Suche:f u s e dimensions

Colored Repress!

'DEEP TRAX VOLUME ONE' is a fine selection of 4 edited, remixed and previously unreleased Trax from the 90s.

The EP starts with a re-dub of the classic 'I Need A Rhythm' and gets you flying with warm 808 beats and minimal jazzy riffs.

The second track on the A-side “Reign Of Swing” comes with a deep, warm bass, dope keys and lots of shuffle!

B1 kicks out the subwoofers with 'All I've Got' and makes the crowd scream - Uuhhhh!

The E.P. ends with 'Swing Ting', a brilliant track that takes you into other dimensions with a flying jazzy flute solo!

Ouyayebu is back with the next release - "Ouyayebu Samazama I" - and it opens another extend in the label chapter. If someone asks how to explain the release in a few words, the answer would be “Weird as this World now”

Side A occupied by dOP together with LogdaM (Mad Dim and Kirill Golikov) in minimalistic collaboration which completely changes the picture after the first half.

Side B starts with the deep multi-dimensional collab track by Cesare VS Disorder together with Anushka and continues with the strong message from Weg and Francesco Carone focused on the music itself.

Recommended for everyone who is into uncompromising dance music devoid of emotional signifiers and willing to catch a brief glimpse into the chaotic dimensions of a cold urban environment. credits releases September 1, 2023 Recorded and mixed by Low Order Mastered by Daniele Antezza at Dadub Mastering Artwork by Misha Brin Layout by Anna Haleta

The EP FACE II is a continuation of the Faces EP series, of which the first EP was released in october 2022. The basis here is also a literary fixpoint with KAFKAS VER- WANDLUNG.

the examination of the urban modern man has its origin in the album JAHRE and is now explored in more detail here. What happens to us in a time of digital transparency as a glass human of the city and night.

It starts with THE VOID, which was originally intended as a poem about being lost. We go out into the night, some to search, some to forget and some to never come back as the same again. On our journey we often take substances that we expect to make this journey easier and faster. the escape from ourselves and from our relationships to the environment and humans can‘t just be skipped. a fast way is always a dangerous way and often leads to an even bigger EMPTINESS.

In THE GHOST something appears to us late at night, it is like a shadow of the previous hours, something that has followed us on the streets and accompanied us un- discovered until we reached our home. We wake up and at first it is unclear whether we are dreaming.

In half-sleep the dimensions blur together and the whole polyva- lence of the different existences gapes open. We blink into the DARKNESS and try to recognize something, the light remains far away and yet we hear this piercing sound, which in the end leaves us only with ourselves. we are the spirit of the night, trapped on an old tape in the chest of nothing.

The next section THE MOON shows us the light in the darkness. The shadows and ghosts give way for a moment and the light flows through our veins and molecules. The poem describes our unspoken longing to follow the light, in the light our fears disappear and everything blurs into an unknown familiarity. We stagger back and forget the encounters with our inner DAWN.

In the light the ghosts disappear like childhood memories left behind.
The last chapter is written by THE DAWN, a stanza from the poem of the same name as a spoken reconciliation with the world. In spite of everything, we seek harmony and connectedness. No one wants to become an exile, even if we can‘t always bring it about ourselves. We love LIFE and we hear and feel everything around us, if we let ourselves ...

ALL LOVE
AMAS_DHE / AMAS_PHI

Afterhours. latest release, “Dimensions EP“, is the result of the successful collaboration between Optide and Adar Cohen, showcasing their talents in seamlessly blending Electro, Break Beat, and Minimal genres. In the package, two hefty remixes by Christopher Ledger.

Catering to those with a soft spot for Electro and Breakbeat, A-side’s title track ‘Dimension’ and Christopher Ledger’s Remix are all about driving basslines, robotic percussions and captivating soundscapes. Flip-side’s ‘Hypnagogic’ shifts gears to the Break & Minimal House realm where detailed groves, deep tones and swing are key. Ledger’s remix further develops the deepness of the original tune and expands it over a 4by4 groove.

“Somaesthesia” is for the body, for how the body feels and how the body communicates with its soul. It was written through a year of growth and sickness, which stimmed inflection to a body at rest, a body aroused, a body communicating needs, a body happy, a homeostatic body, a friend body.

These four songs drift through different dimensions of somatic sensation. Deep corporal sensuality, spectrums of control of self, identity, and their relation to others, plateau, release, extra sensorial touch, extraterrestrial encounter, novelty, experiment, finding self where you thought you stood alone, finding self in bass, basing self in body.
Do not disembody, hold closeness to body, trust body, body as a litmus, body as a truth, truth as unmovable, unmovable as grounded, rooted, dense body, flesh body, REAL body, this is your body, feel your body feel.

Somaesthesia: the faculty of bodily perception; sensory systems associated with the body; includes skin senses and proprioception and the internal organs

AI-31 sees the debut release from a new collaboration between Samuel van Dijk (Netherlands) and Rasmus Hedlund (Finland). Both key proponents to the scene in Northern Europe, they come together with mutual understanding and a common vision to sound. Dialog acts as a conversational exchange that sees the interplay of dynamic frequencies, evocative imagery and contemporary sonic art. Spread across four sides, the album as a whole exists as a kind of metaphysical process, eternally growing and contracting — change is the only constant, marked by a continuous progression of sound and space.  

Expansive, deep, and at moments arresting, Dialog unfolds with sweeping soundscapes and shimmers with tactile sonic details. A chasmic rift of scintillating drone structures, each layer exposes a series of ever-deeper shades. In a play of dynamic dualities, the pair harnesses both earthly materials as well as access to more ethereal dimensions in the music. Side A begins with sub-terrestrial ruptures, gestating in a process of constant elemental changes. Rattling hits sputter amongst a state of nascent chaos, yet continues to be maintained in self-regulating stasis. Side B sets a more introspective tone, whispering with ghostly artefacts and bubbling synth lines, before building into a driving energy of layered field recordings and mechanistic timbres. The essence of form continues to be contested, until it subsides into momentary calm on side C. A cleansing period of soft drones float into the space and the pace slows, washing away remnants of past. The journey continues with side D’s conclusion - a solemn contour that reaches its internal extent, to then finally return to its source. 

Multicast Dynamics returns to Astral Industries for AI-26, this time collaborating with Sid Hille, the German born, Finland based instrumentalist and composer. ‘Metamorphosis’ transmutes both artists’ unique styles into a synergistic blend of transportive storytelling, a delicate dance of light and dark.

Divided into two parts, ’Metamorphosis’ originates from a live performance recorded at Temppeliaukio church in Helsinki on March 2nd, 2019. The material was then edited, where Hille’s soothing keyboard work and haunting passages on the theremin, combine with processed textures and desolate sonic backdrops from Dijk. In this voyage beyond space and time, the subtle dialogue reveals new and perhaps unexpected dimensions in their creative arsenal, finding fresh new boundaries and enriching the palette of both performers. Encounters of sweet fleeting moments of lyricism emerge amidst the chilling outback, in which we're given some final consolation between the long lines of cavernous rifts and deep space tundra. 

ANNA drops a triple dose of heat to mark her first EP on Drumcode. ANNA first debuted on Drumcode with the irresistable groover ‘Portable Paradise’, which highlighted last year’s A-Sides Vol.7 and set up a busy year playing DC events in 2019.

There was the memorable morning set at Space during WMC, two fiery gigs at Drumcode Festival and typically strong performances at the DC takeover at Resistance in Ibiza and Sonar.

Fresh from her collaboration with Kittin ‘Forever Ravers’, she steps up for a maiden EP on Adam Beyer’s flaghship label. ‘Galactic Highways’ is propelled by an arresting peak-time riff and bombastic drums and was a storming addition to Beyer’s set at Drumcode Halloween recently.

‘Dimensions’ is the powerful brain scrambler, as a blistering wall of acid rubs shoulders with undulating bass notes for an dramatic finish. ‘Phase Two’ is a stirring, pad-laden beauty, driven by lustrous melody lines that cascade over the Brazilian’s punchy percussion.

Discovered, curated and managed by Exos, Planet X is the latest discovery in our solar system. Little is known about this mystical planet other than that it radiates sound waves on the rougher side of the galactic spectrum. This first release comes from Exos himself where he fuses together old and new material with remixes from his astro pals, Ben Sims and Antigone. The release takes off with an old 90’s Exos track which is then warped and mixed by Ben Sims in his signature hardgroove style. Next in orbit is Bingo, a brand new track for interstellar clubbing that sounds like a country theme where Exos sampled a live guitar from his father’s rock band. The outcome is a dark and raw mixture of a 909 beat with a dark space cowboy riff from the blackest hole of our galaxy. The Antigone remix takes us near the event horizon where there is absolute chaos between dimensions.
The second release from Planet X will launch off next autumn with fellow space cadet Lafontaine on a 4 track storming missile and signs off with a nuclear remix by the one and only Matrixxman.
Start the countdown for our journey to the center of the galactic dancefloor!

Fleisch is thrilled to present the debut of Stockholm's Dissocio Modus Trans, aka DMT, featuring four cuts of some of the purest, unadulterated acid ever to hit the streets since Orange Sunshine. In the words of Terence McKenna himself, sampled in the opening title track, "DMT is the strongest hallucinogen there is...", and DMT certainly hold true to their name as a pair of 303s weave a mind-altering journey through multiple dimensions of being. Driven and dirty techno beats form the rhythmic foundation while esoteric vocal samples lead the proceedings through the Tibetan Book of the Dead in "Origin/Destination" and "Bardo Thodol", and onward into the metaphysical mantra of "Trans Dimensional".

Repress

ARTS is an independent label established in 2013 based on Sonic dimensions. ARTS Label has influenced by Emmanuel. The product, the artwork and the concept are all based on Sonic issues.

Emmanuel - Radice EP is the first Vinyl limited press on the label. Coming out with Carton Cover and Black Sleeve on 3 June 2013.
200 limited - only vinyl

Lorelle Meets The Obsolete return with their seventh album. It's the Mexican duo's finest, most ferocious work to date which sees them turbo-charge their psychedelic post-punk with a new electronic engine. Mixed by Antoine Goulet (live sound engineer for SUUNS) and mastered by Mikey Young (Eddy Current Suppression Ring), the most obvious comparison in terms of mood and mode is Primal Scream's classic XTRMNTR, another record that processed personal and political conflicts and spat them out as distorted dance music. It shows the influence of the duo's DJ sets and last year's radical Remezcla remix collection on their way of thinking and why they are now namechecking the likes of Moor Mother, MF DOOM, Patrick Cowley, The Bug, Paula Garcés, Phil Kieran, Coby Sey, Run the Jewels and Anadol."Playing other artists' music is different," says Lorena Quintanilla about the change of direction towards the dancefloor. "You're not just listening, you're watching how energy flows and how it affects other people. It gives you the chance to witness what moves other bodies." And Corporal, as the title suggests, is all about the body. "The body is what carries the weight of stress, exhaustion, sadness. It's the body that the system breaks first," explains Lorena. "Unintentionally, while composing the album, our bodies were seeking joy in the songs. Reconnecting with pleasure became a way to open new dimensions - a way to escape, yet remain present." The theme is carried over into the lyrics which, according to Lorena, variously refer to "the bodies that disappear, the abused bodies, the bodies we miss, the bodies that march together in protest, the bodies that are being controlled".

This album was composed between October 2016 and May 2018, an urgent year and a half.
I imagine my albums as adventure stories. Here, it's a quest in reverse: the journey of a knight in a car, listening to psychedelic R'n'B on the radio. Contre-Temps is a circuit album nourished by the fantastic, where impermanence meets the sensation of passing time-a tunnel through multiple dimensions."
Flavien Berger

Entering a POWERFUL new phase, LE SSERAFIM (KIM CHAEWON, SAKURA, HUH YUNJIN, KAZUHA & HONG EUNCHAE) returns with their 2nd Studio Album ‘PUREFLOW’ pt.1, now presented in a collectible 12-inch vinyl format. Available in two colours - Electric Yellow Glitter and Hot Pink Glitter. Contents include: Record Jacket, Inner Sleeve, Vinyl, Photocard Set (5ea), and Lyric Poster. Dimensions: 312 x 312 x 3.5mm

Entering a POWERFUL new phase, LE SSERAFIM (KIM CHAEWON, SAKURA, HUH YUNJIN, KAZUHA & HONG EUNCHAE) returns with their 2nd Studio Album ‘PUREFLOW’ pt.1, now presented in a collectible 12-inch vinyl format. Available in two colours - Electric Yellow Glitter and Hot Pink Glitter. Contents include: Record Jacket, Inner Sleeve, Vinyl, Photocard Set (5ea), and Lyric Poster. Dimensions: 312 x 312 x 3.5mm

Contemplating the role of the album format in an attention-deficient society, Speedy J presents Walkman -- a constantly shifting, 90-minute soundtrack to a journey of your choice. Jochem Paap's first solo album in over 20 years is a freewheeling, 20-track testament to his decades-deep studio skill and sonic versatility, running from skewed rhythmic rabbit holes to exploratory tonal abandon. For Paap, the traditional idea of the album had become obscured by listening habits and the non-stop information barrage of our digital lives. Having moved on from his breakthrough years releasing LPs and touring off the back of them, he was more inspired to develop his many-sided STOOR project and feed into a bigger artistic body of work than the temporary shelf-life of a single release. As is natural for any artist, his perspective shifted over time and he found himself drawn back to the idea of an album, realising he connected best with longer releases while he was on a walk, out for a run or generally in transit one way or another. With an endearing call back to the humble Walkman, he selected an hour and a half of material created during studio sessions at the beginning of 2025, perfectly sized to fit on two 45-minute sides of a cassette tape. As has long been the case for his studio practice, there were no fixed intentions when sitting down in the STOOR lab to start making noise -- just a wealth of experience and an expansive set of tools to start exploring with. From hours of jams Paap pulled together standout moments and moulded them into a mixtape-like narrative ranging from two-minute beat nuggets to full-tilt techno workouts and immersive ambient drops. Every sound is intentional, but the overall delivery is instinctive and curious, showing multiple new dimensions to Paap's sound and offering unpredictability at every turn. 'Arp Amp Chasm' opens the album up in a thick blanket of humming, harmonic waves with an electric emotional charge, while 'Ctrssalms17 (Cold Render)' journeys through evocative blooms of melancholic, gritty pads and rugged, half-submerged tech funk. 'Modern Birds (Origin Edit)' reaches skywards with grand sweeps of dynamic, brilliantly rendered synthesis. From the dexterous drum science of 'Drift Vector' to 'Osc Hop (Slow Collapse)'s lurching, beatless swamp of synths, on Walkman even the briefest snapshots leave an impression that lasts beyond the quick-scan cycle of the modern music experience. With his return to the album format, Paap's message is clear --put your headphones on, get outside and lose yourself in the sound of an artist constantly committed to moving forwards.

CORTIS IS BACK WITH THEIR 2ND EP ‘GREENGREEN’. AVAILABLE IN VINYL. CONTENTS OF THE ALBUM INCLUDE: CORTIS BRIDGE 12" VINYL, GATEFOLD JACKET, INNER SLEEVE, BOOKLET (16PG), PHOTOCARD (6EA), PHOTOCARD SLEEVE. DIMENSIONS: 316 X 316 X 7 MM.

Laurel Halo returns with an album of original soundtrack music, composed for the film Midnight Zone by visual artist Julian Charrière. Following the path of a drifting Fresnel lighthouse lens as it descends through the Clarion-Clipperton Fracture Zone — a remote abyssal plain in the Pacific Ocean, rich in rare metals and increasingly targeted for deep-sea mining — the film traces a descent into one of Earth’s last untouched ecosystems.


Charrière’s film reveals the deep not as void, but as a luminous biome teeming with fragile life: bioluminescent creatures, swirling schools of fish, and elusive predators. The suspended lens becomes an abyssal campfire, attracting species caught in the tides of uncertainty, their futures hanging in the balance.


Echoing this tension, Halo’s compositions evoke a sensory freefall, where gravity falters and light and sound flicker in uncertain rhythms. Midnight Zone is a sonic drift through the space between what we seek to extract, fail to understand, and must protect.


Halo’s score evokes the life that exists beyond our physical airbound capacity. The material features long, subtle passages of electro-acoustic ambient, drone and sound design, slowly flowing and unfolding with rich detail. The music, composed largely on a Montage 8 synthesizer and Yamaha TransAcoustic piano at the Yamaha studios in New York City, possesses an uncanny quality: that of synthetic waveforms being amplified and sung through the stringboard of the physical body of the TransAcoustic piano. Combined with stacks of violin and viol da gamba, the music on Midnight Zone possesses trace elements of a human hand in an otherwise sunken landscape. Patient, submerged, and alive. The album will be the third on Halo’s imprint, Awe.


The film is central to Charrière’s current solo exhibition Midnight Zone. The exhibition engages with underwater ecologies, exploring the complexity of water as an elemental medium affected by anthropogenic degradation. Reflecting upon its flow and materiality, profundity and politics, its mundane and sacral dimensions, the solo show acts as a kaleidoscope, inviting us to dive deep.