Поиск:essé

Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.

All the essential tracks of Funk, sung by the greatest legends of the genre, gathered in a double vinyl, with :

Johnny "Guitar" Watson - Imagination - Grandmaster Flash - James Brown - Loleatta Holloway - The Whispers - First Choice - Barry White - The Sugarhill Gang - Syl Johnson...

Serious rare disco boogie from Chicago's D&E RECORDINGS main man DAVE MAZE. Vol 2 of the series containing more sought after exclusive remixes, finally getting a proper release via limited edition

ORKA is a duo comprising Francine Perry from London and Jens L. Thomsen from the Faroe Islands. They crossed paths in the vibrant club scene of London, an immersive world that had a profound impact on their creative journey. ORKA's music draws inspiration from the Hardcore Continuum and UK sound system culture, blending it with elements of minimal techno, progressive electro, and ambient music, resulting in a diverse range of stylistic influences. Now ORKA emerges with their long-awaited new album. Once again, they greet us with their distinct blend of earthy tones and a bold, adventurous spirit, taking us to a realm bursting with neon-lit hues, pulsating club beats, and an abundance of sensory stimulation. Aptly named "All At Once," the album title provides a clue to the auditory and sensory experience that awaits the listener in this immersive record. ORKA has continuously evolved as a project over many years and iterations, embracing fluidity and a relentless quest for fresh sonic amalgamations. Their journey has been marked by a gradual refinement, stripping away layers to reach the core essentials. This transformative process has unfolded over the years, reaching from their site-specific, cowshed sampling and band-based expedition in "Livandi oyða" (2007) to the bold, innovative exploration of minimalist techno in "Vað" (2016). However, their latest release, "All At Once," signifies yet another remarkable leap forward in their artistic evolution. The seeds of this artistic progression were already planted in previous releases like the <13 EP (2017) and the hard-hitting techno single "Juno" (2018). However, it is with the arrival of the album "All At Once" that ORKA's vision fully blossoms, unveiling a vivid and expansive sonic landscape. This latest offering presents a glorious and vibrant tapestry, showcasing a maximalist approach to techno that pulsates with energy coupled with their signature meticulous attention to sound design, reflecting a deep awareness and intentionality in their creative process. If this album was to be thought of as a place, it would be a shimmering, futuristic, buzzing kind of city with vibrating night-time drizzle from above and endless glowing lights in the distance. Several of the tracks are built around cut-up vocal samples that are divided from their semiotic meanings and reconfigured as loops, and thus mined for their timbral and percussive qualities. Recurring collaborators South London duo LV (Hyperdub, Keysound, Brownswood) are featured on a handful of these tracks, mixing in their complex cocktail of grime and bliss. The result is a sort of queer erotic dance-floor mysticism, and the closest to a full-blown dance record that ORKA have ever made. There must be a club in that shimmering futurist city of the night.. and it is a collective, inclusive and alluring place. There is no need to fear any dancefloor exhaustion by listening to this album though, as there are also moments of floating cyber beauty and pure enveloping warmth to be found among its tracks. As always, following the artistic journey of ORKA is a joyous experience, filled with unexpected twists and turns that keep us captivated.

'Nothing left but silence' is Erik K Skodvin’s third solo album for Sonic Pieces and his most quiet to date. Subtitled as "Musical improvisations and quiet collages from the subconscious”, Skodvin reduces his instruments to guitar, reverb and amp - and creates a skeleton of eight hypnotic ragas that meanders in an eternal loop between ephemeral and singular.

Only on the horizon it’s possible to sense that Skodvin has also touched the neoclassical terrain in earlier productions - on Nothing left but silence, however, he acts as a twilight player who is not afraid of the coldness of endless space and who knows how to subjugate the shadowiness of the visible world. Carried by the noise of the amp and the occasional click of the effects pedals, a monolithic, reduced blues emerges, whose mediumistic quality nevertheless reveals that Skodvin's music always comes from the body - and as such is always searching for space. A space that - in this case - blends the vastness of the Norwegian steppe with the brittleness of American wasteland (as if Deathprod and Loren Connors were one and the same person), creating a persistent state between deceleration and absence of presence - that leads Skodvin ever closer to the inner essence of sound.

Initially recorded at Saal 3, Funkhaus, Berlin by Nils Frahm in 2015, the album has itself been subjected to silence as a forgotten relic, re-found and now released in a time where it might connect more with the contemporary state of mind. Welcome to the entrance to the periphery.

Killah Priest’s Mystery Channel EP is his first release on 600 Block Records after his acclaimed features on Pugs Atomz’ Test Drive LP in 2022. The EP, coming on limited edition vinyl, features two original productions from Tusk57, an amazing Tall Black Guy Productions remix, and instrumentals of all three tracks. Tall Black Guy’s remix of Mystery Channel is a soulful jazzy take on the EP’s namesake, bringing his signature style to his first collaboration with 600 Block Records. From humble origins in Detroit, raised on a healthy diet of Motown, Jazz and early Hip Hop...Tall Black Guy has become a standard bearer for the current hip hop beats scene. Through a steady stream of productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson, Lefto, Jazzy Jeff, Questlove and countless others. Killah Priest made his first appearances on such Wu-Tang side and solo projects as Gravediggaz’ 6 Feet Deep, Ol’ Dirty Bastard’s Return to the 36 Chambers, and Genius/GZA’s seminal Liquid Swords. His contributions to those releases especially Liquid Swords’ “B.1.B.L.E. (Basic Instructions Before Leaving Earth),” essentially a Priest solo track paved the way for the release of the MC's acclaimed debut album, 1998's Heavy Mental, and a lengthy and respected career in the hip-hop underground. In addition to his prolific solo work, he was an integral member of the groups Sunz of Man, the HRSMEN (aka the Four Horsemen), and Black Market Militia. About Tuskb 7 - A musician turned producer, Tusk57 brings a live feel to recording sessions and is most at home leading a band in front of a live audience. He is a multi-instrumentalist songwriter who has released multiple records under many other stage names in various genres, garnering critical acclaim including a Billboard hit. He is how based in LA and is using this moniker to develop a signature textured sound for hip hop and soulful music.

Buffalo Nichols sophomore album, The Fatalist, is in stores September 15. Milwaukee, WI-based Buffalo Nichols today announced his anticipated new album The Fatalist will be released on September 15th, 2023 via Fat Possum, and shared its lead single: a dusky take on Blind Willie Johnson’s original "You're Gonna Need Somebody On Your Bond." The follow-up to his 2021 self-titled debut LP for Fat Possum–a critically acclaimed record that earned him his network television debut on The Late Show with Stephen Colbert, various major festival performances, and rave coverage via NPR Music (All Songs Considered, Tiny Desk (Home) Concert), Rolling Stone, Guitar World, Texas Monthly, and more–The Fatalist sounds unlike any blues record you’re likely to hear in 2023. The lead single’s video, directed by Samer Ghani, captures songwriter, guitarist, and vocalist Carl Nichols singing of salvation and relief in his soundscape that teems with the joyous claustrophobia of classic gospel. Sampled triggers of Charley Patton’s version connect the earliest blues recordings to the present, both singers’ voices urgent in their message. Nichols explains: “A traditional song made modern. Which aspects of ‘the Blues’ are essential? Is it a melody? A certain vocabulary? Delivery? Instrumentation? Is this still a blues song? And most importantly: who gets to decide? I tried to reimagine the blues with this song as if it were allowed to grow and progress uninterrupted, uncolonized and ungentrified.”

Bachs Musik wird oft als unzerstörbar beschrieben, in dem Sinne, dass ihr essentieller Geist immer erhalten bleibt, ganz gleich, wie oder in welchem Arrangement sie aufgeführt wird. Daher sind Transkriptionen der Werke des Meisters heute ebenso üblich wie zu Bachs Zeiten – und auch Bach (1685-1750) selbst war ein leidenschaftlicher Transkribent seiner eigenen Musik und der anderer Komponisten. Diese neue Aufnahme präsentiert Instrumentalwerke von Bach, die für die moderne Gitarre transkribiert und auf ihr gespielt werden, darunter viele berühmte und beliebte Kompositionen: „Air" (aus der Orchestersuite Nr. 3), „Chaconne" (für Violine solo), „Jesu", „Meine Freude", „Sicilienne" (Original für Flöte und Cembalo), „Aria" (aus den GoldbergVariationen) und viele weitere.

Das neue Live-Album mit dem Titel "Daemonic Rites" ist ein spannendes und intensives Hörerlebnis, das die MAYHEMs Energie und Kraft auf der Bühne einfängt. Das Album enthält Aufnahmen von einer Vielzahl von Städten und Veranstaltungsorten, jeder mit seiner eigenen einzigartigen Atmosphäre und seinem Publikum. MAYHEM haben in den letzten Jahren auf der ganzen Welt gespielt, und "Daemonic Rites" fängt die Essenz ihrer Live-Auftritte auf eine Weise ein, wie es nur wenige andere Alben können.Das Album enthält sowohl klassische MAYHEM -Tracks als auch neueres Material von ihrem 2019 erschienenen Album "Daemon". Fans können sich unter anderem auf mitreißende Interpretationen von Songs wie "Freezing Moon", "De Mysteriis Dom Sathanas" und "Pure Fucking Armageddon" freuen.Insgesamt ist "Daemonic Rites" ein Muss für jeden MAYHEM -Fan und jeden, der intensive, rohe und authentische Live-Musik liebt. Mit seiner globalen Reichweite und seinen kraftvollen Performances ist dieses Album ein Beweis für MAYHEMs bleibendes Vermächtnis als eine der einflussreichsten Bands im extremen Metal.

Rare Montreux festival sessions from 1982.
Live Album by Detroit/Tribe Jazz Icon Reggie Fields.
Featuring an All-Star Line-up.
First ever vinyl reissue.
180g BLACK vinyl limited to 500 copies (w/obi strip) . Non-Returnable.



The Real ShooBeeDoo (AKA Reggie Fields) has always been a consistent name on the Detroit jazz scene … Fields who played with Pharoah Sanders while he was living in Motor City, worked with Sun Ra in the late 1970s and early 80s and who was also a close associate of the Afro-centric TRIBE label and artist collective, leaving his marks on a few essential TRIBE sessions such as Phil Ranelin’s “The Time Is Now!” as well as Ranelin & Wendell Harrison’s masterpiece “A Message From The Tribe”. It was Wendell Harrison who gave Fields the chance to record his landmark solo album (Reminiscing from 1981) to be released on his Wenha imprint. Reggie chose to record under his moniker “The Real ShooBeeDoo” because he built a rock-solid reputation as an internationally acclaimed performer under that name.



In 1982 he embarked on a European tour and performed at various clubs in countries such as Germany, Holland, Belgium, Italy, Switzerland, Luxemburg, France and Norway. This ecstatic touring vibe can later be heard on his fantastic ‘‘Live at Montreux Jazz Festival, 1982” album (simply called ‘Good To Go’).



“Good To Go” which we are proudly presenting you today features 10 tracks consisting of smooth Jazz-rumbas, French avant-garde jazz vocalizations, bass lines that can blow through walls as if they were made from paper, foot stomping rhythmic beats, lyrics that are pure poetry and ecstatic beats that took the crowd on a musical trip that ended in them raving for more. Playing before a large and enthusiastic crowd, Reggie’s spiritual cosmic free-flowing rhythms took the audience by storm…and the stakes were high because the bill was pretty impressive, he shared the stage with some of the biggest names in the genre (the festival bill also included Miles Davis, Dizzy Gillespie and Sonny Rollins).



Also…a quick closer look at the cast of all-star players featured on the album is most likely to be enough to get an impression that this is a very special record. Detroit preferred pianist Earl Van Riper brings his rich musical experience to the table that he perfected during his collaborations with Marcus Belgrave, Eddy ‘Cleanhead’ Vinson, Dinah Washington, Wes Montgomery and countless others. On the tenor saxophone we have Robert Barnes known for his work with Donald Bird…and last but not least we have Tani Tabbal on drums who is famous for his performances and recordings with Roscoe Mitchell and Sun Ra!



All of the above makes this rare album a total must-have that just begs for a prominent place in your record collection.



Tracklist:

Jumping With The Bellboy , Dark Eyes , Qu'est Ceque C’est , Do You Call that Friendship , Oo Shoobee Doo , Crazy She Calls Me , Have You Met Miss Jones , Ye Brac Hareesee , Hit That Jive Jack , Too Late Now

Ash sind seit 30 Jahren zusammen, aber es waren die zwei Jahre, die sie voneinander getrennt waren, die sie zu ihrem brillanten neuen Album inspirierten. Wie der Rest der Welt wurden auch Tim Wheeler (Gitarre/Gesang), Mark Hamilton (Bass) und Rick McMurray (Schlagzeug) von der Pandemie überrumpelt. Es war nicht nur die erste längere Auszeit, die die Band in ihrer unglaublichen drei Jahrzehnte währenden Karriere hatte, sondern auch die längste Zeit, in der die drei sich nicht gesehen hatten, seit sie sich in der Schule in Downpatrick, Nordirland, erstmals begegnet waren. Tim Wheeler - wie man es von einem der größten Songschreiber seiner Generation erwarten würde - hatte während Ashs Zwangspause weiter Songs geschrieben. Zum Reboot-Camp der Band erschien er bereit zum Loslegen mit einem Rucksack voller Hard-Rock-Hymnen. Und schwere Zeiten verlangen schließlich nach härterer Musik. Das selbst produzierte "Race The Night" - das achte Studioalbum der Band - ist in jeder Hinsicht herausragend. Aufgenommen im Oh Yeah-Studio in Belfast und mit neuem Fokus, kombiniert die Platte die unwiderstehlichen Rock-Riffs von "Meltdown" (2004) mit der melodischen Meisterschaft von "Free All Angels" (2001) - und das alles verpackt mit einem deutlichen Twist ins Jahr 2023. Und mit den fernen Anzeichen eines oft beschworenen Rock-Revivals am Horizont, könnte es das essentielle gitarrenzentrierte, hymnenreiche Album sein, auf das die Welt gewartet hat. Seit Ash als Teenager mit ihrem Nummer-Eins-Debütalbum "1977" aus Downpatrick auftauchten, ist die Band ein vitales, wachsendes Anliegen. Die meisten ihrer Zeitgenossen sind verschwunden oder haben sich zumindest aufgelöst, bevor sie zurückkehrten, aber Ashs Licht leuchtet so hell wie eh und je. Für dieses Album sind sie sogar zu Fierce Panda Records zurückgekehrt, die eine ihrer ersten Aufnahmen, "Punkboy", auf der 1994 erschienenen Crazed And Confused EP veröffentlicht haben.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX.
It is a special edition 'RAWAX - AIRA EP vinyl series".

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music',
not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music.

AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.

We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

We’ve waited over 20 years and finally Vince Watson is releasing the follow up to his seminal ‘Moments In Time’ album released on Ibadan and Alola, entitled ‘Another Moment In Time’. Over the twenty years since the release of ‘Moments In Time’, Vince has put out more than ten LPs of various flavours. Here he returns to the vibe and feel of those early works. ‘Another Moment in Time’ wastes no time in exploring those rich, melancholic tones with his stunning piano chords and an essence of nostalgia that is both thought provoking and deeply satisfying. This album takes Vince Watson ever further into his original sound but with a pristine quality and finesse that his early work was yet to benefit from.

There are many highlights, from the opener with its rich acid deepness and subtle keys, to the energetic and deeply fulfilling ‘Flashback’ that gives a nod to Funk d’Void’s Diablo or KiNK. ‘Peace Of Mind’ features the incredible talents of the hallowed Underground Resistance ‘Timeline’ keyboard master Jon Dixon as co-writer, this combination of both musicians is an ear to behold; the piano and Rhodes playing is straight up high-tech jazz. ‘Lost In the Deep’ takes its cues from Detroit but hits different with twisting chords and grooves. ‘Whispers’ delivers the most melancholic deepness on the LP, whereas ‘Sunshine’ is pure out and out happiness with its twisting chords and a firm foundation in Detroit. Written on the first sunny day after the winter, you can hear the breath of relief within the track.

‘Rendezvous Finale’ is the 3rd and final version of a cut that’s had a long and satisfying journey. Originally released on Carl Craig’s Planet E in 2006, it was then formatted into Afro House for Osunlade’s Yoruba Records in 2018, and in ‘22 this new version was debuted for Carl Cox’s Birthday at DC10 in Ibiza for Vince’s live set. The reaction sealed the deal! ‘Forever’ and ‘Make A Wish’ are straight up club cuts that featured on a single also in ‘22. The album closes out with the peacefully beautiful ‘Sleep’ that rounds things off to sonic perfection.

20 years is a long time to wait, and it would do ‘Another Moment in Time’ no justice to simply say it was worth the wait. This feels like the next evolution in Vince Watson. The finesse, the musicality, musicianship, and the production levels are of the highest level. ‘Peace of Mind’ and ‘Flashback’ may well be two of the biggest tracks that Watson has released to date.








g D1 Rendezvous Finale

Clear Vinyl

Repressed! Get On Down proudly present Mecca And The Soul Brother, the critically acclaimed 1992 full-length debut from Pete Rock & CL Smooth. The album is considered as one of the greatest Hip Hop albums of all time. Boasting tracks such as the first single, “They Reminisce Over You (T.R.O.Y.)”, a dedication to their deceased friend; “Trouble T-Roy”, which went on to become not only their signature hit, but also one of Hip Hop’s all-time great songs. The album is propelled forward by Rock’s quick, soulful interludes; usually bits of old R&B tunes layered with his signature trumpet and sax loops. Smooth’s liquid freestyle delivery pieces together the perfect vocal match that, together, creates a sprawling, nearly 80-minute-long album on which not a single song or interlude is a throwaway or a superfluous piece.
Mecca And The Soul Brother has stood the test of time. The release has been named one of the essential recordings of the 90s by Rolling Stone, appears on Ego Trips listing of the Top 25 Hip Hop albums released from 1980-1998, and appeared on The Source’s 100 Greatest Rap Albums of all time.

AWEH is back to present Shukuma, the highly anticipated collaboration between label head Esa and South African Kwaito legend Kamazu from Soweto. This record, created between 2020 and 2022, is a testament to the power of musical synergy and South African cultural aweh-ness.

As part of Shukuma, the title track and the EP also lies the future Kwaito classic, Muntu. This dance floor banger not only showcases the creative prowess of Esa and Kamazu but also features a collaboration with Dirty Bungalow, adding a unique touch to the overall EP. Muntu has already been featured in the esteemed podcast series, The Invisible Hand.

To further enhance the experience, Esa has collaborated with talented artists Floating B_strd and Sanoy to create an exquisite art piece that perfectly captures the essence of Shukuma. The final artwork will be revealed on the official release day, adding an element of surprise and anticipation. This is a Kwaai Collab you don't want to miss.

In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences with a series of unforgettable singles that showcased his raw talent and unique style. It wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his highly anticipated debut record.

This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with listeners, capturing the essence of his artistry and leaving an indelible impact.

Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's debut album. This reissue is a celebration of his timeless music, meticulously crafted to preserve the authenticity and integrity of the original recording. Every note, every lyric and the original design of the sleeve has been lovingly restored to transport you back to the magic of that era.

Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music, as this remarkable reissue brings his debut album back to life. Allow the melodies and rhythms to envelop you, taking you on a captivating musical adventure that transcends time. Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your soul once again.

Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true treasure that deserves a cherished place in the collection of every soul and funk connoisseur. This long-awaited reissue brings back the original magic, preserving the essence and impact it had on the music scene.

Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its status as an essential gem in the annals of musical history. Now, with this reissue, you have the opportunity to experience the same captivating rhythms and infectious melodies that captivated audiences decades ago.

Are you ready to awaken your boogie spirit and infuse your living room with the long-lost spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past and instilling in you an irresistible urge to groove like never before.

Space Is The Place – highlighted by the rousing 21-minute title track – is both an essential album and a great onramp for new listeners to travel the spaceways of Sun Ra’s other-worldly blend of avant-garde jazz, experimental rock, and Afrofuturism.

This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

Vemod aus dem norwegischen Trondheim sind eine der vielversprechendsten und visionärsten Bands im florierenden, eklektischen Metal-Underground der Gegenwart und haben in Eingeweihtenkreisen bereits eine Menge Staub aufgewirbelt. Mit ihrer Verschmelzung so unterschiedliche Einflüsse wie jenen von Ulver, Dead Can Dance, Brian Eno und Paysage d'Hiver verfolgen die drei Musiker einen einzigartigen musikalischen wie ästhetischen Ansatz, der ihnen schon früh in ihrer Schaffenszeit eine ureigene Ausdrucksweise und Atmosphäre verleiht. Vemods Debüt "Venter På Stormene" (Deutsch: "auf die Stürme wartend") erschien ursprünglich 2012 und wird nun von Prophecy Productions auf breiterer Ebene wiederveröffentlicht. Das aus den beiden Teilen "Over jord, vandrende" ("über die Erde wandernd") und "Over himmel, flammende" ("am Himmel brennend") bestehende Album soll als zweiteilige Manifestation innerer Bewegungen und eines aufgehenden Sternes verstanden werden, als Betrachtung des "wieder Heiligen". Die Vereinigung von finster ätherischem Metal mit stimmungsvollen Ambient-Klangflächen zelebriert und kultiviert Vemods Essenz im Rahmen tiefgreifender Gefühle: das Ergebnis jahrelanger langsamer, aber stetiger Reifung und eine Brücke in die Zukunft. Hinter Sonne und Mond werden wir neu geboren.

Vemod aus dem norwegischen Trondheim sind eine der vielversprechendsten und visionärsten Bands im florierenden, eklektischen Metal-Underground der Gegenwart und haben in Eingeweihtenkreisen bereits eine Menge Staub aufgewirbelt. Mit ihrer Verschmelzung so unterschiedliche Einflüsse wie jenen von Ulver, Dead Can Dance, Brian Eno und Paysage d'Hiver verfolgen die drei Musiker einen einzigartigen musikalischen wie ästhetischen Ansatz, der ihnen schon früh in ihrer Schaffenszeit eine ureigene Ausdrucksweise und Atmosphäre verleiht. Vemods Debüt "Venter På Stormene" (Deutsch: "auf die Stürme wartend") erschien ursprünglich 2012 und wird nun von Prophecy Productions auf breiterer Ebene wiederveröffentlicht. Das aus den beiden Teilen "Over jord, vandrende" ("über die Erde wandernd") und "Over himmel, flammende" ("am Himmel brennend") bestehende Album soll als zweiteilige Manifestation innerer Bewegungen und eines aufgehenden Sternes verstanden werden, als Betrachtung des "wieder Heiligen". Die Vereinigung von finster ätherischem Metal mit stimmungsvollen Ambient-Klangflächen zelebriert und kultiviert Vemods Essenz im Rahmen tiefgreifender Gefühle: das Ergebnis jahrelanger langsamer, aber stetiger Reifung und eine Brücke in die Zukunft. Hinter Sonne und Mond werden wir neu geboren.