Cerca:energy 52

Born out of the Northern California DIY scene, Moms With Bangs started as a ragtag group of high schoolers looking to build a musical community filled with loud, chaotic, unfiltered energy. Quickly becoming known for their loud experimental sound and unhinged live shows. Moms With Bangs become legendary for being high-volume, high-energy, and having zero barrier between them and their audience. It was these qualities that caught the attention of Jello Biafra
himself, who was so impressed he signed them to his label Alternative Tentacles Records, making Moms With Bangs the youngest signing in the history of the label. Recorded at Tiny Telephone in Oakland, CA over the course of two days in January of 2024, Leo Hirsch, Michael Cook, Austin Kennedy, Axel Sanchez, and Oliver John live-tracked these songs in one large recording room, recording at the same time facing each other, to make sure the recording captured the unfiltered energy of the live show as much as possible. As for the name of the 7”? “Do What’s Delicious” came from a suggestion from Jello Biafra himself, while the band was in the studio, as a name he once considered for a Dead Kennedys release. The two tracks on “Do What’s Delicious” capture the throttling high energy rhythms of bands like Thee Oh Sees. Showcasing an affinity for the off-kilter groove of bands like Deerhoof or Black Midi. Moms With Bangs aims to disgust and delight with no limits! We couldn’t be more excited.

Wewantsounds is delighted to announce the release of Tokyo Funk Diva, a compilation highlighting the work of Hitomi "Penny" Tohyama, one of Japan"s leading funk voices of the 1980s. Blending funk, boogie and soulful grooves, Penny brought a distinctive energy to Japan"s music scene during the decade. Compiled by Nick Luscombe-who previously curated Tokyo Dreaming for the label-the set marks the first time Hitomi"s music has been compiled outside of Japan. Featuring newly remastered tracks and liner notes by Luscombe, the release offers fresh context to Penny"s work and its role in the evolution of Japanese funk and groove culture.

In April 2003, Secret Affair returned to the stage at London’s legendary Scala for a show that captured everything fans love about the band: sharp songs, soulful playing, and the unmistakable fire of the Mod revival spirit.
Live at the Scala brings the energy of that night back to life, presented in stunning audio across double vinyl & 2CD. From the driving beat of Time for Action to the passion of Let Your Heart Dance and the punch of My World, the Scala setlist is a powerful reminder of why Secret Affair remain one of the defining bands of their era.
RECORDED AT THE SCALA, LONDON, 18th JUNE 2003 and released on vinyl for the first time.
The Original Secret Affair Line-up
Ian Page - Vocals, Trumpet
David Cairns - Guitar, Backing Vocals
Dennis Smith - Bass
David Winthrop - Drums
Paul Bultitude – Saxophone

Forever's spirit is high and tight, its sinews rumbling with communal joy as Glyders' power-trio formation, in it "for life", grooves deep into their own thing. Shuffling the deck with road-tested jams and a couple immaculate old-school tunes, Forever hits with the energy of a first album - which it kinda is, now that founders Joshua Condon and Eliza Weber have met their true other, the relentless traps-man Joe Seger. Forever starts now!

Forever's spirit is high and tight, its sinews rumbling with communal joy as Glyders' power-trio formation, in it "for life", grooves deep into their own thing. Shuffling the deck with road-tested jams and a couple immaculate old-school tunes, Forever hits with the energy of a first album - which it kinda is, now that founders Joshua Condon and Eliza Weber have met their true other, the relentless traps-man Joe Seger. Forever starts now!

In the mid-90s, Ken Ishii rose to prominence, with a futuristic sound rooted in Detroit’s machine soul yet unmistakably his own. Hailing from Sapporo, Ishii quickly became synonymous with futuristic, cutting-edge productions, and ‘Jelly Tones’ – originally released on R&S Records in 1995 - was the breakthrough release that propelled the Japanese producer to global notoriety.



Driven by the success of its lead single ‘Extra’, whose iconic and surreal, anime styled video directed by Koji Morimoto (of Akira fame) became a cult classic - the album cemented Ishii’s status as a pioneer who seamlessly fused Detroit techno influences with forward looking sound design and uniquely Eastern melodic sensibilities.



Now reissued on vinyl for the first time since 2008, this 30-year anniversary edition of ‘Jelly Tones’, celebrates the album’s lasting legacy and continued influence with the dynamic rhythms, crystalline synth textures, and sophisticated arrangements that set Ishii apart - from the propulsive elegance of ‘Stretch’ and the layered complexity of ‘Pause in Herbs’, to the tribal, otherworldly darkness of ‘Moved By Air’ and the lush close of ‘Endless Season’.



Integral to this collection as well as the dazzling energy of tracks like ‘Extra’, comes the shimmering synthscapes of ‘Cocoa Mousse’, and the intricate futurism of ‘Pneuma’ - all of which highlight Ishii’s masterful command of both the dancefloor and more cerebral electronic spaces. ‘Jelly Tones’ remains a testament to Ken Ishii’s vision and to a moment when techno became a global language.

The new album by "Thomas Sarrodie & Bi-Polar Blues" marks a fresh start, strongly inspired by the band"s participation in the International Blues Challenge in Memphis. This almost initiatory journey to the heart of Blues and Rock has ignited the energy and soul that make this new album the work of an inspired trio (guitar/vocals, double bass, drums), driven by the group"s extensive experience, yet remaining unique and original. With a guitar rooted in blues, blended with contemporary rock energy and 1960s psychedelic echoes, Thomas Sarrodie & Bi-Polar Blues captivates with its enchanting slides, a baritone tuning, a surprising double bass, and a swirling drumbeat. Formed twelve years ago by Thomas Sarrodie (guitar, vocals) and Sylvain Blanquiot (bass), the Thomas Sarrodie Group established itself on stages across Occitania with various drummers, until Jérémy Cazorla joined behind the kit. Influenced by Stevie Ray Vaughan and Jimi Hendrix, Sarrodie adds a personal touch, avoiding clichés, as evidenced by three studio albums and a vibrant live recording. Eager to evolve, the trio incorporated double bass, slide, and baritone tunings, reshaping their sound toward a rootsy blues while retaining rock energy. Renamed Thomas Sarrodie & Bi-Polar Blues, the group embarked on a new tour and the recording of an eponymous EP. This EP reflects their ambition to push boundaries, with compositions evoking the Delta or the Hills, tinged with R.L. Burnside"s influence, while honoring a 1960s tradition with a modern approach.

Born in Buenos Aires in 1934, Hector 'Costita' Bisignani is one of the leading figures in Latin American jazz. Settling in São Paulo in the late 1950s,
he quickly established himself as one of Brazil's most renowned flutists and saxophonists, collaborating with major artists such as Sérgio Mendes, Elis Regina,
Hermeto Pascoal, João Donato, and Gato Barbieri. His career also led him to play alongside Michel Legrand, Lalo Schifrin, Burt Bacharach, and Ray Conniff,

demonstrating his international influence. A founding member of Sérgio Mendes' Sexteto Bossa Rio, he contributed to the rise of Brazilian jazz by incorporating
local rhythms and bold compositions. He is also renowned as a teacher, making him a respected figure for several generations of musicians. With a career
spanning more than 70 years, he remains a pioneering figure in the history of Latin American jazz. 1981, now reissued, perfectly illustrates this creative freedom.

Recorded in the exuberant spirit of the 1970s and 1980s, it blendsbaião, jazz-funk, and Braziliansoul. Ledbyhissaxophone, flute,and clarone,andbackedbyhisGalleryClubband,

thisrarerecordingembodies the vibrant energy of a scene where experimentation and virtuosity went hand in hand.

Schwarzes Vinyl, limitiert auf 2500 stk weltweit + Auf EU Tour im Dezember

The next instalment in the classic DJ-Kicks series is a selection of rapturous house, blissed-out breaks, and transcendent rave from the high priestess of the motherbeat herself, Chicago"s Eris Drew. DJ, producer, musician, long-time resident at Chicago"s Smartbar, and co-creator of the T4T LUV NRG party and label, Eris Drew has been DJing since the early 90s, and has since taken her ecstatic house and high-energy, uncompromising mixing style to clubs, raves, and festivals worldwide. Eris" DJ-Kicks mix is 79 minutes of, as she puts it "the funky, emotional, ecstatic house-and-breaks backbone that defines my sound", and includes tracks, remixes, and exclusives by Moby, Calisto, DJ Garth, Onionz, DJ Who, Kair, Hoof, and Toka Project, as well as from Eris herself and partner Octo Octa. The result of countless hours of digging, her selection delves into the rattling breaks, rave stabs, and haunting strings of classic and lost "90s hybrid house-and-breaks jams, and matches them with more recent digs, the mix moving back and forth between emotive, bittersweet, and evocative, to raw, tough, and twisted with consummate ease.

When Straight Ahead hit the shelves in 1974, it marked another bold chapter for Brian Auger’s Oblivion Express. The band—Steve Ferrone on drums, Barry Dean on bass, Jack Mills on guitar, and Lennox Langton on congas— was firing on all cylinders, pushing jazz fusion into fresh, uncharted territory.

Critics took notice, with Billboard praising the album as “excellent in development and inventiveness, ” and it found its way onto multiple charts at once.

The journey begins with “Beginning Again, ” a lively opener built on Langton’s congas and Ferrone’s muscular groove. Auger’s electric piano sparkles here, immediately setting the album’s adventurous tone. Then comes their take on Wes Montgomery’s “Bumpin’ On Sunset. ” Darker in mood and drenched in atmosphere, Auger stretches out into improvisation while still honoring Montgomery’s spirit. The interpretation struck such a chord that, years later, Wes’s widow wrote to Auger to tell him it was her husband’s favorite version of his much-loved tune.

The title track, “Straight Ahead, ” shifts gears into funk, showcasing the group’s ability to slide effortlessly between genres. “Change” pushes further, blending rock’s raw energy with jazz’s improvisational freedom, driven by Auger’s command of the Hammond organ. To close, “You’ll Stay in My Heart” brings the tempo down with a tender, soulful ballad—an intimate ending to an album full of bold explorations.

At the time, reviewers hailed the record as a gem. One called it “a minor masterpiece of incredibly engaging and melodic keyboard-centric jazz-rock fusion. ” Another singled out “Bumpin’ On Sunset” as “the best reason to own this recording.”

Half a century later, Straight Ahead still resonates. It captures that fertile moment in the 1970s when jazz, rock, and funk were colliding, and artists like Auger were busy redrawing the map. To this day, it stands as proof of Auger’s fearless curiosity and his knack for breaking boundaries—music that looked forward then, and still feels ahead of its time now.

The Band Rotosphere has become a cornerstone of the Blues Festival Baden (Switzerland). Since 2005, led by guitarist and bandleader Nic Niedermann, they"ve been lighting up the festival"s legendary Late Night Jam Sessions. Over the years, they"ve shared the stage with blues icons such as Magic Slim, Susan Tedeschi, Coco Montoya, Justina Lee Brown and Chicago"s own blues harpist, Matthew Skoller. A truly magical moment unfolded in 2022 when Mark Slate took to the stage. The charismatic blues and soul singer captivated the audience from the first note with his powerful voice. Having spent years on the road with the "Joe Cocker Tribute Show", Slate embodies the raw and gritty essence of the blues. Now, performing alongside Rotosphere, they deliver original tracks brimming with energy, passion, and musical fire - an unforgettable experience for every listener!

Following the cult success of the first two EPs and debut album Cinema 3000, Common Saints returns with the highly anticipated EP, Equinox - a release that"s already generating excitement within the Common Saints community. The record blends the signature soul, funk, and psychedelic influences fans have come to love, but this time with a livelier tempo and renewed energy.

"Hidden City" (2016) is The Cult"s tenth studio album - produced by Bob Rock and written by Ian Astbury and Billy Duffy. It"s the final part of a trilogy that witnessed the rebirth of the band, beginning with "Born Into This" (2007), which evolved into "Choice of Weapon" (2012), and arrived fully formed, kicking and screaming with the seductive "Hidden City". The sonic assault of "Dark Energy" is the perfect intro to this album. Peel away the layers of this 12-track master class in space and time, and you will discover a band in their absolute prime. Which comes as no surprise, as the Cult have existed in the shadows and wild spaces since their inception. Remastered for vinyl by Justin Shturtz at Sterling Sound, and cut by John Webber at Air Studios.

"Hidden City" (2016) is The Cult"s tenth studio album - produced by Bob Rock and written by Ian Astbury and Billy Duffy. It"s the final part of a trilogy that witnessed the rebirth of the band, beginning with "Born Into This" (2007), which evolved into "Choice of Weapon" (2012), and arrived fully formed, kicking and screaming with the seductive "Hidden City". The sonic assault of "Dark Energy" is the perfect intro to this album. Peel away the layers of this 12-track master class in space and time, and you will discover a band in their absolute prime. Which comes as no surprise, as the Cult have existed in the shadows and wild spaces since their inception. Remastered for vinyl by Justin Shturtz at Sterling Sound, and cut by John Webber at Air Studios.

"“The strongest Cult songs in years.” ★★★★ --The Guardian

Remastered for vinyl by Justin Shturtz at Sterling Sound, and cut by John Webber at Air Studios. Pressed on Limited Edition Coloured vinyl: LP1 red, LP2 white vinyl.

Hidden City is The Cult’s tenth studio album - produced by Bob Rock and written by Ian Astbury and Billy Duffy. It’s the final part of a trilogy that witnessed the rebirth of the band, beginning with ‘Born Into This’ (2007), which evolved into ‘Choice of Weapon’ (2012), and arrived fully formed, kicking and screaming with the seductive ‘Hidden City’

The sonic assault of ‘Dark Energy’ is the perfect intro to this album. Peel away the layers of this 12 track master class in space and time, and you will discover a band in their absolute prime. Which comes as no surprise, as the Cult have existed in the shadows and wild spaces since their inception."

"“The strongest Cult songs in years.” ★★★★ --The Guardian

Remastered for vinyl by Justin Shturtz at Sterling Sound, and cut by John Webber at Air Studios. Cut at 45 RPM for a superior sound. Pressed on black audiophile vinyl at Optimal, Europe’s premium pressing plant. This CV 45 Edition comes with an individually numbered obi strip.

Hidden City is The Cult’s tenth studio album - produced by Bob Rock and written by Ian Astbury and Billy Duffy. It’s the final part of a trilogy that witnessed the rebirth of the band, beginning with ‘Born Into This’ (2007), which evolved into ‘Choice of Weapon’ (2012), and arrived fully formed, kicking and screaming with the seductive ‘Hidden City’

The sonic assault of ‘Dark Energy’ is the perfect intro to this album. Peel away the layers of this 12 track master class in space and time, and you will discover a band in their absolute prime. Which comes as no surprise, as the Cult have existed in the shadows and wild spaces since their inception."

Leading Danish contemporary jazz label April Records is proud to present Well, actually..., the third album from Polish acoustic jazz quartet O.N.E. Grounded in the spirit of democracy andcollective improvisation, the album offers a tightly woven set of original compositions that blur the lines between modal jazz lyricism and the raw energy of free improvisation.The band name O.N.E. is a clever double entendre: in Polish, "one" (pronounced oh-neh) means "they" in the feminine plural - an apt nod to the all-female lineup. In English, of course, it signifies unity. Both meanings reflect the band"s egalitarian, leaderless approach and cohesive group sound.Almost three years after the recording of their previous release Entoloma(Audio Cave), the group reunited in December 2024 at Studio S4 in Warsaw to record a fresh set of ten compositions. Spread over two sides, the album captures the continued evolution of a band that thrives on interaction, trust, and shared purpose - even in a society fractured by post-pandemic socio-economic uncertainty and political ambiguity. Featuring contributions from all four members - pianist Kateryna Ziabliuk, saxophonist Monia Muc, bassist Kamila Drabek, and drummer Patrycja Wybranczyk - the recordreflects their commitment to artistic democracy. Each voice is given space, yet the music always feels greater than the sum of its parts. Even on the miniature solo track solo form, the other three players remain present, supportive, and responsive. From Ziabliuk"s percussive piano textures and dreamlike voicings on tracks like Osloand Berio, to Muc"s expressive, woody tone on alto and baritone sax, each piece explores dynamic interplay and shifting emotional landscapes. Drabek"s resonant, grounded bass - by turns lyrical and propulsive - provides a central thread, while Wybranczyk"s drumming fizzes with precision and imagination, as heard on Cipherand the angular closer Sneaking Around.Together, these four distinctive creative forces have developed a shared language built on mutual respect, long-term collaboration, and deep listening. Their concerts across Europe (including Jazzahead, B-Jazz, Umea, and the Edinburgh Jazz & Blues Festival) haveaffirmed their standing as a boundary-pushing group with something new to say.








[f] [SOLO FORM]

Produced by longtime collaborator Simon Dine, MKII captures a band reinvigorated, delivering their most confident and dynamic work to date. Sullivan"s sharp, incisive lyrics drivethe album"s freshsound and renewed energy. Frontman and founder Billy Sullivan sets the scene for the album by saying: "It sounds refreshed and confident, ballsy but doesn"t mind showing a softer side and being reflective too. For me it"s not a continuation of The Spitfires back catalogue, it"s very much the start of a new chapter. I"m incredibly proud, after all these years, to be talking about a new body of work which excitesme and inspires me more than ever." From the high-octane political pop of "The Great Divide!" to the moody intensity of "I"ll Never" and the reflective, Parisian- tinged "Grateful", MKII is a bold statement: The Spitfires are back-and stronger than ever.

Produced by longtime collaborator Simon Dine, MKII captures a band reinvigorated, delivering their most confident and dynamic work to date. Sullivan"s sharp, incisive lyrics drivethe album"s freshsound and renewed energy. Frontman and founder Billy Sullivan sets the scene for the album by saying: "It sounds refreshed and confident, ballsy but doesn"t mind showing a softer side and being reflective too. For me it"s not a continuation of The Spitfires back catalogue, it"s very much the start of a new chapter. I"m incredibly proud, after all these years, to be talking about a new body of work which excitesme and inspires me more than ever." From the high-octane political pop of "The Great Divide!" to the moody intensity of "I"ll Never" and the reflective, Parisian- tinged "Grateful", MKII is a bold statement: The Spitfires are back-and stronger than ever.