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Die von Tim Burton produzierte Serie zeigt Wednesday Addams, die Tochter der Addams Family, wie sie als Teenager auf ein Internat für außergewöhnliche Menschen kommt (Zauberer, Werwölfe und mehr). Neben den beeindruckten Streamingzahlen auf Netflix, ging die Serie auch auf TikTok und Instagram monatelang viral. Komponiert vom Oscar-nominierten und Emmy-Gewinner Danny Elfman (Men In Black, Good Will Hunting, Desperate Housewives) und Emmy-nommiertem Chris Bacon (Bates Motel, Sherlock Gnomes) erscheint der Score zur Serie auf farbigem Doppelvinyl (purple smoky marbled) und in bedruckten Sleeve mit Gatefold.

LOUDBLAST waren die Fackelträger und Pioniere des Death Metal in Frankreich und Europa und klingen immer noch unbestreitbar wütend, kraftvoll und grausamer als je zuvor!

LOUDBLASTs legendäres und heiß begehrtes Death ThrashDebütalbum "Sensorial Treatment" (1989) wird nun endlich
mit aktualisierten Audio-Mastern, Layouts und Bonustracks
wiederveröffentlicht.

A complex and sometimes belligerent character in real life, on record,
John Martyn was the epitome of the folk-dreamer, embodying the spirit
of the bourgeoning London acoustic scene of the late 60s
Well- known and respected for his 70s albums Solid Air and One World, this is
where it began.The second and final John and Beverley album, The Road To Ruin
came out in late 1970; it is a mature, fully realised work, and a glimpse of what
would have happened had Island not encouraged John to go back to being a solo
artist. Opener Primrose Hill was later sampled by Fat Boy Slim, and the John-led
Parcels offers a template for what would become his signature style as the
decade progressed. It is one of those rare albums that creates its own
atmosphere, late night intensity, middle age soul.
This re-issue faithfully replicates the original 1970 Island Records UK release and
is pressed onto high quality 180g vinyl.

Mind on the Run by Basil Kirchin and fellow composer/arranger John
Coleman sees an official reissue through We Are Busy Bodies
The album is one of six albums that Kirchin composed for De Wolfe, and one of
four that he released in 1966.
Starting his professional career at the age of 13 as a drummer in his father's big
band, Kirchin would go on to go on to a storied career that saw him learn how to
experiment and manipulate recorded sound and even be cited as an influential
figure in ambient music.

Today, powerhouse mande jazz ensemble Balimaya Project announce
their second album When The Dust Settles to be released by New Soil in partnership with Jazz re:freshed on July 21, 2023
A dynamic maturation of the group's thrilling big band sound, When The Dust Settles is a personal and cathartic expression of grief, rage, love and joy.

Fusing West African rhythmic tradition with the energy of London's jazz continuum, the album celebrates the restorative power of Black male brotherhood among diaspora communities in London.

Led by composer/arranger and UK-based Djembe player Yahael Camara Onono, Balimaya Project have established themselves as one of the most exciting and forward-thinking ensembles in Britain.
Enlisting guest vocalists Afronaut Zu, Obongjayar and Fassara Sacko across ten groove- laden and punchily percussive tracks, each song on When The Dust Settles engages intentionally with the significance of folkloric rhythms to illuminate themes that include the death of Camara Onono's older brother, losing a child, becoming a father, migration, survival and a search for truth.

As Camara
Onono describes: "One thing that's really linking us is that concept of family and the bonds are getting stronger every time ... It was important to me to go deeper and address not just tradition and culture, but also address emotion."

Fans des ursprünglichen Death/Thrash Metal der 80er Jahre können sich freuen! Das lang erwartete Album mit den Demobändern der legendären Band Samhain (später bekannt als Desexult) ist endlich da.Obwohl die dänische Band Samhain in ihrer Blütezeit nie einen Plattenvertrag erhielt, gewann sie eine treue Fangemeinde und wurde zu einem Begriff in der Underground-Thrash- und Death-Metal-Szene, wo sie mit Bands wie Kreator, Pestilence, Imperator, Illdisposed, Exumer, Mezzrow und Invocator spielte.

Jetzt können eingefleischte Metal-Fans zum ersten Mal die rohe Kraft von Samhains frühen Aufnahmen auf Vinyl erleben.Das Album enthält alle Songs der ersten beiden Demobänder der Band, die 1985 und 1986 aufgenommen wurden. Remastered für maximale Audioqualität von einem der Besten des Metals: Kein Geringerer als Ex-Desexult-Schlagzeuger und Metal-Produzent par excellence Tue Madsen im Antfarm Studio (Rob Halford, Sick Of It All, The Haunted, Vio-Lence, etc.), dies ist so true wie es nur geht.

Die Veröffentlichung enthält außerdem ausführliche Linernotes von namhaften Metallern und seltene Fotos aus den Anfangstagen der Band.

Hot on the heels of his successful first Rubi Records release, Ashley Tindall, AKA Skeptical, comes with another three-track EP showcasing his evolving and expanding sound. The opener, 'Rhubarb', shows clear influences of fatherhood, with sampled sounds of happy childhood leading into what is possibly Skeptical's deepest track to date. While this is no piece of bland 'intelligent' D&B by any stretch, the build up intro of warm pads that leads into a chilled head-nodder stands a good chance of having you listening with eyes closed, smiling as fond memories wash over you. Next up is the deceptive 'Capsize'. Starting with the strings of an old sea shanty, the track sounds like it will follow the more chilled route of 'Rhubarb', before the introduction of some twisted minimal sonics and trademark 'steppy Skeppy' drums quickly change that notion! The swift addition of a fizzing, rubber-band b-line completes the switch up and you're sailing on far from calm waters. The return of the shanty violins amidst this is inspired, showing that breaking from the expected norm is not just something that this producer isn't shy of doing, but something he does exceptionally well. To round off, Skeptical steps back into more typical sonic territory with a slice of intense D&B minimalism titled 'Foiled'. This deceptively simple-sounding track hides a wealth of meticulously-crafted and perfectly-balanced elements that deliver a somewhat claustrophobic atmosphere that will appeal to lovers of the outer-edges of cutting-edge D&B. Skeptical's new EP promises to be just as successful as his first release, showcasing his unique and evolving sound.

This is the album that started it all! Right from the opening guitar chords of "Right Side of My Mind" to Metal Mike's high-pitched vocals -which always sound funny when he's trying to come across all angry, "Inside My Brain" is a non-stop psycho analysis backed up by blaring, tongue in cheek anthems suitable for all those who can't seem to express their anger. Being one of the pivotal bands that fueled the early Southern California punk scene, The Angry Samoans were one of the first bands to prove that one can express their frustrations of day to day life and still have a sense of humor about it; as evident with songs like "You Stupid Assholes" and "My Old Man's a Fatso." And to top it all off, this album was produced by Fear vocalist and all around jerk Lee Ving, who did a decent job capturing The Samoans raw energy. - Allmusic

Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

Self-described as ‘Cult post-something organ jams for fans of Young Marble Giants / Dead Moon / the Stranglers’, they still only record to 4-track and still only do seven song records, pushing the old Hohner into every corner of the experimental pop landscape.

‘Dear Departed’, the second album from Sam Burton, arose from a time of rebirth. In the last few years, Burton basically started over. There’s a freedom in leaving everything behind, and Burton embarked on a wandering phase. He went and stayed at a friends’ family home in a rural region further north in California, where he holed up in a cabin and helped the grandmother farm to earn his keep. He crashed with friends all around Los Angeles, until he found himself a new gig and a new apartment of his own. Along the way, he was writing songs.

‘Dear Departed’ was produced by Jonathan Wilson (Angel Olsen, Father John Misty, Margo Price), and recorded at Wilson’s Topanga Canyon studio with some of the best studio players in LA.

Von ihrer selbstbetitelten Debüt-EP im Jahr 2019 bis zu ihrem ersten Album 'Moonlit Cross' zwei Jahre später ging der Aufstieg von THE NIGHT ETERNAL rasant. Die Ästhetik des deutschen Quintetts stand von Anfang an fest – melodischer, aber dennoch stimmungsvoller Heavy Metal mit mehr als einem Hauch der teuflischen Vergangenheit des Hard Rock – aber selbst der Übergang von der EP zum Album bewies, dass ihre Vision immer noch die dunkleren Nuancen des Heavy Metals auslotete. „Beugen, aber nicht brechen“, lautet die Devise, und THE NIGHT ETERNAL kehren weitere zwei Jahre später mit einem Album zurück, das mehr Dunkelheit denn je erforscht.

Das zweite Album von THE NIGHT ETERNAL mit dem Titel 'Fatale' strahlt sofort eine berauschende Aura aus: härter, schwerer und definitiv DUNKLER, und doch auch irgendwie sanfter und geheimnisvoller. Dynamik spielt hier eine Schlüsselrolle: Während die Deutschen immer noch hart rocken, färbt ein feines Gespür für Nuancen diese neun Hymnen, die eine fast violette Samtatmosphäre haben. Passend dazu strotzt ihre ohnehin schon überragende Melodik vor hymnischer Energie, selbst wenn sie entscheiden, düsterere Schritte ins Jenseits unternehmen. Das Ergebnis ist unwiderruflich ein verblüffend einzigartig und eigenständiger Sound und Stil.

„Unser Versuch für Fatale war es, THE NIGHT ETERNAL noch mehr nach uns selbst klingen zu lassen. Wir haben versucht, gleichzeitig die Melodien und Riffs eingängiger zu machen und dem Gesamtsound eine härtere, düsterere und zeitlosere Note zu verleihen.“

'Fatale' bietet eine kraftvolle, kristallklare Produktion von Marco Brinkmann, abgerundet durch Arthur Rizks Mastering. Der zweite Longplayer von THE NIGHT ETERNAL ist groß und geräumig, bewahrt aber auf magische Weise Intimität und Geheimnisvolles. Es klingt und fühlt sich stadiontauglich an, ganz wie ihre Gründungshelden Judas Priest, Iron Maiden und die Scorpions. Aber auch hier kann nicht genug betont werden, wie 'Fatale' die Band nachhaltig zu einer einzigartigen Einheit macht.

"Fatale" strahlt sofort eine berauschende Aura aus, die Fans von TRIBULATION, THE DEVILS BLOOD, IN SOLITUDE und UNTO OTHERS sofort in ihre Bann ziehen wird!

Sam Burtons zweites Album, 'Dear Departed', wurde von Jonathan Wilson (Angel Olsen, Father John Misty, Margo Price) in seinem Topanga Canyon Studio mit einigen der besten Studiomusiker in LA produziert. Gemeinsam haben Wilson und Burton einen Sound geschaffen, der nicht in Retro-Pastiche abgleitet, sondern vielmehr ein beschwörendes Echo, einen Traum von der Vergangenheit darstellt. Im Vergleich zu seinem gefeierten Debütalbum 'I Can Go With You' aus dem Jahr 2020 nutzt Burton hier eine weitaus größere Leinwand und verleiht den darin enthaltenen Emotionen ein neues Gefühl von Dringlichkeit und Intensität. Burton hat ein Händchen dafür, reines Laurel Canyon AM-Gold zu schürfen. Pastorale Streicherarrangements blühen im Hintergrund von Sams markantem, honigsüßem Gesang auf - wie ein moderner Campbell, Orbison oder Nilsson.

Sam Burtons zweites Album, 'Dear Departed', wurde von Jonathan Wilson (Angel Olsen, Father John Misty, Margo Price) in seinem Topanga Canyon Studio mit einigen der besten Studiomusiker in LA produziert. Gemeinsam haben Wilson und Burton einen Sound geschaffen, der nicht in Retro-Pastiche abgleitet, sondern vielmehr ein beschwörendes Echo, einen Traum von der Vergangenheit darstellt. Im Vergleich zu seinem gefeierten Debütalbum 'I Can Go With You' aus dem Jahr 2020 nutzt Burton hier eine weitaus größere Leinwand und verleiht den darin enthaltenen Emotionen ein neues Gefühl von Dringlichkeit und Intensität. Burton hat ein Händchen dafür, reines Laurel Canyon AM-Gold zu schürfen. Pastorale Streicherarrangements blühen im Hintergrund von Sams markantem, honigsüßem Gesang auf - wie ein moderner Campbell, Orbison oder Nilsson.

Last summer saw youANDmedelivered his “Diva 2022” mix of "PPPPP" a track that would ignite dancefloors across Ibiza and become one of the smashes of the summer in the process. The label was always certain the record was a hit and the response that followed justified their faith.

The track went on to be championed across the globe by the likes of Ame, Dixon, Matthias Tanzman and Pete Tong (Radio 1) leaving a succession of dancefloors demolished in its wake. Fast forward to 2023 and the Cult brings in a smorgasbord of house music’sfinest to breathe fresh verve into what is rapidly becoming a future house classic.First, comes the unmistakable dancefloor call of the “Diva” mix, with its fierce retro vocal and contagiously looping house sound. Its raw undeniable groove shook dancefloors for a reason the first time around and here it is to do the damage all over again. Next, house music legend Ian Pooley hops on board to serve up a delicious slab of fat analogue deepness.


A rework for the real house heads, it drenches the original vocals in reverb and creates a tough sub-laden groove bound to work deeper floors. House music’s producer of the moment Cinthie delivers a red-hot reinterpretation that ups the bpm count and zones in on the drums. The Berlin-based producer creates a colossal house-breaks crossover that is bound to tear apart dancefloors. Reese subs fill out the lows while organs deliver the original rave flavour and take the track into orbit.


Finally, Tel Aviv’s Yotam Avni turns out a remix that delivers shades of the pure old-school house with piano stabs sitting alongside deep chords before he puts his tougher-edged modern techno stamp onto it. Rhythm Cult is on a roll now returning with one of the most hyped tracks of 2022. This package delivers the goods with fresh remixes for 2023 from some of the best in the industry who are now added to the label's impressive roster.

Prince’s 1988 follow-up to his masterpiece double LP, Sign O’ The Times, saw him recycle some of the material that had originally been intended for the ill-fated Crystal Ball and Black Album albums, and repurposed here along with additional material. Features the smash hit single “Alphabet Street”.

Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.

Gym Class Heroes
2005-11 Studioalben werden auf Vinyl neu aufgelegt. LOS ANGELES - Diesen Sommer veröffentlicht Rhino Vinyl-Versionen aller vier Studioalben Gym Class Heroes, die zwischen 2005 und 2011 aufgenommen wurden, sowie McCoys Solodebüt Lazarus. As Cruel as School Children (2006), Lazarus (2010) und The Papercut Chronicles II (2011) werden als Einzel-LPs für jeweils erhältlich sein. The Papercut Chronicles (2005) und The Quilt (2008) werden als Doppel-LPs veröffentlicht. Alle fünf Alben können ab sofort vorbestellt werden.
Für Gym Class Heroes braut sich dieses Jahr etwas zusammen. Die Band wird beim When We Were Young Fest zum ersten Mal seit 2018 wieder auf der Bühne stehen.

"Ich könnte nicht enthusiastischer sein für dieses nächste Kapitel im Buch der Gym Class Heroes. Wenn ihr uns so sehr vermisst habt wie wir euch, dann könnt ihr euch auf eine gute Lektüre freuen, ruhig in der Bibliothek, aber verdammt wild in der Gym Class" - Travie McCoy.

The year is 1989. Techno’s second generation has begun to permeate the globe leading a young Carl Craig to a tiny village in the countryside of Belgium. It is here, undistracted and determined to break out, that Craig encounters one of the country’s only drum machines, an Alesis controlled midi-808. In a single session he composes and mixes a handful of records that are still to this day regarded as some of his most raw and explosive contributions to the fabric of electronic music history.

Carl revisits this fateful chapter through the lens of a famed cut from his Psyche alias ‘From Beyond’, with a ‘C2 2023 Mix’ and remixes from Seth Troxler, Ataxia and Admn, out July 14 on Planet E Communications.

The Psyche alias, known for early Transmat releases like ‘Crackdown’ and ‘Elements’, embodied a stripped back, less sample based yin attitude to the yang of Carl’s more aggressive 69 and sample-forward BFC and Paperclip People identities. ‘From Beyond’, first released in 1990 via the ‘Crackdown’ 12” on Transmat, offers an eerie glimpse into the simplistic production that came through Carl’s mastery of the 808 and the sonic value of restricting himself to this movement defining tool.

This new ‘From Beyond’ package sees Carl lift and bend the original in his ‘C2 2023 Mix’ alongside a package of remixes from artists near to the hearts of Detroit and the Planet E fold. Seth Troxler brings a subdued acid tinge to the package, while label regular Ataxia pays homage to the source material with a renewed percussive energy, followed by a soulful rework by Admn.

Whether it be through the 30 year repertoire of his seminal Planet E, his Party / After-Party sound and light installation now on display at Los Angeles’ MOCA, or his continuous work as a champion of Black-led creativity, the Carl Craig mission remains the same: to always rep Detroit and be the realest mutha f***a alive.

'The Devil, The Heart & The Fight' is Skinny Lister's third studio album and is repressed here on yellow vinyl. The band are currently supporting Flogging Molly across the US, have summer festivals confirmed and will be touring across UK and Europe by the end of the year. 'The Devil, The Heart & The Fight' was recorded over five weeks in Newcastle Under Lyme’s Silk Mill Studio in May 2016 with producer Tristan Ivemy (Frank Turner, The Holloways), it is Skinny Lister’s most far-reaching, exciting and accomplished album yet. It’s a full-on rock record that splashes even more punk vigour and eighties pop elements across their fervent folk canvas, taking in hints of Adam Ant and The Clash. It also brings the folk storytelling tradition bang up to date with its brutally honest and close to the knuckle lyrics of real-life stories (‘Geordie Lad’, ‘Charlie’) and on-the-road mayhem, the Pogue-ish ‘Hamburg Drunk’. A mature, vibrant and varied record, it mingles classic Skinny folk romances (‘Grace’, ‘Reunion’) with epic rock takes on rafter-rattling shanties (‘Beat It From The Chest’) and hearty Dexys-style tributes to the fans they meet on the road (‘Fair Winds & Following Seas’), plus a hitherto unseen darker side. Take the deceptively upbeat ‘Injuries’, Dan’s ode on the bruising nature of life, or ‘Devil In Me’, in which Lorna comes on like a particularly melodic Glenn Close in Fatal Attraction. • The Devil, The Heart & The Fight hit the UK Top 40 in the two independent album charts (#38 ‘Breakers’ chart, and #11 Independent Album Chart). • Has received over 2.5million streams on Spotify and the videos have reached over 400K views on YouTube. • Global radio support from 6Music, Radio X in UK Radio Eins, Flux FM, Star FM in Germany and WBSD, WRFL, WYCE, KSJS, WAWL, KPNT, WRIF, KXRN, Indie.FM, WVMO, and WCSF in USA. PRESS QUOTES: “…considerably upped their game.” 4/5 Q Magazine album review “…a deafening and visceral experience.” 5/5 Independent live review from London Garage. "This album has a wholesome kind of dirtiness woven deep into the tapestry of each of the songs." Subba Cultcha "The Devil, The Heart & The Fight’ sees them break their own mould, in places amplifying the popular influences on their sound yet retaining their fundamental roots." Punktastic “(a) kaleidoscope of high octane folk punk via Dexy’s and The Pogues” Louder Than War