- A1: Can’t Get Enough Feat Sahara Beck
- A2: At The Disko & Lorenz Rhode
- A3: Fireworks Feat Moss Kena & The Knocks
- A4: Don’t Stop
- B1: Dopamine Feat Eyelar
- B2: I Remember & Elderbrook
- B3: Opposite Of Crazy Feat Bloom Twins
- B4: Hypnotized & Sophie And The Giants
- C1: Loneliness Feat Francesca Lombardo
- C2: Hands To The Sky Feat Fiorious & House Gospel Choir
- C3: Money Money & Pink Flamingo Rhythm Revue
- D1: Playbox
- D2: Exotica Feat Mind Enterprises
- D3: Wanna Feel Like A Lover Feat Ed Mac
Suche:exotica
- A1: Can’t Get Enough Feat Sahara Beck
- A2: At The Disko & Lorenz Rhode
- A3: Fireworks Feat Moss Kena & The Knocks
- A4: Don’t Stopa5Dopamine (Feat Eyelar)
- B1: Purple Disco Machine & Elderbrook - I Remember
- B2: Opposite Of Crazy (Feat Bloom Twins)
- B3: Hypnotizedb4Loneliness (Feat Francesca Lombardo)
- C1: Hands To The Sky (Feat Fiorious & House Gospel Choir
- C2: Money Money Feat Pink Flamingo Rhythm Revue
- C3: Playbox
- C4: Exotica Feat Mind Enterprises
- D1: Wanna Feel Like A Lover Feat Ed Mac
- D2: Twisted Mind & Agnes
- D3: Rise Feat Tasita D'mour
- D4: In The Dark Feat Sophie And The Giants
Repress!
Deluxe Edition of PDM's massive Exotica LP features 2 x Purple Vinyl, 2 x Printed Inner Sleeves in Embossed Gatefold Sleeve with A2 Poster includes full Exotica album plus 3 bonus tracks: “In The Dark” with Sophie and the Giants “Rise” featuring Tasita D’Mour “Twisted Mind” featuring Agnes. Limited Edition.
- 1: Obsidian
- 2: Mystique
- 3: Fuschre
- 4: Skyhi
- 5: Cobramagma
- 6: Coral Soul
- 7: Jupiter Rum
- 8: Tropic Of Saturn
- 9: Lunarways
- 10: The Astral Cove
- 11: A Lust Beyond
- 1: Kingdom Of Thunder
- 2: Space Mates (Abridged)
- 3: Star Bright
- 4: The Nile, Part 1
- 5: Eve
- 6: Tiny Pyramids
- 7: The Lady With The Golden Stockings
- 8: Paradise
- 9: New Horizons
- 10: Portrait Of The Living Sky
- 1: India
- 2: Ancient Aiethopia
- 3: Planet Earth
- 4: April In Paris
- 5: Island In The Sun
- 6: Africa
- 7: Friendly Galaxy
- 1: Interstellar Low Ways
- 2: The Conversion Of J.p. (Abridged)
- 3: Cha-Cha In Outer Space
- 4: Brazilian Sun
- 5: Lights On A Satellite
- 6: Somewhere In Space
- 7: Spontaneous Simplicity
- 8: Overtones Of China
Interdimensional exotica in the form of eccentric space jazz, sonic experimentation, Afro-centric rhythms, and ostinato electronic freakouts! Includes three platters worth of tunes pressed on orange vinyl, all curated by Irwin Chusid - who also co-wrote the liners with Brother Cleve - for all those with cocktail in hand and ready for a slice of Ra’s jetpack jetset recorded legacy!
- 1: Jungle River Boat
- 2: Harbor Lights
- 3: Manila
- 4: Mama Iti E Papa E
- 5: Bamboo Lullaby
- 6: Ringo Oiwake
- 7: Moon Of Manakoora
- 8: Limehouse Blues
- 9: Beautiful Kahana
- 10: Caravan
- 11: Congo Train
- 12: Hello Young Lovers
Martin Denny returns with his loyal crew of multi-instrumentalists that had previously performed on
Forbidden Island, Primitiva, Hypnotique & Quiet Village: stand up bass player Harvey Ragsdale, vibe player Julius Wechter (also a member of the legendary recording unit The Wrecking Crew) and percussionist Augie Colon who was called the “Grandfather of Hawaii Percussion”. And of course, the famous cover girl on Martin Denny’s albums, Sandy Warner, otherwise known as “The Exotica Girl”, returns as well. Although Denny was recording his output at an astonishingly brisk rate, there’s something about Exotica Vol. III, which makes it one of his best and most sought-after with collectors and listeners. Of course, the brilliance of the lead-off track of Les Baxter’s “Jungle River Boat”, with its tight vibe-and-percussion workout intertwined with Colon’s iconic bird calls and other worldly sounds, only makes the sweet, lazy water sounds of the following track “Harbor Lights” all the more delightfully mysterious. So pour your drink of choice, dim the lights, open the windows, and let Exotica Vol. III roll across you.
“His last volume is a no-brainer. The material is simply too good to avoid.” – AMBIENT EXOTICA
Space-surf-psych-rock quartet Japanese Television’s album ‘Automata Exotica’ has been remixed by invited friends and peers; including Goat Fool from GOAT, Factory Floor’s Gabe Gurnsey, and Edgar Breau from cult band Simply Saucer. Informed by UFO encounters, ritualism, robots, Northern Soul, and nuclear weapons, ‘Automata Exotica’ was released in March 2024 and was described as “Heavy but also joyful” by The Quietus, “A fuzzy blast of space-surf energy”in Shindig and “A remarkable and unique proposition” by Louder Than War.
Rather than having been transformed out of all recognition, “reimagined” is a more apt term to describe this new version of ‘Automata Exotica’. With the album’s eight tracks presented via considered, alternative mixes with pertinent sonic application, it hangs together incredibly coherently - albeit as a wild and feverish psychedelic experience.
JTV toured with GOAT while writing ‘Automata Exotica’, with the fat fuzz tones and extended middle percussion section of ‘Typhoon Reggae Police’ heavily influenced by their time watching and learning from side stage. Starting life as an uneasy mixture of scratchy 60s garage rock and 70s Afghan psych folk, Goat Fool from GOAT ripped the song apart and stitched it back together. Recognisable but weird and uncanny, it’s a stripped down, oppressive, shimmering voodoo nightmare.
“We used to go and see Gabe’s weird, excellent band Factory Floor playing dark little club nights in Shoreditch years ago and marvel at the racket” says JTV. “Gabe’s been a long time collaborator of ours, in fact he’s the only person to not only do more than one remix for us, but has featured on every remix release we’ve done. Our most ecstatic, cathartic song, ‘Tabadaboum’ was the perfect match for Gabe - the motorik krautrock bassline fits right in with the pneumatic grind of his vintage drum machine loops and synth flurries”.
It's hard to measure the impact cult 1970s Canadian space rock proto punk psych band Simply Saucer had on the formation of Japanese Television. The band reached out to Edgar Breau - the band’s founding member and guitarist - who guitarist Tim says was “really generous with his time, and really kind to an overly keen and slightly awkward Simply Saucer mega fan. It's a real honor to have him playing guitar on one of our records”. His cosmic reimagining of ‘Golden Birds’ layers on the delay, reverb and screaming guitars, launching the track into outer space.
‘Automata Exotica (Remixed)' is set for release on 6th June 2025 on limited edition LP and digital formats. Japanese Television tour in Europe through March and April. The album is released by cult underground label Tip Top Recordings (Jim Wallis, Mandrake Handshake, Pearl & The Oysters), run by Ben Rimmer and David Warn.
- A1: Leonard Nimoy – Music To Watch Space Girls By
- A2: Martin Denny – The Enchanted Isle
- A3: Yma Sumac – Gopher
- A4: The Bongolian – B-Boy Toga Party
- A5: Los Bitchos – The Link Is About To Die
- A6: Herb Alpert & The Tijuana Brass – The Lonely Bull (El Solo Toro)
- A7: Michael Giacchino & Nouvelle Modernica Orchestra – Sidereal Day: 3 (Instrumental)
- B1: Mel Tormé – Sunshine Superman
- B2: Sergio Mendes & Brasil ’66 – Mais Que Nada
- B3: Lalo Schifrin – Lalo's Bossa Nova
- B4: Quincy Jones – Black Orpheus (Manha De Carnaval)
- B5: Les Baxter & 101 Strings Orchestra – Tropicando
- B6: Pizzicato Five - They All Laughed
- B7: Alain Goraguer – Les Hommes
- B8: Hugo Montenegro & His Orchestra – The Good, The Bad And The Ugly
- C1: Mort Garson & The Lords Of Percussion – Geisha Girl
- C2: Arthur Lyman – Quiet Village
- C3: Les Baxter – Voodoo Dreams / Voodoo
- C4: Cal Tjader – The Lady Is A Tramp **
- C5: Martin Denny – The Enchanted Sea
- C6: Ixtahuele – Mareld 2021
- C7: Keith Mansfield – Morning Broadway
- D1: Mel Tormé – Comin' Home Baby
- D2: Dave Pike – Sweet Tater Pie
- D7: Sheila – Bang Bang
- D3: Jack Trombey – Underlay No.3
- D4: Don Sebesky – Guru-Vin **
- D5: Keith Mansfield – Beat Me Till I'm Blue
- D6: Brian Bennett & Keith Mansfield – Mermaid **
black 2x12"[47,35 €]
- A1: Flameout
- A2: Re-Entry To Mog (That's How It Is)
- A3: Space Odyssey (Sure Listic)
- A4: Astral Freakout (A Love Built On Sand)
- A5: Orbit Fantasy (Inside Looking Out)
- A6: Blues For The Guru
- A7: Strings For Ravi
- B1: Barrier X-69 (Slippin' & Trippin')
- B2: A Dissappointed Love With A Desensitized Robot
- B3: Where Were You In 1982?
- B4: Trippin' On Lunar 07
- B5: A Bad Trip Back In '69
- B6: Karma Sitar
- B7: Whiplash
- B8: Instant Nirvana
When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’
we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars... Despite being released as a budget label’s take on the burgeoning psychedelic scene Astro Sounds, delivers the real deal.
This is thanks in no small part to the central role played by Wrecking Crew guitarist Jerry Cole. Cole had previously been the involved some L.A. session colleagues and cut his own psychedelic
album: The Inner Sounds of the Id by 'The Id' and was the perfect choice to front Astro Sounds which can be considered a development from the seminal sounds of the Id.
Astro Sounds has suffered from some unofficial releases that offer poor audio quality. This Vinyl Exotica re-issue is remastered from the original tapes and is presented on coloured vinyl
- A1: Leonard Nimoy – Music To Watch Space Girls By
- A2: Martin Denny – The Enchanted Isle
- A3: Yma Sumac – Gopher
- A4: The Bongolian – B-Boy Toga Party
- A5: Los Bitchos – The Link Is About To Die
- A6: Herb Alpert & The Tijuana Brass – The Lonely Bull (El Solo Toro)
- A7: Michael Giacchino & Nouvelle Modernica Orchestra – Sidereal Day: 3 (Instrumental)
- B1: Mel Tormé – Sunshine Superman
- B2: Sergio Mendes & Brasil ’66 – Mais Que Nada
- B3: Lalo Schifrin – Lalo's Bossa Nova
- B4: Quincy Jones – Black Orpheus (Manha De Carnaval)
- B5: Les Baxter & 101 Strings Orchestra – Tropicando
- B6: Pizzicato Five - They All Laughed
- B7: Alain Goraguer – Les Hommes
- B8: Hugo Montenegro & His Orchestra – The Good, The Bad And The Ugly
- C1: Mort Garson & The Lords Of Percussion – Geisha Girl
- C2: Arthur Lyman – Quiet Village
- C3: Les Baxter – Voodoo Dreams / Voodoo
- C4: Cal Tjader – The Lady Is A Tramp **
- C5: Martin Denny – The Enchanted Sea
- C6: Ixtahuele – Mareld 2021
- C7: Keith Mansfield – Morning Broadway
- D1: Mel Tormé – Comin' Home Baby
- D2: Dave Pike – Sweet Tater Pie
- D3: Jack Trombey – Underlay No.3
- D4: Don Sebesky – Guru-Vin **
- D5: Keith Mansfield – Beat Me Till I'm Blue
- D6: Brian Bennett & Keith Mansfield – Mermaid **
- D7: Sheila – Bang Bang
coloured 2x12"[35,08 €]
Buckle in for an orgasmic Italo trip, courtesy of Argentinian duo Furor Exótica. The result of a sweaty and shaky journey in their Buenos Aires studio, here they deliver two stir-crazy babies, crafted for dancing lovers worldwide.
The title track ‘Macchina Bum Bum’ builds energy gradually from minimal beginnings, adding spine-tingling vocoder vocals, shimmering synth melodies and a familiar sample as it builds towards a euphoric climax. Prime sunset material.
Meanwhile ‘Fractal’ is a hot and heavy chugger, with its throbbing bassline, trippy vocals, and euphoric synth melodies swelling and swirling together. You can practically smell the sweat on leather.
On remix duties, Donald’s House kick things off with a brilliant reimagining of ‘Macchina Bum Bum’, complimenting the vocals with a squiggly, wiggly, funky and propulsive retro-futurist instrumental. Just try not to throw your hands in the air when the synth melody comes in around the halfway mark! A certified stone cold banger, ready for peak-time deployment.
Bringing things home, label founders Kayroy and GREETINGS deliver a dreamy, psychedelic rework of ‘Fractal’. The vocals are transformed into a trippy, gated refrain, taking center stage alongside mellow, warm synth lines, and underpinned by a robust 808 kick. The track ends in a final crescendo, which should please dancers in a club or lovers in a broom closet alike.
After a long delay due to his previous powerhouse 'Hypnotised' blowing up the worldwide spot, German maestro Purple Disco Machine finally lets loose the next step in his world dance domination. Every superlative under the sun has been used for this man's talents and he does not disappoint with a return to his updated Italo disco stylings on new single 'Exotica'.
Purple Disco Machine remains at the forefront of world dance music, following a series of remixes for A-list icons Diplo, Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, whilst more recently delivering his stellar cuts of Duke Dumont’s ‘Ocean Drive’, and Lady Gaga and Adriana Grande’s international hit single ‘Rain On Me’.
He now unveils yet another side of his impressive production prowess with new single ‘Exotica’ featuring the Italian electro funk producer Mind Enterprises on vocals, creating an electric club record exploring and playing homage to '80s German and Italian euro disco records that he grew up with.
Based around a replayed sample of 80’s Italo disco classic ‘Void Vision’ by Cyber People, Purple Disco Machine creates a high energy dance-floor heater with a lively modulated vocal. ‘Exotica’ shares its name with the forthcoming studio album, which the artist confirms will feature his playful interpretation of the music of the decade that birthed the Purple Disco Machine sound; Synth Pop, Italo Disco, Electro Funk, Soul, R&B and Boogie.
Certified as one of the most prolific electronic artists of our generation, the Dresden born producer ranks #2 on Beatport’s all-time Top Artists, with his 2013 breakthrough hit ‘My House’ remaining as one of the platform’s best-sellers through to today. With an undeniable midas touch, Purple Disco Machine landed himself in the record books once again in 2018, whilst amassing a stunning 100 million streams across his original ‘Dished (Male Stripper)’, and remixes of Weiss’ ‘Feel My Needs’, and most notably his remix of the seminal ‘Praise You’ by industry icon Fatboy Slim. With a slew of varied releases including hit singles ‘In My Arms’, ‘Body Funk’ and ‘Devil In Me’, the producer’s status was propelled by his debut LP ‘Soulmatic’, earning him critical acclaim across the globe.
Introducing the first release on MARICAS Records from the Barcelona queer collective. After three years of living the Maricas techno-pervy-loving lifestyle and spreading their message of freedom and love in their hometown and beyond, it was time to share the music they love and live by. With their very own imprint, they strive to lift up and showcase their family of queer artists and spread their sound to parties and after parties all around the world.
The first EP is delivered by none other than resident and co-founders ISAbella. She makes her debut with a solid five tracker, which bounces between house and breaks, all with a touch of old school. Hard-hitting drums and crispy perc are blended with just the right amount of dirty Rave and Electro flavours.
The A side kicks off with the dance-floor-banger Extrema, a driving house weapon rich in synth textures and stabs. Each layer takes its turn to be heard over the fat bass line, before combining into a dense melodic texture at the climax. This is sure to crush any dance floor.
Side B features Contacto, which perfectly encapsulates the Maricas sound. Deep, dreamy layers of atmosphere and the ethereal, euphoric melodies floating above are driven forward by a crunchy breaks riff and an airy but tough four to the floor kick.
WRWTFWW Records releases THE GENTLE PEOPLE - The Peel Sessions, available on vinyl for the first time ever, in conjunction with the worldwide expanded reissue of the group's Soundtracks for Living. Lounge/Chill Out music reborn !
This is an exclusive 4-song EP recorded in 1997 on BBC's Peel Sessions, as The Gentle People were doing the rounds for the release of their legendary debut album. These live versions have never seen the light of day before - a must have for all the gentle fans !
When The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge's cult label Rephlex, this multinational "E-Z-Core" lounge unit took the aesthetics of 50s/60s easy listening and exotica and gently smuggled them into 1990s club culture.
Imagine KLF's Chill Out or Space growing up on French 60/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That's The Gentle People : music that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace.
The Gentle People weren't just a curiosity on a weird label; they became unlikely icons of a whole loungecore moment, gracing TV, compilations and magazine spreads, and proving that tenderness could be as futuristic as any drum machine.
- A1: Intro
- A2: The Soundtrack Of Life
- A3: Journey
- A4: World Of Love
- A5: Laurie's Theme
- B1: Emotion Heater
- B2: Dream
- B3: Tiki Mix
- C1: Travel Bug
- C2: Le Tunnel De L'amour
- C3: Stay
- D1: A Close Encounter
- D2: Relaxation Central
- D3: Journey (Reprise)
- D4: Outro
- E1: Space Bubble
- E2: Star
- E3: Sunny Day (Demo)
- F1: Journey (Aphex Twin Care Mix)
- F2: Journey (Gentle Instrumental
WRWTFWW Records is proud to present THE GENTLE PEOPLE - Soundtracks for Living (Expanded Edition), ?the ultimate Lounge/Chill Out classic from 1997, reborn! Available as a limited edition white vinyl 3LP in heavyweight 3-panel gatefold sleeve.
When The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge's cult label Rephlex, this multinational "E-Z-Core" lounge unit took the aesthetics of 50s/60s easy listening and exotica and gently smuggled them into 1990s club culture.
Soundtracks for Living was their defining statement: an album that "takes the lounge scene and runs away with it entirely… blissful and heavenly," as one contemporary review put it. Imagine KLF's Chill Out or Space growing up on French 60/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That's Soundtracks for Living: a record that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace.
The Gentle People - Dougee Dimensional, Laurie LeMans, Valentine Carnelian and Honeymink - began in early-90s Brixton, throwing dress-up theme parties before taking their audio-visual universe into the studio. For them, music was "a way of life": soothing to the ear, rich in pop hooks, and pitched somewhere between the playfully idiotic and the hyper-intelligent. Their debut on Rephlex was the single "Journey", later blessed with a shimmering Aphex Twin remix that pushed their sugar-coated sound even further into outer space.
This Expanded Edition of Soundtracks for Living finally gives this glambient lounge-pop milestone the treatment it has always deserved. Spread lovingly across 3LP, it features new mastering from the original sources, allowing every harp glissando, string swell and analog squiggle to float in high-fidelity widescreen. The core album is complemented by a bonus 12" of unreleased and rare material, offering a deeper dive into the Gentle world: alternate takes, lost interludes, and secret soundtrack cues for lives not yet lived.
Crucially, "Journey" appears here in its original version, Gentle Instrumental and the cult Aphex Twin remix, reuniting band and labelmate in one place and underlining the quietly radical nature of the project: this was lounge music that could sit next to braindance, acid and IDM and still steal the scene.
Pressed on limited edition white vinyl, Soundtrack for Living (Expanded Edition) invites long-time fans and new listeners alike to step back into The Gentle People's universe - a place of fondue parties, bubble chairs, star-lit elevators and endlessly rewinding sunsets, where "the pathway to the stars" is never quite out of reach.
In an era that often reduces the 90s to big-room bangers and grunge guitars, Soundtracks for Living remains a quietly subversive reminder that the decade was also about imagination, camp, softness and utopian possibility. As later writers have noted, The Gentle People weren't just a curiosity on a weird label; they became unlikely icons of a whole loungecore moment, gracing TV, compilations and magazine spreads, and proving that tenderness could be as futuristic as any drum machine.
In conjunction with this release, WRWTFWW has also unearthed The Gentle People's Peel Sessions, a 4-track EP from their 1997 BBC on-air performance, available on vinyl for the first time ever !




















