped in real time, giving the album a spontaneous energy, as if the music is discovering itself while you listen. Together with drummer and producer Simon Segers, he creates a fluid dialogue between electronic sounds and human rhythm, balancing precision with freedom.

Improvisation lies at the heart of 'Tangkoa II'. Contributions from Vitja Pauwels (guitar), Viktor Perdieus (saxophone) and Louise van den Heuvel (bass) bring a subtle jazz sensibility to the music, pushing it toward hypnotic grooves and unexpected turns.

The result is an album that feels warm, physical and constantly in motion. Electronic music that breathes, pulses and draws you fully into its atmosphere.

Continuing Blueprint's 30th anniversary celebrations, James Ruskin welcomes the return of Oliver Ho, whose relationship with the label is deep-rooted.

Oliver Ho has spent the last 30 years devoting his life to creating some of the most intense and compelling electronic music out there. Debuting his signature raw sound in 1996 on Blueprint Records, he cemented himself in the underground of the '90s UK techno scene. With a plethora of aliases, he has navigated his way through many different genres. From the frenetic tribal sounds of his own Meta imprint, the off the wall house music made as Birdland and Raudive, the grinding industrial of Broken English Club and the heavily textured ambient of his Slow White Fall and Zov Zov projects. While pushing and pulling at the fringes of electronic music, at the very centre has always been the beating heart of hypnotic techno, an art form that is both brutal and bewitching; techno as ritual magic. Oliver's live shows and DJ sets showcase this expression of music as shamanic experience, metallic and relentless, pure and direct.

An integral figure in shaping Blueprint's early sound, Oliver Ho returned in 2016 for their 20th anniversary with the "Burning Heretics EP", which was followed by a remastered reissue of 1999's "Awakening The Sentient". So it's fitting that he's now back for this latest milestone with a new EP, "Our Secret Religion" dropping in May.

Kerrie makes a welcome return to Sync 24's CE camp, with "Waves of Reverie PT1" dropping in March on Cultivated Electronics. It follows her two part "We Continue" vinyl 12"s, on sister-label Cultivated Electronics Ltd back in 2021. Irish-born, Manchester-based Kerrie is a multidisciplinary artist and resident DJ at Tresor Berlin. She performs live sets, produces music, DJs and runs her own label, Dark Machine Funk, as well as an extensive discography on the likes of Tresor, Blueprint Records, Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism. On her new EP, "Waves of Reverie PT1" Kerrie once again channels a distinctive electro aesthetic rooted in acid and electro traditions but filtered through her own raw, industrial-leaning production style. A staple for fans of analogue hardware-driven electro and forward-thinking electronic music.

(Remixes by Marcel Dettmann, Anastasia Kristensen, okgiorgio, Exos, Linear System and Anfisa Letyago) Following the acclaimed release of her single "In My Arms" last year, visionary DJ, producer, and NSDA founder Anfisa Letyago presents a powerful new chapter - "In My Arms (Remixes)", a six-track collection reimagining one of her most emotive works to date.

The release brings together a lineup of forward-thinking artists whose influence spans the spectrum of modern electronic music: Marcel Dettmann, Anastasia Kristensen, okgiorgio, Exos, and Linear System, alongside a brand-new Anfisa Letyago Remix that closes the collection with her own hypnotic reinterpretation.

Each remix offers a distinct lens into Anfisa's sonic universe - from Dettmann's industrial precision to Kristensen's kinetic rhythms, okgiorgio's cinematic textures, Exos's deep Icelandic minimalism, and Linear System's hypnotic groove. Together, they transform In My Arms into a multi-dimensional dialogue between artists who define the cutting edge of contemporary techno.

Speaking on the project, Anfisa shares: "I am truly happy and honored to have remixes of my track 'In My Arms' from artists I hold in the highest regard. Experiencing this track through their musical vision and incredible touch deeply excites me.”

Tomos is no stranger to reinvention. Over the years, his sonic explorations have spanned genres, yet one thread has remained constant—his deep-rooted connection to house music. His earliest co-releases under the alias Vanguard were high-energy French House cuts, built on the foundations of crate-digging and sample collage, channeling the spirit of Daft Punk and the wider French electronic movement.

Now, 15 years later, he returns to those techniques with a fresh perspective, releasing his latest EP Soul Feels Good through the esteemed Noire & Blanche.

Soul Feels Good isn’t just a nod to the past—it’s a showcase of the vast influences that drive his ever-evolving sound. Tomos weaves together an intricate patchwork, merging the meticulous sampling techniques of his early career with a broader, more mature musical palette. The result? A genre-fluid blend of Jazz, House, Dub, Soul, Gospel, Broken Beat, Downtempo and Disco—stitched together with the finesse of an artist who has spent years honing his skills.

For listeners who appreciate the craft of sampling and fans of genre-defying, groove-driven music - Soul Feels Good is a record that demands attention.

For two decades, Gun Outfit has been a band defined less by genre than by continuity, patience, and a commitment to making music that reflects their lived experience.
Formed in Olympia, Washington in 2006 but long since rooted in Los Angeles, the group has evolved from a raw duo into a quietly formidable five-piece, their sound growing from scrappy post-punk beginnings into something spacious yet intimate, and always underpinned by an experimental edge.
On Process & Reality, Gun Outfit return with their most ambitious and immersive work to-date, a sprawling 80-minute double album shaped by time, environment, and philosophy. Recorded over the course of a single month in the late summer of 2020, on an 80-acre ranch in Pine Flat, California, while a massive forest fire burned less than ten miles away, the seeds of these songs were stark and strange.
Its title, Process & Reality, draws from the central work of philosopher Alfred North Whitehead, whose philosophy places intuition, experience, creativity, and relationality at the center of existence.
The band’s current lineup reflects both longevity and openness. Sharp and Keith remain the band’s primary architects, joined by longtime drummer Daniel Swire, multi-instrumentalist Henry Barnes, and bassist Kayla Cohen. Additional collaborators include Chris Cohen, Warren Lee, and Danny Sasaki all of whom add further depth, leaving subtle fingerprints across the album.
Musically, the album expands the band’s palette without abandoning its core sensibility. Dulcimer, autoharp, sitar, melodica, keyboards, homemade electronics, and a wide range of acoustic and electric textures appear throughout. The sound is mellow yet expansive, songs move between fragility and hefty atmospheric passages.
Influences surface obliquely rather than overtly. Elements of reggae and dub inform the production’s spatial sensibility. Echoes of long-form European jam bands coexist with sharp post-punk. British folk traditions, American country, and classic West Coast songwriting drift in and out of focus; the band is never afraid to lead or follow.

Originally released on Ezekiel Honig's Anticipate label in 2007, Standing on a Hummingbird is the debut album by Canadian sound artist Mark Templeton, now appearing for the first time on vinyl, newly remastered by Giuseppe Ielasi and cut by LUPO. Working at the intersection of post-glitch, electroacoustic ambient, and textural minimalism, Templeton composes through restraint and erosion, building patient and richly tactile pieces primarily from acoustic sources - fingerpicked guitar, plaintive banjo, muted accordion tones - subjected to careful processes of granulation, filtering, and environmental masking. These gestures never overwhelm the source material; instead, they wonderfully destabilize it. Melodies appear briefly, only to dissolve into dense atmospheres of field recordings: distant streets, birds, water, air. Sounds hover, vibrate, and vanish, much like the wing beating latent in the album’s title.

Tracks such as “Pattern For a Pillow” and “Amidst Things Uncontrolled” articulate this approach with particular clarity, setting languid acoustic figures against churning granular backdrops that feel at once sheltering and unstable. Elsewhere, moments of fragile clarity - fluttering guitar lines, reedy accordion tones - briefly break the surface before being absorbed back into the field.

Heard today, the record offers a clarion, almost spartan strain of textural ambient music: intricate yet unforced, shaped by human touch rather than automated excess. Its refusal of spectacle feels especially vital in a landscape saturated with maximalist digitalia - a reminder that electronic music’s most enduring gestures often occur where sound is allowed to tremble and hold itself just long enough to be felt before disappearing once again. (Alex Cobb, 2026)

May 2026 marks the arrival of TYGAPAW (aka Dion McKenzie)’s first full-length album on Tresor Records, entitled Together You Gather All Power Applied Worldwide. An acronym of its creator’s name, TYGAPAW’s third studio album is a deeply personal collection of music building worlds where Black queer and trans siblings can thrive, while unifying dancefloors worldwide. A proposition that collective wisdom liberates us from the matrix of domination we live within. The album unfolds as the latest chapter in TYGAPAW’s ongoing techno opera opus, continuing to center the voices of Black women, which surface as layered incantations rather than lyrics - powerful, haunting, sensual, activating.
With the process of creating the album starting in 2023, as TYGAPAW (Dion McKenzie) was in the first year of their transition, the music reflects the intensity of that period, where they were experiencing deplatforming as a response to the shift in their physical appearance: Tracks like ‘M32 Riddim’ and ‘Helicopter hovers over my Crown Heights Apartment’ feature high-paced rhythms intersecting with intense siren-like synths to form demanding compositions echoing a heightened sense of alert. Yet throughout the album, relief comes in the form of TYGAPAW’s vocal features, co-conspirators, and chosen family, whose voices are treated with reverb and echo, a sonic fingerprint that leads back to the pioneers in the legendary studios of TYGAPAW’s native land, Jamaica, an important reminder that the past will always inform the future. It is an album for dancers first and foremost, where joy, defiance, and integration with the natural body coexist, and every drop feels less like a climax than a transformation. Expect a bass that permeates your soul and melodic synthesized sequenced phrases echoing the dancehall eras of TYGAPAW’s youth, reshaped into hypnotic melodies that glow over industrial kicks designed to command attention, reasserting Jamaica's pioneering yet often overlooked contribution to electronic music.
In the opening track, ‘Can I Live’, Precious Okoyomon’s words feel like the beginning of a ritual; setting the intentions for the rest of the proceedings. As McKenzie puts it, their “work is about regeneration, resetting, getting integrated into nature, and about rebirth. That’s the tone I wanted to set at the outset of the album.” Ms Carrie Stacks continues this thread of support in ‘Don’t Panic’ with heavily processed vocals on top of a beat that takes inspiration from another important ingredient in the antidote to the oppression of isolation: Ballroom culture. “ I feel like I found my queerness in Ballroom, that’s why this track is very important to me.”
Echoes of NYC Black queer nightlife scene also permeate in the energetic drums of ‘Exorcise the Language of Domination’, in which Julianna Huxtable’s spoken performance complements the various movements and tones of the music. “My producer brain thought this was the one that Juliana’s vocals would be best suited for. I hinted: ‘what do you think of this one?’ She just went into her notes and picked some passages to go with the first section of the track. From there, it was a year-long process of development. It required time and space for this thing to evolve, but I think it’s one of the most powerful tracks on the album.” London’s SUUTOO contributes the album’s only musical collaboration on ‘B2B’, a track that emerged from sessions in McKenzie’s New York studio where the real objective was to connect and have fun; a time out from the demands of life outside.
The album closes out with a double hit of emotion in the form of ‘Effects of Resistance and Black Trans Masculine Experience’. The former features South African scholar Khanyisile Mbongwa drawing connections that exist between Africa and the Black diaspora, whilst looking to the future and calling for a shared sense of community.
The latter piece, an instrumental version of the piece which featured on the IMMIGRANT E.P. of 2025 is a gentle and deeply affecting end to the record, a place of peace and acceptance. This end-of-cycle tone is mirrored in the sleeve photography, which also ties back to IMMIGRANT by finally revealing what was hidden: a portrait of the artist fully self-actualized; a step towards true inner liberation. TYGAPAW is sonically defiant across this album; bass frequencies feel tactile — less heard than inhabited — infectious lead synth melodies remain with you long after the track ends. An overall sound that leaves asserting an urgent need for connection. From Detroit to New York to Berlin to Jamaica, despite geographic distance, this album reminds us that we remain in solidarity, recognising that meaningful world-building requires collective input and action, both personal and communal, if we are to move toward liberation.

Shimmering Xhosa traditions and deep electronic futures vibrate as South African sonic poet and composer Dumama unveils her groundbreaking debut solo album, Towards An Expanse. Sometimes gospel, sometimes electro-psychedelic space travel, Towards An Expanse unfurls from a languid lament into an ever-expanding sonic universe. Dumama defies conventional genre boundaries while excavating deep personal and cultural histories in this concise but boundaryless collection, recorded between New York, Johannesburg and Berlin. Dumama first gained international attention with her acclaimed 2020 collaborative album, Buffering Juju, created with fellow South African musician and artist Kechou, and lauded as Global Album of the Month by The Guardian. Her new solo work draws on a rich lineage of South African voices. Gugulethu Duma (aka Dumama) is a musician / composer / sonic poet / creative producer from the Eastern Cape Province of South Africa. Dumama is one of the few uhadi players in the world. Her use of the traditional Xhosa bowed instrument guides her profound story-telling, blending ancestral roots into an urgent electro-acoustic palette. The album was born out of sessions with acclaimed musician and producer Shahzad Ismaily in New York and South African powerhouse Nandi Ndlovu in Johannesburg.

Vladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.

Based in Hailuoto in Northern Finland, Vladislav Delay has never fit into any given mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What "jazz" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of "jazz"? Whatever came before is a springboard, not a limitation.

When Elder Island went into the studio to record the followup to their critically acclaimed 2021 album, Swimming Static, they were determined to "turn everything on its head". The trio are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But Hello Baby Okay marks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new Music is threaded through with a liberated energy, lilting funk-Pop guitars, danceable beats and a renewed sense of play.

1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

Whodamanny reworks from original master tapes 2 Italian Electronic Disco & Boogie gems! 1st volume of 2. Strictly Limited Edition on vinyl.

SKYLAX RECORDS presents the second chapter in a landmark 4-part saga — a secretive and conceptual series uniting two titans of French electronic music: ARNAUD REBOTINI & ACID WASHED. Following the acclaimed Winter Sequences (LAXBLACK 01) and Rebotini’s Musical Component, SKYLAX BLACK 3 pushes further into cinematic rave, electro, and techno territory. On the A-side, Artificial Darwinism ignites the EP with raw intensity — fusing early 2000s Blackstrobe energy, UR aggression, and cold wave tension into a hypnotic, funk-laced ritual. They Are Coming follows with darker, driving techno — mechanical yet alive, pulsing with paranoia and urgency. Flip to the B-side for Space Time 303, a dreamy ambient-acid trip evoking early R&S and IDM — ethereal, timeless, and drifting through time. Closing the EP, A Comet in the Northern Sky delivers melancholic electro in the spirit of Dopplereffekt and Drexciya, elevated by Rebotini’s analog mastery. A visionary statement — intelligent, bold, and essential. The puzzle continues to unfold…

Since debuting in the mid-1990s, Kurt Spichiger aka Shaka has released rather a lot of high-quality deep house, in the process notching up appearances on the likes of Local Talk, Traxx Underground, Yore, Housewax and, most recently, Mate. Here he evokes the atmosphere of a 'smoky' basement club via a three-track Seasons Limited label debut. Title track 'Smoky Club' is undeniably classy and carefully crafted, with starry electronic motifs, dreamy pads and jammed-out Wurlitzer organ motifs rising above a languid, leisurely deep house groove. Spichiger's love of jazz comes to the fore on the even warmer and more seductive 'City Park' - all sampled disco drums, smooth jazz-funk bass and extended electric piano solos - while 'The World Goes Oriental' sounds like vintage Larry Heard mixed with the afterglow of late night lovin'.

A new release curated by Mystic Jungle, founder of Periodica Records, who - together with a small group of artists - has spent the past decade shaping a distinctive sound in his recording studio based in one of the most remote areas of Napoli.

This second release on the West Hill Music catalogue features the voice of American singer Roxana, alongside guitar contributions by Yugoslavian musician Igor Sekulović.

The A-side, "Can’t Make You Out", unfolds as a crepuscular track with a laid-back, exotic atmosphere, marked by subtle funk-rock influences. On the B-side, a stripped-down mutant-funk track built around electronic drums and a repeated vocal chorus leaves space for minimal arrangements and textured guitar lines to emerge.

Limited vinyl-only release.

Thessaloniki is a hotbed of electronic talent. Tendts are testament to this. The triumvirate of brothers Christos and Fotis Papadakis, joined by guitarist Elias Smilios, have carved out a truly unique sound. Blending disdainful punk with synth‑pop sheen, the group arrive at the Bordello with Ghost Boys. Cymbals crash in the title piece, a lone key circling percussive precipitation before rich guitar strings bring balance and ballast. The song, an emotion‑stripped story of missed opportunities and narrowing prospects, is sensitive and sharp; an emblazoned anthem to the lost and forgotten. Distilled down to a powerful essence, the radio version focuses on the throaty message, meandering synth melody, and smoky strings.

Lauer steps in for remix duties, dipping the original into a blue acid‑electro syrup before it re‑emerges as a fresh‑faced reimagining, its chorus lanced with vocoders while a minimal melody simmers beneath Chicago‑style knob twists. Taking another direction, Boys’ Shorts melt broken‑beat revelry into their countrymen’s original. Smilios’ guitar riff becomes a central column around which samples spin and house warmth emanates. Sheer quality from needle drop.

Swiss DJ and composer Dexter Troy has made a name for himself with notable productions on labels such as « King Street Sounds, » « Groove Culture, » and « Mood Funk Records, » alongside iconic artists like Kerri Chandler, Dennis Ferrer, Masters At Work, Satoshi Fumi, and Dimitri From Paris. For over 15 years, he has shared his passion for electronic music in bars, clubs, and festivals in Switzerland and abroad.

His rich and diverse musical universe draws from multiple influences: house, funk, disco, all enhanced with a touch of electro-techno. »

One year after the part 1, « The Double Take part 2 » is coming to put the finishing touches to the project. He’s joined by BAKA G, a talented artist who made a name for herself on the Brussels house scene and distinguished herself with releases on labels such as Happiness Therapy.

Siriusmo is back! His fourth album, "Buletten & Blumen", will be released in November 2025 – a collection of musical delicacies. Freshly prepared, spicy, and greasy, but as always with a flower on top. The Berlin-based producer, whose real name is Moritz Friedrich, remains true to himself and his distinctive style – between funk, hip-hop, electronica, soundtrack vibes, and genre playfulness. As usual, Siriusmo wanders through musical styles, embracing them, missing them spectacularly – or simply inventing them. A subtle "Berliner Allerlei". The artist himself says of his working method on the album: "I'm a whole band. Nobody masters their instrument, but everyone pretends to – always with the fear that the others will notice." The album begins with the tongue-in-cheek opener "That Could Function As A Song", an ironic exploration of the artist's own creative process. With "Buletten & Blumen," Siriusmo delivers not simple fare, but a multifaceted menu.

Guests: Mr. Oizo, Erobique, Dana (& Claire Waldorff) An album that oscillates between irony, melancholy, and absurdity.

Tracklist:
A1. That Could Funktion As A Song
A2. Hongkong House feat. Liu's Family
A3. Watch Me Fall
A4. Ok So

B1. Baum
B2. The Syntheziser Has Been Drinking
B3. Liquit feat. Mr. Oizo
B4. In Der Klemme

C1. Koko
C2. Langsame Runde
C3. Der Uhrturm
C4. Meissner Schwerter

D1. Dummdidumm
D2. Every Tree Needs A Friend
D3. Lehm feat. Erobique & Dana
D4. Irgendwohin

Following the reissue of The Pocket of Fever, Ambient Sans presents the second chapter in Masahiro Sugaya’s visionary work for the avant-garde performing arts company Pappa TARAHUMARA.

Founded by Hiroshi Koike in 1982, Pappa TARAHUMARA blended dance, theater, music, and visual art into abstract, immersive stage worlds. Sugaya’s compositions became the sonic counterpart to this radical aesthetic—minimal yet deeply evocative, combining electronics, ambient textures, and delicate melodic gestures into a sound language both intimate and expansive.

Music From Alejo marks his first original stage score for the company: a work where repetition and silence intertwine with shimmering synthesizers and dreamlike motifs, conjuring atmospheres that feel suspended between reality and reverie. More structured than The Pocket of Fever yet equally poetic, the album reveals Sugaya’s gift for translating movement into sound, balancing modern composition with subtle echoes of Japanese tradition.

Reissued for the first time on vinyl, Music From Alejo includes a printed insert featuring an exclusive interview with the artist, alongside photographs from our visit to his home in Japan. Essential listening for anyone drawn to the ambient minimalism of Hiroshi Yoshimura, Midori Takada, or Brian Eno—reimagined here through the lens of Tokyo’s experimental scene of the 1980s.

‘Desire’ is the sophomore full-length album by TLF Trio, following their beloved debut album ‘Sweet Harmony’ from 2022. On ‘Desire’, the group presents their signature, contemporised chamber music through their main instruments: piano, cello and electric guitar; now enhanced by a pervasive use of sampling and a distinct use of silence as musical material.

The album is an aesthetic voyage in a musical landscape of minimalism, classical music, free improvisation, left-field-electronica, and references to pop and house music. It blends into a sound that is experimental and unpredictable – yet at the same time strangely familiar and self-explanatory.

The ten pieces balance an open-ended improvisational intimacy with a tight compositional intention. Each track's repetitiveness operates as a trickling plateau of layered sentiments of times and spaces through the sampling of different acoustic rooms, the playing in specific styles and the curated selection of sounds and instrumentations; a collage of memories and associations patched together to create new meanings.

DJ Normal 4 appears first time on the label with 10” record consisting different flavored genre tracks for the ears of the curious listeners, and die-hard music lovers. Tim has been creating electronic music for a long time and has appeared in some of the key music events around the globe. With a high level of skill and accuracy this artist is able to tackle music of many styles which also can be witnessed on this record. This is the second ten inch record the label has welcomed to its catalogue so you can imagine the level of excitement in the air. From the A side going into the electro approach right to the trance infused B side, this disc is guaranteed to feel absolutely correct in the record bag if these are the genres of music that resonates with you.

Introducing Human Behaviour Records, a vibrant new realm where music meets the soul, a home for fresh, innovative sounds and frequencies that resonate with the very essence of what makes us uniquely human. A journey into the deep, timeless grooves of dance music, blending rhythms and harmonious beats that transcend space and time. Our mission is to create a profound, unforgettable connection with all those who hear it, inviting listeners to lose themselves in the universal pulse that binds us together. We hope to spark a sense of unity, bringing together individuals from all walks of life and fostering a community built on shared experience and creative expression.

First up one up on the label is Nic David with his highly anticipated EP “Magnetic”. It pushes and pulls the boundaries of house and electro, connecting frequencies that attract positive feelings and inspire irresistible movement on the dance floor. Followed by A2 we have “The Feelin” a track that takes you on a journey with no destination, an ever-evolving ride through funky basslines and enlightened melodies. B1 taking a turn into the harder sounds with “Work it (Listen up)” capturing the mind with heavy drums and mind altering sounds through peak moments. And for the final track we are proud to have none other than Nate S.U for the remix of “Work It”. A forward thinking human known for his hypnotic sounds, creating timeless music that sits on its own throne. His take on “Work It” fuses electronic textures and a rock inspired rhythm, pushing the boundaries from the ordinary.

This is the debut release from Laguna Seca, a new project from Porto based Mike Jefford. It foreshadows a new body of work, steeped in 70s nostalgia, refracted though sounds that could belong to krautrock, disco, electronica, noisy alt rock and everything in between. Mike has previously recorded as Positive Centre releasing textural, experimental techno on such labels as Stroboscopic Artefacts, SNTS and Leyla. (seek out if you you’re a fan of Vatican Shadow or the ghostlier wing of Black Dog)

After mastering his forthcoming 2026 debut album ‘O Tempo’, Mike Jefford caught a second wind of inspiration. In just seven frantic days he recorded the heap of tracks that formed the basis of 'Live from Müsli Mountain’. It soon became clear that these tracks foreshadowed the album perfectly and the EP was born.

Named after the California raceway, this project fuses 1970s recording techniques, modern electronics and psychedelic retrofuturism, it’s a pyramid of sonic adventure that will be explored deeper on the album next year.

Inner Image is a series of live studio recordings by Kamran Sadeghi, an Iranian, New York City-based composer and interdisciplinary artist working across electronic music, sound art, and multichannel composition. The EP is focused on rhythm programming and non-sample-based, hyper-sculpted synthesis. Audible artifacts become compositional material, producing shifting textures while exploring auditory illusion, spectral layering, and spatial perception. This debut release on amenthia recordings bridges Sadeghi's club sound system music with his ongoing work in sound art and avant-garde composition.

Prolific beat pharmacist par excellence Brendon Moeller continues his hot streak with a return to Samurai to serve up the exquisite craftsmanship of Shadow Language. Across 15 fresh productions the seasoned house and techno producer demonstrates yet more variations on his rejuvenated sound since pivoting towards 160 tempo zones. Heavyweight dub techno pulses collide with D&B pressure and dubstep snarl, delivered with devastating restraint and mediative warmth.

Moeller's dub-informed, high-grade production hit a hot streak as he started to experiment with faster tempos and more broken rhythms, reaching into thrilling new sound fields where fast-slow rhythmic intrigue meets with spatial subtlety and constantly evolving synth voices. The past year has seen him release a swathe of albums, from Further on Samurai to outings on Constellation Tatsu, ESP Institute and Quiet Details that all burst with inspiration, each distinct from the last and offering an original perspective on this rich seam of crossover electronics.

Shadow Language shows Moeller burrowing even deeper into this new era of his work, continuing the hypnotic approach set out on Further while edging more forthright ingredients into the mix. From the outset 'Division By Zero' hits with immediacy even as it dips into a dubwise breakdown, with snatches of vocal and even the iconic loom bird making the slightest of appearances. 'Feral Hymn' finds a curious kind of uplift in the synth chord that twists in and out of the mental techno murmurations of the rhythm section. 'Impermanence' has some snarling bass that belongs in the gnarliest tech-step, while the nagging hats ticking through 'Junkyard Syntax' hint at a shockout without resorting to brute force. The majestic dub techno chords of 'Driftform' create a through-line across Moeller's extensive catalogue, but here they dominate the mix above a spongy bed of sub bass throb and framed by the tiniest slithers of percussion.

Throughout the album, it's the implications Moeller suggests with the tools at his disposal that create a powerful energy. Restraint governs the delivery, guiding the listener in deeper until they find a maximal experience from each elegantly understated roller. The weight and presence is abundant across every track, fuelled by the invigorating power of each tone and frequency while avoiding the clutter of overloaded arrangements.

Finding the notes in between and half-hidden rhythms, Moeller himself perfectly summed up his latest opus as he continues to develop his own compelling Shadow Language.

HAVEN are back with their vinyl operation with a fresh plate of grubby Techno heat from Irish heavyweights Faetch & Sunil Sharpe on the Grotteca EP. Featuring 4 original rippers and a remix from Italian legend DJ Plant Texture of upfront club pressure, the NZ-based label are proud to transmit some of the finest in creeping electronics from across the globe.

The A-side kicks off with 'Bleed In' with its tough drum-work and hypnotising atmospheres eventually descending in to an all-out stomp with one of the filthiest synth-lines in the label's history hitting half-way through. This is followed up with 'Test Breaks' - a broken-beat slammer with a ton of gritty synth design and rear-shaking rhythms. The first side is closed with DJ Plant Texture's remix of 'Bleed In', where driving 909 hits combine with the original synth line for a club-ready weapon ready to get those feet moving.

On the B-side 'Vapornation' keeps the energy rolling with its rolling congas, heavy kick, and eerie atmospheres tailor-made for a concrete basement. Finally, 'Shinplant' closes the record with full-steam-ahead drums and squalid synth rhythms to end yet another plate of dance-floor ammunition from the HAVEN camp.

Sauna Radio presents its first compilation, a sonic snapshot of Stockholm's vibrant underground.
Born from the weekly community radio and event series hosted on a floating sauna in the city center, the compilation brings together local and international artists connected to the project - including Peder Mannerfelt, MOLØ, Abstraxion & Bella Sarris, Staffan Lindberg, Julia Wallin, and more.

Blending hypnotic techno, leftfield house, and introspective electronica, the release captures the raw, emotional, and communal energy of Sauna Radio.

Limited to 100 vinyl copies, Sauna Radio Compilation SR001 will be released on December 12th, 2025 via Biologic Records.

Marie Davidson Returns with Club-Ready 12” ‘City Of Clowns (MDJ Tools)’ — Featuring Soulwax Dubs on DEEWEE

Utilising their inimitable remixing style, Soulwax pump up and strip back Davidson’s ‘Push Me Fuckhead’ and ‘Sexy Clown’ for maximum dancefloor effect. The release also includes an electrifying contemporary version of 'Sexy Clown,' co-produced in the studio with Pierre Guerineau and tailored for Davidson’s acclaimed 2025 live performances.

This latest release follows Davidson’s 2025 album, a record that saw her expand her artistic language through a fusion of 90s Detroit techno grit, fired-up circuitboard breakbeats and skewed club minimalism. As with much of her work, the album used music as a means to navigate her place in the world — as an artist, as a woman, and as an entertainer. Conceptual yet emotionally raw, Davidson continues to push the boundaries of electronic music, creating work that is both deeply cerebral and disarmingly human.

With both Soulwax and Marie, sharing a commitment to bold, physical sound and restless reinvention, ‘City Of Clowns (MDJ Tools)’ stands as a natural meeting point — a late-night dialogue between two of modern electronic music’s most distinctive voices.

‘City Of Clowns (MDJ Tools)’ will be released digitally on October 31, with vinyl following early December.

Damian Lazarus reveals the eighth chapter of Crosstown Rebels acclaimed annual ‘SPIRITS’ VA compilation series.

The latest instalment sees the label founder once again curating a carefully balanced lineup of emerging voices and established names, with the eight-track collection set for release on 30th January 2026.

Since its inception in 2017, Damian Lazarus’ SPIRITS series has become a trusted barometer for the year ahead, spotlighting forward-thinking artists and cutting-edge club music from across the global electronic landscape. With ‘SPIRITS VIII’, Crosstown Rebels continues this tradition, delivering a refi ned yet adventurous selection that moves seamlessly between hypnotic house, melodic depth, and late-night energy - building on the momentum of previous volumes and capturing the label’s unmistakable essence.

Opening the release, Raz Alon sets the tone with ‘Hey It’s Me’, a warm and immersive opener that draws listeners in with emotive touches and fluid groove work. Lost Desert follows with ‘Ultima’, leaning into trippy, melodic-tinged sensibilities as tumbling rhythms meet expansive atmospheres and subtly evolving motifs. On the flip, TIMANTI ventures into a captivating voyage with ‘Warrior Spirit’, pairing swirling synths with hazy melodies, before STEB delivers ‘House Of STEB’, a groove-led cut packed with personality, swing, and club-ready flair.
The journey continues with Yuvèe’s ‘Set The Fire’, featuring FADO, a hypnotic and vocal-led track that balances emotional weight with understated rhythmic pressure. Ekoboy then ups the intensity on ‘Lose Control’, combining crisp percussion with infectious momentum designed for peak-time moments. On the final stretch, MADI brings a reflective buy playful touch with ‘Around Me’, weaving lush textures and subtle dynamics into a deeply absorbing listen, before JUAAN closes the compilation with ‘Bass Cliente’, a punchy and bass-forward finale that rounds things out with raw club energy.

With its continued ability to champion new talent while welcoming respected artists into its orbit, Crosstown Rebels remains a vital force within electronic music. SPIRITS VIII stands as another clear statement of the label’s vision, reaffirming its role in shaping the sound of contemporary house and techno.

One of electronic music’s most sought-after names, producer and DJ KETTAMA today announces the release of his long-awaited debut album, Archangel, out 3rd of October. The announcement arrives in tandem with new single “Sort It Out” featuring Clouds, and a landmark moment in his career: his biggest ever London headline show, taking over Brixton Academy on Saturday, October 4th, followed by an expansive tour across Europe, North America, and Australia.



A decade in the making, Archangel is the definitive statement from KETTAMA (Evan Cambell), the Galway-born, London-based artist. The 15-track project is a powerful blend of hard-house energy, trance-inflected euphoria, hip-hop sample-based attitude, and unmistakable emotional depth—sonic signatures that have placed KETTAMA at the cutting edge of contemporary dance music.



The album showcases a curated roster of collaborators who reflect KETTAMA’s reach and relevance across today’s underground and mainstream scenes, including Interplanetary Criminal, Fred again.., Clouds, Prospa, DJ HEARTSTRING, Shady Nasty, SØLV and seantommy. Their contributions amplify the project's scope, offering a multi-sided view into KETTAMA’s musical universe.



Among its early singles, the Interplanetary Criminal collaboration “Yosemite” is a high-velocity anthem marrying speed-garage grit with ecstatic rave melodies, while his track “Air Maxes” with Fred again.. And Shady Nasty blends introspective vocal sampling with wide-eyed club emotion. On “If U Want My Heart” with DJ HEARTSTRING featuring KLP, the ensemble channels high-energy trance, breakbeats, and vocal euphoria into a soaring anthem that fuses emotional intensity with peak-time club energy. Meanwhile, his collaboration with Clouds, released today, “Sort It Out” dives headfirst into industrial-techno territory, conjuring a dark, cathartic energy destined for warehouse euphoria. And reigning as one of the undeniable anthems of the summer so far, “It Get’s Better (Forever Mix)” delivers euphoric waves of uplifting synths and relentless rhythm, bringing an irresistible surge of energy that’s become synonymous with this summer’s club moments.



Archangel has already found a home on the world’s biggest stages and radio airwaves, with early support from key tastemakers including Jack Saunders, Danny Howard, Sarah Story, and Tim Sweeney. Simultaneously, a grassroots groundswell continues to bloom across social platforms—where viral snippets and show footage capture the visceral reaction of a fast-growing, global fanbase.



This year, KETTAMA has elevated his status to a full-blown festival phenomenon, performing at major stages including Coachella, Glastonbury, Creamfields, Portola, Seismic, and ARC Festival, to name a few. In June, he played to 20,000 people in Belfast for a b2b with Chris Stussy—one of the UK’s largest DJ events in recent memory—and is currently mid-way through a 16-week Ibiza residency at Amnesia, playing every Monday night throughout summer. Full list of upcoming live dates can be found below.



Perhaps the clearest signal of his surging popularity is the jaw-dropping response to his upcoming Boiler Room live set, with over 15,000 fans signing up to attend— the set’s release is now highly anticipated as a time capsule moment in a breakout year for the artist.



KETTAMA’s rise to prominence has been anything but conventional. Eschewing the traditional gatekeepers of the industry, KETTAMA cultivated an underground following through the likes of SoundCloud and TikTok, where raw uploads, bootlegs, and viral edits generated a tidal wave of grassroots momentum. Over the years, these platforms became launching pads for a fiercely loyal global community, drawn to his unfiltered energy and boundary-pushing sound. This subversive path to recognition has made him not just a fixture of the scene but a symbol of how new-generation artists can forge success on their own terms.



From his humble roots in the Irish underground to the world stage KETTAMA is now pushing the limits of what a next-gen DJ-producer can achieve. With Archangel, he fuses the sound of his native ‘G-Town’ with a futuristic vision that’s unapologetically global—marking a creative milestone that cements his place among electronic music’s most compelling voices.

In 2015 Sam Shepherd - aka Floating Points - released his break out, critically acclaimed debut Elaenia. Earlier this year he followed up the album with Reflections - Mojave Desert, a short film and soundtrack featuring tracks recorded in the Mojave Desert. Today the polymathic producer is pleased to announce his latest project, Ratio, an epic track bordering on 19-minutes that harks back to his earlier dance floor focussed releases. Over the course of the summer Floating Points has developed Ratio as part of his solo live electronic show at festivals around the world. The track has fast become a fan favourite, a true highlight of the set.

Ratio will be released on 20th October. The full-length version will be available on all digital platforms. The track will also be available on vinyl, presented as a deconstructed mix of the 18+ minutes.

Repress of original 2017 release.

ANiML comprises accomplished and storied electronic artists. Their Stratasonic label has become a respected home for their freeform musical explorations, with no genre restrictions. They often call on friends and influential pioneers to collaborate on releases, and the originals they produce are defined by improvisation, creative songwriting, and intentional collisions of different moods and grooves.

'Unioness' is a tender but crisp late-night sound. Soft, jazzy melodies drift over orchestral swells with drum breaks cascading below. Abstracted vocals and serene strings further enrich this sophisticated sound, which draws on soundtracks and instrumental soul groups.

Stoned Autopilot is an alias of long-time studio magician Martin Buttrich, who is also part of Better Lost Than Stupid and has a fulsome catalogue on many of the scene's most recognisable labels. His dub rides smooth waves with aching vocals melting into the mix, and the melodies looped, smudged, and smeared in hypnotic fashion.

The second rework comes from DJ Sneak, the hugely prolific and consistent Chicago house innovator whose famously raw, tracky sound keeps him in a class of one. His fantastic Big Bawse Re-Rub brings a rolling four-four groove, a delicate sprinkling of percussion, and a loopy rhythm that locks you in and zones you out as curious melodies unfurl up top.

Xistence Records is destroying the boundaries between house and techno. The Rise E.P. simply goes to show you a good label does not lose it's competency after 4 years of releasing music. This 4 tracker sounds sublime! If you like deep emotional melodic music, you should have this 12”.
Difficult to pick a standout track as they all offer something different…

The original version of Resilience is a stunning track, reminds of the early Octave One sound with a great mixture of percussion, classy bassline, nice layering of textures and melodies.

While Gerald Mitchell (Underground Resistance/Los Hermanos) retouch is a soulful stripped back tune with elegant drum work, linked together by a uplifting synth pattern.

Sunset To Sunrise, a delightful piece of haunting electronica. It’s a real journey back to the birth of Los Hermanos. Class!

Meteoric Rise original version came out as digital earlier on the label, Journey Around The Sun Mix here has the UR sound. It’s more complex, Detroit lesson in syncopation and rhythmic programming with chord stabs and shuffling drum work drives this one forward..epic!

“Without Hope None Of Us Have Anything “

Nothing Under Heaven is the third full-length album from Scottish ambient and drone multi-instrumentalist Yulyseus.

It follows 2022’s In the Dark Palaces of Both Our Hearts, an introspective and immersive work shaped by travel, displacement, and unfamiliar surroundings. Where that release explored darker and more inward-looking terrain, Nothing Under Heaven opens outward into broader, more expansive soundscapes. Drawing on years spent moving between Glasgow, Berlin, Mexico City and Valencia, Niall Gahagan’s compositions here feel patient and quietly luminous, built from layered electronics, bowed strings and subtle field recordings.

Rather than seeking dramatic gestures, the album unfolds slowly, allowing atmosphere and emotion to emerge over time. Working within a crowded and ever-evolving ambient landscape, Yulyseus continues to focus on texture, weight and gradual movement.

Across eight carefully shaped pieces, Nothing Under Heaven explores how sound can hold both stillness and momentum, inviting attentive listening rather than functioning as simple background music. The opening track, Veillands, sets the tone with a quiet intensity that gently draws the listener inward. From there, the album develops as a continuous, immersive experience, rich in detail and emotional nuance. Nothing Under Heaven reflects an artist still in motion, responding to change, uncertainty and new surroundings with humility and care. It stands as a thoughtful and deeply considered addition to Yulyseus’s growing body of work which is rooted in patience, deep listening, and a continuing search for meaning through sound.

Austrian musician, painter, and filmmaker Kimyan (formerly Kimyan Law) combines sound and visual design in an impressively direct way to create a comprehensive artistic experience. He takes an open, intuitive approach to his compositions, connecting the
resonances of traditional instruments and rhythmic patterns from Central, North, East, and Sub-Saharan Africa with sophisticated production techniques. Kimyan's current album,
“Coloria,” in which he explores the concept of timbre in a multifaceted way, marks the pinnacle of his artistic development to date.
For his Live -concerts, Kimyan relies on the organic element of playing, using instruments such as electronic drum pads and MIDI controllers.
This gives his pieces a spontaneous, physical presence on stage that goes far beyond mere reproduction and makes his performances a lively interplay between improvisation and structure. In conjunction with his self-designed artwork and videos, corresponding audiovisual worlds are created in which cultural influences and identities, moods and timbres shine together radiantly. Kimyan's works tell stories in many colours, yet always in one language: his own.






[f] B2 Chara [Joy] 03:50

To celebrate reaching its 50th Anniversary, electro pioneers Kraftwerk have announced three new editions of their landmark 1975 album Radio-Activity for release on 15 May 2026. Using the original 16-track master tapes, Kraftwerk founder Ralf Hütter with engineer Fritz Hilpert have created a brand-new Dolby Atmos Mix which takes Kraftwerk’s first all-electronic album and brings vivid new shading, forensic detail and richly layered cinematic depth to the most boldly experimental album in the Kraftwerk catalogue.



The new Dolby Atmos Mix is available as a Blu-ray audio disc and digital release, and the stereo album is pressed as a stunning vinyl picture disc featuring updated artwork.

Single picture disc vinyl LP in a spined sleeve, with die-cut to front cover, shrinkwrap, mktg. sticker.