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Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition EP (250 on black vinyl). New life and an expanded treatment of Quiroga's epic Electronic/Future Jazz/House Snaporaz (Really Swing 2020), from none other than L.U.C.A. (AR029). Archeo delights us with this luscious and limited release featuring Quiroga's sleek jazz-house UFO "Snaporaz". This edition includes an exclusive extended version, a brand-new cut from the Neapolitan groover, and a completely cosmic overhaul from the mighty L.U.C.A. Operating at the nexus of future jazz, beatific electronics and deft house, Quiroga (Walter Del Vecchio to his nearest and dearest) has carved his own irresistible niche over the past two decades, gracing countless labels with nuanced body movers and forging his impressive Really Swing imprint, the original home to this melodic masterpiece. Tucked away on Del Vecchio's 2020 EP "Chords and Desire", the sunny and sultry Snaporaz fell foul of our communal pandemic preoccupation, missing out on the widespread acclaim, appreciation and ass-shaking it so richly deserves. Archeo steps in as patron, giving this Rhodes-led jazz-house heater the full 12" treatment it was born for. On the A1, Quiroga's extends the ecstasy of "Snaporaz", stretching its original elements into a loosely grooving, dopamine-deep delight. Sunkissed keys and tender pads ride the rhythm of a bubbling bassline while the sophisticated percussion snaps, crackles and pops in the background - the perfect environment for the P&P leadline to flourish. If that wasn't enough to have you slipping straight into your party pumps, Walter makes the most of the extra runtime with a HOT hand drum freakout down the final stretch, adding the most enticing icing to an already heady cake. A comparative cooldown follows in A2 offering "Escorpião", a fusion-tinged flirtation for aperitivo everywhere. Cutting back on the kick to save space for the swing, Quiroga leads us through a sublime sequence of hooks, riffs and solos, without ever overwhelming the ears but keeping the groove alive. It's a dizzying delight from start to finish and features one of the finest keytar and cowbell interplays you're likely to hear. The B-side belongs to the frankly legendary Francesco de Bellis, a house, disco, Italo and electro hero, appearing here under his deliciously downbeat alias L.U.C.A. Imbuing Quiroga's original with the atmospheric stylings of his Edizioni Mondo oeuvre, the Roman producer delivers a radical rework, slowing the tempo by 20 bpm and translating those jazzy tones into a drifting new age dancer for the cosmic crowd. Zero gravity rhythms meet mystical melodies uptown as the house hippies get down. Lest we overlook the batshit brilliance of the drum programming, L.U.C.A. caps it off with a bonus beats version sure to delight DJs and dancers alike in its otherworldly oddness.

Repress !

Must have Classic !

Classic and legendary are words used on a regular basis, but you genuinely do not get more classic or legendary than Hurt You So by Jonny L. Wildly inventive when first released, and sounding as fresh today as it did back then, these 4 original mixes are pure fire, inescapable anthems from the then and the now, and this reissue, remastered from DAT and rereleased, cannot be missed…

Club / DJ Support
Ed Solo, Ray Keith, Jay Cunning, Dj Rap, Dope Ammo, Annie Mac, Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”

Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.

DJ Balli, master of breakcore extravaganza and Sindaco, the tropical-electro creator present Mutant Goth Italo: a mutant fusion between shiny Spaghetti-dance freshness and gloomy Goth music shadows, sung strictly in Italian by the androgynous voice of Ossydiana.

Out in April for -Belligeranza the S.B. sublabel dedicated to easygoing midsummer nightmares.

"Circling The Drain" is a collaborative project from Offish, featuring four talented guest artists: Forgiven Soul and Gred Lvov from Ukraine, both deeply influenced by the techstep scene, alongside UK-based TRC2 and NonRev, known for their atmospheric approach to drum & bass. Each artist brings their unique perspective and style, resulting in a release that showcases a rich diversity.

Side A includes "Eviscerate" and "Mushrooms," which embrace hard-hitting, broken rhythms inspired by jungle and old-school dnb influences. Meanwhile, "Cautionary Tale" and "Look For Patterns" on side B showcase a more refined drum & bass structure, with tightly engineered drums, complex basslines, and intricate, multi-layered atmospheres.

Straight from the heart of the Scottish underground, Glasgows Lifeforms submit their first offering to the world. We present to you, Downward. Gritty Acid meets synth-driven Electro in this collection of raw hardware jams.

Mastered by legend of the Dutch West Coast, Alden Tyrell. Available on a limited run of 200 hand-stamped and hand-numbered records.

Doble Filo Records presents Double Sided Weapons EP – a dark and powerful force rising straight from the underground of Girona and Barcelona. This debut EP, released on Runas Distribution, is a testament to raw energy, built for those who crave anarchic sound.

This collaboration between Roto and Nulek, was born out of a need to release this unique sonic style to push the existing boundaries and question the status-quo of the establishment.

The electric bass lies at the heart of this release, its gritty textures and seismic low-end defining the identity of A2 and B1, while A1 and B2 deliver a more hypnotic blend—versatile and primed for any moment the selector chooses to ignite the dancefloor. The grooves build with measured intensity,
like a slow-burning fuse, before erupting into full force.

This EP is not for the masses. It is for those who refuse to settle for the ordinary and are tired of everything sounding the same—for listeners seeking something raw, unfiltered, and unapologetically intense.

Brand new Manchester imprint, 160 Street Recordings is excited to announce its first vinyl release, Evolutions EP, by the dynamic production duo of Response and Buda. With a reputation for carving out a distinctive uncompromising sound, the pair return with a gritty, dark collection of tracks that channel the deep, raw energy of early 90s Jungle and Jungle Techno.
Drawing influences from the breakbeat-driven sub-bass and atmospheric elements of that era, the Evolutions EP fuses heavy basslines, classic breaks, and dark, rave-inspired energy.
A1. Evolutions
The EP opens with the title track, ‘Evolutions’—a driving, atmospheric tune full of breakbeat intensity and underpinned by weighty sub bass. Kicking off with a memorable rave stab melody, the track builds with powerful percussion and a haunting, evolving soundscape that moves between light and dark.
A2. Fintons Dub
“Break, show ‘em something, but not too much….” ‘Fintons Dub’ brings a laid-back dubbed out groove, with a selection of classic breaks and a deep sub-bass foundation. An atmospheric pad and cinematic Kung Fu movie sample add depth to this cut, the breaks building gradually with delays as the track rolls out..
B1. Fintons Dub (Double 0 Remix)
No introduction is needed for Double 0, co-founder of legendary London club night Rupture and one of the pioneering figures of the original Hardcore Jungle Techno sound. His remix of ‘Fintons Dub’ takes the track back to his Doncaster warehouse roots, unleashing thunderous bass and breakbeat energy, a twisted mentasm and techno infused stabs. A true dancefloor weapon that embodies the true spirit of Jungle Techno.
B2. Acid Vein
Rounding off the e.p. is ‘Acid Vein’ a 303 led breakbeat bomb that infuses rolling breaks with a pounding sub bass and haunting jazz samples. Slower in tempo than the previous tracks and more reminiscent of the more formative years of rave, Acid Vein will also appeal to the wider breakbeat community.

The world of item expands. Small or significant, material, immaterial, items define much of our daily life. We are in the era of itemisation.

Itemise yourself

The first item in the catalogue, hardware evangelist and live performer Otis.

Presenting sounds for the higher self: Red Flags written and produced by Otis. Built for dark rooms and soggy limbs. A devout purveyor of hardware and analogue, Otis’ revered live performances are greedy with drive and dance. Machine-led but felt in toes and gut. His live act craft can be traced through this EP garnering influence from industrial, early 2000s electro and progressive trance. Sweat as currency the common thread.

This, another item for your dance directory. Trinket thing piece music. A keepsake.

Thumbprint records is a brand new label out of Bristol. It is ran by the artist who goes under the name LMB and is a well overdue personal project.

For the first installment Thumbprint Records bring you an all round excellent EP by Morphology who have been releasing music for the past 15 years on such lables as Abstract Forms, Cultivated Electronics and De:tuned.

This is Morphology's first release of 2025 and we are proud to make it our first release. Each 4 tracks are classic Morphology, moody,solid and definitely dance floor material. We hope you enjoy!

Supported by the likes of Craig Richards, Bobby, Lukas Wigflex, Ralf Lawson, Radioactive Man and Dave Harvey.

The main track is a jazzy and trippy journey between minimal House and micro Techno Landscapes.

On the B side you'll find two fantastic dubby tech tracks.

Congratulations guys to this lovely debut for us!

Heavily supported by Flight for years, we’re extremely excited to at last welcome the inimitable Quartz to p:m, who serves up a sublime 4-tracker for our 10th single. Deeper and more emotionally reflective than previous Quartz releases, this is transcendental music that takes you to outer space and beyond…

Tracklist:
A1. W.Y.N: cosmic pads, jungle-y breaks, and a colossal bassline evoke images of Jupiter and molten lava, while a seductive vocal riff you’ll hum for days weaves in and out. A dance floor favourite.

A2. Taking Me Down: tight rolling beats, sparkly vox, filtered fx, and bass snarls sound like a tug of war between Venus and Mars. Straight up D&B produced alongside Quartz’s childhood friend, Pennygiles.

B1. Trauma Response: diving further into Techno- and Autonomic-inspired territory, this title track is best described by Paul Woolford aka Special Request “Man this tune is f***ing nuts. Reminds me of Black Dog and half of Detroit but through our UK lens, but totally NOW.”

B2. What Is Real Love: an orchestral intro replete with timpani and violins gives way to the big question - what is real love? - almighty bass weight, and a healing, warm golden sun feel. Simply majestic.