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The fifth installment of Greyscale’s Exposure series is nothing short of essential. Pressed on stunning clear 180g vinyl, Refractive Index is a masterclass in dub techno and dub house - deep, textured, and endlessly playable. Built for selectors and sound purists alike, this release embodies the timeless beauty of the genre and the label’s unwavering commitment to vinyl culture. A future classic.

Just when you thought every holy grail must have been unearthed by now, here come Basic Unit with their deep cover late 90s masterpiece Timeline, the dankest darkcore-electronica-tech step album you've likely never heard.

Ben England and Rick Dallaway formed Basic Unit and debuted on Moving Shadow in 1997. They also moved on Nocturnal, a cult label that reached beyond D&B to platform some more experimental sounds. It was a short-lived label with some ominous footnotes — 'Several people involved with Nocturnal have vanished or are dead' reads the label's Discogs description. But in 1998 Nocturnal put out Timeline, a CD-only album from Basic Unit that cut a sharp, scathing figure against most D&B of the era. England and Dallaway embraced the album format as a chance to go deep, inhaling their inspiration from early days Autechre as much as Source Direct and boiling down the results to a steely, minimalist framework.

The likes of 'Resolution' are desolate, stark workouts that feel fractured and raw enough to align with early grime, complete with the strings, but the rhythms move in mysterious formations designed to confound like the most bloody minded electronica artists of the late 90s. Blown out bass and scattered flurries of machine gun breaks, squashed tundra drones that sound like they were pulled from 10th generation VHS b-movies and bit-crushed animal grunts fit for a Mega Drive beat 'em up. The sonics are redolent of the times, but Basic Unit chisel them mercilessly into their spartan vision, deploying brain-frying beat science with a stern restraint.

It's the kind of record that gives so much while holding so much back — a deadly tease that has flown under the radar for too long. This is the sort of shock reissue material that gets us gassed at Sneaker, and we're proud to be giving it a re-boost and a first ever outing on wax, all the better to shock you out.

Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums.
Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into
ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments
and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate,
contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by
luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect
for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library
music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.

Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums.
Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into
ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments
and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate,
contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by
luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect
for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library
music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.

It was the 90s. Paris had the blues, French rap was beginning its slow rise, and a new musical genre was emerging: Acid Jazz. Imported from England by DJ Gilles Peterson, this groovy style blended 70s funk with a certain idea of jazz tailored for the dancefloor. Its heroes were Galliano, Brand New Heavies, Incognito, and the James Taylor Quartet. Jamiroquai topped the charts, MC Solaar recorded with Urban Species, and suddenly, France was swept up in the swing whirlwind. Starting in 1993, Parisian clubs embraced this union of jazz and groove, and in 1994, a compilation was released: Paris Groove Up. Around ten groups delivered the French version of this British style: Mellowman, Mad In Paris, Vercoquin, Ready Made... and Dis Bonjour À La Dame. The band wasn’t new—their roots went back to the late 80s, when bassist Marc Israël brought together a brass section and some seasoned musicians. But the real beginning of DBALD came in 1992 with the arrival of singer Sital. "Christophe Denis joined on guitar and songwriting. In 1993, we opened for Jamiroquai and Maceo Parker, and that’s when the major labels interested in the acid jazz market started noticing us," recalls Marc. Their track Chris’tal, the centerpiece of the compilation, was released as a single, and Dis Bonjour À La Dame's album began production in late 1994 in London, at Roundhouse Studio. “We must’ve been among the last sessions there—it was demolished shortly after. It was a very 70s studio, with old gear, a Fender Rhodes, everything was vintage! We recorded for a month, all playing together live, then added the brass and finally Sital’s vocals. We were lucky to have two exceptional backing singers, Sarah Brown and Mark Anthoni, who worked with Incognito and Urban Species.” The self-titled album came out in early 1995, and it had all the ingredients of a hidden funky gem from the 90s: Hey Mama with its ironclad groove, the irresistible instrumental Sheherazade Groove opening the record, Soul Body with its R\&B sensuality... The hip-hop touch came courtesy of Lee Rick’s, the MC from Mellowman, who laid down rhymes on Hall Blues. The brass section was on fire, the bass went wild, and Sital added a sensual spark to the whole thing. In short, a solid album produced by Fred Versailles (producer of NTM’s first album) and mixed by Paul Borg (Urban Species, UFO, -M-, Mory Kanté), a testament to a time when big funky bands made Paris groove—with Dis Bonjour À La Dame leading the charge. Nearly thirty years later, it’s time to (re)discover DBALD.

Cass McCombs kehrt zu Domino zurück mit einem neuen Album "Interior Live Oak"!

Am 15. August erscheint Cass McCombs' neues Album Interior Live Oak bei Domino. Es ist sein persönlichstes Werk - und gleichzeitig eine Rückbesinnung: reduziert, konzentriert, aber mit dem ganzen Gewicht von über zwanzig Jahren musikalischer Entwicklung. Der Impuls kam durch die Rückkehr zu Domino und die Auseinandersetzung mit frühen Arbeiten im Rahmen der Reissue-Kampagne und des Archivalbums Seed Cake on Leap Year. McCombs arbeitete dafür erneut mit langjährigen Weggefährten wie Jason Quever (Papercuts) und Chris Cohen in der Bay Area, später kamen in New York Beiträge von u.a. Matt Sweeney und Mike Bones dazu. Interior Live Oak verbindet neue Klarheit mit vertrauter Tiefe. Trotz dunkler Themen bleibt der Grundton hoffnungsvoll - als würde McCombs nicht nur von Extremen singen, sondern als jemand, der sie durchlebt hat.

An incredible journey through the dark and seductive soundtracks of the Italian nights, this compilation takes you deep into the after-hours soul of Rimini, Riccione, and Milan between the late 1980s and the early 1990s — a period of wild experimentation, underground parties, and sonic exploration. Eight rare and visionary tracks, all produced in the Belpaese, reflect a sound that was too ahead of its time to be fully appreciated back then, yet feels incredibly fresh and relevant today, as if they were made for the dancefloors of now.

In the middle of this evocative collection, a blasting remix by Milord stands out — a peak-time weapon that has already destroyed dozens of dancefloors with its hypnotic energy and raw power. Also featured is the stunning debut of Luca Sorrentini, who breathes new life into an obscure Italo-Arabic track originally composed by Ray Ridha
Credits.

Ajere” tells the story of the sudden end of a love story: the disorientation, the balance, and the strength to say “Nun te vogl’ chiù manco je!” (I don’t want you anymore either!).

In this reggae reinterpretation, Chiara Della Monica meets Tonico70, who with his direct language brings a concrete, urban and visceral charge to the song.

Available on 45 rpm vinyl, with the song on side A and the instrumental on side B, “Ajere” blends Neapolitan melody and Jamaican groove, transforming a breakup into an act of liberation.

Regarded as one of the leading figures within the modern jungle scene, Newcastle’s Nectax returns with his second EP of the year, ‘Star & Shadow’, this time landing on London-based label Up Ya Archives. Dedicating this release to where he grew up, the EP echoes the heart of the North East - industrial spirit, late-night rhythms, and a fierce sense of community.

Blending classic breaks, soulful vocals, and playful pad patterns, ‘Star & Shadow EP’ is another knockout release in Nectax’s discography, following records on Hooversound, Future Retro, Over/Shadow, and his own Stereo 45 imprint. Championed by DJ Flight, Nectax was the first release back on her label play:musik after 14 years with Body Talk EP. At the end of 2024, Nectax was nominated for Breakthrough Producer at DJ Mag’s Best of British Awards, further solidifying his position as one of the scene’s essential contemporary artists.

The follow up to the critically acclaimed 'Environments', the new album takes a new, more melodic orientated path for the band.
The album is truly epic; 14 tracks and 57 minutes of strings, choirs, sea sounds, cellos, light beats and, of course, everything that made the first Environments album great.
Since the original release of the CD in 2008, and subsequent releases in the series to 'Environment 5' in 2014, there has been growing demand for vinyl and so for the first time this year we bring 'Environments 2' in that format. (CD TOT 62 still available)

CLUB U NITE RECORDS PRESENTS: OUT OF THE BLUE E.P.
This EP starts with infinite depth and warmth - "All That Matters" by Black Chunes Productions has everything that makes a bouncy club track.

"Don't Stop" appears in new splendor and serves up a lot of drive on the dance floor in the "NYC Deep Mix" with percussive organ sounds and a jazzy touch.

Manhattan Project's "Do U Wanna Dance" - no question! No one can resist the rough and pumping shuffle beats on this track with a lot of old school feel.

The second track on the B-side "Time 2 Scat" puts a big end to this EP: pumping drums, dope piano samples, organs and a lot of jazz!

Mysticisms returns, looking to the source, Detroit City, with the beautiful house music of Soiree Records International and their 1995 deep vocal bomb, That's How Lovers Be.

Established in 1990 by Derrick Thompson, Soiree has long focused on the deeper side of house, late night rhythms across over 70 releases. Never making a shout out about it, the label might not of garnered the kudos it deserves while laying down a tight standard of cosmic sonic delight.

Featuring in the main Thompson's own Drivetrain releases, his production skills are deployed on this one time project. Written and sung by Montaze Armstrong, alongside the smooth accompaniment of Merchon Bower, the production is ubiquitous Drivetrain. His main mix sets the scene; hats proffering swing and impetus while bass and chords underpin the vocal interplay to skyward perfection.

Once again the label conjoins a latter day contemporary and admired producer to offer their own retake and who better than the essential producer of all things deep, Nail. A huge influence on the label during the formative years of (free party) house music's ascent, his recent return has been widely welcomed. His 'mix' is full of respect and perfect pitch, adding his distinctive low-end rumble, hypnotic hats, skips, loop and shake.

To close, it's all about the legend that is Scott Grooves. Nothing more needs be said, his 9-minute ride show jazz roots worn firmly. Rhodes, claps, piano and vocal are all that's needed. Loose, funky and soulful from a true master.

Love the Mystery.

Ready for take off?

With his new album 'Cruise Control', Satin Jackets presents a perfect musical soundtrack for relaxed moments that take us away from the stresses of everyday life. The title of the album is meaningful: 'Cruise Control' stands for the feeling of switching on the autopilot, leaning back and enjoying the journey to the fullest - an atmosphere that the album unfolds.

The album is a collection of singles that have been released over the last few years and are all interwoven at their core. Because no matter where you listen to the songs, they work, images arise in your head and your feet rarely stay still. Satin Jackets remains true to himself with his album sound, as he repeatedly receives feedback from listeners who appreciate the positive mood in his songs and which always puts them in a good mood.

The songs are first created in the producer's head and then develop together with the features, who add their own touch. For Satin Jackets, 'the most important thing is this immediate feeling that it fits musically and atmospherically'. This can also come out of nowhere, as was the case with David Bay and Small Black, who got in touch with the producer and it was an instant fit.

'There are always those magical moments when a song comes out of nowhere. Once I had an idea for a chord sequence that I couldn't get out of my head, but somehow that certain something was still missing. I then spontaneously asked a bassist friend of mine if he would like to play something to it - ten minutes later we had a hook that carried the whole piece. It's these unexpected, spontaneous inspirations that make the process so exciting.'

'Cruise Control' is more than just another album from Satin Jackets. It is an invitation to enjoy the moment and surrender to the music - a soundtrack that creates a good mood and takes us on a relaxing journey. So just switch on the autopilot again, put on your headphones and let yourself go.

Ready for take off?

Satin Jackets präsentiert mit seinem neuen Album "Cruise Control" einen perfekten musikalischen Begleiter für entspannte Momente, die uns vom Alltagsstress befreien. Der Titel des Albums ist vielsagend: "Cruise Control" steht für das Gefühl, den Autopiloten einzuschalten, sich zurückzulehnen und die Reise in vollen Zügen zu genießen - eine Atmosphäre, die das Album entfaltet.

Das Album ist eine Sammlung der Singles, die über die letzten Jahre erschienen und im Kern alle miteinander verwoben sind. Denn egal, wo man die Songs hört, sie funktionieren, es entstehen Bilder im Kopf und die Füße bleiben selten still. Mit dem Albumsound bleibt Satin Jackets sich treu, denn immer wieder bekommt er die Rückmeldung von Hörer:innen, die die positive Stimmung in seinen Songs schätzen und die immer wieder für gute Laune sorgt.

So entstehen die Songs zuerst im Kopf des Produzenten und entwickeln sich im Anschluss gemeinsam mit den Features, die ihre eigene Note mit einbringen. Für Satin Jackets ist es "das Wichtigste dieses unmittelbare Gefühl, dass es musikalisch und atmosphärisch passt". Das kann auch aus dem Nichts kommen, so wie bei David Bay und Small Black, die sich bei dem Produzenten meldeten und es sofort passte.

"Es gibt immer wieder diese magischen Momente, in denen ein Song quasi aus dem Nichts entsteht. Einmal hatte ich eine Idee für eine Akkordfolge, die mir nicht aus dem Kopf ging, aber irgendwie fehlte noch das gewisse Etwas. Ich habe dann spontan einen befreundeten Bassisten gefragt, ob er etwas dazu spielen möchte - zehn Minuten später hatten wir einen Hook, der das ganze Stück getragen hat. Es sind diese unerwarteten, spontanen Eingebungen, die den Prozess so spannend machen."

"Cruise Control" ist mehr als nur ein weiteres Album von Satin Jackets. Es ist eine Einladung, den Moment zu genießen und sich der Musik hinzugeben - ein Soundtrack, der für gute Stimmung sorgt und uns auf eine entspannte Reise mitnimmt. Von daher einfach mal wieder den Autopiloten einschalten, , Kopfhörer aufsetzen und fallen lassen.

Pendulum, undoubtably one of the biggest electronic bands of all time, are back with Inertia, their first album in fifteen years. Produced by Rob Swire and Owen Charles and recorded at Pendulum’s London Studio, Inertia is a rampaging, 16-track emotional maelstrom and without doubt the band’s most personal work to date. Featuring collaborations with Bullet For My Valentine, Wargasm, AWOLNATION, Scarlxrd, Joey Valence & Brae and Hybrid Minds across the album’s tracklist, Inertia began to take shape in 2020 as Rob searched for what it is to be Pendulum in its current era. Stemming from 2021’s Elemental and 2023’s Anima EPs, which were the blueprint for the band’s future, the band found their new direction. Pendulum have 3 platinum albums to their name, including renowned debut Hold Your Colour and a UK #1 and #2 for Immersion and In Silico. The drum and bass/rock band from Perth, Australia have sold over a million albums in the UK alone, as well as selling out global arena tours and playing to thousands across main stage performances from Glastonbury and Download to Reading and Leeds on top of a headline slot at Ultra Miami in spring 2025.

Hungarian producer Dave Wincent & German-Filipino producer Wigbert collaborate on a new four tracker ‘Collab’ on DCLTD. The EP marks their debut body of work together.

Collab02: minimal, no-frills techno, an unrelenting wall of percussion with subtle changes of note patterns embedded within. Hissy hoover swooshing sounds like waves of static or desert winds add intrigue to an austere soundscape.

Echo Chamber: fast, resonant drums, with a tapping hi-hat crescendo bringing in machine-like rhythmic industrial sounds… disquieting yet high energy.

Fly Back And Forth: Muffled beats a Moroder-like throbbing synth effect from the start, hypnotic and yet energetic. Sustained, pulsing high synth chords add emotional heft.

Resonant Control: a complex wave of percussion which keeps on coming, with a high chiming strand which broadens tone and becomes dominant, spiked with bleeps like mysterious radio signals from space.

Ten years, a compilation. It"s not a conclusion, nor a greatest hits. More like a pause, a moment to reflect - a look back to better move forward. Since 2015, Les Disques Bongo Joe have been navigating instinctively, yet with a compass all their own: a love for free-spirited sound, a curiosity for the undefined, and a clear idea of what a label can be - a space for listening, care, and invention. The compilation offers a journey - subjective, fluid, and unapologetic - through ten years of sonic activism. A selection of tracks drawn from the label"s corners and crevices: from early releases to recent ones, from essentials to rarities, from cult reissues to contemporary works that carry the label"s energy forward. The record flows between raw intensity and sonic finesse, between remastered archives and flashes of electronics, between fragile voices and hammered percussion.

This is a raw and soulful collection of beats, swiftly cooked up by the legendary DJ Spinna. Originally dropped on Instagram as sonic teasers for his “Here To There Radio Show” on Apple Music, each beat is a tribute to the artists spotlighted in each episode.
What started as a behind-the-scenes glimpse into Spinna’s creative process quickly sparked a wave of demand—so by popular request, these exclusive grooves are now being released to the public.
Straight from the lab to your ears. Enjoy the vibe!

Feel the Magic, the latest EP from DJ Paradiso released under the Tranceatlantyk label, is a radiant tribute to the golden era of Eurodance and early ’90s rave culture. The five-track collection bursts with high-octane rhythms, euphoric synths, and infectious melodies that transport listeners straight to the heart of a neon-lit dancefloor. From the opening track “MYB to the Beat,” with its punchy tempo and catchy vocal snippets, to the blissful tones of “Feels Like Heaven,” DJ Paradiso crafts an atmosphere brimming with nostalgia and joy. Each track is a carefully constructed homage to the spirit of carefree rave nights, rich with shimmering pads and driving beats.

The second half of the EP ventures deeper into the dancefloor’s hypnotic side. “Magic Shine” offers luminous arpeggios paired with an upbeat pulse, while “Underground” dives into moodier territory, layering darker grooves beneath an entrancing rhythm. Altogether, Feel the Magic balances retro homage with modern clarity, offering a feel-good yet dynamic journey through sounds that once defined a generation of ravers—and now, through DJ Paradiso, feel excitingly alive again.

Die FETENHITS-Folge NDW Neue Deutsche Welle wurde neu aufgelegt - mit verändertem Tracklisting.
Einige Titel, die auf der früheren Folge fehlten, sind nun endlich mit dabei, wie z.B. ”Der Mussolini” und
”Als wär’s das letzte Mal” von DAF sowie ”Der Kommissar” von Falco. Des weiteren finden sich einige
tolle Raritäten von Michael Cretu, Alphaville und Thomas Anders wieder. Man darf gespannt bleiben...
Als 3CD & Download und im September dann auch als 4-fach Vinyl!

Sure Thing welcomes the Warsaw-based,UkrainianartistSpace Biologyto the label, who delivers an elegant and enigmatic two-tracker that blurs the boundaries between the organic and the incorporeal, renderingphantoms into illusive sonic ephemera. Two remixes from Thailand’s Sunju Hargun and Sweden’s EvigtMörker complete the vision, reconfiguring each original track in masterful andsignature style and bringing new energies to focus.

Romanian producer and DJ Andrew Red Hand has carved a unique niche in the world of underground electronic music.
His work stands as a tribute to the raw energy of Detroit techno and electro, yet it retains a deeply personal, emotional tone that gives it timeless depth.
Over the years, Andrew has released a steady stream of high-impact records across some of the most respected labels in the scene. His catalog includes standout EPs on Detroit Underground, Matrix Records Detroit, Twilight 76, and others —each showcasing his mastery of analog-driven textures, sharp 808 rhythms, and melodic melancholia. His work with Diffuse Reality, Subsonic Release, and Shipwrec further solidifies his reputation for pushing boundaries while staying true to the roots of electro.
This EP “For My Father EP” marks his second appearance on Time Passages. He first contributed to the label’s V.A. compilation with the track D2 – “In the Cemetery”, remixed by the legendary Hardfloor. Now, he returns with a full four-track EP, offering his most focused and expansive vision yet. Notably, the B1 “Gritty Bass” is a remix from another icon of the scene—DJ Hell— .

New Digital Fidelity steps up with his ‘For The People’ EP on Four Framed Music this september, delivering four standout original cuts that showcase his deep, groove-driven signature sound.

Paolo Aniello aka New Digital Fidelity is a London-based producer and DJ originally from Bari, Italy. Deeply rooted in deep and Detroit house, he made his vinyl debut in 2011 as Peter JD and later co-founded a Detroit techno label with Nico Lahs. Since launching NDF in 2017, he’s released on Snuff Trax, Moods & Grooves, and more, collaborating with artists like Chez Damier, Fred P, and Byron the Aquarius. His music has been featured on HÖR, Balamii, Rinse FM, and NTS. In 2023, he founded Scopic Records, home to his latest EPs and remixes for legends like Hanna.

With For The People, New Digital Fidelity delivers a timeless EP packed with soulful house grooves and club-driven energy. The A-side opens with Believe It, an uplifting house track full of character, driven by a snappy groove and a powerful vocal sample that pulls you straight into the vibe. A soulful statement that sets the tone from the get-go. Next up is In Love With You, a deep and sultry roller where a sensual vocal meets delicate melodic layers. This one breathes emotion and late-night intimacy, perfect for the more introspective moments in a set.

On the B-side, the EP shifts clearly into more club-focused territory. Move Your Body is a straight-up floorfiller with crisp percussion, a hypnotic bassline, and a stripped-back vocal hook that sticks with you. Finally, Step Up closes the record with punch and attitude, a raw groove laced with jackin’ energy, making it the perfect tool for peak-time or late-night sessions.

Ottagono Italian Dojo presents the second release on the Ottagono Retro outlet imprint label through South America. This special occasion marks the opening of a second Ottagono headquarters in Argentina, introducing an exclusive project that blends the essence of the Italian music family. If you’re familiar with Latin American music genres like Rock, Post Punk, Industrial, Minimal Synth, New Wave, Synth Pop, and the broader electronic music scene of the last 40 years, you’ve surely heard of iconic bands such as Virus, Soda Stereo, and Sumo. Among these bands, having in common their birth in Argentina, Alfredo Peria is another influential music pioneer and key figure in the entire Latin American underground movement. In the mid-80s, he founded the techno duo Mimilocos. Because of this, over the years, Alfredo has been renamed the “Juan Atkins de Latino America”. Later in the 90s, he joined major labels like Polygram and BGM, living between Spain and the United States. He founded another project called Limbo with Julio Moura, a member of Virus and brother of Federico Moura. In the late ’90s, he released his first solo album with Fonovisa. After spending years travelling the world, Alfredo returned to Argentina and, alongside Cecilia Olariaga, founded his own production company, Pulpería Discos. The music world once again showcases the strong connection between Argentina and Italy, evident in the heritage of artists and figures like Maestro Alfredo Peria and la familia Ottagono, including the new Latin America manager, Federico Luchetti.

A.1: Sentidos is a new wave Latin American classic! After over 30 years, it finally received its first vinyl release. Originally written in the early ’90s by Alfredo and Julio Moura, then members of Limbo, a band formed after Virus disbanded following the passing of Federico Moura, Julio’s brother, Virus frontman. This updated version, enhanced with synthesizers and additional production by tech wizard Franco Colombo , transforms the original lyrics into a retro-futuristic club anthem with 80s vibes, It captures the essence of early Depeche Mode, Nitzer Ebb, and the Chicago Warehouse scene, while also being a great fit for fans of Juan Atkins and Yellow Magic Orchestra as well.

A.2: Yo soy su Cuba – 3.0 Adicta mix is the latest version inspired by the original demo from the 80s. This mix showcases Electro Tech Synth Pop music created by Alfredo, Rudie Martínez, Joaquín Franco, Juan Pablo Bidegain, Germán Moreno, and Pablo Torterolo, collectively known as Adicta.

A.3: Castillitos de arena – original ’87 demo, it’s a classic in Argentina underground music movement, among fans and people lost in club culture, even though it never got an official release in any format. This was frequently performed during the early years of Mimilocos live shows, but it was never officially released. A few years later in Spain, a Latin pop tropical house version was released, presenting a fresh and entirely different take from the original’s obscure essence marked by minimal synth, EBM, and deep, atmospheric sounds, which thanks to Ottagono family will see the light.

B.1: Gesell – From Villa Gesell to Ibiza, from Alfredo with love to another renowned
“Argentino” known as DJ Alfredo. This is an Ottagono tribute to one of the Isla masters and the Balearic sound. Gesell feels like a fresh 90s UK track by Farley & Heller or DJ Harvey, immersed in the emotive Alfredo Peria landscape—something you could easily hear at Café del Mar during sunset, played by another maestro we all miss, José Padilla.

B.2: Yo soy su Cuba – Now available on vinyl for the very first time, featuring the original demo. There’s not much to add—just sit back and enjoy this pure 80s treasure in all its glory.

B.3: Over the past months, Claudio and Federico have listened to many unreleased
demos and tapes from Alfredo’s extensive musical career. Among them, “7 Days” stood out for its simple beauty and potential as a hit for underground enthusiasts. This track seamlessly combines post-punk, new wave, and tropical Balearic vibes. From ’95 to ’25, it has remained fresh and innovative, once again proving that the Ottagono crew understands the essence of timeless music.

Bristol-based producer Zobol lands on Brooklyn imprint Melodize with Killing Culture – a bold, four-track statement that fuses electro, breaks, and electronica into something raw, physical, and emotionally charged. Known as one half of the label Distorted Sensory Perception – a platform showcasing honest, forward-thinking electronic music – and as curator of the UK underground event series d3pth_p3rc3pti0n, Zobol brings a fiercely independent, hands-on ethos to his productions.
Built entirely on hardware – including the Korg MS20, Roland JX-3P, Prophet Rev2, Acidlab Drumatix, Behringer TD-3, Elektron Octatrack, Soundcraft Signature MTK12 console, and finished in Ableton Live – the EP captures a live-wire energy that feels both urgent and immersive.

The EP opens with “Uprising”, a track that sets a hopeful tone with flickers of brightness woven through its punchy rhythms – like the first sparks of something much bigger. Extrawelt reshapes the track with warm bass and swirling atmospheres, lending a more introspective, drifting character. Known for their decade-spanning contribution to electronic music – from their iconic debut on Border Community to defining live performances worldwide – the German duo once again deliver with a remix steeped in depth and analog soul.

The B-side turns heavier. “Weapon of Mass Distraction” unfolds from a looping synth fragment, slowly ramping into a tense, bass-driven groove that hits like controlled bursts of energy – Relentless, exacting & distractingly armoured with acidity. Closing track “Oppression” dives deeper into emotional terrain: the weight of distorted low-end channels the presence of authoritarian force, while fragile melodic elements flicker like voices struggling to be heard – eventually weakening, fading, and falling into silence.

“As shattered cultures bleed beneath a technocratic sky, the silenced cries of Palestine, Sudan, Yemen and other forgotten lands echo a world where humanity’s dawn is cruelly denied; a stark testament to faltering global systems, demanding urgent change before the irreversible erosion of our shared future.”

VERVE ACOUSTIC SOUNDS SERIE: komplett analog von Ryan K. Smith bei Sterling Sound von den
Originalbändern gemastert, QPR-Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing), wattierte Innenhülle.
Die Aufnahmen für ”The John Coltrane Quartet Plays” entstanden 1965, kurz nach Fertigstellung des
legendären ”A Love Supreme”-Albums. Coltranes Intention war, wieder ein Album mit reinem StandardsMaterial einzuspielen, am Ende waren dann aber neben ”Nature Boy” und ”Chim Chim Cheree” die
Coltrane-Kompositionen ”Brazilia” und ”Song of Praise” enthalten, die mit ihrem hymnischen Charakter schon auf das Spätwerk des Saxophonisten verweisen. ”The John Coltrane Quartet Plays” war das
letzte Album des klassischen Coltrane Quartetts, das noch zu seinen Lebzeiten veröffentlicht wurde.

432HERTZ BERLIN Returns With a Fierce Second Vinyl: “303rd Dimensions”

After the hypnotic depths of its debut release, 432HERTZ BERLIN surges back with a blistering six-track compilation crafted for the more daring corners of the dancefloor.
“303rd Dimensions” is a raw and relentless journey through acid-laced techno and electro, where analog grit meets mind-expanding energy.

The label continues to push boundaries, cementing its place in Berlin’s underground with a second release that’s as functional as it is uncompromising.

Side A: Acid Pressure and Dancefloor Dynamics

• A1: Cognitive Dissonance – Dan Piu
An acid-drenched techno voyage from Dan Piu, where 90s-inspired psycho vocals intertwine with layered pads and driving TB-303 lines. Tension builds, reality blurs.

• A2: Reverse – Rinaldo Makaj
Rinaldo Makaj delivers a raw analog workout with “Reverse”: pounding drums, sizzling acid riffs, and sensual vocal snippets collide in a late-night warehouse ritual.

• A3: TAR 1000 – Electric City
A full-throttle electro weapon — massive analog sound design, laser-sharp grooves, and pure machine funk engineered for peak-time destruction.


Side B: Acid Tension and Mind Games

• B1: Drop The Bass – Gela
Obscure, elegant, and acid-infused — Gela crafts a stripped-back electro trip that hypnotizes dancers with subtle menace and percussive clarity.

• B2: Pressure – Mathii
Mystical vocals echo through a lattice of electro arpeggios, as Mathii channels tension and atmosphere into a slow-burning, magnetic groove.

• B3: Functionality – Gianluca Pellerano
A masterclass in minimal effectiveness — Gianluca Pellerano’s contribution is pure dancefloor utility, built with MPS precision, rhythmic control, and vocal finesse.

A Testament to Underground Electronic Music

Curated by Rinaldo Makaj, 432HERTZ BERLIN's second vinyl release is a powerful testament to the boundless creativity and diversity of underground electronic music.

Wolfgang Voigt makes a return to Astral Industries, seeing the continuation of his long-running Rückverzauberung (Reverse Enchantment) series. In line with previous volumes, one may expect the unconventional, idiosyncratic sound Voigt is reputed for. ‘Im Tunnel’ however, takes a more concentrated viewpoint - a metaphysical transmutation that brings with it an experience of mind-melting drones and swelling intensity. 

Entering the tunnel is like opening a portal, but as the fabric of time-space begins to collapse on itself, it feels more like a rude awakening. Pulsing undulations rise and fall like the turbines of a spacecraft, marked by dissonant chords and a simmering cloud of complex and ever-shifting textures. Pushing thresholds and expectations, the unearthly nature of the tunnel over time disintegrates any proposed state of completion. 

A treacherous voyage, and possibly bewildering for some, the work is both unrelenting and uncompromising. Should one decide to step into the tunnel, be sure to take all necessary precautions and procedures.

Right now, right this second and of course right this moment while you listening to it or even while reading this line of text may be witnessed the real royalty of the underground of Thailand - DOTT. Pakarapol, the mastermind behind this release has made his name in concrete actions towards the development of the local and international scene whether it’s to play sweaty basements or grand festivals, releasing quality music or being one of the driving forces behind the record store called “More Rice” which is located in the heart of the capital city - Bangkok. On the title track of the release there has been intensive remix work done by the Uruguay’s own diamond level producer Luis Malon. Luis has brought his view and vision of how things are done and has flawlessly executed this doing so. With this Thai - Uruguayan connection the release is born for our ears and souls to indulge in and of course without any doubt to raise that dust from the floors, roofs or any given surfaces once the low ends of the record starting to give off its vibrations.

A psychedelic techno trip from the label’s founder.

In a distant universe, where time and space twist to the beat of unknown frequencies, a lone traveler drifts across the vastness of cosmic dust and pulsating starfields. Their craft, guided by a blend of ancient rhythms and futuristic harmonics, charts an unpredictable course through forgotten wormholes and glittering nebulas. Each track on Danse Avec Moi pulses like the heartbeat of a world that’s alive, vibrant with energy but mysterious, inviting and foreboding all at once. This is a call to venture into the unknown, a dance that is primal and futuristic, familiar yet foreign. The journey is relentless but immersive—a cosmic invitation for listeners to step beyond earthly realms and surrender to the rhythms of the universe.

Welcome to Candyland, somewhere between a sugar rush and a lucid dream?

Merov', Evock, Occibel and Roulade 2000 have cooked up some sugar-coated, syrupy tracks, sweet enough to rot your teeth?

Best enjoyed as part of a healthy diet.

"It all originates from a state between dream and reality - a drunkenness. Each title alludes to something blurry, abstract, or even unfinished. The next day, you wake up and don't know if what you did was or simply wasn't. A distinctive endeavor with a somewhat lo-fi filter, featuring ambient touches, experimental dub elements, and holistically defined as avant-garde."

New identity for new music, Bastien is part of anonymous Barcelona. And little more can be said about him.

Crafted for the depths of the club, the album pulses with raw analog energy - warm, gritty, and immersive. Each track is designed to resonate through concrete walls, blurring time and space, guiding listeners through dark corners and waves of bass.
But Lost Echoes goes beyond the dancefloor. It's a journey into the invisible - a sonic excavation of forgotten memories and buried emotions. Some echoes are loud and shaping, others faint whispers lost in the flow of time. This album revives them, layer by layer, melody by melody.
A deeply personal and physical experience, Lost Echoes invites you to dive into sound, movement, and memory - to lose yourself and perhaps find something long forgotten.

Colored Repress

Unveiling a pure vinyl-only gem, altēr:altēr brings together the underground brilliance of RQZ, Nomen (aka Akyra), Atef and Ragan. This meticulously curated release is laser-focused on the dancefloor, weaving a spectrum of minimal grooves that perfectly complement every moment of the night.
From hypnotic late-night rollers to peak-time drivers, each track delivers a raw, unfiltered energy that speaks directly to true connoisseurs of the underground. With its versatile yet cohesive flow, altēr:altēr ensures you’re armed with the essential sounds to shape the mood and elevate the vibe of any clubnight.

No frills. No compromises. Just the essence of the dancefloor pressed into wax.

Norman Connors' Mr. C is a masterclass in sophisticated modern funk and boogie-infused soul that was way ahead of its time. Originally released in 1981, the album finds the renowned jazz drummer/producer at a creative crossroads, boldly diving deep into street-level boogie-funk without losing his soulful, jazzy touch. What once might have puzzled jazz purists now delights soul/funk aficionados; it has quietly become a cult favourite and now, nearly 45 years later, Mr. C sounds fresher than ever. Brimming with infectious heavy funk, lush arrangements and soul-stirring performances, it's an album that flirts with perfection, ensuring its enduring significance in the boogie/jazz-funk-soul canon.

From its opening moments, Mr. C makes one thing clear: this is Norman Connors at his funkiest. The majority of the album is a straight-up party: think dancefloor-ready beats complemented by punchy horn riffs and slick early-80s boogie vibes. There’s heavy use of synths and drum-machines, demonstrating Connors' gleeful embrace of contemporary funk trends. Each track shines in uniquely thrilling fashion, showcasing Connors’ versatility and happy knack for blending genres whilst crafting unforgettable melodies.

Irresistible thumper “She’s Gone” opens the album with a dyno-Rhodes electric piano groove and a seriously thick boogie-funk rhythm. Lush string accents and horn stabs weave through the funky bassline, while the vocals (handled by a young Beau Williams) soar with gospel-tinged emotion. Over four decades later, it endures as a masterpiece. Living up to its name, the shimmering “Party Town” brings deep Electro-Funk Energy by layering bubbling synth bass and shiny lead synth lines. The groove is downright addictive, a brisk, brass-kissed jam that implores you to move. Up next, the sophisticated funk of “Keep Doin’ It” is a low-slung post-disco glider, propelled by a sleek vibe, leaning into the late-night boogie sound. Funky guitar, tight drumming (with Connors’ jazz-honed chops in the pocket) and smooth vocals urge you to “keep doin'” whatever it is that's working. “Stay with Me” works a bit of island flavour into the mix, riding a thick Caribbean groove complete with tropical percussion and an upbeat tempo that could almost be calypsoul. The fusion of Caribbean rhythm elements into an R&B context demonstrates Connors’ willingness to experiment with global sounds while keeping things soulful and danceable.

Side B opens with the sassy funk-deluxe workout, "Anyway You Want" dripping with that soulful strut. Bringing a real quiet storm swagger, “Sing a Love Song” slows the tempo ever so slightly into a sexy, swaying jazz-funk gem, featuring a young Glenn Jones on lead vocals. The arrangement is elegant, built on warm keys and an undeniable groove. The celestial “Love’s In Your Corner” is all about soulful uplift. Featuring the legendary Jean Carn's powerhouse vocals soaring over a brass-kissed driving funk, it's an R&B burner. The refined, jazzy instrumental “Mr. C” is a slinky, smooth, funk-filled mid-tempo groove, with sax and warm keys gliding effortlessly. Connors combines jazzy arrangements into the post-disco/boogie framework one last time, and the result is sublime. It’s sophisticated and cool and, as a finale, “Mr. C” wraps up the album in classy style.

On release, Mr. C flew under the radar but time has been exceptionally kind to this record. DJs, collectors and soul connoisseurs alike have since rediscovered its magic. As ever, this crucial reissue has been lovingly remastered by Simon Francis, cut by engineer of the year Cicely Balston at Abbey Road Studios and pressed to perfection by Record Industry in Holland. Norman Connors was something truly extra. He was a visionary. And Mr. C is proof.

Radio City EP marks the vinyl debut on DOTS. Music, showcasing three distinctive cuts from Dutch producer Pascal Benjamin, along with a standout remix by Argentinian artist Alexis Cabrera. Built around tight grooves, warm analog textures, and playful percussive details, the EP captures a rhythmic, dynamic, and dancefloor-ready energy.

Opening the A-side, Radio City blends sexy chord stabs with Rhodes keys and tiny vocal fragments that lock effortlessly into the groove. Cabrera’s remix flips the original into funkier territory, adding a gliding bassline, electric guitar riffs, and an irresistibly rolling swing that complements the original’s flow while offering a fresh twist.

On the flip, Rewind explores a more underground dimension with sharp drum programming, subtle acid touches, and chopped vocals. A groovy, short-note bassline drives the rhythm forward, while deep chords make the track equally effective in afterhours sessions or peak-time club sets.

Flat Sprite closes the EP with a forward-driving acid hook riding over rolling snares and synths — a functional groove weapon with hypnotic momentum.

With Radio City, Pascal Benjamin delivers a tightly curated selection that merges minimalistic sound design with groove-driven charm — a confident debut that balances functionality with character on the dancefloor.

Interactions is a new vinyl imprint based in Mallorca, emerging from an event series dedicated to connection, collaboration, and the exchange of sound. What began as intimate gatherings with handpicked artists now evolves into a label, extending its ethos from the booth to the studio. With a focus on minimal house aesthetics and a detailed approach, Interactions aims to highlight the subtle edges of groove-driven electronic music through artist exchange and collaboration.

The debut release comes from Veruh, an artist whose refined productions strike a balance between rhythmic detail and emotional restraint. The EP’s title track, Eurivor, is an atmospheric roller built on intricate FX and fleeting vocal snippets — minimal but with character, playful yet anchored by a persistent groove made for the club.

On the remix front, Sepp delivers a peak-time tech-house rework. A defining force in the minimal-tech scene, his version is a tight, rolling burner packed with late-night tension and summer-floor energy.

The B-side shifts into broken-beat territory: Abil Revis & Olab bring emotion to the surface, pushing the vocals forward in a remix made for after-hours sessions, where subtlety, mood, and movement take over. Finally, For·at craft a stomping reinterpretation — minimalist yet forceful, teeming with fractured rhythms and deep pressure.

Eurivor marks a confident first step for Interactions — a label grounded in collaboration, rooted in minimalism, and dedicated to the quiet magic that happens when artists connect.

Repress !

“BIR004 – Ultranoise – Circuit Breaker” is a bold and exhilarating five-track statement from Believe In Records, placing Ultranoise firmly at the forefront of forward-thinking electro. Fusing raw textures, heavy low-end pressure, and meticulous programming, the release channels the spirit of industrial and grunge aesthetics—reimagined through a sleek, modern electronic lens.

A1. “Thread Execution Failed” kicks off with urgent glitch-laced detail, instantly gripping the listener.
A2. “Operator Activated” follows with tight, kinetic rhythms and metallic flourishes, blending mechanical precision with creative unpredictability.
A3. “Rebel Code Injection” delivers a concentrated blast of sonic attitude—disruptive in all the right ways.

The B-side expands the scope.
B1. “Transmission Line Corrupted” plunges into a darker, immersive landscape, balancing tension and groove with finesse.
B2. “db Unit Assembly” closes the EP on a richly layered, atmospheric note—anchored in rhythm but open to abstraction.

Energetic, suspenseful, and sharply crafted, Circuit Breaker is more than a genre exercise—it’s a high-impact, high-integrity release for adventurous selectors and deep listeners alike. Each track carves out its own moment, built to move both the floor and the mind.


Believe In Records is a division of MixCult Records

Limited edition

180g
Repress

Supported by Deepbass, Svreca, Pris, A Sacred Geometry, Amandra, Etapp Kyle, Takaaki Itoh and Abstract Division to name a few.

The Hypnus clergy is proud to present the 6th solo record by Feral. 'Ultraviolet Radiation' throws us head first into a sound that's been brooding for a time and now finally started to blossom, revealing the massive potential of this gifted producer. Those who heard his contribution to our latest Various Adepts record or have managed to catch one of his mind-bending live performances will recognize his uniquely psychedelic deep techno sound.

Marked by an awakened sense of depth, Feral consistently carries a thread of spirituality throughout his work. Embodying the sound of deep techno through his passion for audio engineering, hardware experimentation and fascination for percussive instruments, as well as an affinity for the shamanic becomes apparent when we swirl in tribal timbres and rhythms.

Finding comfort in the solitude of his studio; the sounds of Feral unearth the path of his multidimensional world, transporting the listener to a haunting, yet grounding refuge within.

Electronic were Bernard Sumner (New Order) and Johnny Marr (The Smiths), who together produced critically-acclaimed alternative dance, and gave both Bernard and Johnny the creative freedom to fully express themselves.

Raise The Pressure will be out on vinyl for the first time since its original release in 1996, as a 2LP for superior sound quality. Its original release was on 1LP.

This album had the added touch of Karl Bartos from Kraftwerk.