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Derniere entrée: 67 jours
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Jana Koubková has long been one of the leading figures of Czech jazz, defined by rhythm, improvisation, playfulness and atmosphere. These new reimaginings of her tracks open a fresh chapter within the LBDISSUES series.
The original recordings, released in the late 80s, are almost impossible to pigeonhole into any single genre. Call it world music, call it jazz, call it avant garde, and you would be both right and wrong at the same time.
These remixes work for adventurous DJs as well as for listening in one continuous flow, where they almost read as a mini album. Trent's take on "Nijana" reshapes the piece from a tropical tribal mood into a cosmic downtempo roller, while Prague based artist Desteffan brings a completely new perspective to "Pipu", "Horor" and "Krocej". His versions draw from downtempo and trip hop influences, spontaneous live instrument jams and even flashes of EBM. And last but not least, "Vanany Vanyna" marks the return of label mainstay Regular Customer, whose reinterpretation expands the rhythm of the original into mid-tempo territory with a disco leaning feel. They all honour Jana's original sound while pushing it into unexplored terrain.
Now in her eighties and still performing, Jana is not being revisited here for nostalgia's sake. These tracks represent the next step in her remarkable and ever-evolving musical journey
c 03: Horor (DeSteffan Remix) [feat. Panta Rhei]
[d] 04: Vanany Vanyna (Regular Customer Remix) [feat. Panta Rhei]
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The fourth episode of the Barbatus odyssey comes from Torrent, a Barcelona-bred pirate, who translates an intricate story of a malicious time loop that Captain Barbatus and his fellow pirates get stuck in.
From sorrow and remorse, to acceptance and hope, the four tracks are packed with emotion. Bouncing between Progressive house to Breaks, but cleverly stitching it together with Electro, 80s drums, and melodic synths, Torrent describes a voyage of pirate captain and his crew across the seas of the New World.
The new chapter on Barbatus D. Wreckords is out this Autumn.
Ohne Cover[14,50 €]
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Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).
Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.
The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.
The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.
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GREEN VINYL[24,33 €]
Jagged City unveils their debut instrumental EP, `There Are More of Us, Always`, a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production. The project began as a cross-continental art experiment between Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky). What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the songs' structures and drum frameworks, setting the groundwork for what would become Jagged City's striking debut. "We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected." (Woodruff) The result feels immediate, deviously rough at the edges, and charged with a punk-minded intensity that keeps the momentum taut and the sound intimate. RIYL Mogwai, Do Make Say Think, Godspeed, Mono, Defeater, Explosions In The Sky
il devrait être publié sur 30.01.2026
Jagged City unveils their debut instrumental EP, `There Are More of Us, Always`, a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production. The project began as a cross-continental art experiment between Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky). What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the songs' structures and drum frameworks, setting the groundwork for what would become Jagged City's striking debut. "We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected." (Woodruff) The result feels immediate, deviously rough at the edges, and charged with a punk-minded intensity that keeps the momentum taut and the sound intimate. RIYL Mogwai, Do Make Say Think, Godspeed, Mono, Defeater, Explosions In The Sky
il devrait être publié sur 30.01.2026
il devrait être publié sur 30.01.2026
Forked tongue stuffed deep in their cheek and rubber baby masks stretched over their heads, Ty & the Muggers bottle the free spirits of the Emotional Mugger tour, then heave them into the audience on this stomping BBC performance from 2016. Gloriously guttural and blown-out sonics support Ty"s all-to-the-wall vocal performances on every song. "LIVE" "AT" "THE" "BBC" puts the "sick" back into "satiric" and the "the fuh!?!" back into "FUN!". One side has all the music, the other side"s got a rendering of the babyman mask that"s haunted so many punters over long nights of the soul since then.
il devrait être publié sur 30.01.2026
Gary’s Garage is back once again like a renegade master with four slabs of houseand garage. Be quick as this is DOUBLE NAWTY!
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After 8 years, 2 albums on BureauB and different small releases RVDS comes back to his roots and releases these 3 Acid Bangers:“Too much Acid” which has 4 TB303 Basslines in one match, which can remind on some Emanuel Topp tracks, then there is the Acid Electro track “Schluckauf” (Hiccup) which expresses hiccups in sounds, the last track “Acid Busline 242” is very soulful and has recordings of the busline 242 in London.
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Beyond Illusion EP is the debut release from Uruguayan record label Mettamaya. Four sonic explorations by Agu Alegre, Pi, Lightmaker, and Juanma Alegre, who contribute powerful yet melodic tracks that energize the dancefloor while also accompanying an intimate listening experience.
Beyond Illusion EP proposes a sound aimed at deeper, more authentic listening — a spiritual search for inner connection. A sonic journey to be experienced with full awareness.
Mettamaya is a label rooted in the ideas of compassion, illusion of reality, and transcendence. Its name brings together Metta — loving-kindness — Maya — the illusion of reality — and Meta — that which goes beyond. A platform dedicated to conscious sound and inner exploration.
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Where maturity evolves into a signature sound, the personal and musical journey becomes one. Chromadelia by Italian producer and live artist Ness refines two decades of precision and craft. It is techno reduced to its core logic - direct, functional, and self-aware. Ness' process moves from spontaneous jams to detailed sculpting, a continuous sequence where improvisation gradually becomes structure. Randomness plays a role, but only as the foundation for his architecture. The result is music that feels both deliberate and fluid, shaped by intuition and refined through years of practice. Minimalism here isn't merely an aesthetic choice, but an organic conclusion -- drawn from experience and the trust that less can truly reveal more. The four tracks on Chromadelia extend this clarity onto the dance floor: sharp, beepy, metallic, rhythmically charged, yet open enough to let each element breathe. Introspection and club-functionality coexist seamlessly, each amplifying the other. In Chromadelia, Ness demonstrates that every tone, every pulse serves a purpose, offering a clear reflection of an artist who has learned to let precision speak louder than complexity.
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Marco Funari’s Music Institute Records make’s a return with it’s first ever release from 1993, remastered and re-released. Another lost house classic !
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French house mainstay Franck Roger has been cooking up timeless, deep sounds for decades and right now he is in a superb run of form. Seasons Limited is where he lands next with more of his signature sounds. 'Exodus' opens with a fat, warped bassline and far-sighted chords that hark back to early Detroit. 'Sokette' is much more dusty and minimal, and again has echoes of artists like Omar-S from the Motor City. 'Push It' is a more elastic groove with some aching vocal hooks and diffuse chord work to make this perfect for the late-night sessions.
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