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Mental and industrial acid tribe.

A label with a cool state of mind where everyon brings a track and some money and goes with plenty of records at the end :)

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Sleeve by K .Yoô

Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

Tripmastaz is back, this time drenched in Summery, laid-back Sunday vibes. The main title, appropriately named 'Sunday Mix 1,' is steeped in rich organ arrangements, deep vocals, and funky bass stabs, the kind of combination one wishes on a laid-back Sunday afternoon. The subtle percussive variations and the thorough but discreet synth work fill up the sonic space with an infectious swag - which is even more evident on 'Mix # 3.1.'

And whereas the main title, "Sunday," relies on a more laid-back approach, the flip-side 'Puppi Luv' literally flips the gears to a scenario where the groove is the focal point, and everything is playful - but strangely hypnotic. "Partying With Illusions" is a lush, uplifting record that finds Tripmastaz once again showcasing his skills as an outstanding music producer.

Revered Danish producer and live performer KÖLSCH follows his 2013 hit album "1977" (KOMPAKT 276 CD 107) with the new full-length "1983", again chaining up heroic techno tracks for a grandiose sonic journey to the vibrant heart of today's dance floor. PRIORITY RELEASE

Coupling contemporary production pizzaz with nostalgia-tinged soundscapes and sweeping melodies, this opus acts as both a skilfully composed portfolio of personal memories and a sublime collection of crowd-charming cuts - a modern classic in the making, coming from a master of his craft.

1983 features collaborations with Gregor Schwellenbach, Waa Industry and WhoMadeWho's Tomas Høffding.

Hot on the heels of SPEICHER 84 (KOMPAKT EXTRA 84), featuring club crackers DERDIEDAS and TWO BIRDS, the latest full-length offering from KÖLSCH is very much a travel album: "When I was a kid in 1983, we used to drive through Europe every summer on the way to the south of France", he explains. "A lot of my early music memories stem from these long travels, as we would listen to all my father's favorite records on the cassette deck. After getting a walkman, I would make up my own soundtrack for travelling, with early electro and hip hop creeping into my life. My father of course did not like it, and it never grace the official cassette deck of the car, obviously"

These trips became a primary source of inspiration to a hungry young mind forced to sit on the backseat of a car for several days: "they were also journeys through the seasons. In Denmark, it would be spring time, so I could nearly see us driving through spring into the summer. The scenery would change, and so would the mood in the car." Informed by the symbolic quality of these slightly gauzy childhood memories, KÖLSCH's unique melange of emotional and functional elements works exceptionally well for the full-length format - a seamless transition of musing introspection and explosve expression, where catharsis never seems far away in dance-ready techno vignettes like MOONFACE, UNTERWEGS or PACER.

From beatless opener and title track 1983 to the filigreed piano banger DIE ANDEREN or the bleep-infused synth-fest E45, each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. Confronted with other producers' input (and other memories), these traits find themselves extended in the most interesting ways - TALBOT, THE ROAD and CASSIOPEIA (also featured on KOMPAKT EXTRA 79) make excellent use of GREGOR SCHWELLENBACH's emotive orchestral flourishes, while BLOODLINE's lyrics come to life thanks to the distinct timbre of TOMAS HØFFDING of WHOMADEWHO fame. A new powerful take on an earlier collaboration, PAPAGENO 30 YEARS LATER not only rejoins WAA INDUSTRY on vocal duty, but also ends the album on a wonderfully elegiac, yet hopeful note - basically turning water into wine, as we've come to expect from KÖLSCH.

Tour-Maubourg & Christophe Salin are kicking off Salin Deep, Salin Records' sublabel dedicated to raw and dub- influenced house music. Every Record Sleeve is handprinted by Daria Salin (limited edition of 300). Ever since they met at Fête de la Musique in 2018, Tour-Maubourg and Christophe Salin have had a soul-mate kind of relationship.

Their first collaboration took place with the release of Tour-Maubourg’s Duophonie EP on Salin Records (March 2020). Following this, both were keen to take the collaboration to the next level by creating a mutual EP which was initially planned to be made in the Autumn of 2020 at the Villette 45 Studio in Paris. Following a worldwide turn of events, this was no longer possible - as the EP's title 'From A Distance' suggests.

However, both parties found alternative ways to create, write and mix tracks together despite the 1000 km distance between Paris & Lübeck. Salin Deep gave both artists the freedom to discover new musical territories. Their mutual influences and inspirations culminated in an EP intended to take the listener on a deep journey, something we love to do with all our releases. Daria Salin encompassed the sublabel's vibe as well as the concept of 'distance' into her artwork by aggressively zooming into her portraits of Tour-Maubourg & Christophe Salin. This way, the beholder is forced to keep a certain distance if they wish to see the two faces printed on the vinyl sleeve....

Irish producer and DJ Mano Le Tough announces his new record, At The Moment, out August 20th on DJ Koze’s Pampa Records, and presents the first single, “No Road Without A Turn.” After more than a decade of releases and touring, Mano has spent the past year at home in Zurich, rearing his young family and focusing on the positives of 14 months without performing, amid the uncertainty of the pandemic. In the face of horror, Mano channelled inspiration. With At The Moment, the follow-up to 2015’s Trails, those struggles have produced a record which balances the ambivalence of the current moment, with wistful streaks of unguarded optimism.

At The Moment shows Mano’s modes of expression evolving too. The synths and rhythms common to earlier works are now complemented with less familiar sounds and influences. Jangling guitars and sun-bleached chords envelop his own tender, plaintive vocals in a dappled wash of summery pop. Another track grounds overlapping melodies and sci-fi soundtrack pads with hip hop beats, creating a hypnotic slice of slinky retro-futurism. Where there is reflection, there is also a sense of being unafraid.

“I’ve always liked that Mallarmé quote, ‘poetry is the language of crisis,’” says Mano. “It’s hard to make good music about everything being amazing. Everything is going great – who wants to listen to that? Anything I’ve done - anything which I thought had any kind of artistic merit, has been through struggles I’ve had in my life”.

Phuture Assassins - ‘Back To The Phuture EP’ - We are going back to the Phuture with this incredible package of exclusive 'Future Sound' mixes which has something for everyone!

The very first release, before there was Suburban Base, was a Boogie Times release which didn't even carry a label name or logo... BOOGIE 001 under the artist name 'Phuture Assassins' became the record that really did start it all. So what is more appropriate than the next release in a continued order of catalogue numbers for the whole new era of Suburban Base than a Phuture Assassins release as SUBBASE 77 to continue your collection.

Leading with the unreleased Dead Dred '95 Dubplate which was considered a 'lost DAT' until it was recently unearthed amongst the archive of masters in Sub Base storage. You can imagine how excited we were to rediscover this and were able to save and remaster it for release. This was intended as part of a remix package that never ended up being released and was only available to a selected few as a Dubplate, that is, until now.

Alongside it we have included the 2 Bad Mice remix, which is now considered not only a classic but it is also the definitive mix of 'Future Sound', for those of you that were looking for a reissue. Its been expertly remastered to superb quality.

You wanted a brand new remix? Mark XTC & Exile's 'Future Sound' 2021 Remix brings the 1992 future to the 2021 present! They have given the timeless Suburban Base classic 'Future Sound' the remix treatment, producing 'raise your lighter' moments in their inimitable style, drum and bass with deep subs, whilst still keeping to the original vibes of this classic.

And completing the package is a version from the legendary Cause4Concern, their remix of Future Sound was only ever promo'd and despite receiving critical acclaim and extensive club play it never saw a full release. Now it's being fully unleashed in beautifully re-mastered form.

This release has it all, unreleased 'lost' mixes, remastered reissues, brand new remixes, beautiful special effect vinyl for the entire pressing run, all wrapped up in one of the most stunning original Nodz artwork sleeves ever created, an Assassin from the Phuture emerging from a time travel wormhole firing Sub Base Bullets!

Lee Foss and Franky Wah join forces in the ‘Name of Love’ for this hypnotic house track on Club Sweat complete with a bumping Torren Foot Remix. Lee and Franky escape their own sonic boundaries to conjure up a pertinent soundtrack for everyone feeling the need to escape their physical confines after this past year and reconnect with loved ones. Filled with a lush piano melody, crisp drums and blissful vocals of SPNCR the track slowly brings in lush deep-tech undertones to create a euphoric soundscape.

On teaming up with Lee Foss, Franky Wah said, "I’m buzzing about this record because if it wasn’t for Danny Howard and Radio 1 this collaboration would never have even happened. I’d say Lee and I are in different lanes sonically but this track is a perfect example as to why artists should experiment and forget about the boundaries and rules that they set themselves. It’s a record that everyone needs to hear given the year we’ve all had and another one that I hope will resonate with all of us."

(gatefold 2LP with spot gloss finishing) Regal's debut album! His staunch productions have garnered support from techno's well-established vanguard, including noted collaborations, projects and remixes with Amelie Lens, Hadone, Nina Kraviz, Ellen Allien, Emmanuel Top and Len Faki. "Remember Why You Started is meant to be a message for everyone, including myself, to look back to your roots -where anything you do is influenced by nothing but passion" -Regal

For the second announcement of the upcoming sophomore Keinemusik album, Rampa, &ME and Adam Port teamed up with another threesome.

That's none other than Netherlands finest when it comes to emotively driven dance music - Cubicolor. And it shows it is a match made in hymn-heaven. "Before The Flood" delicately embodies that feeling its title automatically insinuates.

That calm, yet tensed up state, intensifying with every bar of that bassline driven, string kissed sonic foundation, shaping up the appropriate environment for Tim Digby's signature falsetto. It is a contemporary Pop jewel in its own right and in context of the body of work it's taken from, a hint towards one or another unexpected stylistic nuance.

Mr. K takes on two different disco moods in the latest in his long-running series of edits on 45.

Danny Krivit’s edit of Tony Orlando’s “Don’t Let Go” was released in Japan in 2012 and immediately became a sought-after, impossible to find rarity. Orlando’s version of “Don’t Let Go” was released at the height of the disco era, but the song itself was already a well-worn pop standard, having been covered by numerous artists before the pop singer tried his hand at it, switching things up with a percolating disco groove. “I never expected to rave about a Tony Orlando record,” wrote Vince Aletti in his Record World column in June of 1978, “but this one’s really terrific… My pick for a summer refresher.” The Jimmy Simpson mix on the original 12-inch follows the vocals with a long instrumental section that teases the various elements provided by the Muscle Shoals band (guitar, vibes, strings, and above all a sinuous synth) back in over the relentless bass and drums. Danny’s edit, which he’s trimmed down for its debut on 7-inch, works with this instrumental break and more than lives up to Aletti’s description as an addictive warm weather jam.

From the moody instrumental sound of “Don’t Let Go” we move to the bright uptempo vocal track "I Fall In Love Everyday." In spite of the relative obscurity of this fabulous but lesser-known cut, it comes with a sparkling pedigree. “I Fall In Love Everyday” was written by Jay Graydon (whose credits also include “Turn Your Love Around” for George Benson and “Breakin’ Away” for Al Jarreau), produced by Motown ace Mickey Stevenson (who wrote “Dancing In the Street”) and arranged by David Foster, who was just making the transition from session keyboardist to the superstar songwriter/arranger he’d become. The backing track was first used for singer/TV personality Jaye P. Morgan’s version of the song a year earlier, but you certainly can’t blame the team for reusing the music when the band included studio heavyweights like Harvey Mason, Lee Ritenour, Ray Parker Jr., and Kenny Loggins. Danny’s creative edit fashions a clean, DJ-friendly instrumental intro where none existed on the original, and gives new life to a track that’s sure to bring some sunshine to dancefloors.

As always, these unique selections from Mr. K’s personal stash are cut on a loud, club-ready 7-inch pressing.

Kurtiss is a shadowy and enigmatic figure working on the boundaries of civilization. A sporadic figure on the House music scene with eccentric habits, Kurtiss’ music is a rarified sonic experience for those who seek it out. The Ameri-can artist is hard to pin down and his music is a tantalizing little secret only for adept diggers who appreciate the style of Hi-Def House music that the artist has cultivated. Although he’s a known Soundcloud fixture, he’s only put out a handful of digital singles as Curtis Vodka in the past, with Mutual Intentions facilitating his latest and immortalizing his music on their next set of releases. A nomadic artist, who’s worked on music ranging from Ghetto Tech to House, his music has spanned the known musical spectrum, forging uncanny relationships with everything from 50 Cent to Mall Grab. Under the pseudonym Kurtiss (or Curtis Vodka), he’s all about HIGH-Fi House, life, aliens, Jazz and no trends. It’s an attitude that he lays bare on this rare contribution to the physical, recorded format for Mutual Intentions on ‘The Curtis Vodka EP’. The EP weaves classic House music influences through a penchant for vintage sound machines and arrangements that evoke a solemn air. Elements of Gospel and New York’s deeper inclinations in House music seep through his sound as archived vocal samples and noisy machines give his work its defining character. Glistening keys and strings that slither through airy textures create dense aural experiences on ‘The Curtis Vodka EP’, calling to mind the musical masterpieces of House music’s golden era when the likes of Kerri Chandler and Mas-ters At Work were producing som

We’re excited to be launching a new release series: “Melodies Record Club”, a string of DJ and artist curated mini compilations in loud 12” format.

The first instalment was put together by Four Tet, selecting two big peak-time Jazz tracks he used to spin regularly at Plastic People.

On one side, we’ve got all time jazz greats Jackie McLean and Michael Carvin’s De I Comahlee Ah, taken from their seminal album Antiquity recorded in Denmark back in 1975. A year and a half ago, we visited Steeplechase, the original label in the outskirts of Copenhagen. They informed us that at the time, the track was cut short as it didn’t fit on the full LP. They were kind enough to provide us with the tape of the full original recording, allowing us to release for the first time the full extended version capturing twelve and a half minutes of studio magic. Speaking with Michael back in November, he told us that every song on that album was recorded without any overdubs. They had taken their shoes off and organised the studio in such a way that they could move from instrument to instrument during the take (!!)

On the flip, we have Chris McGregor’s Brotherhood of Breath – MRA. Back in 70s London, the Brotherhood had brought together musicians who had sought refuge from South Africa’s apartheid regime and the best of a new generation of British jazz musicians. Music journalist Richard Williams, who had originally reviewed the band in the 1970s tell us: “They made music that appealed in equal measure to the head, the heart and the feet, taking the jazz legacy of Duke Ellington and Charles Mingus and adding to it the fantastic dance rhythms and gorgeous harmonies of the townships and untethered collective improvisations of the new free music”.

Four Tet’s instalment is out early May in 12” format and digitally (stream & download), first press comes with a folded A2 insert with words from and about the artists. Graphic design by Studio ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios!

The second instalment curated by Ben UFO is scheduled shortly, which will be followed over time by a string of releases including selections from Hunee, Mafalda, Floating Points, Anya & Julia from Javybz, Daphni, Josey Rebelle, Charlie Bones, Gilles Peterson… and more, stay tuned!

The established favourite Nicolas Laugier AKA. The Reflex has been a crucial name in the fabric of electronic music, and is widely praised for his masterful production style which has gained the seal of approval of heritage artists such as Nile Rodgers, Giorgio Moroder, Nina Simon, Kid Creole, Kathy Sledge, Noel Gallagher, Bono and Paul Weller - morphing some of the world classics into contemporary; certified rave anthems. Loved by tastemakers alike including Rob Da Bank, Gilles Peterson, Craig Charles and Mistajam, The Reflex is responsible for unleashing some of the best remixes to date.

Returning off the back of his latest revision of Norman Doray and Darren Crook's 'Sweet Freedom', which has so far gained nearly 150 worldwide radio spins since it's release on 6th November, The Reflex now puts forward an incredible 2021 revision of two time Grammy award winner Nile Rogers' 'Do What You Wanna Do'. A modern disco anthem, the track has since been remixed by producers like MK, Eats Everything and Rob Da Bank. With an already established repertoire of essential remixes and re-edits, the London based producer combines his unique Disco and Soul blend with his acclaimed musical initiative to create what will be an intricate and exceptional upgrade, and a key selection of an already impressive arsenal of releases.

A percentage of the royalties from this release will be donated to Nile Rodgers' 'We Are Family Foundation' - who collaborate with forward thinking organisation who believe in youth and together, build creative programming and content, empowering young people to take humanity forward.

Entertainer, DJ and producer Roog is one of The Netherland’s biggest dance exports. With a history in house from the 90’s to today as a solo artist and as part of Hardsoul and Housequake Roog has an enviable CV of hits appearingf on a host of labels from Defected through Altra Moda Music!

‘If Everything Went My Way’ is a funky, filtered vocal house at its finest. Essential floor filling material that will simply stand the test of time. The remix comes courtesy of Earth n Days who have spent the last few years paving their way in the scene, forging a sound that blends energetic beats, heavy bass and more than a sprinkle of disco. 2020 saw then rise to the #2 best selling artist on Beatport! Their new remix is quite simply a sonic bomb ready to blow!

Repress

Its been more than 2 years since I did an original release on my own label. Its been 9 months since I had an original NOIR release.I wanted some time without releases. Some time to breathe, to think and most importantly time to be creative and to experiment.I have picked 2 productions I felt sounded different to everything else out here. Eruption was already made in the fall 2017 and I have been road-testing it since ADE17 and changed it quite a lot over the 6 months period from when I thought it was finished to what it actually sounds like now. I wanted the track to be brutal like a volcano erupting but at the same time have beautiful and peaceful elements. Hence the breakdown lava sliding into the middle of the track before it all erupts again. I have spent many hours trying to make it sound raw and unpolished. Disruption is build around a super simple sequence loop I played by hand while jamming with new pluck sounds. As the sequence got layered and washed in effects it became a quite haunting loop and that led me to add a boys choir to give that feel bigger impact.This track sounds simpler than Eruption but its actually stacked with layers. Disruption is meant to make you close your eyes, follow the rhythm, the simple sequenced loop and get hypnotized.

Repress!

This is the debut release on Noir Music from Brazilian K.A.L.I.L.
We have been working quite some time to perfect this first release from him on the label and give it the edge needed to stand out. After tons of road-testing and going back and forth with production ideas I am now happy to have 2 perfect tracks ready from K.A.L.I.L. that really showcase his super solid techno sound and production flair. Involved (co-produced with Any Mello) is a quite simple trip with Any's spoken word in center of industrial elements wobling it and out. This track works really well in the clubs because of its on point minimalism, the high intensity stacatto synths and the catchy vocal line from Any. It's not easy to do big tracks without big basslines - but that's what K.A.L.I.L. and Any Mello truely achieved with this one. Revolved is a track I signed already last year and since then K.A.L.I.L. has been perfecting everything about the track from small details to bigger arrangement improvements. This track has that big bassline that sits right in your face. It also has the right build for those peaktime
moments in the clubs. I have been playing 'Revolved' a lot over the past months and people go crazy for those big bass drops.
We are honored to have another great producer join the Noir Music family and proud to have another belter of a release ready for you.

Back in 2015, when we started Hip Dozer we were overwhelmed by the amount of talents that were still defending that old school way of doing beats and the amazing creativity that was circulating in the scene.

In a period of time where hip hop was evolving so much and getting always further (sometimes for the best but also for the worst), it appeared evident to us that we had to defend this rising scene of young beatmakers that were so tied up to the roots of the 'old-school' beatmaking but still bringing it to another level.

It has been 5 years since we have created Hip Dozer Records with our 1st Anniversary compilation and this is what makes this compilation such a special project every time. Its goal remains the same and will always be, championing the art of beatmaking that we love and help to showcase new artists from the scene.

This year we have the chance to have onboard some of our favorite new talent from the scene with the like of Burrito Brown, Loland, Imagiro, we also have the chance to have standard bearers like Jinsang, Saib, Flofilz, Melodisinfonie, Kazam, Shuko and, cherry on the cake, the french hip hop legend DJ Cam on top of that.

We want to thank so much all the artists who took part in this project and that were as enthusiastic as we are in its realization. It’s been such a thrill since this venture started and this is just the beginning. Much love to all of you guys listening and supporting wherever you are.

PEACE. Hip Dozer Fam.

Once again Scottish heavyweights Duellist and iFormat join forces this time for Manchester’s finest, Drøne.

Their track, Rabid is a journey through twisted synth lines, driving
percussion and punishing kick drums. It relentlessly pounds your brain for just under 6 minutes and doesn’t let up. You have been warned.

The remix package is equally as impressive.

Japan’s takes the track in another direction entirely. Reducing everything down to the bare bones, yet creating something destructively complex. Half time kick drums and a wall of building noise await here.

LA’s AXKHAN is up next, cranking up the intensity with his ferocious take on the original. Dark and menacing from the off, AXKHAN at his finest.

Last by certainly not least is rave behemoth D.Carbone. Peak time warehouse techno is where D. Carbone excels, and that’s exactly what he delivers.