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Back in stock due to popular demand, the 41st release in our signature Brazil 45’s series. Turning the spotlight to two monster funk/bossa nova cuts from Rosa Maria, we reissued a double header of firm favourites here at Mr Bongo HQ. Originally released on 7” in 1972 via Tapecar, copies of the OG are extremely difficult to get your hands on.

The A side houses ‘Deixa Nao Deixa’, with its distinct afro-Latin feel courtesy of the guitar, horns and percussion. Add in the catchy lead vocal, strong harmonies, funk/bossa drum grooves, shuffling percussion and the continuous build to the end, and you have one of the greatest Brazilian funk records ever pressed.

‘Avenida Atlantica’ takes the B side. Funk and bossa drum grooves alternate underneath the layers of vocals, horns, piano and percussion for a fiery, energetic dancefloor heater.

Soul Jazz Records" Studio One Showcase 45 features a roll call of classic Studio One reggae legends including Horace Andy, Cornell Campbell, Bob Marley and The Wailers, Jackie Mittoo, The Heptones, The Skatalites and more - seminal reggae artists who all launched their careers at the legendary Studio One label. The album was previously only ever released as a long-deleted limited-edition seven-inch box set for Record Store Day. This album has now been expanded into a super double-vinyl album edition as well as first time on CD, with both featuring a massive eight bonus tracks of wicked Studio One classics and rarities.

Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his own unique style, combining elements of dub, ambient, techno, score, textural, and even jazz elements, all glued together with his distinct production aesthetic.

Haze is a broad selection of pieces that was recorded between 2023- 2024. The music is moving from more slow cyclic compositional pieces on Life Motif, Nexus, Desiderium, to ambient dub pieces, on Magenta and Touch, on to more euphoric and uplifting ones on Footsteps, Berlin and What Tommorow Brings, reflecting on artist's need to tell stories. As a whole Haze showcases the artist's versatility on moving and combining different genders with his own distinct crafted sound, bringing a bold always fresh unique view, making the album an indulging and intriguing listening experience as a whole.

Fluxion has managed to constantly adding to his sound through the years always evolving and Haze is a testament of his restless nature and the artist's need to move towards more uncharted territories without alienating the listener.

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through its Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better. What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on. On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture. Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

The Diyeis is the brainchild of Concret and Inigo Vontier, a DJ duo united by their love for edgy, psychedelic music and the pursuit of raw, pure sounds that transcend emotional layers. Their mission? To harness the primal, tribal effect of ecstasy on the dancefloor, creating a space where connection thrives through rhythm alone.

For the first time ever, the highly regarded Anything Goes release series is curated by a single act – or rather, a duo: The Diyeis. Known for their raw, edgy sound and boundless creativity, the duo presents a unique selection of reworked tracks. These edits, crafted as playful DJ tools, are designed to create those cheeky dancefloor moments where nostalgia blends seamlessly with the thrill of a sunrise rave.

Cultured Dutch producer Milio returns to his home label to retool his last album Invisible Lands with the dance floor in mind. This new and club-ready 12" arrives via Atomnation on March 14th 2025 and shows a superb new side to the artist.

Invisible Lands was another marked artistic evolution for VIAVIA label head Millio who employed all new skills to translate the fantasies of his childhood into an immersive long player. As ever it was coloured by his love of hardware and brimmed with life because of his on-the-fly approach to production. Now, four of those lush originals get reimagined for different moments in the club.

These are four deep, stylish club cuts full of the sort of warm emotions that make a lasting impression.

BMP Crew introduces a new opus cooked by Luke Seager, a young and promising newcomer hailing from Paris.
We have the honor to host his first vinyl release, after a dope digi pack released on Mari.Te's Tresydos.

On the menu: 4 energy-fueled tracks that we fell in love with instantly and heavily played!
Catchy grooves, square wave B-lines, sizzling hi-hats, haunting chords, wholesome ambiances... Everything necessary to mesmerize sunny dancefloors is in there.

If you're more into dark basements and gritty sounds then the remix by mysterious duo Techline ™ is made for you. Mental!

Cumulating tens of millions of streams with hits like ‘Jump up Pon It’, ‘Heal Them’ or ‘Supanova’, BROTHER CULTURE is a true icon of the global reggae and dub scene. As one of the UK’s most influential voices, his career has spanned decades, earning him legendary status and a devoted following worldwide.

Now, Brother Culture joins forces with Swiss reggae powerhouse THE 18TH PARALLEL to deliver ‘Ghetto Man’, a commanding anthem of social emancipation. This track blends Brother Culture’s unmistakable lyrical prowess with The 18th Parallel’s hardcore roots-driven sound, creating a powerful call to rise above adversity and fight for justice. Brother Culture’s reputation as a trailblazer in reggae and dub shines through in every verse, while The 18th Parallel cements their place as a leading force in modern roots music. Together, they’ve crafted a track that resonates deeply, speaking to both the struggles and the strength of communities worldwide.

Adding to the magic is the presence of Paolo Baldini DubFiles on the mix, turning the song into a sound system killer with his dub effects. A true mix lesson that connects with reggae enthusiasts and newcomers alike.

‘Nothing Iz Sacred’ is a statement, a collection of tracks that resist the pull of the fleeting, throwaway nature of today’s music scene. In an age where everything is often stripped down, consumed, and discarded, this 8-track LP stands as both a nudge and a reminder—a poke at the culture that surrounds it - it isn’t here to blend quietly into the background, nor to satisfy the urge for quick hits and shallow thrills.

Each track on the LP is woven with the sounds and textures Workforce has become known for, yet there’s a rawness here—a willingness to push boundaries, to blur the edges of genre and style. The LP is a blend of the familiar and the experimental, where thoughtful moments meet jagged beats, and where soulful undertones collide with darker layers. It’s a space that resists easy categorization, daring listeners to explore without expectation, to find meaning in the spaces between the sounds. This isn’t a record designed for the disposable playlists of tomorrow; it’s for those who know that music can mean more, and who understand that it is meant to live with us, to grow, and to shape the communities around it. This record isn’t about the chase for the next hit or the endless scroll; it’s for the ones who value artistry, who find culture in the smallest details, who want something real to hold onto.

‘Nothing Iz Sacred’ is brought to life with the voices and musicality of some incredible collaborators. Tyler Daley’s unmistakable warmth, Bobbie Johnson’s sharp lyricism, Tamara Blessa’s haunting soul, Leroy Horns’ textured brass, and Ed Zuccollo’s nuanced piano work all carve their own paths through the record. Together, they amplify the album's heartbeat, adding layers of richness and depth.

The Shard: A colossal feat in engineering, savagely piercing the London skyline with zero f**ks.

Shard View: An uncompromising moment in Boylan’s bass engineering, piercing the London soundscape with even fewer f**ks.

It’s 2025. We’ve officially moved a second closer to extinction and Boylan’s wasting no time. After years of releasing noxious missives on the most influential likes of FWD>>, Artikal, Deep Dark & Dangerous, Sentry and Mean Streets, he finally launches his own label - Shard View.

A brand new vehicle for the potent strain of ice cold apocalyptic breakbeat he and his closest allies are currently making, Shard View is inspired by the vista he and the likes of Slimzee, Trends, D.O.K, U.S.F and Youngsta see every time they’re cooking up a darkness in his Peckham studio.

Coated in visual armor from Simon Oil Gang, Shard View is London, Detroit and Berlin wrapped up in one. It’s bass, it’s techno, it’s tribal, it’s No U-Turn, it’s Virus, it’s Horsepower, it’s warehouse raves. It’s timeless. And it starts with ‘Tunnel’, an extensive 10 track trip into instrumental, full physical, heavily percussive unapologetic breakbeat music. Boylan is the main consistency throughout but all the above-mentioned names are involved and always will be. Like the great collectives of past bass epochs, the energy here is molten as the friends inspire each other with this fresh take on a classic sound.

Two more EPs should follow later this year. And as the world continues to ramp up the turbulence, so will Shard View. This is not a drill.
Any questions about any of these products feel free to get in touch and we'll help you out!
albert.preston@sequence.cc

Get ready for a mind-blowing journey into the heart of acid with Acid Sessions Vol. 3, featuring five exceptional Acid Techno/House artists:

Acidulant kicks things off with 'Serpentacid', a track that slithers through your speakers with hypnotic 303 grooves and an unstoppable energy.
Sarufaromeo & Papaverhof bring 'Acid Nihonshu', a perfect blend of atmospheric depth and chaotic acid vibes that will leave you in awe.
G303 takes you to the stars with 'Live Long and Prosper', an interstellar anthem packed with cosmic acid energy and resonant grooves.
Paul Renard rounds it out with 'SO36', delivering pulsating rhythms and a relentless dancefloor drive that defines his signature sound.

This release is a must-have for acid enthusiasts everywhere. Don't miss your chance to own this incredible collection of cutting-edge underground acid!

Somewhere between techno, early 90s Italian progressive, and goa trance, the debut EP by Astral Renegades is difficult to pigeonhole, but works wonders on a saucer-eyed dancefloor.

The brainchild of a mysterious but established producer, Astral Renegades takes things in a whole new headspinning direction.

EP opener Planetarium sets out its stall early, getting straight into trippy, trancey territory within the first few seconds, an acid bassline underpinning the swirl to devastating effect.

Wunderland goes even deeper, with a mind-bendingly detuned melody and that ever-present acid bass.

Pluto FM on the B-side pushes the repetition to the limit with pulsing synth loops, while EP closer Milchstr brings an element of funk to the bassline.

One the most prolific talents in the last forty years of house music, the ever-innovative Jerome Sydenham goes toe-to-toe against the emerging talents of Berlin's mysterious Cosmic Soldier, working together to deliver a potent two-tracker as the weighty first release of 2024 on Planet E.

Showcasing a new angle of the eternal, quintessential blend of house and techno on Carl Craig’s legendary imprint, ‘Deeplight’ soars on impressive layers of psychedelic texture and raw percussion as a querying, prophetic vocal leads towards a valley of urgent chords.

Mixed with the same undeniable weight and power, the hammering, insistent ‘Black Dog’ skirts with darkness before upending it with vintage Detroit keys, waves of euphoria rolling out of the gloom to move the dance.

Drive By was originally recorded in 1999, live to DAT tape without the aid of a computer. The track was set for release as part of TS 007, but the distributor went bankrupt, leaving only a few test pressings in circulation. Now, for the first time, the track is finally available to everyone.

The single release from Jimi Tenor's second thematic album on Timmion Records offers two very different moods. "Summer of Synesthesia" takes us back to those dreamy summer days, a natural overpour of sensations mixing together, sounds becoming colors before turning into flavors. Synthesizers grow into delicate layers over Cold Diamond & Mink's rhythm, and when your heart can hardly bear the beauty of it all, Tenor's soft lyric places the cherry on top. "Tsicroxe" on the flipside couldn't be more different, kicking into gear with a demonic organ arpeggio that sounds like you've just been dropped into a Dario Argento scene. Even though the familiar funk from Cold Diamond & Mink eases the dread a bit, when Tenor busts in with the eerie flute solo, the ritual closes in on its conclusion.

The contents of the backwards vocal bits at the end shall be saved for your turntable so make sure to rewind that track, selector! Also Available From Jimi Tenor & Cold Diamond & Mink: Is There Love In Outer Space? 7", Gaia Sunset 7", Is There Love In Outer Space? LP / CD. The single takes listeners on a sonic journey: “Summer of Synesthesia” flows with warm, dreamlike beauty, while “Tsicroxe” dives into intense, mysterious depths, showcasing Tenor’s dynamic range. Blending synth layers with Cold Diamond & Mink’s classic funk rhythms, both tracks bring elements of 70s soundtrack-style tension and ethereal soul, appealing to fans of both cosmic grooves and suspenseful soundscapes. Tenor’s layered synthesizers, haunting flute, and even backward vocal elements add a captivating texture, making “Summer of Synesthesia” b/w “Tsicroxe” a must-have for fans of genre-blending, atmospheric music.

2025 marks the triumphant return of Sitaro, the iconic track that once lit up dancefloors worldwide. Originally released in 2007 and championed by the likes of Carl Cox—earning its place on Carl Cox Ultimate (Universal Music)—Sitaro is back with a fresh 2K25 Edition on Move Recordings, the newly minted sublabel of Diki Records.

The Belgian techno duo End-Jy & Dimitri Andreas, known for their heavyweight releases on Lupp, Intec, Terminal M, Music Man, and Systematic, deliver an updated version of this melodic anthem. The remastered original brims with Sitaro's signature sound: hypnotic sitar riffs, emotive atmospheres, and a groove that’s as irresistible as ever—a true dancefloor odyssey packed with intensity and raw emotion.

And for the remix? Who better than Dimitri Andreas himself. With an illustrious career spanning decades and releases on Systematic, Music Man, Kling Klong, and Token, Andreas takes Sitaro to new heights. His remix is a masterclass in contemporary melodic techno, drawing comparisons to the work of Guy J, Sébastien Léger, and Roy Rosenfeld. Expect driving Latin-inspired percussion, lush synths, and dreamy soundscapes that seamlessly blend piano-laden breakdowns with deep, pulsating grooves.
The result is a stunning reinterpretation—eclectic yet cohesive, powerful yet delicate. Dimitri Andreas once again proves why he remains a pivotal figure in the global techno landscape.
Press play, and let the journey begin.

Early support from Adriatique (Afterlife), Nick Varon (Sudbeat), Raw Main (Lost Miracle), Dclviii Ofc (Cod3qr), Alex Neri (Wildflower)…

Français

End-Jy - Sitaro (2K25 Edition) featuring Dimitri Andreas Remix

2025 marque le retour triomphal de Sitaro, le morceau emblématique qui a illuminé les pistes de danse du monde entier. Initialement sorti en 2007 et soutenu par des DJ comme Carl Cox—qui l’a même inclus dans Carl Cox Ultimate (Universal Music)—Sitaro fait son grand retour avec une toute nouvelle édition 2K25 sur Move Recordings, la nouvelle subdivision de Diki Records.

Le duo techno belge End-Jy & Dimitri Andreas, connu pour leurs sorties majeures sur Lupp, Intec, Terminal M, Music Man et Systematic, propose une version actualisée de cet hymne mélodique. L’original remasterisé regorge de la sonorité signature de Sitaro : des riffs hypnotiques de sitar, des atmosphères émotionnelles, et un groove aussi irrésistible que jamais—une véritable odyssée sur la piste de danse, remplie d’intensité et d’émotion brute.

Et pour le remix ? Qui de mieux que Dimitri Andreas lui-même ? Avec une carrière illustre qui s’étend sur plusieurs décennies et des productions sur Systematic, Music Man, Kling Klong et Token, Andreas emmène Sitaro vers de nouveaux sommets. Son remix est une véritable masterclass de techno mélodique contemporaine, qui rappelle le travail de Guy J, Sébastien Léger et Roy Rosenfeld. Attendez-vous à des percussions latines entraînantes, des synthés luxuriants et des paysages sonores oniriques qui fusionnent parfaitement des breakdowns pianistiques avec des grooves profonds et pulsants.

Le résultat est une réinterprétation impressionnante—éclectique mais cohérente, puissante mais délicate. Dimitri Andreas prouve une fois de plus pourquoi il reste une figure incontournable du paysage techno mondial.
Appuyez sur play et laissez le voyage commencer.

Support de Adriatique (Afterlife), Nick Varon (Sudbeat), Raw Main (Lost Miracle), Dclviii Ofc (Cod3qr), Alex Neri (Wildflower)…

Vibes Addikt is proud to unveil its latest EP, brought to you by N.O.B.A, an artist whose tracks have consistently made their way into Beatport's Top 100, with support from major figures like Amelie Lens, Mark Sherry, Nusha, Klaudia Gawlas, Charlotte De Witte, Mha Iri, and many more. N.O.B.A continues to captivate the scene with powerful, emotional productions, and this new release on his label is no exception.

This EP, with its powerhouse tracks, is a true collection of sonic bombs. "Shadows From The Darkness" is a masterpiece of intensity and emotion, featuring a remix by INIGMA, the Orlando-based artist now residing in Spain, who brings a hypnotic tech-trance touch to the track.

The track "The Unit" is a techno-trance gem, built on a bed of acid basslines, with an irresistible groove and punchy sounds that sweep the listener into a whirlwind of energy. Meanwhile, "Sunset" takes us back to the golden days of the 90s, with a pure trance vibe and uplifting melodies that evoke the nostalgia of the scene’s finest moments.

An unmissable EP, available in an exclusive purple vinyl edition, reflecting N.O.B.A's artistic vision. A release that will delight fans of techno, trance, and everything in between.

Early support from Mha Iri (Drumcode, Filth On Acid), Charlotte De Witte (KNTXT), M.I.K.E. Push (Bonzai), DJ Fire (Bonzai), Dave Davis (Laark, Cherry Moon), CP Cedric Piret (Bedrock), Tom Leclercq (Versuz)…

Français

Vibes Addikt est fier de dévoiler son dernier EP, porté par N.O.B.A, un artiste dont les tracks ont régulièrement figuré dans le Top 100 de Beatport, avec le soutien de figures majeures comme Amelie Lens, Mark Sherry, Nusha, Klaudia Gawlas, Charlotte De Witte, Mha Iri, et bien d’autres. N.O.B.A continue de captiver la scène avec des productions puissantes et émotionnelles, et cette nouvelle sortie sur son label ne fait pas exception.

Cet EP, avec ses morceaux explosifs, est une véritable collection de bombes sonores. "Shadows From The Darkness" est un chef-d'œuvre d’intensité et d’émotion, sublimé par un remix de INIGMA, l'artiste originaire d'Orlando, maintenant basé en Espagne, qui apporte une touche hypnotique et tech-trance à la composition.

Le titre "The Unit" est une perle techno-trance, construite sur un lit de basses acides, avec un groove irrésistible et des sonorités percutantes qui emportent l’auditeur dans un tourbillon d’énergie. Quant à "Sunset", il nous plonge dans les années dorées des 90s, avec une vibe trance pure et des mélodies exaltantes qui ravivent la nostalgie des plus belles heures de la scène.

Un EP incontournable, disponible en édition exclusive sur vinyle pourpre, à l’image de la vision artistique de N.O.B.A. Une sortie qui ravira les fans de techno, trance et tout ce qui se trouve entre les deux.

Support de Mha Iri (Drumcode, Filth On Acid), Charlotte De Witte (KNTXT), M.I.K.E. Push (Bonzai), DJ Fire (Bonzai), Dave Davis (Laark, Cherry Moon), CP Cedric Piret (Bedrock), Tom Leclercq (Versuz)…

We are excited to announce the first reissue of Tony Scott's iconic “Manteca” album originally released in 1973. This 180-gram vinyl audiophile edition captures the essence of a true master of contaminated jazz, allowing listeners to experience Tony Scott's vibrant artistry like never before.
Originally described in the album’s liner notes by Sam Charters, "Manteca" embodies the spirit of the jazz musician’s journey—a testament to durability, warmth, and exuberance. Charters notes, “You have to be durable these days to be a jazz man... a musician like Tony Scott has the kind of personality that it takes to be a jazz man today” — a sentiment that perfectly encapsulates the artist's incredible career.

From the bustling club scene of New York in the 1950s to captivating audiences in Japan, Scott's journey brought him to Sweden in the summer of 1973, where he collaborated with exceptional local musicians. The result was a collection of vibrant, uptempo jazz tracks combined with reflective ballads, showcasing the remarkable versatility and inventiveness of Scott's clarinet, baritone, and even his distinctive scat vocals.

The album opens with the titular track "Manteca," setting an exhilarating tone that endures until the final, almost sinister note of "One For Topsy." Complemented by an all-star lineup, including bassist Sture Nordin, drummer Ed Thigpen and legendary percussionist Sabu Martinez, this session embodies the international spirit of jazz—a genre that transcends boundaries and unites souls.

This audiophile edition has been meticulously remastered to provide an unparalleled listening experience, preserving the authenticity of the original while ensuring superior sound quality. With only a limited amount produced, this vinyl reissue is a must-have for collectors and jazz aficionados alike.
Join us in celebrating the reemergence of Tony Scott's "Manteca," a true landmark in jazz history, and immerse yourself in the dynamic sounds that have inspired generations.

First official vinyl reissue

180g virgin vinyl pressing from Pallas / Germany

350g. cover

Original artwork and liner notes

Recorded in Stockholm in 1973